Imaginary Conversations and Poems: A Selection

Petrarca. Giovanni, you are unsuspicious, and would scarcely see a monster in a minotaur. It is well, however, to draw good out of evil, and it is the peculiar gift of an elevated mind. Nevertheless, you must have observed, although with greater curiosity than concern, the slipperiness and tortuousness of your detractors.

Boccaccio. Whatever they detract from me, they leave more than they can carry away. Beside, they always are detected.

Petrarca. When they are detected, they raise themselves up fiercely, as if their nature were erect and they could reach your height.

Boccaccio. Envy would conceal herself under the shadow and shelter of contemptuousness, but she swells too huge for the den she creeps into. Let her lie there and crack, and think no more about her. The people you have been talking of can find no greater and no other faults in my writings than I myself am willing to show them, and still more willing to correct. There are many things, as you have just now told me, very unworthy of their company.

Petrarca. He who has much gold is none the poorer for having much silver too. When a king of old displayed his wealth and magnificence before a philosopher, the philosopher’s exclamation was:

‘How many things are here which I do not want!’

Does not the same reflection come upon us, when we have laid aside our compositions for a time, and look into them again more leisurely? Do we not wonder at our own profusion, and say like the philosopher:

‘How many things are here which I do not want!’

It may happen that we pull up flowers with weeds; but better this than rankness. We must bear to see our first-born dispatched before our eyes, and give them up quietly.

Boccaccio. The younger will be the most reluctant. There are poets among us who mistake in themselves the freckles of the hay-fever for beauty-spots. In another half-century their volumes will be inquired after; but only for the sake of cutting out an illuminated letter from the title-page, or of transplanting the willow at the end, that hangs so prettily over the tomb of Amaryllis. If they wish to be healthy and vigorous, let them open their bosoms to the breezes of Sunium; for the air of Latium is heavy and overcharged. Above all, they must remember two admonitions; first, that sweet things hurt digestion; secondly, that great sails are ill adapted to small vessels. What is there lovely in poetry unless there be moderation and composure? Are they not better than the hot, uncontrollable harlotry of a flaunting, dishevelled enthusiasm? Whoever has the power of creating, has likewise the inferior power of keeping his creation in order. The best poets are the most impressive, because their steps are regular; for without regularity there is neither strength nor state. Look at Sophocles, look at Aeschylus, look at Homer.

Petrarca. I agree with you entirely to the whole extent of your observations; and, if you will continue, I am ready to lay aside my Dante for the present.

Boccaccio. No, no; we must have him again between us: there is no danger that he will sour our tempers.

Petrarca. In comparing his and yours, since you forbid me to declare all I think of your genius, you will at least allow me to congratulate you as being the happier of the two.

Boccaccio. Frequently, where there is great power in poetry, the imagination makes encroachments on the heart, and uses it as her own. I have shed tears on writings which never cost the writer a sigh, but which occasioned him to rub the palms of his hands together, until they were ready to strike fire, with satisfaction at having overcome the difficulty of being tender.

Petrarca. Giovanni! are you not grown satirical?

Boccaccio. Not in this. It is a truth as broad and glaring as the eye of the Cyclops. To make you amends for your shuddering, I will express my doubt, on the other hand, whether Dante felt all the indignation he threw into his poetry. We are immoderately fond of warming ourselves; and we do not think, or care, what the fire is composed of. Be sure it is not always of cedar, like Circe’s. Our Alighieri had slipped into the habit of vituperation; and he thought it fitted him; so he never left it off.

Petrarca. Serener colours are pleasanter to our eyes and more becoming to our character. The chief desire in every man of genius is to be thought one; and no fear or apprehension lessens it. Alighieri, who had certainly studied the gospel, must have been conscious that he not only was inhumane, but that he betrayed a more vindictive spirit than any pope or prelate who is enshrined within the fretwork of his golden grating.

Boccaccio. Unhappily, his strong talon had grown into him, and it would have pained him to suffer amputation. This eagle, unlike Jupiter’s, never loosened the thunderbolt from it under the influence of harmony.

Petrarca. The only good thing we can expect in such minds and tempers is good poetry: let us at least get that; and, having it, let us keep and value it. If you had never written some wanton stories, you would never have been able to show the world how much wiser and better you grew afterward.

Boccaccio. Alas! if I live, I hope to show it. You have raised my spirits: and now, dear Francesco! do say a couple of prayers for me, while I lay together the materials of a tale; a right merry one, I promise you. Faith! it shall amuse you, and pay decently for the prayers; a good honest litany-worth. I hardly know whether I ought to have a nun in it: do you think I may?

