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Ideala

Chapter 17: CHAPTER XV.
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About This Book

This work sketches the inner life and social effect of an intellectually restless woman, and frames her story with a preface that urges study of imperfect growth rather than finished perfection. The narrator analyses a mind passing through excitable, embittered, and corrosive moods while insisting knowledge enlarges love and pity. Episodes show how her unconventional habits, selective speech, and disdain for mediocrity unsettle a provincial circle that misreads her, prompting wider reflections on moral development, social judgment, the cultivation of sympathy, and the difficult work of self-transformation.

Soon after this the party broke up. Claudia returned in her wraps to say good-night to the Bishop's wife.

"Claudia!" Ideala exclaimed, "you have forgotten that detestable old blue shawl."

Claudia tried to stop her with a significant gesture, but in vain.
Ideala was obtuse.

"Claudia came out this evening in the most extraordinary covering I ever saw a lady wear," she said to the Bishop's wife. "I really think she must have borrowed it from one of the maids."

"I am afraid you must mean the blue shawl I lent to Lady Claudia the other evening," the Bishop's wife replied, with a hurt smile.

"Oh!" said Ideala, disconcerted for a moment. "But, really, Bishopess, you deserve to be upbraided. You should set a better example, and not provoke us to scorn on the subject of your shawls."

Later, when I was alone with my sister, I said: "Ideala did nothing but put her foot in it this evening. What was the matter with her? I never heard her speak so strongly before, except when she was alone with us. And I don't think she ought to discuss such subjects with such people; it is hardly delicate."

Claudia sighed wearily. "Who knows what pain is at the bottom of it all?" she said. "But one thing always puzzles me. Ideala rails at evils that never hurt her, and yet she speaks of marriage, which has been her bane, as if it were a holy and perfect state, upon which it is a privilege to enter."

"Plenty of people have condemned marriage simply because their own experience of it has been unfortunate," I answered; "but Ideala is above that. She will let no petty personal mishap prejudice her judgment on the subject. She sees and feels the possibility of infinite happiness in marriage when there is such love and such devotion on both sides as she herself could have brought to it; and she understands that her own unhappy experience need only be exceptional."

"I wish it were!" sighed Claudia.

Some years later, Ideala confessed to me that she had written "The Passion of Delysle" herself, but had had no idea of its significance until she heard it read aloud that night, and then, as she elegantly expressed it, she could have cut her throat with shame and mortification, which I consider a warning to young ladies not to trust to their poetical inspirations, for—if the shade of Shelley will pardon the conclusion—alas! apparently, they know not what they do when they write verses!

"I can't think how you could have criticised it like that, Ideala," I said, "now that I know you wrote it."

"Neither can I," she answered.

"You ought to have confessed you had written it, or have said nothing about it," I told her, frankly.

"Yes," she assented. "Not doing so was a kind of falsehood. But neither course occurred to me." And then she explained: "I never see the meaning of what I write till the light of public opinion is turned upon it, or some cold critic comes and damps my enthusiasm. When a subject possesses me, and shapes itself into verse, it boils in my brain, and my pen is the only way of escape for it, the one safety-valve I have to ease the pressure. And I can't judge of its merits myself for long enough after it is written, because the boiling begins again, you see, whenever I read it, and then there is such a steam of feeling I cannot see to think. For the verses, however poor they appear to you, contain for me the whole poem as I have it in my inner consciousness. It is beautiful as it exists there, but the power of expression is lacking. If only I could make you feel it as I do, I should be the greatest poet alive."

It was a trick of Ideala's to miss the true import of a thing—often an act of her own—until the occasion had passed, or to see it strangely distorted, as she frequently did at this time—though that gradually ceased altogether as she grew older; but it was this peculiarity, so strongly marked in her, which first helped me to comprehend a curious trait there is in the moral nature of men and women while it is still in process of development. Many men, Frenchmen especially, have thought the trait peculiar to women. La Bruyére declares that "Women have no principles as men understand the word. They are guided by their feelings, and have full faith in their guide. Their notions of propriety and impropriety, right and wrong, they get from the little world embraced by their affections." And Alphonse Karr says: "Never attempt to prove anything to a woman: she believes only according to her feelings. Endeavour to please and persuade: she may yield to the person who reasons with her, not to his arguments"—opinions, however, which apply to men as often as not, and only to the young, impressible, passionate, and imperfectly educated of either sex. But there is scarcely a generalisation for one sex which does not apply equally to the other, so perfectly alike in nature are men and women. The difference is only in circumstance. Reverse the position of the sexes, require men to be modest and obedient, and they will develop every woman's weakness in a generation. If a man would comprehend a woman, let him consider himself; the woman has the same joys, sorrows, hopes, fears, pleasures, and passions—expressed in another way, that is all. But, certainly, for a long time Ideala's guide was her feeling about a thing. I have often said to her, when at last she decided to take some step which had obviously been the only course open to her from the first: "But, Ideala, why have you hesitated so long? You knew it was right to begin with."

"Yes," she would answer, "I knew it was right; but I have only just now felt that it was."

She had never thought of acting on the mere cold knowledge. For feeling to knowledge, in young minds, is like the match to a fire laid in a grate; knowledge without feeling being as cheerless and impotent as the fire unlit.

CHAPTER XII.

A little while after that evening at the Palace we learnt to our dismay that Ideala's husband had taken a house in one of the rough manufacturing districts, to which he meant to remove immediately. Business was the pretext, as he had money in some great ironworks there; but I think the nearness of a large city, where a man of his stamp would be able to indulge all his tastes without let or hindrance, had something to do with the change.

Ideala had kept up very well while she was among us, but soon after she went away we gathered from the tone of her letters that there was a change in her which alarmed us. Her health, which had hitherto been splendid, seemed to be giving way, and it was evident that her new position did not please her, and that, even after she had been there for months, she continued to feel herself "a stranger in a strange land." The people were uncongenial, and I think it likely they regarded Ideala's oddities with some suspicion, and did not take to her as we had done. She had not that extreme youth which had been her excuse when she came to us, and which, somehow, we had not missed when she lost it; and her habitual reserve on all matters that immediately concerned herself must also have tended to make her unpopular with people whose predominant quality was "an eminent curiosity."

