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Ideala

Chapter 24: CHAPTER XXII.
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About This Book

This work sketches the inner life and social effect of an intellectually restless woman, and frames her story with a preface that urges study of imperfect growth rather than finished perfection. The narrator analyses a mind passing through excitable, embittered, and corrosive moods while insisting knowledge enlarges love and pity. Episodes show how her unconventional habits, selective speech, and disdain for mediocrity unsettle a provincial circle that misreads her, prompting wider reflections on moral development, social judgment, the cultivation of sympathy, and the difficult work of self-transformation.

CHAPTER XVIII.

In the days that followed a singular change came over Ideala. No external circumstance affected her. She moved like one in a dream; thought had ceased for her; all life was one delicious sensation, and at times she could not bear the delight of it in silence. She would tell it in low songs in the twilight; she would make her piano speak it in a hundred chords: and it would burst from her in some sudden glow of enthusiasm that made people wonder—the apparent cause being too slight to account for it. While this lasted nothing hurt her. She saw the sufferings of others unmoved. She met her husband's brutalities with a smiling countenance, and bore the physical discomfort of a bad sprain without much consciousness of pain. And she knew nothing of time, and never asked herself to what she owed this joy.

The utter forgetfulness of everything that came upon her when she was alone was almost incredible. One evening she spent two hours in walking a distance she might easily have done in forty minutes. She had been to see a sick person, and when she found herself in the fresh air, after having spent some time in a small, close room, the dream-like feeling came over her, and her spirit was uplifted with inexpressible gladness. The summer air was sweet and warm, a light rain was falling, and she took off her hat and wandered on, looking up, but noting nothing, and singing Schubert's "Hark! hark! the lark," to herself softly as she came. A man standing at a cottage door begged her to go in and shelter. She looked at him, and her face was radiant—the rain-drops sparkled on her hair. He was only a working man, "clay—and common clay," but the light in her eyes passed through him, and the memory of her stayed with him, a thing apart from his daily life, held sacred, and not to be described. A man might live a hundred years and never see a woman look like that.

"I did not know it was raining," she said. "It is only light rain, and the air is so sweet, and the glow down there in the west is like heaven. How beautiful life is!"

"Ay, lady!" he answered, and stood there spellbound, watching her as she passed on slowly, and listening to her singing as she went.

A few days later she saw Lorrimer again. She found him in his room this time. He knew she was coming, and flushed with pleasure when he met her at the door. Ideala was not nervous; it all seemed a matter of course to her now. The books he had got for her from the library were where she had left them. He placed a chair for her beside his writing-table, and then went on with his own work. She had understood that she was to read in the library, but she did not think of that now; she simply acquiesced in this arrangement as she would have done in any other he might have made for her. A secretary was busy in another part of the room when she entered, but after awhile he left them. Then Lorrimer looked up and smiled.

"You are looking better to-day," he said. "Tell me what you have been doing since I saw you."

"Lotus-eating," she answered. "How lovely the summer is! Since I saw you I have wanted to do nothing but rest and dream."

"You have been happy, then?"

"Yes."

"Is he kind to you?"

"Oh—he! He is just the same. There is no change in my life. The change is in me."

"Then you mean to be happy in spite of him? I call that the beginning of wisdom. I know two other ladies who hate their husbands, and they manage to enjoy life pretty well. And I don't see why you should be miserable always because you happen to have married the wrong man. How was it you married him? Were you very much in love with him?"

"No, not in the least."

"Spooney, then?"

"Not even 'spooney,' as you call it. I was very young at the time. Very young girls know nothing of love and marriage."

"Very young," he repeated thoughtfully. He was drawing figures with his pen on the blotting-paper before him. "But why did you marry him, then?"

"I can give you no reason—except that I was not happy at home."

"You all say that," slipped from him, with a gesture of impatience.

"I wish I had been more original," said Ideala.

She took up her book again, and he resumed his writing, and for some time there was silence. But Ideala's attention wandered. She began to examine the room, which was, as usual, in a state of disorder. One side of it was lined with cabinets of various sizes and periods. Labels indicated the contents of some of them. Only one picture hung on that side of the room—it was the portrait of a gentleman—but several others stood on the ground against the cabinets. The walls were painted some dark colour. A Japanese screen was drawn across the door, and beside it was a hard narrow settee covered with dark green velvet. Books were piled upon it, and heavily embroidered foreign stuffs, and near it a number of Japanese drawings stood on a stand. The mantelpiece was crowded with an odd mixture of china and other curios, all looking as if they had just been unpacked. Above it another picture was hung, a steel engraving. The writing-table by which they sat was nearly in the middle of the room. In the window was another table, covered also with a miscellaneous collection of curios; and on every other available article of furniture books were piled. The high backs of the chairs were elaborately carved, the seats being of the same green velvet as the settee. A high wire-guard surrounded the fire place, and this unusual precaution made one think, that the contents of the room must be precious. The occupant of this apartment might have been an artist, a man of letters, or a virtuoso—probably the latter; but whatever he was, it was evident that his study was a workshop, and not a showroom.

From the room Ideala looked to her companion. He was writing rapidly, and seemed absorbed in his subject. He was frowning slightly, his face was pale and set, and he looked older by ten years than when he had spoken last, and seemed cold and unimpassioned as a judge; but Ideala thought again that the face was a fine one.

Presently he became conscious of her earnest gaze. He did not look up, but every feature softened, and a warm glow spread from forehead to chin; it was as if a deep shadow had been lifted, and a younger, but less noble, man revealed.

"How you change!" Ideala exclaimed—"not from day to day, but from moment to moment. You are like two men. I wish I could get behind that horrid veil of flesh that hides you from me. I want to see your soul."

He smiled. "You are getting tired," he said. "Do let me persuade you to come and have some lunch. When you begin to speculate, I know you have done enough."

But Ideala could not go through the ordeal of who should pay for lunch again. She preferred to starve. The camaraderie between them was mental enough to be manlike already, but only as long as there was no question of material outlay.

"Mayn't I stay here and read?" she said. "I can have something by-and- by, when I want it. Do go and leave me."

And he was obliged to go at last, wondering somewhat at her want of appetite.

