WeRead Powered by ReaderPub
Illustrated History of Furniture: From the Earliest to the Present Time cover

Illustrated History of Furniture: From the Earliest to the Present Time

Chapter 54: Conclusion.
Open in WeRead

Explore more books like this:

About This Book

A chronological survey of decorative furniture and interior woodwork from ancient times to the late nineteenth century, illustrated with museum and private examples and concise explanatory notes. It traces materials, forms, and ornament across biblical, Assyrian, Egyptian, Greek and Roman precedents, follows medieval developments and the Gothic-to-Renaissance transition, then examines regional renaissances and national traditions in Italy, France, the Netherlands, Spain, Germany and England. The text connects design changes to architectural styles, social customs and craft techniques such as gilding, inlay and mounting, gives fuller treatment to French luxury furniture and select English periods, and acknowledges its intentionally limited scope.

Conclusion.

A point has now been reached at which our task must be brought to its natural conclusion; for although many collectors, and others interested in the subject, have invited the writer's attention to numerous descriptions and examples, from an examination of which much information could, without doubt, be obtained, still, the exigencies of a busy life, and the limits of a single volume of moderate dimensions, forbid the attempt to add to a story which, it is feared, may perhaps have already overtaxed the reader's patience.

As has already been stated in the preface, this book is not intended to be a guide to "collecting," or "furnishing"; nevertheless, it is possible that, in the course of recording some of the changes which have taken place in designs and fashions, and of bringing into notice, here and there, the opinions of those who have thought and written upon the subject, some indirect assistance may have been given in both these directions. If this should be the case, and if an increased interest has been thereby excited in the surroundings of the Home, or in some of those Art collections—the work of bye-gone years—which form part of our National property, the writer's aim and object will have been attained, and his humble efforts amply rewarded.


A Sixteenth Century Workshop