"They are far above books," Ideala wrote to Claudia; "what they study is each other, and in the pursuit of this branch of knowledge they are indefatigable. When they can get nothing out of me about myself, they question me about my husband and friends, and it is in vain that I answer them with those words of wisdom (I feel sure I misquote them)— 'All that is mine own is yours till the end of my life; but the secret of my friend is not mine own'—they persevere.

"Our house is near the town, Eighteen big chimneys darken our daylight and deluge us with smuts when the wind brings the smoke, our way; and besides the smoke we are subject to unsavoury vapours from chemical works in the other direction, so that when the wind shifts we only exchange evils. They say these chemical fumes are not unwholesome, and quote the death-rate, which is lower than any other place of the size in England. In fact, scarcely anybody dies here. They go away as soon as they begin to feel ill—perhaps that accounts for it. But those horrid chemical fumes have a great deal to answer for. They have killed the trees for miles around. It is the oaks that suffer principally. The tops are nipped first, and then they gradually die downwards till the whole tree is decayed all through. The absence of trees makes the country bleak and desolate, and I cannot help thinking the unlovely surroundings affect us all. The people themselves are unlovely in thought, and word, and deed; but I have found a good deal of rough kindliness amongst them nevertheless. They did mob me on one occasion, and made most unkind remarks about my nether garments, when I was obliged to walk through the town in my riding habit; but, as a rule, the mill girls merely observe 'That's a lady,' and let me go by unmolested—unless I happen to be carrying flowers. They do so love flowers, poor things and I cannot resist their pathetic entreaties when they beg for 'One, missus, on'y one!' Some of my lady friends are not let off so easily as I am. The girls chaff them unmercifully about their dress and personal peculiarities, and if they show signs of annoyance they call them names that are not to be repeated. The mill girls wear bright-coloured gowns, white aprons, and nothing on their heads. If a policeman catches them at any mischief they either clatter off in their clogs with shrieks of laughter, or knock him down and kick him most unmercifully. They are as strong as men, and as beautiful, some of them, as saints; but they are very unsaintlike creatures really—irresponsible, and with little or no idea of right and wrong. One scarcely believes that they have souls—and I am always surprised to find that anything not cruel and coarse can survive in the hearts of people, begrimed, body and mind, like these, by their hard surroundings; but it is there, nevertheless—the human nature, and the poetry, and the something ready to thrill to better things. A gentleman has a lovely place not far from us, where the trees have been spared by a miracle. Nightingales seldom wander so far north, but a few years ago a stray one was heard there, and the wonder and the beauty of its voice brought hundreds from the mills and crowded streets to hear it sing. Special trains were run from the neighbouring city to accommodate the crowds that came nightly to wait in the moonlight and listen; and an enterprising trader set up a stall, and sold gingerbeer. The story ends there, but I like it, don't you? especially the gingerbeer part of it. It was told me by one who remembers the circumstance.

"My greatest pleasure in life is in my flowers, they are dearer to me than any I ever had before, because they are all so delicate, and require such infinite care and tenderness to keep them alive in this uncongenial climate. I have my thrushes also—two, which I stole from a nest in a wood one moonlight night, and brought up by hand on bread and milk and scraped beef. I had to get up at daylight, and feed them every hour until dark; but the clergy will not allow that this obligation was a proper excuse for staying away from church, and just now I am unhappy in the feeling that their religion must be inhuman. But my thrushes have well repaid the trouble. They call me when I go into the room, and come to me when I open the door of their cage, and perch on my shoulder. One of them, Israfil, sings divinely. People who come to hear him see only a little brown bird with speckled breast, and call him a thrush; but I know he is Israfil, 'the angel of song, and most melodious of God's creatures;' and he thinks that I have wings. He told me so!

"I wish you would send me a basket of snails packed up in lettuce leaves. I don't know why, but I can find none here, and I cannot hear of one ever having been seen in the county. But please do not send them unless you are quite sure you can spare them."

"Ideala is trying to hide herself behind these pretty trivialities," Claudia said. "I always suspect that there is something more wrong than usual when she adopts this playful tone and childlike simplicity of taste."

"It must be trying to have a friend who believes so little in one as you do in Ideala," I answered.

"Oh, how exasperating you are!" Claudia exclaimed. "You know what I mean quite well enough."

Later, Ideala wrote: "You are anxious about my health. The fact is, I have developed a most extraordinary talent for taking cold. I went by train to see the museum in the city the other day. I took off my cloak while I was there, and stayed an hour, and when I came away, the antiquary, who knew I was a precious specimen, wrapped me up carefully himself. Nevertheless I caught cold. Then I went to stay with some people near here who clamoured much for the pleasure of my company. They live in a palace and are entertaining. The lady's papa took me in to dinner he first evening. He asked me about Major Gorst, and wanted to know, in an impressive tone of voice, if I had heard that he was the next heir but one to the Hearldom of Cathcourt.

"The next day my hostess said to her husband: 'Dearest, do let me ride
Oscar,' and he replied: 'No, my darling, I can't till I know he's safe.
I must get some one to try him first'—and he looked at me—'Perhaps
you wouldn't mind?'

"They had never seen me on horseback, and I was longing to distinguish myself. I did distinguish myself. Oscar was a merry horse, but one never knew how he would take things. The first bridge we came to—I was 'sitting easy to a canter' with my foot out of the stirrup and my leg over the third crutch—a bad habit I learnt from a foreign friend—and an express train rushed by. Oscar went on abruptly, but I remained. The next difficulty was at a brook. We ought to have crossed it together; but Oscar changed his mind at the last moment, so he remained and I went on. And after that we came to cross-roads, and had a difference of opinion about which was the right one. That ended in our coming over together, which made me feel solemn—disheartened, in fact—and then I thought we should never understand each other and be friends, so I gave him up. I did not talk much about riding to those people after that.

