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Hurrell Froude: Memoranda and Comments

Chapter 80: Robert Barr’s Novels
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About This Book

The volume begins with edited memoranda and a selection of correspondence that reconstruct his life, ideals, and character, accompanied by editorial notes on missing letters, anonymized names, and facsimile pages; illustrations supplement the narrative. A second, independent section gathers contemporary essays and reviews assessing his intellectual affinities and relation to the Oxford religious movement, presenting varied critical perspectives. Together the parts offer a portrait shaped by personal documents and public appraisal, combining biographical reconstruction, candid editorial commentary about gaps in the record, and critical reflection on his place in Anglican religious debates.

Part II.——Fiction

Marie Corelli’s Novels.

Crown 8vo. 6s. each.

A ROMANCE OF TWO WORLDS. Twenty-Fourth Edition.

VENDETTA. Twentieth Edition.

THELMA. Thirtieth Edition.

ARDATH: THE STORY OF A DEAD SELF. Fifteenth Edition.

THE SOUL OF LILITH. Twelfth Edit.

WORMWOOD. Thirteenth Edition.

BARABBAS: A DREAM OF THE WORLD’S TRAGEDY. Thirty-Ninth Edition.

‘The tender reverence of the treatment and the imaginative beauty of the writing have reconciled us to the daring of the conception. This “Dream of the World’s Tragedy” is a lofty and not inadequate paraphrase of the supreme climax of the inspired narrative.’—Dublin Review.

THE SORROWS OF SATAN. Forty-Eighth Edition.

‘A very powerful piece of work…. The conception is magnificent, and is likely to win an abiding place within the memory of man…. The author has immense command of language, and a limitless audacity…. This interesting and remarkable romance will live long after much of the ephemeral literature of the day is forgotten…. A literary phenomenon … novel, and even sublime.’—W. T. Stead in the Review of Reviews.

THE MASTER CHRISTIAN.

[165th Thousand.

‘It cannot be denied that “The Master Christian” is a powerful book; that it is one likely to raise uncomfortable questions in all but the most self-satisfied readers, and that it strikes at the root of the failure of the Churches—the decay of faith—in a manner which shows the inevitable disaster heaping up…. The good Cardinal Bonpré is a beautiful figure, fit to stand beside the good Bishop in “Les Misérables.” It is a book with a serious purpose expressed with absolute unconventionality and passion…. And this is to say it is a book worth reading.’—Examiner.

TEMPORAL POWER: A STUDY IN SUPREMACY.

[150th Thousand.

‘It is impossible to read such a work as “Temporal Power” without becoming convinced that the story is intended to convey certain criticisms on the ways of the world and certain suggestions for the betterment of humanity…. If the chief intention of the book was to hold the mirror up to shams, injustice, dishonesty, cruelty, and neglect of conscience, nothing but praise can be given to that intention.’—Morning Post.

GOD’S GOOD MAN: A SIMPLE LOVE STORY.

Anthony Hope’s Novels.

Crown 8vo. 6s. each.

THE GOD IN THE CAR. Ninth Edition.

‘A very remarkable book, deserving of critical analysis impossible within our limit; brilliant, but not superficial; well considered, but not elaborated; constructed with the proverbial art that conceals, but yet allows itself to be enjoyed by readers to whom fine literary method is a keen pleasure.’—The World.

A CHANGE OF AIR. Sixth Edition.

‘A graceful, vivacious comedy, true to human nature. The characters are traced with a masterly hand.’—Times.

A MAN OF MARK. Fifth Edition.

‘Of all Mr. Hope’s books, “A Man of Mark” is the one which best compares with “The Prisoner of Zenda.”’—National Observer.

THE CHRONICLES OF COUNT ANTONIO. Fifth Edition.

‘It is a perfectly enchanting story of love and chivalry, and pure romance. The Count is the most constant, desperate, and

Arthur Morrison’s Novels

Crown 8vo. 6s. each.

TALES OF MEAN STREETS. Sixth Edition.

‘A great book. The author’s method is amazingly effective, and produces a thrilling sense of reality. The writer lays upon us a master hand. The book is simply appalling and irresistible in its interest. It is humorous also; without humour it would not make the mark it is certain to make.’—World.

A CHILD OF THE JAGO. Fourth Edition.