Petrarca. Cannot you do without one?

Boccaccio. No; a nun I must have: say nothing against her; I can more easily let the abbess alone. Yet Frate Biagio ... that Frate Biagio, who never came to visit me but when he thought I was at extremities or asleep.... Assuntina! are you there?

Petrarca. No; do you want her?

Boccaccio. Not a bit. That Frate Biagio has heightened my pulse when I could not lower it again. The very devil is that Frate for heightening pulses. And with him I shall now make merry ... God willing ... in God’s good time ... should it be His divine will to restore me! which I think He has begun to do miraculously. I seem to be within a frog’s leap of well again; and we will presently have some rare fun in my Tale of the Frate.

Petrarca. Do not openly name him.

Boccaccio. He shall recognize himself by one single expression. He said to me, when I was at the worst:

‘Ser Giovanni! it would not be much amiss (with permission!) if you begin to think (at any spare time), just a morsel, of eternity.’

‘Ah! Fra Biagio!’ answered I, contritely, ‘I never heard a sermon of yours but I thought of it seriously and uneasily, long before the discourse was over.’

‘So must all,’ replied he, ‘and yet few have the grace to own it.’

Now mind, Francesco! if it should please the Lord to call me unto Him, I say, The Nun and Fra Biagio will be found, after my decease, in the closet cut out of the wall, behind yon Saint Zacharias in blue and yellow.

Well done! well done! Francesco. I never heard any man repeat his prayers so fast and fluently. Why! how many (at a guess) have you repeated? Such is the power of friendship, and such the habit of religion! They have done me good: I feel myself stronger already. To-morrow I think I shall be able, by leaning on that stout maple stick in the corner, to walk half over my podere.

Have you done? have you done?

Petrarca. Be quiet: you may talk too much.

Boccaccio. I cannot be quiet for another hour; so, if you have any more prayers to get over, stick the spur into the other side of them: they must verily speed, if they beat the last.

Petrarca. Be more serious, dear Giovanni.

Boccaccio. Never bid a convalescent be more serious: no, nor a sick man neither. To health it may give that composure which it takes away from sickness. Every man will have his hours of seriousness; but, like the hours of rest, they often are ill-chosen and unwholesome. Be assured, our heavenly Father is as well pleased to see His children in the playground as in the schoolroom. He has provided both for us, and has given us intimations when each should occupy us.

Petrarca. You are right, Giovanni! but we know which bell is heard the most distinctly. We fold our arms at the one, try the cooler part of the pillow, and turn again to slumber; at the first stroke of the other, we are beyond our monitors. As for you, hardly Dante himself could make you grave.

Boccaccio. I do not remember how it happened that we slipped away from his side. One of us must have found him tedious.

Petrarca. If you were really and substantially at his side, he would have no mercy on you.

Boccaccio. In sooth, our good Alighieri seems to have had the appetite of a dogfish or shark, and to have bitten the harder the warmer he was. I would not voluntarily be under his manifold rows of dentals. He has an incisor to every saint in the calendar. I should fare, methinks, like Brutus and the archbishop. He is forced to stretch himself, out of sheer listlessness, in so idle a place as Purgatory: he loses half his strength in Paradise: Hell alone makes him alert and lively: there he moves about and threatens as tremendously as the serpent that opposed the legions on their march in Africa. He would not have been contented in Tuscany itself, even had his enemies left him unmolested. Were I to write on his model a tripartite poem, I think it should be entitled, Earth, Italy, and Heaven.

Petrarca. You will never give yourself the trouble.

Boccaccio. I should not succeed.

Petrarca. Perhaps not: but you have done very much, and may be able to do very much more.

Boccaccio. Wonderful is it to me, when I consider that an infirm and helpless creature, as I am, should be capable of laying thoughts up in their cabinets of words, which Time, as he rushes by, with the revolutions of stormy and destructive years, can never move from their places. On this coarse mattress, one among the homeliest in the fair at Impruneta, is stretched an old burgess of Certaldo, of whom perhaps more will be known hereafter than we know of the Ptolemies and the Pharaohs; while popes and princes are lying as unregarded as the fleas that are shaken out of the window. Upon my life, Francesco! to think of this is enough to make a man presumptuous.

Petrarca. No, Giovanni! not when the man thinks justly of it, as such a man ought to do, and must. For so mighty a power over Time, who casts all other mortals under his, comes down to us from a greater; and it is only if we abuse the victory that it were better we had encountered a defeat. Unremitting care must be taken that nothing soil the monuments we are raising: sure enough we are that nothing can subvert, and nothing but our negligence, or worse than negligence, efface them. Under the glorious lamp entrusted to your vigilance, one among the lights of the world, which the ministering angels of our God have suspended for His service, let there stand, with unclosing eyes, Integrity, Compassion, Self-denial.