"But I wore my summer habit that day, and of course I caught cold. And when that was nearly well I went downstairs to be civil to some people who had driven a long way to see me. The drawing-room was damp from disuse, and the fire had only just been lighted—and of course I caught cold. When that was better I went for a drive. The wind was east, and the carriage was open—and of course I caught cold. I don't know how it may strike you, but argument seems to me useless when a person has such a constitution."

"Can you read between the lines of that letter?" Claudia asked me.

"She seems to be dreadfully don't care," I said.

"Exactly. She is more reckless, and therefore more miserable, than she used to be. I wouldn't live with him."

"Ideala won't shirk her duty because it is hard and unpalatable," I answered.

"I believe she likes it!" Claudia exclaimed; and then, smiling at her own inconsistency, she explained, "I mean if she really is miserable she ought to speak and let us do something."

"It is contrary to her principles. She would think it wrong to disturb your mind for a moment because her own life is a burden to her. That is why she always tries to seem happy, and is cheerful on the surface. If she made lament, we should suffer in sympathy, and all the more because there is so very little we could do to help her. Silence is best. If she ever gives way, she will not be able to bear it again."

"But why should she bear it?" Claudia demanded.

"It is her duty."

"I know she thinks so, and is sacrificing her life to that principle. But will you kindly tell me where a woman's duty to her husband ends and her duty to herself begins? I suppose you will allow that she has a duty to herself? And the line should be drawn somewhere."

Claudia's mind was a sort of boomerang just then, returning inevitably to this point of departure; but I could make no suggestion that satisfied her. And I was uneasy myself. Ideala refused to come to us, and had made some excuse to prevent it when Claudia offered to go to her. This puzzled me; but we induced her at last to promise to meet us in London in May. It was April then, and we thought if she could be persuaded to stay two months of the season in town with us, and go with us afterwards to a place of mine in the North which she loved, she would probably recover her health and spirits.

CHAPTER XIII.

In the meantime, however, something decisive happened, as we afterwards learnt.

It seems that after they left our neighbourhood Ideala had, by accident, made a number of small discoveries about her husband which had the effect of destroying any remnant of respect she may still have felt for him. She found that he was in the habit of examining her private papers in her absence, and that he had opened her letters and resealed them. His manner to her was unctuous as a rule; but she knew he lied to her without hesitation if it suited his purpose—and that alone would have been enough to destroy her liking for him, for it is not in the nature of such a woman to love a man who has looked her in the face and lied to her.

These things, and the loneliness he brought upon her by driving from her the few people with whom she had any intellectual fellowship, she would have borne in the old uncomplaining way, but he did not stop there.

One day she drove into town with a friend who got out to do some shopping. Ideala waited in the carriage, which had stopped opposite a public-house, and from where she sat she could see the little sitting- room behind the bar, and its occupants. They were her husband and the barmaid, who was sitting on his knee.

Ideala arranged her parasol so that they might not see her if they chanced to look that way, and calmly resumed the conversation when her friend returned.

She dined alone with her husband that evening, and talked as usual, telling him all she had done and what news there was in the paper, as she always did, to save him the trouble of reading it. In return he told her he had been at the ironworks all day, only leaving them in time to dress for dinner, a piece of news she received with a still countenance, and her soft eyes fixed on the fire.

She was standing on the hearth at the time, and as he spoke he laid his hand upon her shoulder caressingly, but she could not bear it. Her powers of endurance were at an end, and for the first time she shrank from him openly.

"How you do loathe me, Ideala," he exclaimed.

"Yes, I loathe you," she answered.

And then, in a sudden burst of rage, he raised his hand and struck her.

Ideala's determination to be faithful to what she conceived to be her duty had kept her quiet hitherto, but now a sense of personal degradation made her desperate, and she forgot all that. Her first impulse was to consult somebody, to speak and find means to put an end to her misery; but I was not there, and to whom should she go for advice. Her impatience brooked no delay. She must see some one instantly. She thought of the Rector of the parish, but felt he would not do. He was a fine-looking, well-mannered old gentleman, much engaged in scientific pursuits, who always spoke of the Deity as if he were on intimate terms with Him, and had probably never been asked to administer any but the most formal kind of spiritual consolation in his life.

The training and experience of a Roman Catholic priest, accustoming them as it does to deal with every phase of human suffering and passion, would have been more useful to her in such an emergency, but she knew none of the priests in that district, and did not think of going to them. But while she was considering the matter, as if by inspiration, she remembered something an acquaintance had lately written to her. This lady was a person for whom she felt much respect, and that doubtless influenced her decision considerably. The lady wrote: "It must be convenient to be only twenty minutes by train from such a big place. I suppose you go over for shopping, &c.? When you are there again I wish you would go and see my cousin Lorrimer. He is Adviser in General at the Great Hospital—a responsible position; and I am sure, if you go, he will be glad to do the honours of the place, which is most interesting."

Ideala had felt from the first that she would rather consult a stranger who would be disinterested and unprejudiced. This gentleman's name promised well for him, for he belonged to people whose integrity was well known; and his position vouched for his ability—and also for his age to Ideala, whose imagination had pictured a learned old gentleman, bald, spectacled, benevolent, full of knowledge of the world, "wise saws and modern instances." No one, she thought, could be better suited for her purpose; and accordingly, next day, after attending to her household duties, she went by an early train to consult him.

CHAPTER XIV.

The Great Hospital had been founded by an eccentric old gentleman of enormous wealth for an entirely original purpose. He observed that great buildings were erected everywhere to receive patients suffering from all imaginable bodily ills, chronic mania, of course, when the brain was diseased, being one of them; but no one had thought of making provision for such troubles, mental, moral, and religious, as affect the mind; and he held that such suffering was as real, and, without proper treatment, as incurable and disastrous, as any form of physical ailment. He therefore determined to found an hospital for these unhappy ones, which should contain every requisite that Divine Revelation had suggested, or human ingenuity could devise, for the promotion of peace of mind. The idea had grown out of some great mental trouble with which he himself had been afflicted in early life, and for which the world, as it was, could offer him no relief.

