LIST OF ILLUSTRATIONS
| PAGE | |
| Page from Blake’s “Songs of Experience” | 5 |
| Page from Blake’s “Songs of Innocence” | 6 |
| Wood engravings by Edward Calvert | 7, 8 |
| Illustrations to Tennyson: | |
| The Ballad of Oriana, by Holman Hunt | 9 |
| The Palace of Art, by D. G. Rossetti | 10 |
| The Bride (from “The Talking Oak”), by Sir J. E. Millais | 11 |
| Manoli, by Frederick Sandys | 13 |
| Royal College of Art, Students’ Designs: | |
| Figure Composition, Frederigo Barbarossa, by Lancelot Crane | 37 |
| Time Studies, by H. Parr | 38, 39 |
| Time Studies of Figures in Action | 41 |
| Design and Plan of a Domed Church, by A. E. Martin | 42 |
| Design for Tapestry, by E. W. Tristram | 43 |
| Design for Embroidery, by Miss E. M. Dunkley | 45 |
| Museum Studies in Embroidery, by Miss E. M. Dunkley | 46 |
| Sheet of Heraldic Studies, by Miss C. M. Lacey | 47 |
| Studies in Counterchange, by W. G. Spooner | 49 |
| Studies of Scroll Forms, by W. G. Spooner | 51 |
| Studies of Plant Forms, by W. G. Spooner | 53 |
| Pen Drawings, by H. A. Rigby | 55, 57 |
| Cabinet, designed and decorated in Gesso, by J. R. Shea | 59 |
| Group of Pottery, designed and executed by the Students | 60 |
| Wood Carving, by J. R. Shea | 61 |
| Stained Glass Panel, designed and executed by A. Kidd. | 62 |
| Frieze, by James A. Stevenson. | 63 |
| Page of Text, written by J. P. Bland | 65 |
| Panel by Vincent Hill | 67 |
| Wentworth Street, Whitechapel | 79 |
| Egyptian Hieroglyphics as a Wall Decoration (Temple of Seti, Abydos) | 89 |
| Greek Cylix (Peleus and Thetis) | 105 |
| Sketch for Collective Dwelling, by Lionel F. Crane | 116 |
| Plan of Collective Dwelling, by Lionel F. Crane | 116 |
| Frescoes by Ford Madox Brown in the Town Hall, Manchester | 118, 119 |
| View in Bournville | 123 |
| Cottages at Bournville, designed by Alex. W. Harvey | 123 |
| Interior, 1a, Holland Park, designed by Philip Webb | 131 |
| Ranworth Rood Screen, Norfolk (from Drawings by W. T. Cleobury) | 133, 134, 135, 137, 138, 139, 141, 143 |
| Lucas van Leyden, “The Annunciation” | 145 |
| Carpaccio, “The Dream of St. Ursula” | 147 |
| Cottage in the Garden City, Letchworth, Herts, designed by Lionel F. Crane | 149, 150, 151 |
| Stoneywell Cottage, designed by Ernest W. Gimson | 153, 155 |
| Old English Farmhouse Interior (from a Sketch by Walter Crane) | 157 |
| Combe Bank, Sevenoaks, the Saloon, decorated by Walter Crane | 159 |
| Printed Cretonne Hangings, designed by Walter Crane | 160, 161 |
| Wall-papers, designed by Walter Crane | 163, 164, 165, 167, 168, 169 |
| Greek Drapery (Temple of Nike Apteros, Athens) | 173 |
| Types of Artistic Dress | 177 |
| Types of Children’s Dress | 179 |
| Types of Working Dress | 181 |
| Hungarian Peasant Costumes | 182, 183 |
| A Contrast. Modern and Mediaeval Simplicity | 187 |
| Decoration of Westminster Bridge, by the Students of the Royal College of Art (from a Coloured Drawing by G. E. Kruger) | 195 |
| Suggestion for a Temporary Gatehouse at Temple Bar, by Walter Crane | 197 |
| Temporary Street Decoration | 199, 201 |
| Royal Mantle from the Treasury of Bamberg | 205 |
| Chasuble from the Cathedral of Anagni | 206 |
| Sicilian Silk Patterns (XIVth century) | 207, 208, 209, 210, 211, 212, 213, 214 |
| Embroidered Tabard in the Archaeological Museum at Ghent | 215 |
| Details from the Embroidered Tabard | 216, 217, 218 |
| Robe of Richard II (from the picture at Wilton House) | 219 |
| The Lions of England, designed by Walter Crane | 220 |
| Heraldic Lion, designed by Walter Crane | 221 |
| The Lions of England (from the Tomb of William de Valence, Earl of Pembroke, Westminster Abbey) | 222 |
| Equestrian Figure with Heraldic Trappings (from the Tomb of Edmund Crouchback, Earl of Lancaster, Westminster Abbey) | 223 |
| Binding in black morocco, with Medallions and Coat of Arms, by Thomas Berthelet | 227 |
| Binding in black morocco, with Arms of Edward VI, by Thomas Berthelet | 229 |
| Binding in stamped calf, with emblematical designs | 231 |
| Binding of oak boards covered with stamped calf, by John Reynes | 233 |
| Binding in brown calf, inlaid, by the Wotton Binder | 235 |
| Appartamenti Borgia, Vatican, showing Pinturicchio’s “Salutation,” etc. | 238 |
| Detail from Pinturicchio’s “Salutation,” with enrichments in Gesso | 239 |
| Palermo, Cappella Reale (from a Water-colour Sketch by Walter Crane) | 241 |
| The Double Cube Room, Wilton House | 243, 245 |
| Method of Working with the Brush in Gesso | 249 |
| Filling for Picture Frame in Gesso Duro, designed by Walter Crane | 250 |
| Design for a Bell-pull, modelled in Gesso, by Walter Crane | 251 |
| Gesso Panel, design for the Art Workers’ Guild, by Walter Crane | 253 |
| The Dance (Frieze Panel in Gesso), designed by Walter Crane | 254 |
| Picture Frame in Oak with Gesso filling, designed by Walter Crane | 255 |
| Treatment of Form in Gesso Decoration, by Walter Crane | 256 |
| System of Modelling with the Brush in Gesso | 257 |
| Gesso Decoration at 1a, Holland Park, by Walter Crane, the woodwork by Philip Webb | 258, 259, 260, 261 |
| Panel in Gesso, tinted with lacquers and lustre paint, designed by Walter Crane | 262 |
| Panel in Gesso, tinted with lacquer, designed by Walter Crane | 263 |
| Pictorial Decoration (Ducal Palace, Venice) | 271 |
| “Love and Death,” by G. F. Watts, R.A. | 275 |
| “Sir Galahad,” by G. F. Watts, R.A. | 277 |
| “Hope,” by G. F. Watts, R.A. | 279 |