Boccaccio. These are holier and cheerfuller images than Dante has been setting up before us. I hope every thesis in dispute among his theologians will be settled ere I set foot among them. I like Tuscany well enough: it answers all my purposes for the present: and I am without the benefit of those preliminary studies which might render me a worthy auditor of incomprehensible wisdom.

Petrarca. I do not wonder you are attached to Tuscany. Many as have been your visits and adventures in other parts, you have rendered it pleasanter and more interesting than any: and indeed we can scarcely walk in any quarter from the gates of Florence without the recollection of some witty or affecting story related by you. Every street, every farm, is peopled by your genius: and this population cannot change with seasons or with ages, with factions or with incursions. Ghibellines and Guelphs will have been contested for only by the worms, long before the Decameron has ceased to be recited on our banks of blue lilies and under our arching vines. Another plague may come amidst us; and something of a solace in so terrible a visitation would be found in your pages, by those to whom letters are a refuge and relief.

Boccaccio. I do indeed think my little bevy from Santa Maria Novella would be better company on such an occasion, than a devil with three heads, who diverts the pain his claws inflicted, by sticking his fangs in another place.

Petrarca. This is atrocious, not terrific nor grand. Alighieri is grand by his lights, not by his shadows; by his human affections, not by his infernal. As the minutest sands are the labours of some profound sea, or the spoils of some vast mountain, in like manner his horrid wastes and wearying minutenesses are the chafings of a turbulent spirit, grasping the loftiest things and penetrating the deepest, and moving and moaning on the earth in loneliness and sadness.

Boccaccio. Among men he is what among waters is

Petrarca. Is that his verse? I do not remember it.

Boccaccio. No, it is mine for the present: how long it may continue mine I cannot tell. I never run after those who steal my apples: it would only tire me: and they are hardly worth recovering when they are bruised and bitten, as they are usually. I would not stand upon my verses: it is a perilous boy’s trick, which we ought to leave off when we put on square shoes. Let our prose show what we are, and our poetry what we have been.

Petrarca. You would never have given this advice to Alighieri.

Boccaccio. I would never plough porphyry; there is ground fitter for grain. Alighieri is the parent of his system, like the sun, about whom all the worlds are but particles thrown forth from him. We may write little things well, and accumulate one upon another; but never will any be justly called a great poet unless he has treated a great subject worthily. He may be the poet of the lover and of the idler, he may be the poet of green fields or gay society; but whoever is this can be no more. A throne is not built of birds’-nests, nor do a thousand reeds make a trumpet.

Petrarca. I wish Alighieri had blown his on nobler occasions.

Boccaccio. We may rightly wish it: but, in regretting what he wanted, let us acknowledge what he had: and never forget (which we omitted to mention) that he borrowed less from his predecessors than any of the Roman poets from theirs. Reasonably may it be expected that almost all who follow will be greatly more indebted to antiquity, to whose stores we, every year, are making some addition.

Petrarca. It can be held no flaw in the title-deeds of genius, if the same thoughts reappear as have been exhibited long ago. The indisputable sign of defect should be looked for in the proportion they bear to the unquestionably original. There are ideas which necessarily must occur to minds of the like magnitude and materials, aspect and temperature. When two ages are in the same phasis, they will excite the same humours, and produce the same coincidences and combinations. In addition to which, a great poet may really borrow: he may even condescend to an obligation at the hand of an equal or inferior: but he forfeits his title if he borrows more than the amount of his own possessions. The nightingale himself takes somewhat of his song from birds less glorified: and the lark, having beaten with her wing the very gates of heaven, cools her breast among the grass. The lowlier of intellect may lay out a table in their field, at which table the highest one shall sometimes be disposed to partake: want does not compel him. Imitation, as we call it, is often weakness, but it likewise is often sympathy.

Boccaccio. Our poet was seldom accessible in this quarter. Invective picks up the first stone on the wayside, and wants leisure to consult a forerunner.