The first thing he did towards the carrying out of his plan was to buy a site for his hospital near a growing town on the banks of a big river. The building was to be surrounded by green fields, for the colour is refreshing; and within sight of a great volume of calmly flowing water, the silent power of which is solemn and tranquillising to the spirit; and human society was to be within easy reach, for many people find it beneficial. As soon as he had found the site, which was entirely satisfactory, he set about maturing his plan for the building. Such a scheme could not be carried out in a moment, and he spent thirty years in travelling to study human nature, and architecture, and all else that should help to bring his work to perfection. At the end of thirty years he had finished a plan for the building to his own entire satisfaction; but Mr. Ruskin had been growing up in the meantime, and had begun to write, and the founder, happening to come across his works by accident one day, discovered his own ideas to be wrong from beginning to end. However, as it was the Truth he was aiming at, and not a justification of himself, he calmly burnt his plans, put his fingers in his ears (figuratively speaking) that he might not hear the rest of the world bray, and for ten years more devoted himself to the study of Mr. Ruskin. At the end of that time he knew something about proportion, about masses and intervals of light and shade; about the grandeur and sublimity of size, and the grace and beauty of ornament; about depth and harmony of colour, and all the other wonders that make one sick with longing to behold them; and when he had mastered all this he determined to begin at the very beginning, that is to say, with the walls that were to enclose his vast experiment. Everything was to be real, everything was to be solid, everything had to be endowed with a power of expression that could not fail of its effect. And as soon as he felt he might safely begin, he hastened away to inspect the long neglected site for his wonderful building. But here an unexpected check awaited him. While he himself had been so hard at work, his future neighbours had not been idle. The town had grown to a city; the river's banks were crowded with wharves and human habitations; the river itself cradled a fleet on its bosom, its waters, once so sublimely clear and still, were turbid and yellow, befouled by the city sewers, and useful only; and all that remained to remind him of what had once been were a few acres of weeds enclosed by an iron railing—an eyesore to the inhabitants of that region, as the Corporation told him, with a polite hope that he would either build on it soon or leave it alone, which was their diplomatic way of requesting him to hand the lot over to themselves. And this he might have done had they said "Please;" but when he found the young city so ignorant, he thought it his duty to teach it manners, so he took a year or two more to consider the matter. Then he perceived that if he built his house on the site as it was now he should do even more good than he had intended, for the constant contemplation of such a stately pile would help to elevate the citizens outside the building, while those within might find comfort in seeing themselves surrounded by even greater misery than their own.

And so the building rose and grew to perfection, and they found after all that no better site could have been chosen for it; for from every side as you approached it, it was seen to advantage, and the majesty and power of it were made manifest. Outside, the design was so evident in its grandeur that the mind was not wearied and perplexed by an effort to understand; it was simply elevated to a state of enjoyment bordering on exaltation—exaltation without excitement, and near akin to peace. And the interior of the building as you entered it maintained this first impression. Such ornament as there was touched you, as the clouds do, with a sense of suitability that left nothing to be desired. Art was so perfectly hidden that there seemed to have been no striving for effect in decoration or construction, it looked like a work of Nature, accomplished without effort, and beautiful without design; and the mind brought under its influence, and left free of conjecture, was gently compelled to revel in the peace which harmonious surroundings insensibly produce. Disturbing thoughts vanished as being too common and mean, too human, for such a place, and the spirit was soothed with a sense of repose—of sensuous restfulness, really, for the pleasure, as intended, affected the senses more than the intellect, which could here make holiday. Work-wearied brains were thus eased from pressure, and minds a prey to doubts and other disturbing thoughts which impaired their strength, if they did not render them useless, were at once relieved. And this was the beginning of the treatment which was afterwards continued in other parts of the building, and by other means, until the cure was complete—arrangements being made for the removal of cases that proved to be hopeless to those older establishments which have long existed at the expense of the country, or as the outcomes of private enterprise.

Of course the staff of such a place had to be formed of men of a high order. Some of these had been patients themselves, and had been chosen on that account, it being thought that those who had suffered from certain ills would be apt to detect the symptoms in others, and able to devise remedies for them, which proved to be the case. The establishment was munificently endowed and liberally supported, and the Master, as he was reverently called, lived just long enough to see that it was a success.

He had not thought of extending the charity to women, being under the impression that no such provision was necessary for them. He acknowledged that they had a large share of physical suffering to endure, but asserted that Nature, to preserve her balance, must have arranged their minds so as to render them incapable of suffering in any other way. Sentimentality, hysteria, and silliness, he said, were at the bottom of all their mental troubles, which did not, therefore, merit serious attention.

CHAPTER XV.

But of all this Ideala knew little or nothing when she went there, except that the Great Hospital existed for some learned purpose. She felt the power of the place, however, preoccupied as she was, and stopped involuntarily when she saw the building, ceasing for a moment to be conscious of anything but the awe and admiration it inspired. Then she passed up the broad steps, beneath the massive pillars of the portico, and entered the hall. A man-servant took her card to Mr. Lorrimer, and, returning presently, requested her to follow him. They left the great hall by a flight of low steps at the end of it, and, turning to the right, passed through glass doors into quite another part of the building. A long, dimly-lighted gallery led away into the distance. A few doors opened on to it, and at one of these the servant stopped and knocked. A tall gentleman opened the door himself, and, begging Ideala to enter, bade her be seated at a writing-table which stood in the middle of the room, and himself took the chair in front of it, and looked at Ideala's card which lay before him. Another gentleman, whom Lorrimer introduced as "My brother Julian," lounged on a high-backed chair at the other side of the table. The room was a good size, but so crowded with things that there was scarcely space to turn round. The light fell full upon Lorrimer as he sat facing the window, and Ideala saw a fair man of about thirty, not at all the sort of man she had imagined, and quite impossible for her purpose.