When he returned she was still working diligently, and they spent the rest of the afternoon together, reading, writing, and chatting, until it was time for Ideala to go. Lorrimer saw her into her train, and fixed another day for her to return and go on with her work.

And so the thing became a settled arrangement. Whenever she could spare the time she went and worked beside him, and he was always the same, kindly, considerate, helping her now and then, but not, as a rule, interfering with her. She just came and went as she pleased, and as she would have done had he been her brother. Sometimes they were alone together for hours, sometimes his secretary worked in the room with them, and always there were people coming and going. There was nothing to suggest a thought of impropriety, and they were soon on quarrelling terms, falling out about a great many things—which is always the sign of a good understanding; but after the first they touched on no dangerous subject for a long time. At last, however, there came a change. Ideala noticed one day that Lorrimer was restless and irritable.

"Am I interfering with your work to-day?" she said. "Do tell me. Any other day will suit me just as well."

"Oh, no," he answered. "I am lazy, that is all. How are you getting on? Let me see." And he took the paper she was engaged upon, and looked at it.

She watched him, and saw that he was not reading, although he held it before his eyes for some time. He was paler than usual, and there was a look of indecision in his face, very unlike its habitual expression, which was serene and self-contained.

Looking up all at once, he met her eyes fixed on him frankly and affectionately, but he did not respond to her smile.

"How do you suppose all this is going to end?" he said, abruptly.

"Won't it do?" she answered, thinking of her paper. "Had I better give it up, or re-write it?"

He threw the paper down with a gesture of impatience, and got up; and then, as if ashamed of his irritability, he took it again, and gave it back to her. In doing so his hand accidentally touched hers.

"How cold you are," he said. "Let me warm your hands for you."

"They are benumbed," she answered, letting him take them and rub them.

After a moment he said, without looking at her, "Do you know, it is very good of you to come here like this."

"Why?" she asked. "It suits my own convenience."

"I know. But it is refreshing to find some one who will suit their own convenience so." "That sounds as if it were not the right thing to do!" she exclaimed.

"Nonsense!" he answered. "You misunderstand me."

Ideala withdrew her hands hastily, and half rose.

"What is the matter?" he said. "Come, don't be idle! You should have mastered that book by this time."

But Ideala was disturbed. "I can't read," she said. "Tell me what you thought of me when I came to you that first day? I fancied you were old. And I have been afraid since, in spite of your cousin's suggestion, that you may have considered it odd of me to introduce myself like that."

"Oh, it is quite customary here," he answered. "But even if it had not been, we can't all be bound by the same common laws. The ordinary stars and planets have an ordinary course mapped out for them, and they daren't diverge an inch. But every now and then a comet comes and goes its own eccentric way, and all the lesser lights wonder and admire and let it go."

"That would be very fine for us if only we were comets among the stars," she said.

"Oh, you might condescend to claim a kindred with them," he answered lightly.

"The only heavenly body I ever feel akin to is one of those meteors that flash and fall," she said. "They go their own way, too, do they not, and are lost?" "There is no question of being lost here," he interposed. "The most scrupulous have made an exception in favour of one person, and the world has not blamed them. After having endured so much you are entitled to some relaxation. I should do as I liked now, if I were you."

She looked at him inquiringly. It seemed as if he were not expressing himself, but trying the effect of what he said upon her.

He was sitting in his usual place now, drawing figures on the blotting- pad.

"You have read, I suppose?" he added, after a pause, and without looking up. "I wish I had never read anything," she exclaimed passionately. "I wish I could neither read, write, nor think."

But the trouble now was, if only she could have recognised it, that she did not think; she only felt.

She got up and went to the mantelpiece; he remained where he was, sitting with his back to her. Presently she began to look at the china, absently at first, but afterwards with interest. There were some new specimens, just unpacked, and all crowded together.

"What a lovely lotus-leaf," she said at last. "Satsuma, I suppose—no, Kioto; but what a good specimen. And it is broken, too. What a pity! I should so like to mend it."

"Would you?" he said, rousing himself. "Then you shall."

He went to one of the cabinets and got out the materials, and in a few minutes they were bending busily over the broken plaque, as interested and eager about it as if no subject of more vital importance had ever distracted them. They were like two children together, often as quarrelsome, always as inconsequent; happy hard at work, and equally happy idling; apt to torment each other at times about trifles, but always ready to forget and forgive, and with that habit in common of forgetting everything utterly but the occupation of the moment.

They talked on now for a little longer, but not brilliantly. They were both considered brilliant in conversation, but somehow on these occasions neither of them shone. I suppose when two such bright and shining lights come together they put each other out.

Then it was time for Ideala to go. A bitter wind met them in the face on their way to the station, and before they had gone far Ideala noticed that Lorrimer's mood had changed again. His face grew pale, his step less elastic, his manner cold and formal. All the brightness, all the sympathy, which made their intimacy seem the most natural, because it was the pleasantest, thing in the world to Ideala, had gone; he was like a man seized with a sudden fit of remorse, disgusted with himself, and moved to repent.

"I should bear with your husband, if I were you," he said at last, breaking the silence. "He behaves like a brute, but I dare say he can't help it. A man can't help his temperament, and probably you provoke him more than you think."

Ideala was surprised, it was so long since they had mentioned her husband. "I fear I am provoking," she answered, humbly. "But how am I to help it? I have tried so hard, and for so long, to be patient. And I only want to do right."

They were parting then, and he looked down at her in silence for some seconds, and when Ideala saw the expression of his face, her heart sank. In that one moment she realised all that his friendship had been to her, and foresaw the terrible blank there would be for her if it should ever end. That there was any danger, that there could be anything but friendship between men and women who must not marry, had not even yet occurred to her. Her intimacy with myself had prepared the way for Lorrimer, and made this new intimacy seem also perfectly right.

"What is the matter with you to-day?" she said. "What spirit of dissatisfaction has got hold of you?"

"I am dissatisfied," he said, raising his hat, and brushing his hand back over his hair. Then he looked at her. "Why don't you help me?" he asked.

"How can I help you?" she answered. "I don't understand you."

"You ought to. I wish to goodness you did"—and then his face cleared. "But you will come again," he added, in the old way. "I shall expect you soon."