Petrarca. Dante (original enough everywhere) is coarse and clumsy in this career. Vengeance has nothing to do with comedy, nor properly with satire. The satirist who told us that Indignation made his verses for him, might have been told in return that she excluded him thereby from the first class, and thrust him among the rhetoricians and declaimers. Lucretius, in his vituperation, is graver and more dignified than Alighieri. Painful; to see how tolerant is the atheist, how intolerant the Catholic: how anxiously the one removes from among the sufferings of Mortality, her last and heaviest, the fear of a vindictive Fury pursuing her shadow across rivers of fire and tears; how laboriously the other brings down Anguish and Despair, even when Death has done his work. How grateful the one is to that beneficent philosopher who made him at peace with himself, and tolerant and kindly toward his fellow-creatures! how importunate the other that God should forgo His divine mercy, and hurl everlasting torments both upon the dead and the living!

It being now the last morning that Petrarca could remain with his friend, he resolved to pass early into his bedchamber. Boccaccio had risen and was standing at the open window, with his arms against it. Renovated health sparkled in the eyes of the one; surprise and delight and thankfulness to Heaven filled the other’s with sudden tears. He clasped Giovanni, kissed his flaccid and sallow cheek, and falling on his knees, adored the Giver of life, the source of health to body and soul. Giovanni was not unmoved: he bent one knee as he leaned on the shoulder of Francesco, looking down into his face, repeating his words, and adding:

‘Blessed be Thou, O Lord! who sendest me health again! and blessings on Thy messenger who brought it.’

He had slept soundly; for ere he closed his eyes he had unburdened his mind of its freight, not only by employing the prayers appointed by Holy Church, but likewise by ejaculating; as sundry of the fathers did of old. He acknowledged his contrition for many transgressions, and chiefly for uncharitable thoughts of Fra Biagio: on which occasion he turned fairly round on his couch, and leaning his brow against the wall, and his body being in a becomingly curved position, and proper for the purpose, he thus ejaculated:

‘Thou knowest, O most Holy Virgin! that never have I spoken to handmaiden at this villetta, or within my mansion at Certaldo, wantonly or indiscreetly, but have always been, inasmuch as may be, the guardian of innocence; deeming it better, when irregular thoughts assailed me, to ventilate them abroad than to poison the house with them. And if, sinner as I am, I have thought uncharitably of others, and more especially of Fra Biagio, pardon me, out of thy exceeding great mercies! And let it not be imputed to me, if I have kept, and may keep hereafter, an eye over him, in wariness and watchfulness; not otherwise. For thou knowest, O Madonna! that many who have a perfect and unwavering faith in thee, yet do cover up their cheese from the nibblings of vermin.’

Whereupon, he turned round again, threw himself on his back at full length, and feeling the sheets cool, smooth, and refreshing, folded his arms, and slept instantaneously. The consequence of his wholesome slumber was a calm alacrity: and the idea that his visitor would be happy at seeing him on his feet again, made him attempt to get up: at which he succeeded, to his own wonder. And it was increased by the manifestation of his strength in opening the casement, stiff from being closed, and swelled by the continuance of the rains. The morning was warm and sunny: and it is known that on this occasion he composed the verses below:

Petrarca. I can rejoice at the freshness of your feelings: but the sight of the green turf reminds me rather of its ultimate use and destination.

Boccaccio. Very true; and, such being the case, let us carefully fold it up, and lay it by until we call for it.

Francesco, you made me quite light-headed yesterday. I am rather too old to dance either with Spring, as I have been saying, or with Vanity: and yet I accepted her at your hand as a partner. In future, no more of comparisons for me! You not only can do me no good, but you can leave me no pleasure: for here I shall remain the few days I have to live, and shall see nobody who will be disposed to remind me of your praises. Beside, you yourself will get hated for them. We neither can deserve praise nor receive it with impunity.

Petrarca. Have you never remarked that it is into quiet water that children throw pebbles to disturb it? and that it is into deep caverns that the idle drop sticks and dirt? We must expect such treatment.

Boccaccio. Your admonition shall have its wholesome influence over me, when the fever your praises have excited has grown moderate.