An awkward pause followed her entrance. She was unable to tell him the real reason of her visit, and at a loss to invent a fictitious one.

"I don't suppose you know in the least who I am," she said, seeing that he glanced at her card again, and then she explained, telling him what his cousin had written to her.

"And you would like to see the Hospital?" he asked.

"Please."

He rose, took down a bunch of keys, and requested her to follow him. She felt no interest in the place, and knew it was a bore to him to show it to her; but the thing had to be done. He led her through halls and lecture-rooms, places of recreation and places for work; he showed her picture galleries, statuary, the library, and a museum, and told her the plan of it all clearly, like one reciting a lesson, and indifferently, like one performing a task that must be got through somehow, but making it all most interesting, nevertheless.

Ideala began to be taken out of herself.

"What a delightful place!" she said, when they came to the library. "And there is a whole row of books I want to consult. How I should like to come and read them."

"Oh, pray do," he answered, "whenever you like. Ladies frequently do so. You have only to write and tell me when you wish to come, and I will see that you are properly attended to."

"Thank you," Ideala rejoined. "It is just the very thing for me, for I am writing a little book, and cannot get on till I have consulted some authorities on the subject." In the museum they stopped to look at a mummy.

"Oh, happy mummy!" burst from Ideala, involuntarily.

"Why?" asked Lorrimer, aroused from his apathy.

"It has done with it all, you know," she answered.

Then he turned and looked at her, and she saw that he was something more than cold, pale-faced, and indifferent, which had been her first idea of him. His eyes were large, dark grey, and penetrating. She would have called his face fine, rather than handsome; but the upper part was certainly beautiful, in spite of some hard lines on it. There was something in the expression, more than in the formation, of the mouth and chin, however, that did not satisfy. His head and throat were splendid; the former narrowed a little at the back, but the forehead made up for the defect, which was not striking. He made Ideala think of Tito Melema and of Bayard.

That remark of hers having broken the ice, they began to talk like human beings with something in common. But Ideala's mood was not calculated to produce a good impression. The failure of her enterprise brought on a fit of recklessness such as we understood, and she said some things which must have made a stranger think her peculiar. Lorrimer had begun to be amused before they returned to the great entrance hall. Once or twice he looked at her curiously. "What sort of a person are you, I wonder?" he was thinking,

"I was dying of dulness," she said, telling him about the place she came from, "and so I came to see you."

He left her for a moment, but presently returned with his brother.

"You had better come and have some luncheon before you go back," he said.

And she went.

As they left the building Lorrimer asked her: "Where on earth did my cousin meet you?"—with the slightest possible emphasis. Ideala understood him, and laughed.

"Upon my word I don't know who introduced her," she answered, standing on her dignity nevertheless. "I can't remember."

They went to the refreshment-room at the station. It was crowded, but they managed to get a table to themselves. There was a vacant seat at it, and an old gentleman begged to be allowed to occupy it as there was no other in the room. The three chatted while they waited, each hiding him, or her, self beneath the light froth of easy conversation; and people, not accustomed to look on the surface for signs of what is working beneath, would have thought them merry enough. As she began to know her companions better, Ideala was more and more drawn to Lorrimer. His brother, who was a dark man, and very different in character, did not attract her.

The old gentleman, meanwhile, was absorbed in his newspaper, and he marked his enjoyment of it by inhaling his breath and exhaling it again in that particular way which is called "blowing like a porpoise."

Lorrimer, by an intelligent glance, expressed what he thought of the peculiarity to Ideala, who remarked: "It is the next gale developing dangerous energy on its way to the North British and Norwegian coasts."

The laugh that followed caused the old gentleman to fold up his paper, and look benignly at the young people over his pince-nez.

It was early in the season, and peas were a rare and forced vegetable. A small dish of them was brought, and handed to the dangerous gale, who absently took them all.

"You have taken all the peas, sir; allow me to give you all the pepper," said Lorrimer, dexterously suiting the action to the word.

The dangerous gale, though disconcerted at first, was finally moved to mirth.

"Ah, young people! young people!" he said, and sighed—and being a merry and wise old gentleman, he found pleasure in their pleasure, and entered into their mood, little suspecting that Black Care was one of the party, or that a black bruise which would have aroused all the pity and indignation of his honest old heart, had he seen it, was almost under his eyes.

And they all loved him.

Presently he rose to go; but before he departed, he observed, looking kindly at Ideala and Lorrimer; "You're a handsome pair, my dears! Let me congratulate you; and may your children have the mother's sweetness and the father's strength, and may the love you have for each other last for ever—there's nothing like it. Thank God for it, and remember Him always—and keep yourselves unspotted from the world." And so saying, he went his way in peace.

"Dear embarrassing old man!" said Lorrimer, regretfully. "I wish I hadn't spilt the pepper on his plate.

"Is there a chance for Lorrimer?" his brother asked.

But Ideala only stared at him. There was something in his tone that made her feel ill at ease, and brought back the recollection of her misery in a moment. Then all at once she became depressed, and both the young men noticed it.

"I'm afraid you're rather down about something," Julian said. "You'd better tell us what it is. Perhaps we could cheer you up. And I'm a lawyer, you know. I might be able to help you."

Lorrimer was looking at her, and seemed to wait for her to speak; but she only showed by a change of expression that the fact of his brother being a lawyer possessed a special interest for her.

"If you will trust us," he said at last, "perhaps we can help you."

"I wish I could," she answered, wistfully; "I came to tell you."

"This sounds serious," Julian said, lightly. "You will have to begin at the beginning, you know. Come, Lorrimer, we'll go down the river. And," to Ideala, "you might tell us all about it on the way, you know."

"Yes, come," said Lorrimer. Ideala rose to accompany them without a thought. It all came about so easily that no question of propriety suggested itself—and if any had occurred to her she would probably have considered it an insult to these gentlemen to suppose they would allow her to put herself in a questionable position; and when Julian lit a cigarette without asking her permission, she was surprised.

