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Idyllic Monologues: Old and New World Verses

Chapter 57: III.
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About This Book

A varied assortment of lyrical and narrative poems that shift between pastoral idylls and dramatic monologues. Several pieces linger on rural landscapes, gardens, and seasonal detail, while others enact intimate tales of love, betrayal, and wartime dislocation through singular voices. The poet interweaves classical and medieval allusion with elegiac meditations on art, memory, and human longing, and includes occasional playful or philosophical addresses. Rich imagery and formal cadence bind together garden scenes, haunted houses, mythic figures, and reflective occasional pieces, balancing storytelling momentum with contemplative lyricism.

And that is all I have to tell.
No more the Huron's hideous yell
Sounds to assault and slaughter.—
Perhaps to us some praise is due;
But we are men, accustomed to
Such dangers, which we often woo.
Much more is due our women who
Brought to the Station—water.

On the Jellico Spur of the Cumberlands

TO J. FOX, JR.

You remember how the mist,
When we climbed to Devil's Den,
Pearly in the mountain glen,
And above us, amethyst,
Throbbed or circled? then away,
Through the wildwoods opposite,
Torn and scattered, morning-lit,
Vanished into dewy gray?—
Vague as in romance we saw,
From the fog, one riven trunk,
Talon-like with branches shrunk,
Thrust a monster dragon claw.
And we climbed for hours through
The dawn-dripping Jellicoes,
To a wooded rock that shows
Undulating leagues of blue
Summits; mountain-chains that lie
Dark with forests; bar on bar,
Ranging their irregular
Purple peaks beneath a sky
Soft as slumber. Range on range
Billow their enormous spines,
Where the rocks and priestly pines
Sit eternal, without change.
We were sons of Nature then:
She had taken us to her,
Signalized by brier and burr,
Something more to her than men:
Pupils of her lofty moods,
From her bloom-anointed looks,
Wisdom of no man-made books
Learned we in those solitudes:
How the seed supplied the flower;
How the sapling held the oak;
How within the vine awoke
The wild impulse still to tower;
How in fantasy or mirth,
Springing from her footsteps there,
Curious fungi everywhere
Bulged, exuded from the earth;
Coral vegetable things,
That the underworld exhaled,
Bulbous, crystal-ribbed and scaled,
Many colored and in rings,
Like the Indian-Pipe that grew
Pink and white in loamy cracks,
Flowers of a natural wax,
She had turned her fancy to.—
On that laureled precipice,
Where the chestnuts dropped their burrs,
Sweet with balsam of the firs,
First we felt her mother kiss
Full of heaven and the wind;
While the forests, wood on wood,
Murmured like a multitude
Giving praise where none hath sinned.—
Freedom met us there; we saw
Freedom giving audience;
In her face the eloquence,
Lightning-like, of love and law:
Round her, with majestic hips,
Lay the giant mountains; there
Near her, cataracts tossed their hair,
God and thunder on their lips.—
Oft an eagle, or a hawk,
Or a scavenger, we knew
Winged through altitudes of blue,
By its shadow on the rock.
Or a cloud of templed white
Moved, a lazy berg of pearl,
Through the sky's pacific swirl,
Shot with cool cerulean light.
So we dreamed an hour upon
That warm rock the lichens mossed,
While around us foliage tossed
Coins, gold-minted of the sun:
Then arose; and a ravine,
Which a torrent once had worn,
Made our roadway to the corn,
In the valley, deep and green;
And the farm house with its bees,
Where old-fashioned flowers spun
Gay rag-carpets in the sun,
Hid among the apple trees.
Here we watched the twilight fall;
O'er Wolf-Mountain sunset made
A huge rhododendron rayed
Round the sun's cloud-centered ball.
Then through scents of herb and soil,
To the mining-camp we turned,
In the twinkling dusk discerned
With its white-washed homes of toil.
Ah, those nights!—We wandered forth
On some haunted mountain path,
When the moon was late, and rathe
The large stars, sowed south and north,
Splashed with gold the purple skies;
And the milky zodiac,
Rolled athwart the belted black,
Seemed a path to Paradise.
And we walked or lingered till,
In the valley-land beneath,
Like the vapor of a breath
Breathed in frost, arose the still
Architecture of the mist:
And the moon-dawn's necromance
Touched the mist and made it glance
Like a town of amethyst.
Then around us, sharp and brusque,
Night's shrill insects strident strung
Instruments that buzzed and sung
Pixy music of the dusk.
And we seemed to hear soft sighs,
And hushed steps of ghostly things,
Fluttered feet or rustled wings,
Moved before us. Fire-flies,
Gleaming in the tangled glade,
Seemed the eyes of warriors
Stealing under watching stars
To some midnight ambuscade;
To the Indian village there,
Wigwamed with the mist, that slept
By the woodland side, whence crept
Shadowy Shawnees of the air.
When the moon rose, like a cup
Lay the valley, brimmed with wine
Of mesmeric shade and shine,
To the moon's pale face held up.
As she rose from out the mines
Of the eastern darkness, night
Met her, clad in dewy light
'Mid Pine Mountain's sachem pines.
As from clouds in pearly parts
Her serene circumference grew,
Home we turned. And all night through
Dreamed the dreams of happy hearts.