And so he let her go; and Ideala was glad, because an unpleasant jar was over. She did not trouble herself about his private worries; if he wished her to know he would tell her. Lorrimer had a temper—but then she had known that all along; and Lorrimer was Lorrimer—that was all about it.

CHAPTER XIX.

He let her go, somewhat bewildered, and not understanding herself or him, nor caring to understand, only happy, dangerously happy. The train bore her through an enchanted region of brightness and summer, and, although the power of thought was for the moment suspended, she was conscious of this, and her own delight was like the unreasoning pleasure of earth when the sun is upon it.

There was no carriage to meet her at the station, and she set off to walk home. It was the first time she had been alone on foot in the squalid disorderly streets of that dingy place, and her way, which she was not quite sure of, took her through some of the worst of them. They were filled with loud-laughing uncleanly women, and skulking hang-dog- looking men, and the grime-clogged atmosphere was heavy with foul odours; but she noticed nothing of this. The golden glow the sun made in his efforts to shine through the clouds of smoke might have been a visible expression of her own ecstatic feeling, and she would have thought so at any other time, but now she never saw it.

In a somewhat open and more lonely part of the road she met a tramp, a great rude, hulking, common fellow, with fine blue eyes. He stopped in the middle of the road and stared at Ideala as she came up to him, walking, as usual, with a slight undulating movement that made you think of a yacht in a breeze, her face up-raised and her lips parted. He took off his cap as she approached. The gesture attracted her attention, and, thinking he wanted to beg or ask some question, she stopped and looked at him inquiringly.

"Well, you are a nice lady!" he exclaimed.

He hadn't the gift of language, but she saw the soul of a man in his eyes, and she understood him.

"Thank you," she answered, and passed on, unsurprised.

In the next street a breathless creature came running after her, a tawdry, painted, dishevelled girl. She stopped Ideala and stood panting, with hot dry lips, and eyes full of animal suffering. Her clothes exhaled the smell of some vile scent that was overpowering. Involuntarily Ideala shrank from her, and all the joy left her face.

"I've run"—the girl gasped—"such a way—they said you'd gone this road. I've waited about all day to catch you. Come, for God's sake!"

"But where?"

"There's a girl dying"—and she clutched Ideala's arm, trying to drag her along with her—"or she would die and have done with it, but she can't till she's seen you. She've something on her mind—something to tell you. Come, my lady, come, for the love of the Lord and the Blessed Virgin. No harm'll happen to you." Ideala made a gesture. "Show me the way," she said. "But you don't seem able to walk. There's an empty cab coming. Get in and tell the man where to drive to."

They stopped at a row of many-storeyed houses in a low by-street. A stout elderly woman with an evil countenance met them at the door. She began some speech in a cringing tone to Ideala, but the tawdry girl pushed her aside rudely.

"Hold your jaw, and get out of the way," she said. "I'll show the lady up."

The woman muttered something which Ideala fortunately did not hear, and let them pass. They went upstairs to the very top of the house, and entered a low room, furnished with a broken chair and a small bed only. On the bed lay a girl, who, in spite of disease and approaching death, looked not more than twenty, and was probably two years younger. She turned her haggard face to the door as it opened, and a gleam of satisfaction caused her eyes to dilate when she saw Ideala. They were large dark eyes, but her face was so distorted with suffering and discoloured by disease, it was impossible to imagine what it once had been.

"Here she is, Polly," said the Tawdry One, triumphantly. "I said I'd bring her, now didn't I?"

Ideala knelt down by the bed.

"My! but you're a game un!" said the Tawdry One, admiringly. "You ain't afraid of catching nothing! Now, I'd have asked what was up before I'd have done that; and I wouldn't touch her with the tongs, nor stay in the room with her was it ever so. You just holler when you want me and I'll come back." And so saying she left them.

"You are not afraid to touch me—you don't mind?" said the dying girl when Ideala had taken off her gloves, and knelt, holding her hands.

"Afraid? Mind?" Ideala whispered, her eyes full of pity. "I only wish you would let me do something for you."

At that moment they were startled by an uproar downstairs. A man and woman were quarrelling at the top of their voices. At first only their tones were audible, but these grew more distinct, and in a few seconds Ideala could hear what was said, and it was evident that the combatants were approaching.

"I tell you the lady's all right," the woman Ideala had seen downstairs was heard to shriek, with sundry vile epithets. "Polly's dying, and she've come to visit her."

"Seein' 's believin'," the man rejoined, doggedly. "Just show me the lady and shut up, you foul-mouthed devil you."

The door was flung open, and there stood the fat harridan, and towering over her was a great red-haired policeman, who seemed both relieved and abashed when he saw Ideala.

"What is the meaning of this?" she said, rising, and drawing herself up indignantly. "Don't you see how ill this girl is? Such an uproar at such a time is indecent."

The woman shrank from her gaze and slunk away. The policeman wiped his hot face with a red handkerchief.

"I saw the girl fetch you here, ma'am," he said, apologetically, "and I thought it was a trap. It ain't safe for a woman, let alone a lady, to come to no such a place. I'll just wait and see you safe out of it."

He shut the door, and Ideala heard him walking up and down on the landing outside.

The dying girl seemed scarcely conscious of what was passing. Ideala looked round for something to revive her. There was not even a cup of water in the room. She knelt once more beside the bed, and raised her in her arms, and let her head rest on her shoulder. All the mother in her was throbbing with tenderness for this poor outcast. The girl drew a long deep sigh.

"Could you take anything?" Ideala asked.

"No, lady, not now. The thirst was awful awhile ago, and I cried and cried, although I knew no one would listen to me, or come if they heard. They'd rather we'd die when we get ill. It's a bad thing for the house." She could only speak in gasps.

"And what have you had?" Ideala asked.

"The scarlet fever, ma'am. There's an awful bad kind about, and I caught it. They all die that gets it."

Ideala drew her closer, and laid her own cool cheek on her damp forehead.

"Tell me why you wished to see me," she said. "You are so good," the girl answered—"I thought you'd better know—and get—away from—that low brute." Ideala understood, and would fain have stopped the story, but it seemed a relief to the girl to speak, and so she listened. It was the old story, the old story aggravated by every incident that could make it more repulsive—and her husband was the hero of it.