On the way to the river Ideala's spirits rose again, and they all talked lightly, making a jest of everything; but while they were waiting for a boat, Julian took up a bunch of charms that were attached to Ideala's watch-chain and began to examine them coolly, and the unwonted familiarity startled her. With a sudden revulsion of feeling she turned to Lorrimer. She was annoyed by the slight indignity, and also a little frightened. Whatever Lorrimer may have thought of her before, he understood her look now, and his whole manner changed.

Julian left them for a moment. "I am so ashamed of myself," Ideala said. "I have made some dreadful mistake. I have done something wrong."

"I am very sorry for you," he answered, gravely—and then, to his brother, who had returned—"You can go on if you like. I am going back."

"Oh, we can't go on without you," Ideala inter-posed; "and I would rather go back too."

They began to retrace their steps, and Lorrimer, as they walked, managed, with a few adroit questions, to learn from Ideala that the trouble had something to do with her husband.

"Regy Beaumont is coming to me this afternoon," he said to his brother.
"Would you mind being there to receive him?"

They exchanged glances, and Julian took his leave.

"Now, tell me," Lorrimer said to Ideala.

But an unconquerable fit of shyness came over her the moment they were left alone together. "I cannot tell you," she answered. "It is too dreadful to speak of."

"Your husband has done you some great wrong?" he said.

"Yes."

"Something for which you can get legal redress?"

"Yes."

"And that made you desperate?"

"Yes."

"And what did you do?" He put the question abruptly, startling Ideala, as he had intended.

"I? Oh, I—did nothing," she stammered. There was a pause.

"My ideal of marriage is a high one," he said at last, "and I should be very hard on any short-comings of that kind."

Ideala longed to confide in him, but her shyness continued, and she walked by his side like one in a dream.

He took her to the station, and when they parted he said, "You will write and tell me?"

Ideala looked up. There were no hard lines in his face now; he was slightly flushed.

"Yes, I will write," she answered, almost in a whisper.

And then the train, "with rush and ring," bore her away through the spring-country; but she neither saw the young green of the hedgerows, nor "the young lambs bleating in the meadows," nor the broad river as she passed it, nor the fleecy clouds that flecked the blue. She was not really conscious of anything for the moment, but that sudden great unspeakable uplifting of the spirit, which is joy.

CHAPTER XVI.

The following week Ideala came to London, but not to us—she had promised to stay with some other people first. She wrote three times to Lorrimer while she was with them—first to thank him for his kindness, to which he replied briefly, begging her to confide in him, and let him help her.

In her second letter Ideala told him what had occurred. His reply was business-like. He urged her to let him consult his legal friends about her case; pointed out that she could not be expected to remain with her husband now; and showed her that she would not have to suffer much from all the publicity which was necessary to free her from him. She replied that her first impulse had been to obtain legal redress, but that now she could not make up her mind to face the publicity. She would see him, however, when she returned, and consult him about it; and she would also like to consult those books in the library. Her buoyant spirit was already recovering under the influence of a new interest in life.

Lorrimer's answer was formal, as his other notes had been. He begged her to make any use of the library she pleased, only to let him know when to expect her, that she might have no trouble with the officials; and offered her any other help in his power.

In the meantime my sister Claudia had seen Ideala, and had been pleased to find her, not looking well, certainly, but just as cheerful as usual. "It is evident the place does not agree with her," Claudia said; "but a few weeks with us will set her all right again."

They drove in the park together one afternoon, and talked, as usual, of many things, the state of society being one of them. This was a subject upon which my sister descanted frequently, and it was from her that Ideala learnt all she knew of it.

"Can you wonder," Claudia said on this occasion, "that men are immoral when ladies in society rather pride themselves than otherwise on imitating the demi-monde?"

"Have you ever noticed," Ideala answered, indirectly, "how frequently a word or phrase which you know quite well by sight, but have never thought of and do not understand, is suddenly brought home to you as it were? You come across it everywhere, and at last take the trouble to find out what it means in self-defence. That expression—demi- monde—has begun to haunt me since I came to town, and I feel I shall be obliged to look it up at once to stop the nuisance. We went to a theatre the other night, and when we were settled there I saw my husband in the stalls with a lady in flame-coloured robes. I didn't know he was in town. The rest of our party saw him, too, and the gentlemen had a mysterious little consultation at the back of the box. Then one of them left us, but returned almost immediately, and told us the carriage had not gone, and hadn't we better try some other theatre —the piece at that one was not so good as they had supposed. But I knew they had taken a lot of trouble, entirely on my account, to get a box there, as I had expressed a wish to see that particular piece, and I said I had come to enjoy it, and meant to. I did enjoy it, too. It was so absorbing that I forgot all about my husband, and don't know when he left the theatre. I only know that he disappeared without coming near us. When we got back, Lilian came to my room and told me they were all saying downstairs that I had behaved splendidly, and I said I was delighted to hear it, particularly as I did not know how, or when, or where, I had come to deserve such praise. And then she asked me if I knew who it was my husband was with. I said, no; some alderman's wife, I supposed. 'Nothing half so good,' she answered. 'That woman is notorious: she is one of the demimonde!' 'Well,' I said, 'I don't suppose she is in society.' And then Lilian said, 'Good gracious, Ideala! how can you be so tranquil? You must care. I think you are the most extraordinary person I ever met.' And I told her that the only extraordinary thing about me just then was a great 'exposition of sleep' that had come upon me. And then she left me; but she told me afterwards that she thought I was acting, and came back later to see if I really could sleep."

"And you did sleep, Ideala?"

"Like a top—why not? But now you are following suit with your ill- conducted people, and your demi-monde. I want to know what you mean by that phrase?"

Then Claudia explained it to her.

"But I thought all that had ended with the Roman Empire," Ideala protested.

Claudia laughed, and then went on without pity, describing the class as they sink lower and lower, and cruelly omitting no detail that might complete the picture.

"But the men are as bad," said Ideala.

"Oh, as bad, yes!" was the answer.