A Confession

These are the facts:—I was to blame:
I brought her here and wrought her shame:
She came with me all trustingly.
Lovely and innocent her face:
And in her perfect form, the grace
Of purity and modesty.
I think I loved her then: 'would dote
On her ambrosial breast and throat,
Young as a blossom's tenderness:
Her eyes, that were both glad and sad:
Her cheeks and chin, that dimples had:
Her mouth, red-ripe to kiss and kiss.
Three months passed by; three moons of fire;
When in me sickened all desire:
And in its place a devil,—who
Filled all my soul with deep disgust,
And on the victim of my lust
Turned eyes of loathing,—swiftly grew.
One night, when by my side she slept,
I rose: and leaning, while I kept
The dagger hid, I kissed her hair
And throat: and, when she smiled asleep,
Into her heart I drove it deep:
And left her dead, still smiling there.

Lilith

Her face seemed fair as Mary's is,
That knows no sin or wrong;
Her presence filled the silences
As music fills a song.
And she was clad like the Mother of God,
As 't were for Christ's sweet sake,
But when she moved and where she trod
A hiss went of a snake.
Though seeming sinless, till I die
I shall not know for sure
Why to my soul she seemed a lie
And otherwise than pure.
Nor why I kissed her soon and late
And for her felt desire,
While loathing of her passion ate
Into my soul like fire.
Was it because my soul could tell
That, like the poppy-flower,
She had no soul? a thing of Hell,
That o'er it had no power.
Or was it that your love at last
My soul so long had craved,
From the sweet sin that held me fast
At that last moment saved?

Content

At morn, a pathway deep with dew,
And birds to vary time and tune;
At eve, a sunset avenue,
And whippoorwills that haunt the moon,
Is all I ask for me and you.
Dear heart, with wants so small and few,
And faith, that's better far than gold,
A lowly friend, a child or two,
To care for us when we are old,
Is all I ask for me and you.

Berrying

I.

My love went berrying
Where brooks were merrying
And wild wings ferrying
Heaven's amethyst;
The wildflowers blessed her,
My dearest Hester,
The winds caressed her,
The sunbeams kissed.

II.

I followed, carrying
Her basket; varying
Fond hopes of marrying
With hopes denied;
Both late and early
She deemed me surly,
And bowed her curly
Fair head and sighed:

III.

IV.

Then looked up tearfully.
And I, all fearfully,
Replied, "My dear, fully
Will I explain:
I love you dearly,
But look not cheerly
Since all says clearly
I love in vain."

V.

Then smiled she airily;
And answered merrily
With words that—verily
Made me decide:
And drawing tow'rd her,
I there implored her—
I who adored her—
To be my bride.

VI.

O sweet simplicity
Of young rusticity,
Without duplicity,
Whom love made know,
That hearts in meter
Make earth completer;
And kisses, sweeter
Than—berries grow.

To a Pansy-Violet

Found Solitary Among the Hills.

I.

O pansy-violet,
With early April wet,
How frail and pure you look
Lost in this glow-worm nook
Of heaven-holding hills:
Down which the hurrying rills
Fling scrolls of melodies:
O'er which the birds and bees
Weave gossamers of song,
Invisible, but strong:
Sweet music webs they spin
To snare the spirit in.

II.

III.

O pansy-violet,
O darling floweret,
Hued like the timid gem
That stars the diadem
Of Fay or Sylvan Sprite,
Who, in the woods, all night
Is busy with the blooms,
Young leaves and wild perfumes,
Through you I seem t' have seen
All that such dreams may mean.