"Shall I go to hell?" the girl asked, shrinking closer.

"For these Christ died," Ideala murmured. The words flashed through her mind, and the meaning of them was new to her. Her heart was wrung for the desolate girl, dying alone in sin and sorrow without a creature to care for her—dying alone in the arms of a strange woman, with a policeman outside guarding her. Ideala cried in her heart with an exceeding bitter cry: "God do so to him, and more also."

"Pray for me, lady."

But Ideala could not pray with a curse on her lips—and, besides, the power to pray had been taken from her for many a weary day before that. She thought of the policeman, and called him in.

"See, she is dying," she said, looking up at him helplessly; "and she has asked me to pray, and I can't. Will you?"

And, quite simply and reverently, as if it had been part of his ordinary duty, he took off his helmet and knelt down, a great rough- looking man in a hideous dress, and prayed: "Dear Lord, forgive her!"

They were the last words she heard.

CHAPTER XX.

The people seemed to have deserted the house. Even the Tawdry One had disappeared, and Ideala was obliged to lay out the poor dear girl herself, and make her ready for decent burial. As soon as she could leave the place she went, escorted by the policeman, to the fever hospital to have her things fumigated. The risk of infection had not troubled her till she remembered the likelihood of taking it to others, but as soon as she thought of that she took the necessary precautions to prevent it. She sent a message from the hospital to her maid, telling her to pack up some things and meet her at the station in time for the mail at eleven o'clock that night. She had thought of some friends who lived a nine hours' journey from her home, and had determined to go to them for a time.

She wrote to her husband also from the hospital. "The girl, Mary Morris, died of scarlet fever this afternoon in the house to which you sent her when you were tired of her," she said. "I was with her when she died. I am going to the Trelawneys to-night; but at present I have formed no plans for the future."

During the first few days of her stay with the Trelawneys she just lived from hour to hour, not thinking of anything, past, present, or to come; but out of this apathy a desire grew by degrees. She wanted to see Lorrimer. She could speak to him, and she was sure he would help and advise her. She wrote to him, telling him she particularly wished to see him on a certain day, and asking him to meet her at the station, adding by way of postscript: "I do not think I quite know what you meant when you advised me to go my own way; but if any wrong-doing were part of the programme I should not be able to carry it out. However, I feel sure that you would be the last person in the world to let me do wrong, even if I were inclined to."

She knew that her husband was away from home, and her intention had been to sleep there that night, and go on to Lorrimer the next morning; but she had been misinformed about the trains, and after many changes and tedious waits, she found herself alone in the middle of the night at a little railway junction, with no chance of a train to take her on for several hours; and what was worse, without money enough in her purse to pay her bill if she went to an hotel. The waiting-rooms were all closed for the night, and there seemed nothing for it but to wander about the station till the train came and released her. She told her dilemma to an old Scotch inspector who was waiting to see what she meant to do. He gave the matter his best consideration, but it evidently perplexed him.

"If you was a box," he said, rubbing his chin thoughtfully, "we could put you in the left-luggage office."

"But I am not a box," Ideala answered, as if only the most positive denial would prevent mistake on the subject.

It was raining hard, and bitterly cold. Only part of the platform was roofed in, and every now and then a gust of wind splashed the raindrops into their faces as they stood beside Ideala's luggage in a circle of yellow light cast upwards by a lantern which the inspector had put on the ground at their feet.

"There's me and Tom, the porter," he said at last; "we've got to wait for the two o'clock down and the four o'clock up. Tom, he'll come 'ome and sit over the kitchen fire with me. I suppose, now, you wouldn't like to do that?"

"Indeed I should be very glad to," Ideala answered; "that is," she added quickly, "if it would not inconvenience you."

He made an inexplicable gesture, and seemed to consider the matter settled.

"I'll just put this here luggage in the office," he said, shouldering a box and taking up a portmanteau; but he muttered as he went: "It's a pity, now, you wasn't luggage."

Ideala followed him meekly from the luggage-office out into the lane, and down a country path to a little cottage. The door opened into the kitchen, and a young man in a porter's uniform was sitting over a cheery fire reading a newspaper by the light of a tallow candle. The kitchen was large for the size of the house. Besides the door they had entered by there were two others, both closed. The walls were panelled from floor to ceiling with wood darkened by age. Several of the panels were doors of cupboards that projected slightly from the wall, and shelves had been sunk in flush with it, and placed angle-wise in the corners. The shelves were covered with old china. There was a row of brass candlesticks of good design on the high mantelpiece, and more china stood behind them. On a panel above the mantelpiece a curious design of dogs and horses in a wood had been carved with much patience and some skill. The furniture of the place was an old oak table standing in the window—the window itself had a deep sill, on which was arranged a row of flower-pots, from which a faint perfume came at intervals—a long narrow oak chest, carved and polished, with the date, 1700, on the side of it, a settle, and a dresser covered with the ordinary crockery used by poor people. The brick floor was rudded and sanded, the hearthstone was yellow, and the part under the grate was white. One high-backed old-fashioned chair stood on each side of the hearth. Tom the Porter was sitting in one of them, and at his elbow was a small round table with a pipe, tobacco jar, and two or three books upon it. A square table in the middle of the room was laid out for supper, with a dish, two plates, a beer mug, and half a loaf of bread. Some potatoes were roasting on the hob.

"The old woman's asleep, I expects. You'll mind and not make a noise," the inspector said to Ideala, as if he were warning a child to be good.

Tom the Porter rose, and gazed at the lady with his mouth open in a state of astonishment that was justified by the time and place of her advent; but he offered her his chair with the courtesy of a gentleman, and the old inspector bade her make herself at home, which she did by removing her hat and wraps and taking off her gloves. In a higher sphere of life those two men would have stared her out of countenance, but Tom the Porter and the old inspector, not from want of appreciation, but from the refinement that seems natural to people who come of an old stock, whatever their station, and have had china and carved oak in their possession from one generation to another—forebore even to look at her lest she should be embarrassed by their curiosity. They did the honours of the house with dignity, and without vulgar apology for a state of things that was natural to them, and Ideala at once adapted herself to the circumstances, and burnt her fingers while attending to the baked potatoes, which Tom had somewhat neglected.