‘The book is a masterpiece.’—Pall Mall Gazette.

TO LONDON TOWN. Second Edition.

‘This is the new Mr. Arthur Morrison, gracious and tender, sympathetic and human.’—Daily Telegraph.

CUNNING MURRELL.

‘Admirable…. Delightful humorous relief … a most artistic and satisfactory achievement.’—Spectator.

THE HOLE IN THE WALL. Third Edition.

‘A masterpiece of artistic realism. It has a finality of touch that only a master may command.’—Daily Chronicle.

‘An absolute masterpiece, which any novelist might be proud to claim.’—Graphic.

‘“The Hole in the Wall” is a masterly piece of work. His characters are drawn with amazing skill. Extraordinary power.’—Daily Telegraph.

Eden Phillpotts’ Novels

Crown 8vo. 6s. each.

LYING PROPHETS.

CHILDREN OF THE MIST. Fifth Edition.

THE HUMAN BOY. With a Frontispiece. Fourth Edition.

‘Mr. Phillpotts knows exactly what school-boys do, and can lay bare their inmost thoughts; likewise he shows an all-pervading sense of humour.’—Academy.

SONS OF THE MORNING. Second Edition.

‘A book of strange power and fascination.’—Morning Post.

THE STRIKING HOURS. Second Edition.

‘Tragedy and comedy, pathos and humour, are blended to a nicety in this volume.’—World.

‘The whole book is redolent of a fresher and ampler air than breathes in the circumscribed life of great towns.’—Spectator.

FANCY FREE. Illustrated. Second Edition.

‘Of variety and racy humour there is plenty.’—Daily Graphic.

THE RIVER. Third Edition.

‘“The River” places Mr. Phillpotts in the front rank of living novelists.’—Punch.

‘Since “Lorna Doone” we have had nothing so picturesque as this new romance.’ —Birmingham Gazette.

‘Mr. Phillpotts’s new book is a masterpiece which brings him indisputably into the front rank of English novelists.’—Pall Mall Gazette.

‘This great romance of the River Dart. The finest book Mr. Eden Phillpotts has written.’—Morning Post.

THE AMERICAN PRISONER. Second Edition.

S. Baring-Gould’s Novels

Crown 8vo. 6s. each.

ARMINELL. Fifth Edition.

URITH. Fifth Edition.

IN THE ROAR OF THE SEA. Seventh Edition.

MRS. CURGENVEN OF CURGENVEN. Fourth Edition.

CHEAP JACK ZITA. Fourth Edition.

THE QUEEN OF LOVE. Fifth Edition.

MARGERY OF QUETHER. Third Edition.

JACQUETTA. Third Edition.

KITTY ALONE. Fifth Edition.

NOÉMI. Illustrated. Fourth Edition.

THE BROOM-SQUIRE. Illustrated. Fourth Edition.

THE PENNYCOMEQUICKS. Third Edition.

DARTMOOR IDYLLS.

GUAVAS THE TINNER. Illustrated. Second Edition.

BLADYS. Illustrated. Second Edition.

DOMITIA. Illustrated. Second Edition.

PABO THE PRIEST.

WINIFRED. Illustrated. Second Edition.

THE FROBISHERS.

ROYAL GEORGIE. Illustrated.

MISS QUILLET. Illustrated.

LITTLE TU’PENNY. A New Edition. 6d.

CHRIS OF ALL SORTS.

Robert Barr’s Novels

Crown 8vo. 6s. each.

IN THE MIDST OF ALARMS. Third Edition.

‘A book which has abundantly satisfied us by its capital humour.’—Daily Chronicle.

THE MUTABLE MANY. Second Edition.

‘There is much insight in it, and much excellent humour.’—Daily Chronicle.

THE COUNTESS TEKLA. Third Edition.

‘Of these mediæval romances, which are now gaining ground “The Countess Tekla” is the very best we have seen.’—Pall Mall Gazette.

THE STRONG ARM. Illustrated. Second Edition.

THE VICTORS.

‘Mr. Barr has a rich sense of humour.’—Onlooker.

‘A very convincing study of American life in its business and political aspects.’—Pilot.

‘Good writing, illuminating sketches of character, and constant variety of scene and incident.’—Times.

THE LADY ELECTRA.

[Nearly Ready.