IV.

O pansy-violet,
Long, long ago we met—
'T was in a Fairy-tale:
Two children in a vale
Sat underneath glad stars,
Far from the world of wars;
Each loved the other well:
Her eyes were like the spell
Of dusk and dawning skies—
The purple dark that dyes
The midnight: his were blue
As heaven the day shines through.

V.

O pansy-violet,
What is this vague regret,
This yearning, so like tears,
That touches through the years
Long past, when Myth and Fable
In all strange things were able
To beautify the Earth,
Things of immortal worth?—
This longing, that to me
Is like a memory
Lived long ago, of those
Fair children who, it knows,
Loved with no mortal love;
Whom smiling heaven above
Fostered, and when they died
Laid side by loving side.

VI.

O pansy-violet,
I dream, remembering yet
A wood-god-guarded tomb,
Out of whose moss a bloom
Sprang, with three petals wan
As are the eyes of dawn;
And two as darkly deep
As are the eyes of sleep.—
O flower,—that seems to hold
Some memory of old,
A hope, a happiness,
At which I can but guess,—
You are a sign to me
Of immortality:
Through you my spirit sees
The deathless purposes
Of death, that still evolves
The beauty it resolves;
The change that aye fulfills
Life's meaning as God wills.

Heart of my Heart

Stars are not truer than your soul is true—
What need I more of heaven then than you?
Flowers are not sweeter than your face is sweet—
What need I more to make my world complete?
O woman nature, love that still endures,
What strength hath ours that is not born of yours?
Heart of my heart, to you, whatever come,
To you the lead, whose love hath led me home.
Heart of my heart.

Witnesses

I.

You say I do not love you!—Tell me why,
When I have gazed a little on your face,
And then gone forth into the world of men,
A beauty, neither of the Earth or Sky,
A glamour, that transforms each common place,
Attends my spirit then?

II.

III.

You say I do not love you!—Yet it seems,
When I have kissed your hand and said farewell,
A fragrance, sweeter than did flower yet bloom,
Accompanies my soul and fills, with dreams,
The sad and sordid streets, where people dwell,
Dreams of spring's wild perfume.

Wherefore

I would not see, yet must behold
The truth they preach in church and hall;
And question so,—Is death then all,
And life an idle tale that's told?
The myriad wonders art hath wrought
I deemed eternal as God's love:
No more than shadows these shall prove,
And insubstantial as a thought.
And love and labor, who have gone,
Hand in close hand, and civilized
The wilderness, these shall be prized
No more than if they had not done.
Then wherefore strive? Why strain and bend
Beneath a burden so unjust?
Our works are builded out of dust,
And dust their universal end.

Pagan

The gods, who could loose and bind
In the long ago,
The gods, who were stern and kind
To men below,
Where shall we seek and find,
Or, finding, know?
Where Greece, with king on king,
Dreamed in her halls;
Where Rome kneeled worshiping,
The owl now calls,
And whispering ivies cling
To mouldering walls.
They have served, and have passed away
From the earth and sky,
And their Creed is a record gray,
Where the passer-by
Reads, "Live and be glad to-day,
For to-morrow ye die."
And shall it be so, indeed,
When we are no more,
That nations to be shall read,—
As we have before,—
In the dust of a Christian Creed,
But pagan lore?

"The Fathers of our Fathers"

Written February 24, 1898, on reading the latest news concerning
the battleship Maine, blown up in Havana harbor, February 15th.

I.

The fathers of our fathers they were men!—
What are we who now stand idle while we see our seamen slain?
Who behold our flag dishonored, and still pause!
Are we blind to her duplicity, the treachery of Spain?
To the rights, she scorns, of nations and their laws?
Let us rise, a mighty people, let us wipe away the stain!
Must we wait till she insult us for a cause?—
The fathers of our fathers they were men!

II.

III.

The fathers of our fathers they were men!—
What are we who are so cautious, never venturing too far!
Shall we, at the cost of honor, still keep peace?
While we see the thousands starving and the struggling Cuban star,
And the outraged form of Freedom on her knees!
Let our long, steel ocean-bloodhounds, adamantine dogs of war,
Sweep the yellow Spanish panther from the seas!—
The fathers of our fathers they were men!

"Mene, Mene, Tekel, Upharsin"

I.