Ideala was pale with disgust. "And we have to touch them!" she said.

Her ignorance of this phase of life had been so complete, and her faith in those about her so perfect, that the shock of this dreadful revelation was almost too much for her. At first, as the carriage drove on through the crowded streets, she saw in every woman's face a hopeless degradation, and in every man's eyes a loathsome sin; and she exclaimed, as another woman had exclaimed on a similar occasion: "Oh, Claudia! why did you tell me? It is too dreadful. I cannot bear to know it."

"How a woman can be at once so clever and such a fool as you are,
Ideala, puzzles me," Claudia remonstrated, not unkindly.

She had warmed as she went on, and forgot in her indignation to take advantage of this long-looked-for opportunity to speak to Ideala about her own troubles; and afterwards, when she showed an inclination to open the subject, Ideala put her off with a jest.

"'Le mariage est beau pour les amants et utile pour les saints,'" she quoted, lightly. "Class me with the saints, and talk of something interesting."

A few days later Claudia came to me in dismay.

"What do you think?" she said. "Ideala is not coming to us at all! She says she must go back at once."

"Go back!" I exclaimed, "and why?"

"She is going to write something, for which she requires to read a great deal, and she says she must go back to work."

"But that is nonsense," I protested. "She can work as much as she likes here—I can even help her."

"I know that," Claudia answered; "but she spoke so positively I could not insist. I suppose the truth is her husband has ordered her back, and she is going to be a good, obedient child, as usual."

"Does she seem at all unhappy?"

"No, and that is the strange part of it. She has coolly broken I don't know how many other engagements to return at once, and instead of seeming disappointed, she simply 'glows and is glad.' She says nothing, but I can see it. I don't know what on earth she is up to now." And Claudia left the room, frowning and perplexed.

When I heard she was not unhappy, this sudden whim of Ideala's did not disturb me much; indeed, I was rather glad to think she had found something to be enthusiastic about. Her fits of enthusiasm were rarer now, and I thought this symptom of one a good sign. It was odd, though, that I had not seen her while she was in town. I was half inclined to believe she had avoided me.

CHAPTER XVII.

To give the story continuity it will be necessary to piece the events together as they followed. Many of them only came to my knowledge some time after they occurred, and even then I was left to surmise a good deal; but I am able now, with the help of papers that have lately come into my possession, to verify most of my conjectures and arrange the details.

The summer weather had begun now. Laburnums and lilacs were in full flower, the air was sweet with scent and song, and to one who had borne the heavy winter with a heavy heart, but was able at last to lay down a load of care, the transition must have been like a sudden change from painful sickness to perfect health. Ideala went to the Great Hospital at once. She had written to fix a day, and Lorrimer was waiting for her. She was not taken to his room, however, as on the previous occasion, but to another part of the building, a long gallery hung with pictures, where she found him superintending the arrangement of some precious things in cabinets. Ideala looked better and younger that day in her summer dress than she had done in her heavy winter wraps on the occasion of their first meeting; but when she found herself face to face with Lorrimer she began to tremble, and was overcome with nervousness in a way that was new to her. He saw the change in her appearance and manner at a glance, and, smiling slightly, begged her to follow him, and led the way through long passages and many doors, passing numbers of people, to his own room. He spoke to her once or twice on the way, but she was only able to answer confusedly, in a voice that was rendered strident by the great effort she had to make to control it. He busied himself with some papers for a few minutes when they reached his room, to give her time to recover herself, and then he said, standing with his back to the fireplace, looking down at her, and speaking in a tone that was even more musical and caressing than she remembered it: "Well, and how are you? And how has it been with you since your return?"

"I am utterly shaken and unnerved, as you see," she answered; then added passionately: "I cannot bear my life; it is too hateful."

"There is no need to bear it," he said. "Nothing is easier than to get a separation after what has occurred. Was there any witness?"

"No; and I don't think any one in the house suspects that there is anything wrong. And none of my friends know. I have never told them. I wonder why I told you?"

"You wanted me to help you," he suggested.

"I don't think I did," she said. "How could I want you to help me when I don't mean to do anything? I fancy I told you because I was afraid you would think me a little mad that day, and I would rather you knew the truth than think me mad. I don't mean to try for a separation. I can't leave him entirely to his own devices. If I did, he would certainly go from bad to worse."

"And if you don't what will become of you? I think much more of such a life would make you reckless."

She was silent for a little, then she exclaimed: "Help me not to grow reckless. I am so alone."

He took her hands and looked down into her eyes. A sudden deep flush spread over his face, smoothing out all the lines, as she had seen it do once before, and transforming him.

"It is like walking on the edge of a precipice in the dark," he said in a low voice, and his grasp tightened as he spoke.

There was something mesmeric in his touch that overpowered Ideala. She felt a change in herself at the moment, and she was never the same woman again.

"I will help you, if I can," he said, after another pause, and then he let her go.

After that they talked for some time. He tried to persuade her to reconsider her decision and leave her husband. He honestly believed it was the best thing she could do, and told her why he thought so. She acknowledged the wisdom of his advice, but declined to follow it, and he was somewhat puzzled, for the reasons she gave were hardly enough to account for her determination. They wandered away from that subject at last, however, and talked of many other things. He told Ideala of his first coming to the Great Hospital as a patient, and gave her some of the details of his own case, and told her enough of his private history to arouse her sympathy and interest; but of the nature of these confidences I know nothing. Ideala felt in honour bound not to repeat them, as they were made to her in the course of a private conversation, and she was always scrupulously faithful to all such trusts. I know, however, that he was a man who had suffered acutely, both from unhappy circumstances and from those troubles of the mind which beset clever men at the outset of their career, and sometimes never leave them entirely at peace. But this man was something more than a clever man; he was a man in a thousand. He had in a strong degree all that is worst and best in a man. The highest and most spiritual aspirations warred in him with the most carnal impulses, and he spent his days in fighting to attain to the one and subdue the other.