She always declared afterwards that there was nothing so good in the world as baked potatoes and salt, provided the company was agreeable; and now and then she would thrill us with reminiscences of that evening's entertainment—with wonderful accounts of railway accidents— and of one in particular that happened on a pitch-dark night when fires had to be made to light the workers as they toiled fearfully amongst the wreck of the trains, searching for the mangled and mutilated, the dying and the dead, while the air was filled with horrid shrieks and groans.

For it seems these three, when they had finished the baked potatoes, drew their chairs to the fire and talked. And one can well imagine what Ideala's stories were—her tales of the Japanese with whom she had lived; of Chinese prisons into which she had peeped; of earthquakes, tornadoes and shipwrecks, and other perils by land and sea, all told in a voice that thrilled you, whatever it said. Tom the Porter and the old Scotch inspector were in luck that night, and they knew it. When at last it was time for Ideala to go, and in return for her thanks for his kind hospitality, and the contents of her purse, which had rather more in it than she had fancied, the inspector expressed his appreciation with an earnest smack.

"Well," he said, "you're rare good company. I shan't mind when you come along this way again."

The train was late in arriving, and she had only time to rush up to the house, change her dress, and return to the station to catch the one by which she had asked Lorrimer to meet her. Perhaps it was the thought of what she had come to tell him that made her heart beat nervously as the train drew up at her destination, and she leant forward to look for him among the people on the platform. She looked in vain—he was not there. Something, of course, had happened to detain him; doubtless he had sent a message to explain. She waited a little, but nobody appeared to be looking for her. Then she left the station and walked in the direction of the Hospital, thinking he had missed the train, and she should probably meet him on the way. Her nervousness increased as she went. She was not used to be alone in crowded streets, and she began to feel faint and bewildered. Her heart seemed to stop whenever she saw a fair- headed man, but she reached the Hospital at last, and no Lorrimer had met her.

Then a new fear disturbed her. Perhaps he was ill. She went up to the door, and there, just coming out, Lorrimer's secretary met her.

"I was just coming to meet you, madam," he said; "I am sorry I am too late. Mr. Lorrimer has been detained by visitors, and sent me to apologise for his absence. If you will be so good as to come to the library, he will join you there as soon as he is disengaged."

When she was settled in the library a servant brought her books to her. She had not come to read, but work was the daily habit of her life, and she went on now, mechanically, but carefully as usual, though with a curious sinking of the heart, and benumbing sense of loss and pain. As she came along in the train she had been thinking how it would amuse Lorrimer to hear of her night's adventure, and of the relief it would be to tell him of all the other things she had come to tell; but now she felt like one bidden to a bridal, and brought to a burial. People were going and coming continually in the library. A gentleman sat at a table near her, busily writing. Servants went backwards and forwards with books. Another gentleman came in and looked at her curiously, and then went away. She began to feel uncomfortable, and wondered what was keeping Lorrimer so long. She thought, too, of leaving the place at once, and going back by an earlier train than she had intended, but it would hardly have been polite. A servant came and told her the library was closed to visitors at two.

"I am waiting for Mr. Lorrimer," she said.

"Oh, in that case——" and the man withdrew. The name was an open sesame to all parts of the building.

At last he came. She rose with a great sense of relief.

"Let me take your books," he said.

"I have done with them," she answered.

And without another word he led the way to his own room.

They took their accustomed seats.

"I am sorry I could not meet you," he said. "I hope you do not think me rude. Some wretched people turned up at the last moment, and wanted to see everything. Just look at the room!"

Every cabinet seemed to have been ransacked, and treasures of all kinds were lying about in most admired disorder. Lorrimer looked round him desperately, and pushed his hat back from his forehead. Ideala smiled. It was so like him to forget he had it on.

Outside a heavy thundercloud gathered and darkened the room. Presently big drops of rain splashed against the window, and it began to lighten. Long claps of thunder rolled and muttered incessantly away in the distance, and every now and then one would burst directly above them, as it seemed, with splendid effect.

Lorrimer looked up at the window straight before him, and played with a pen; and Ideala, half turning her back to him, sat silent also, watching the storm.

There were some high houses opposite of which only the upper storeys were visible. Two children were playing in a dangerous position at an open window in one of them. Above the houses a strip of sky, heavy and dark and changeful, was all that showed. Ideala felt cold and faint. The long fast and fatigue were beginning to tell upon her. She was nervous, too; the silence was oppressive, but she could not break it. She felt some inexplicable change in her relations with Lorrimer which made it impossible to speak. Furtively she watched him, trying to discover if he felt it too. The look of age was on his face, and it was clouded with discontent. Anxiously she sought some sign of sickness to account for it. But, no. There was no trace of physical suffering; the trouble was mental.

"You are not looking well," Lorrimer said at last. "I suppose you have been starving yourself since I saw you. You have had no lunch to-day again. You will kill yourself if you go on like that. I was speaking about you to a doctor the other day. He said you could not fast as you do without taking something—stimulants or sedatives." Ideala winced. "What an insulting thing to say," she exclaimed, indignantly. "I will not allow you to adopt that tone with me. You have no right to scold me."

"I have, and shall," he retorted. "I suppose you want to kill yourself.
Perhaps it is the best thing people can do who hate their lives."

"I don't hate my life; I don't want to die," she rejoined.

"The other day you said you loathed your life."

"You are accusing me of inconsistency," she said. "You! who are in two states of mind every time I see you!" She got up. "And I do mean what I say," she resumed. "I loathed the old life, but that is done with. I am living a new life now——"

He turned to look at her, red chasing white from his face at every breath; then, yielding to an irresistible impulse, he went to her, grasped her folded hands in both of his, and looked into her eyes for one burning moment. The hot blood flamed to her face. She was startled.

"Don't let us quarrel," he said, hoarsely.

"Why do you try to?" she retorted. "It is always you who begin."

"I think you want pluck," he said.

"Oh, no; not that," she answered.

"Just now you do."

"Then I think you want discernment," she retorted with spirit.