Behold! we have gathered together our battleships near and afar;
Their decks they are cleared for action, their guns they are shotted for war:
From the East to the West there is hurry, in the North and the South a peal
Of hammers in fort and shipyard, and the clamor and clang of steel;
And the roar and the rush of engines, and clanking of derrick and crane—
Thou art weighed in the Scales and found wanting, the balance of God, O Spain!

II.

III.

Summon thy vessels together! great is thy need for these!—
Cristobal Colon, Vizcaya, Oquendo, and Maria Terese—
Let them be strong and many, for a vision I had by night,
That the ancient wrongs thou hast done the world came howling to the fight;
From the New-World shores they gathered, Inca and Aztec slain,
To the Cuban shot but yesterday, and our own dead seamen, Spain!

IV.

Summon thy ships together, gather a mighty fleet!
For a strong young Nation is arming, that never hath known defeat.
Summon thy ships together, there on thy blood-stained sands!
For a shadowy army gathers with manacled feet and hands,
A shadowy host of sorrows and shames, too black to tell,
That reach, with their horrible wounds, for thee to drag thee down to Hell;
A myriad phantoms and spectres, thou warrest against in vain—
Thou art weighed in the Scales and found wanting, the balance of God, O Spain!

Her Vivien Eyes

Her Vivien eyes,—take heed! take heed!—
Though they be bibles, none may read
Therein of God or Holy Creed.
Look, look away! lest thou be cursed,—
As Merlin was, romances tell,—
And in their sorcerous spells immersed,
Hoping for Heaven thou chance on Hell.

There Was a Rose

There was a rose in Eden once: it grows
On Earth now, sweeter for its rare perfume:
And Paradise is poorer by one bloom,
And Earth is richer. In this blossom glows
More loveliness than old seraglios
Or courts of kings did ever yet illume:
More purity, than ever yet had room
In soul of nun or saint.—O human rose,—
Who art initial and sweet period of
My heart's divinest sentence, where I read
Love, first and last, and in the pauses love;
Who art the dear ideal of each deed
My life aspires by to some high goal,—
Set in the haunted garden of my soul!

The Artist

In story books, when I was very young,
I knew you first, one of the Fairy Race;
And then it was your picture took its place,
Framed in with love's deep gold, and draped and hung
High in my heart's red room: no song was sung,
No tale of passion told, I did not grace
With your associated form and face,
And intimated charm of touch and tongue.
As years went on you grew to more and more,
Until each thing, symbolic to my heart
Of beauty,—such as honor, truth, and fame,—
Within the studio of my soul's thought wore
Your lineaments, whom I, with all my art,
Strove to embody and to give a name.

Poetry and Philosophy

Out of the past the dim leaves spoke to me
The thoughts of Pindar with a voice so sweet
Hyblæan bees seemed swarming my retreat
Around the reedy well of Poesy.
I closed the book. Then, knee to neighbor knee,
Sat with the soul of Plato, to repeat
Doctrines, till mine seemed some Socratic seat
High on the summit of Philosophy.
Around the wave of one Religion taught
Her first rude children. From the stars that burned
Above the mountained other, Science learned
The first vague lessons of the work she wrought.
Daughters of God, in whom we still behold
The Age of Iron and the Age of Gold.

"Quo Vadis"

It is as if imperial trumpets broke
Again the silence on War's iron height;
And Cæsar's armored legions marched to fight,
While Rome, blood-red upon her mountain-yoke,
Blazed like an awful sunset. At a stroke,
Again I see the living torches light
The horrible revels, and the bloated, white,
Bayed brow of Nero smiling through the smoke:
And here and there a little band of slaves
Among dark ruins; and the form of Paul,
Bearded and gaunt, expounding still the Word:
And towards the North the tottering architraves
Of empire; and, wild-waving over all,
The flaming figure of a Gothic sword.

To a Critic

Song hath a catalogue of lovely things
Thy kind hath oft defiled,—whose spite misleads
The world too often!—where the poet reads,
As in a fable, of old envyings,
Crows, such as thou, which hush the bird that sings,
Or kill it with their cawings; thorns and weeds,
Such as thyself, 'midst which the wind sows seeds
Of flow'rs, these crush before one blossom swings.
But here and there the wisdom of a School
Unknown to these hath often written down
"Fame" in white ink the future hath turned brown;
When every beauty, heaped with ridicule,
In their ignoble prose, proved their renown,
Making each famous—as an ass or fool.

AFTERWORD.