Ideala had never known a man like this man. His talents, his rapid changes of mood, as sense or conscience got the upper hand, and his versatility charmed her imagination and excited her interest; and he had, besides, that magnetic power over her by which it is given to some men to compel people of certain temperaments to their will. While she was with him he could have made her believe that black was white, and not only believe it, but be glad to think that it was so; and he always compelled her to say exactly what she had in her mind at the moment, even when it was something that she would very much rather not have said.

"But I am forgetting my other object in coming," Ideala broke off at last. "May I look at the books?"

Lorrimer took out his watch. "You ought to have some lunch first," he said. "If you will come now and have some, we can return and look at the books afterwards."

Ideala acquiesced, fearing it was his own lunch time, and knowing it would detain him if she did not accompany him.

Ladies not being allowed to lunch at the Great Hospital, they went, as before, to the station close by, and sat down side by side, perfectly happy together, chatting, laughing, talking about their childhood, and making those trifling confidences which go so far to promote intimacy, and are often the first evidence of affection. Now and then they touched on graver matters. He upheld all that was old, and believed we can have no better institutions in the future than those which have already existed in the past. Ideala had begun to think differently.

"I am sure it is a mistake to be for ever looking back to the past for precedents," she said. "The past has its charm, of course, but it is the charm of the charnel house—it is the dead past, and what was good for one age is bad for another."

"As one man's meat is another man's poison?" he said.

"Proverbs prove nothing," she answered lightly. "Have you noticed that they go in pairs? There is always one for each side of an argument. 'One man's meat is another man's poison' is met by 'What is sauce for the goose is sauce for the gander'—and so on. But don't you think it absurd to cling to old customs that are dying a natural death? Learn of the past, if you like, but live in the present, and make your laws to meet its needs. It is this eternal waiting on the past to copy it rather than to be warned by its failures, to do as it did, under the impression, apparently, that we must succeed better than it did, following in its footsteps though we know they led to ruin once, and, because the way was pleasant, being surprised to find that it must end again in disaster—it is this abandonment of all hope of finding new and efficacious remedies for the old diseases of society that has checked our progress for hundreds of years, and will keep the world in some respects just as it was at the time of the Crucifixion. For my own part, I cannot see that history does repeat itself, except in trifling details, and in the lives of unimportant individuals.

"I think," he rejoined, "if you have studied the decline of the Roman Empire, you must have seen a striking analogy between that and our own history at the present time. With the exception of changes of manners, which only affect the surface of society, we are in much the same state now as the Romans were then."

"I know many people say so, and believe it," Ideala answered; "and there is evidence enough to prove it to people who are trying to arrive at a foregone conclusion; but it is not the resemblances we should look to, but the differences. It is in them that our hope lies, and they seem to me to be essential. Take the one grand difference that has been made by the teaching for hundreds of years of the perfect morality of the Christian religion! Do you think it possible for men, while they cling to it, to 'reel back into the beast and be no more'?"

"But are men clinging to it?"

"Yes, in a way, for it has insensibly become a part of all of us, and has made it possible for us to show whole communities of moral philosophers now in a generation; the ancients had only an occasional one in a century."

"But such a one!"

"The old moral philosophers were grand, certainly, but not grander than our own men are, of whom we only hear less because there are so many more of them."

"But do you mean to say society is less sinful than it was?"

"There is one section of society at the present day, they tell me, which is most desperately wicked. It is worse than any class was when the world was young, because it knows so much better. But I believe the bulk of the people like right so well that they only want a strong impulse to make them follow it. I feel sure sometimes that we are all living on the brink of a great change for the better, and that there is only one thing wanting now—a great calamity, or a great teacher—to startle us out of our apathy and set us to work. We are not bold enough. We should try more experiments; they can but fail, and if they do, we should still have learnt something from them. But I do not think we shall fail for ever. What we want is somewhere, and must be found eventually."

"They tried some experiments with the marriage laws in France once,"
Lorrimer observed, tentatively.

"Yes, and failed contemptibly because their motive was contemptible. They did not want to improve society, but to make self-indulgence possible without shame. I think our own marriage laws might be improved."

"People are trying to improve them," he said, with a slight laugh. "A friend of mine has just married a girl who objected to take the oath of obedience. How absurd it is for a girl of nineteen to imagine she knows better than all the ages." "I think," said Ideala, "that it is more absurd for 'all the ages' to subscribe to an oath which something stronger than themselves makes it impossible for half of them to keep. Strength of character must decide the question of place in a household as it does elsewhere; and it is surely folly to require, and useless to insist on, the submission of the strong to the weak. The marriage oath is farcical. A woman is made to swear to love a man who will probably prove unlovable, to honour a man who is as likely as not to be undeserving of honour, and to obey a man who may be incapable of judging what is best either for himself or her. I have no respect for the ages that uphold such nonsense. There was never any need to bind us with an oath. If men were all they ought to be, wouldn't we obey them gladly? To be able to do so is all we ask."

"Well, it is a difficult question," he answered, "and I don't think we need trouble ourselves about it any way. Do you like flowers?"

"Yes," she burst out in another tone; "and easy chairs, and pictures, and china, and everything that is beautiful, and all sensual pleasures."

She said it, but she knew in a moment that she had used the wrong word, and was covered with confusion.

Lorrimer looked at her and laughed.

"And so do I," he said.

"Oh! if only I could unsay that!" thought Ideala; but the word had gone forth, and was already garnered against her.

Then came an awful moment for her—the moment of going and paying. It was hateful to let him pay for her lunch, but she could not help it. She was seized with one of those fits of shyness which made it just a degree less painful to allow it than to make the effort to prevent it.

They returned to Lorrimer's room and pored together over a catalogue, looking up the books she wanted. When they had found their names and numbers Lorrimer sent for them from the library, but it was too late to do anything that day, and so she rose to go.

Lorrimer walked with her to the station, and saw her into the train. On the way they talked of little children. He loved them as she did.

"A friend of mine," he said, "has the most beautiful child I ever saw.
Just to look at it makes me feel a better man."