And so they went on, as if neither of them had ever heard of such a thing as conventional propriety.

Lorrimer did not answer that last remark. He was standing at a little distance from her, watching her. Ideala was looking grave.

"What is your conscience troubling you about now?" he asked. "I never listen to my conscience."

"I don't believe you," she answered, promptly.

"That is polite," he observed.

Then there was another pause.

"It must be time for me to go," she said at last.

The rain was still falling in torrents.

"Oh, no!" he exclaimed. "You mustn't go yet. Your train does not leave for another hour. Why do you want to go?"

She was struggling with the button of a glove, and he went to help her, but she repulsed him, half unconsciously, as she would have brushed off a troublesome fly.

The gesture irritated him.

"I cannot believe you are not conscientious," she said, with a frown of intentness. "When a man of talent ceases to be true, he loses half his power."

He turned from her coldly, sat down at the writing table, and began to write.

Ideala was still putting on her gloves.

Outside, the rain fell lightly now, and the clouds were clearing. The children were still playing at the open window of the house opposite. Lorrimer had often been obliged to answer notes when she was there; she thought nothing of that; but he was a long time, and at last she interrupted him. "Forgive me if I disturb you," she said, "but I am afraid I shall miss my train."

"Oh, pardon me," he answered, jumping up, and looking at his watch. "But it is not nearly time yet. I cannot understand why you are in such a hurry to-day."

"Yet you know that I always go when I have done my work," she said.

"You have done unusually early then," he replied; "and I wish to goodness I had." He looked round the room pettishly, like a schoolboy out of temper. "I shall have to put all these things away when you're gone—a task I hate, but nobody can do it but myself."

"Why wait till I've gone? Let me help you," said Ideala.

His countenance cleared, and they set to work merrily, he explaining the curious histories of coins and cameos, of ancient gems, ornaments of gold and silver, and valuable intaglios, as they returned them to their places. Both forgot everything in the interest of the collection; so that, when the last tray was completed, they were surprised to find that two trains had gone while they were busy, and another had become due, and there was only time to jump into a hansom to catch it.

Lorrimer was still irritable.

"Why on earth does a lady always carry her purse in her hand?" he said, as they drove along.

Ideala laughed, and put hers in her pocket.

"When are you coming to go on with your work?" he asked.

"I will write and fix a day," she said.

"I shall be away a good deal for the next three weeks," he continued. "The twenty-third or twenty-sixth would be the most convenient days for me, if they would suit you."

"Thank you," she answered, and hurried down the platform, without having said a word or given a thought to what she had come to say.

And then at last the twenty-four hours' fasting, fatigue, and mental suffering overcame her. A little later she was lying insensible on the floor of her room, and she was alone. The servants had not seen her enter, and there was not a creature near her to help her.

CHAPTER XXI.

Ideala was unable to exert herself for many days after this. At last, however, she began to think of work again, and of Lorrimer. She was uneasy about him. He had not been himself on that last occasion. Something was wrong, she could not think what, but she felt anxious; and out of her anxiety arose an intense longing to see him again. So she wrote, first of all fixing the twenty-third for her visit; but when the day came she found herself unequal to the exertion, and wrote again, begging him to expect her on the twenty-sixth instead.

He did not reply. He was generally overwhelmed with correspondence, and she had therefore begged him not to do so if the days she named suited him.

Up to this time she had never heard Lorrimer mentioned by any one; but now, suddenly, his name seemed to be in everybody's mouth. She thought of him incessantly herself, and it was as if the strength of her own mind compelled all other minds to think of him while she was present, and to yield to her will and tell her all they knew. For, curiously enough, she had begun to want to know about him. I call it curious, because she was so confiding so unsuspicious, and also so penetrating, she never seemed to care to know more of people than she learnt from intercourse with them. But with regard to Lorrimer, she had evidently begun to distrust her own judgment, which is significant.

One night, at a dinner-party, she was thinking of a gratuitous piece of information an old woman, who brought her some milk on one occasion at the Great Hospital, had given her. Ideala had noticed that the old woman had a bad cough, and had asked her, in her usual kindly way, if she were subject to it, and what she did for it, remarking that the north country air was trying to people with delicate chests, and warmer clothing and greater care were more necessary there than in the south; and thereupon the old woman had launched forth, as such people will upon the slightest provocation, with minute details of her own sufferings, and the sufferings of all the people she ever knew, from "the bronchitis" during the winter and spring, Mr. Lorrimer being included among the number.

"Does Mr. Lorrimer suffer in that way?" Ideala had asked with interest.

"Indeed, yes," was the answer, given with many shakings of the head and that air of importance and pleasure which vulgar bearers of bad news assume. "He was very bad in the spring. He coughed so as never was, and had to give in at last and keep his room, which he should have done at first; but it takes a deal to make him give in, for he takes no care of hisself though not strong, and we were in a way! Eh! but it would be a bad thing for this place if anything happened to Mr. Lorrimer!" Ideala gave the woman half-a-crown.

"People may have bronchitis without being delicate," she asserted. "Mr. Lorrimer is very kind to all of you, I suppose?" "If I was to tell you all his good deeds, ma'am," the woman said, impressively, "I'd not have done before to-morrow morning. But as to his not being delicate," she continued—in the hope, perhaps, of scoring another on that point— "why, it just depends on what you call delicate."

Ideala absently gave her another half-crown, and another after that, but she could not get her to say that Mr. Lorrimer's chest was strong. Later, when Lorrimerre turned, and they were both at work, he was interrupted in the middle of some cynical remarks on over-population, and the good it would do to check it by allowing the spread of epidemics and encouraging men to kill each other, by the arrival of another old woman in great distress.

His manner changed in a moment. "I am afraid he is worse," he said to her most kindly.

She could only shake her head.

"There is the order," he went on, giving her a paper—"get him these things at once, and tell him I will come as soon as I am disengaged."

When they were alone again, Ideala looked at Lorrimer and laughed. "Another instance, I shrewdly suspect, of the difference between theory and practice," she observed.

He brushed his hand back over his forehead and hair, a trifle disconcerted. "He was the only son of his mother, and she was a widow," he said.

"And one can approve of capital punishment without having the nerve to see it inflicted, I suppose," Ideala commented, "and be convinced that it would be good for the human race to have a certain number of their children drowned, like kittens, every year, and yet not be able to see a single one disposed of in that way without risking one's own life to save it. Verily, I have heard this often, and yet I think I am more surprised to find it true than if I had never been warned! But that is always the way. Things surprise us just as much as we expect them to. When we went up the river to Canton and saw the Pagoda, we all exclaimed, 'Why, it is just like the pictures—river, and junks, and all!' If we had not seen the pictures I believe we should scarcely have noticed it, and certainly we should not have been surprised at all."

"Haven't you done being surprised yet?" Lorrimer asked.

"No. Have you?"

"Quite. Nothing ever surprises me."

"I have read somewhere," she said, trying hard to recall the passage, "that fast men, stupid men (I think), and rascals, profess to feel no surprise at anything."

The colour flew over his face, he seemed about to speak, but took up his pen again as if the thing were not worth the trouble of a word, and went on with his work. The habit of treating men as ideas is not to be got rid of in a moment, and it was only when she thought it over at dinner this evening that she saw anything to hurt him in what she had said. Now that she did think of it, however, it certainly seemed natural that he should object to being classed in any category which included fast men, stupid men, or rascals; but even while she blamed herself, and credited him with much forbearance in that he had allowed her rudeness to pass unpunished, she was conscious of the existence, in that substratum of thought which goes on continually irrespective of our will, of a doubt as to whether he might not after all be one of these—say, a fast man. For what did she know about him? Nothing, except that his manners were agreeable. True, she had heard of his good deeds, and there is never smoke without fire; but a man may balance his accounts, and many men do, in that way, topping up the scale of good deeds pretty high when the bad ones on the other side threaten to turn it; and, seeing that she knew nothing definitely about his private character, suppose she had been deceived in him? But, no! The thing was impossible. And just as she thought it, a gentleman, sitting opposite, one whom she had not met before, looked across the table and asked her if she knew Mr. Lorrimer.

"I have seen him," she answered, with a burning blush, being taken unawares.

"He's a charming fellow—don't you think so?"

"Yes, I think so," she agreed, with an indescribable sense of relief.

And the next day a young clergyman whom she stopped to speak to in the street began at once about Lorrimer. "I met him at dinner the other night," he said. "I suppose you know him? There is much truth in 'birds of a feather.' He fascinated us all with his talk of art and literature. He gave us such new ideas—described such varied experiences, and all with such grace and power."

"Yes," she answered, thoughtfully. "I believe he is brilliant."

"Many people are that," was the reply, given with hearty enthusiasm; "but Lorrimer is something more. He is good. He makes you feel it, and know it, and believe in him, without ever saying a word about himself."

"Ah!" she sighed, "there is power in that. What lovely summer weather! It makes me dream. Don't you love the time of nasturtiums? Their pungent scent, and their colours? They seem to penetrate and glow through everything, and make the time their own."

And so she left him.

But that same day, an old gentleman, who came from another county, and looked as if he had come from another century—an old gentleman with curious wavy hair, parted in the middle, who worshipped the Idol of Days—the past and all that belonged to it—and, for evening dress, wore knee-breeches, frilled shirt, black silk stockings, and diamond buckles in his shoes; and had a bijou house, filled with a thousand relics of his Idol of Days, where noble ladies were wont to loll and listen to him, and drink tea out of his wonderful cups, and love him— so it was said—this gentleman called on Ideala. He came to charm and to be charmed; and he, of all people in the world the one from whom she would least have expected it, although she knew they had met, began to sing Lorrimer's praises.

"He raises the tone of everything he is engaged upon," this gentleman said. "He has not quite kept faith with me about a matter he promised to look into for me a year ago, but doubtless he is busy. I suppose you know him?"

"Yes, I know him. He seems to be very much above the average."

"Oh, very much above the average," was the warm response. "He's a charming fellow, and a thoroughly good fellow, too."

This was the chorus to everything, and there was only one dissentient voice—that of a man who admired Ideala, and was a good soul himself, having gone out of his way to pay her trifling attentions, and even found occasion to do her some small acts of kindness. He began with the rest to praise Lorrimer, but when he saw he was doing so at his own expense, by diverting her attention from himself to his subject, he somewhat lowered his tone.

"Every one seems to like Mr. Lorrimer," Ideala said.

"O yes, he's certainly a nice fellow; but he puts a lot of side on."

"And well he may, being so very good and well-beloved," she answered, smiling.

"So spoilt and conceited, you might say," was the rejoinder; but she felt that there was jealousy in the tone, and only laughed.

"What an interesting face he has," a lady remarked, who was having tea with Ideala, tete-a-tete, one afternoon, and had brought the conversation round to Lorrimer, as seemed inevitable in those days. "He must make a charming portrait."

"Yes, it is a fine face," Ideala answered, dreamily—"a face for a bust in white marble; a face from out of the long ago—not Greek, but Roman —of the time when men were passing from a strong, simple, manly, into a luxuriously effeminate, self-indulgent stage; the face of a man who is midway between the two extremes, and a prey to the desires of both. I wish I had been his mother."

"His mother was a noble woman."

"I know; but she was not omniscient, and she never could have understood the boy. I daresay he was not enough of an ugly duckling to attract special attention, and with many other chicks in the brood he could not have more than the rest, and yet he required it. He ought to have been an only child. If he had been mine, I should have known what his dreaminess meant, why he loved to wander away and be alone; what was the conflict that began in his cradle—or earlier. Surely a mother must remember what there was in her mind to influence her child; she must have the key to all that is wrong in him; she must know if his soul is likely to be at war with his senses." And then Ideala forgot her listener, and burst out with one of those curious flashes of insight, irrespective of all knowledge, to which she was subject: "If I were only a soul to be saved, he would save me; but I am also a body to be loved, and whether he loves me or not, he suffers. It is the eternal conflict of mind and matter, spirit and flesh, two prisoners chained together—the one despising the other, yet ruled by him, and subservient to the needs of his lower nature."

The lady stared at her.

"You know Mr. Lorrimer very well, then, I suppose?" she remarked.

"Let me see," said Ideala, awaking from her trance, "that is a question I often ask myself. And sometimes I say I do know him very well, and sometimes I say I don't. I go to the Great Hospital frequently to read, and to look up information, and he helps me. He is a man who makes an instant impression, but he is many-sided, and, now you ask me, I think on the whole that I do not know him well. I should not be surprised to hear any number of the most contradictory things about him."

"It is not a nice character to have," the lady said.

"No," Ideala answered, "not at all nice, but very interesting."

When at last the day arrived she felt an unusual impatience to see him. And she was in a strange flutter of nervous excitement. Should she tell him of those things which she had not been able to confide to him on the last occasion of their meeting? Could she? No; impossible! But she must see him, nevertheless. The desire was imperative.

The servant she had been accustomed to see met her at the door of the Great Hospital. She fancied he looked at her peculiarly. He said he had heard something about Mr. Lorrimer being absent that day, but he would inquire. He left her, and, returning in a few minutes, told her Mr. Lorrimer was not there.

"Did he leave no note, no message for me?" Ideala asked, faintly.

"No, madam, nothing," was the reply.

CHAPTER XXII.

For quite three months we heard nothing of Ideala, but we were not alarmed, as she often neglected us in this way when she was busy. At last, however, Claudia received a note from her, written in pencil, and in her usual style.

"It has been dull down here to a degree," she said. "I am beginning to think we are all too respectable. Are respectability and imbecility nearly allied, I wonder? But don't tell me; I don't want to know. All the trouble in the world comes from knowing too much. And then, I'm so dreadfully clever! If people take the trouble to explain things to me, I am sure to acquire some of the information they try to impart. I heard of the block system the other day. It sounded mysterious. I like mystery, and I went about in daily dread of having it all made plain to me by some officious person. One day I was sitting on a rail above the line watching the trains. A workman came and sat down near me. It is very hard to have a workman sit down near you and not to talk to him, so we talked. And before I knew what was coming, he had explained the whole of that block system to me. Only fancy! and I may never forget it! It is quite disheartening.

"He said he was a pointsman, and I asked him if he would send a train down a wrong line for fifty pounds. He said fifty pounds was a large sum, and he had a mother depending on him! The people here are delicious. I think I shall write a book about them some day.

"Have you felt the fascination of the trains? My favourite seat here is a lovely spot just above where they pass. I can look down on them, and into them. The line winds, rather, through meadows and between banks, where wild flowers grow; and under an ivied bridge or two, and by some woods. And the trains rush past—some slow, some fast; and now and then comes one that is just a flash and roar, and I cling to the railing for a moment till it passes, and quiver with excitement, feeling as if I must be swept away. I look at the carriage windows, too, trying to catch a glimpse of the people, and I always hope to see a face I know. In that lies all the charm.

"I seem to be expected in town, and some Scotch friends have asked me to pay them a visit en route. I should like to go that way above everything; one would see so much more of the country! But I daren't go to London while the Bishop is there. He is making a dead set at me again (confirmation this time), and I am afraid if he heard of my arrival he would do something rash—dance down the Row in his gaiters, perhaps—which might excite comment even if people knew what he was after."

And then she went on to say she had been a little out of sorts, and very lazy, and she thought the north country air would brace her nerves, and, if we would have her, she would like to go to us at once.

She arrived late one afternoon, and I did not see her until she came down to the drawing-room dressed for dinner.

I had not thought anything of her illness, she made so light of it, and
I was therefore startled beyond measure when she appeared.

"Why, my dear!" I exclaimed, involuntarily, "what have they done to you? You're a perfect wreck!"

"Well, so I thought," she answered; "but I did not like to tell you. I was afraid you might think I was trying to make much of myself— wrecks are so interesting."

There was a large party staying in the house, and I had no opportunity of speaking to her that evening; but the next morning she came into my studio with a brave assumption of her old manner. I cannot tell how it was that I knew in a moment she had broken down, but I did know it, and I could only look at her. Perhaps something in my look showed her she had betrayed herself, for all at once her false composure forsook her, and she stretched out her hands to me with a piteous little gesture:

"What am I to do?" she said. "Will it always be like this?"

But I could not help her. I turned to the picture I was working at, and went on painting without a word. By-and-by she recovered herself, and began to talk of other things.

I blamed myself afterwards. I ought to have let her tell me then; but I had no notion of the truth. I only thought of her husband, and I selfishly shrank from encouraging her to speak. Complaint seemed to be beneath her. But I know now that she never wanted to make any complaint of him to me. It was of her new acquaintance that she longed to tell me. She had settled the difficulty with her husband without consulting any one. She had returned to his house, and remained there as his wife, nominally, and because he particularly wished that the world should know nothing of the rupture. I believe that she had done it sorely against the grain, and only because he represented that by so doing she would save his reputation. But from that time forward she would accept nothing from him but house-room, for she held that no high-minded woman could take anything from a man to whom she was bound by no tie more sacred than that of a mere legal contract.

She was very quiet when she first came to us, but beyond that I noticed nothing unusual in her manner, and after the first I was inclined to think that being out of health accounted for everything. My sister Claudia, however, was not so easily deceived. She declared that Ideala was suffering from some serious trouble, either mental or bodily; and as the days wore on and there was no change for the better in her, but rather the contrary, I began to share Claudia's anxiety. Ideala grew paler and thinner, and more nervous. She was oftenest depressed, but occasionally had unnatural bursts of hilarity that would end suddenly in long fits of brooding.

It seems she had at first believed that Lorrimer's absence was an intentional slight, and the humiliation, coming as it did upon the long train of troubles which had weakened her already both in body and mind, nearly killed her. She had been lying for weeks between life and death, and we had known nothing of it. But as her strength returned she began to think she had been unjust to Lorrimer. She could account for his absence in many ways. He had been called out suddenly, and had left no message because he expected to be back before she arrived, but had been detained; or perhaps he had left a message with one of the servants whom she had not seen—there were so many about the place; or it was just possible that he had never received her letter at all—a certain number are lost in the post every day; and altogether it was more difficult to think badly of him than to believe that there had been some mistake. But still there was a doubt in her mind, and she bore the torment of it rather than ask for an explanation which might only confirm her worst fears.