... After the conversation on this topic and various others had continued some time, it was interrupted by a visitor. The clergy and monkery at Certaldo had never been cordial with Messer Giovanni, it being suspected that certain of his Novelle were modelled on originals in their orders. Hence, although they indeed both professed and felt esteem for Canonico Petrarca, they abstained from expressing it at the villetta. But Frate Biagio of San Vivaldo was (by his own appointment) the friend of the house; and, being considered as very expert in pharmacy, had, day after day, brought over no indifferent store of simples, in ptisans, and other refections, during the continuance of Ser Giovanni’s ailment. Something now moved him to cast about in his mind whether it might not appear dutiful to make another visit. Perhaps he thought it possible that, among those who peradventure had seen him lately on the road, one or other might expect from him a solution of the questions, What sort of person was the crowned martyr? whether he carried a palm in his hand? whether a seam was visible across the throat? whether he wore a ring over his glove, with a chrysolite in it, like the bishops, but representing the city of Jerusalem and the judgment-seat of Pontius Pilate? Such were the reports; but the inhabitants of San Vivaldo could not believe the Certaldese, who, inhabiting the next township to them, were naturally their enemies. Yet they might believe Frate Biagio, and certainly would interrogate him accordingly. He formed his determination, put his frock and hood on, and gave a curvature to his shoe, to evince his knowledge of the world, by pushing the extremity of it with his breast-bone against the corner of his cell. Studious of his figure and of his attire, he walked as much as possible on his heels, to keep up the reformation he had wrought in the workmanship of the cordwainer. On former occasions he had borrowed a horse, as being wanted to hear confession or to carry medicines, which might otherwise be too late. But, having put on an entirely new habiliment, and it being the season when horses are beginning to do the same, he deemed it prudent to travel on foot. Approaching the villetta, his first intention was to walk directly into his patient’s room: but he found it impossible to resist the impulses of pride, in showing Assunta his rigid and stately frock, and shoes rather of the equestrian order than the monastic. So he went into the kitchen where the girl was at work, having just taken away the remains of the breakfast.

‘Frate Biagio!’ cried she, ‘is this you? Have you been sleeping at Conte Jeronimo’s?’

‘Not I,’ replied he.

‘Why!’ said she, ‘those are surely his shoes! Santa Maria! you must have put them on in the dusk of the morning, to say your prayers in! Here! here! take these old ones of Signor Padrone, for the love of God! I hope your Reverence met nobody.’

Frate. What dost smile at?

Assunta. Smile at! I could find in my heart to laugh outright, if I only were certain that nobody had seen your Reverence in such a funny trim. Riverenza! put on these.

Frate. Not I indeed.

Assunta. Allow me then?

Frate. No, nor you.

Assunta. Then let me stand upon yours, to push down the points.

... Frate Biagio now began to relent a little, when Assunta, who had made one step toward the project, bethought herself suddenly, and said:

‘No; I might miss my footing. But, mercy upon us! what made you cramp your Reverence with those ox-yoke shoes? and strangle your Reverence with that hangdog collar?’

‘If you must know,’ answered the Frate, reddening, ‘it was because I am making a visit to the Canonico of Parma. I should like to know something about him: perhaps you could tell me?’

Assunta. Ever so much.

Frate. I thought no less: indeed I knew it. Which goes to bed first?

Assunta. Both together.

Frate. Demonio! what dost mean?

Assunta. He tells me never to sit up waiting, but to say my prayers and dream of the Virgin.

Frate. As if it was any business of his! Does he put out his lamp himself?

Assunta. To be sure he does: why should not he? what should he be afraid of? It is not winter: and beside, there is a mat upon the floor, all round the bed, excepting the top and bottom.

Frate. I am quite convinced he never said anything to make you blush. Why are you silent?

Assunta. I have a right.

Frate. He did then? ay? Do not nod your head: that will never do. Discreet girls speak plainly.

Assunta. What would you have?

Frate. The truth; the truth; again, I say, the truth.

Assunta. He did then.

Frate. I knew it! The most dangerous man living!

Assunta. Ah! indeed he is! Signor Padrone said so.

Frate. He knows him of old: he warned you, it seems.

Assunta. Me! He never said it was I who was in danger.

Frate. He might: it was his duty.

Assunta. Am I so fat? Lord! you may feel every rib. Girls who run about as I do, slip away from apoplexy.

Frate. Ho! ho! that is all, is it?

Assunta. And bad enough too! that such good-natured men should ever grow so bulky; and stand in danger, as Padrone said they both do, of such a seizure?

Frate. What? and art ready to cry about it? Old folks cannot die easier: and there are always plenty of younger to run quick enough for a confessor. But I must not trifle in this manner. It is my duty to set your feet in the right way: it is my bounden duty to report to Ser Giovanni all irregularities I know of, committed in his domicile. I could indeed, and would, remit a trifle, on hearing the worst. Tell me now, Assunta! tell me, you little angel! did you ... we all may, the very best of us may, and do ... sin, my sweet?

Assunta. You may be sure I did not: for whenever I sin I run into church directly, although it snows or thunders: else I never could see again Padrone’s face, or any one’s.

Frate. You do not come to me.

Assunta. You live at San Vivaldo.

Frate. But when there is sin so pressing I am always ready to be found. You perplex, you puzzle me. Tell me at once how he made you blush.

Assunta. Well then!

Frate. Well then! you did not hang back so before him. I lose all patience.

Assunta. So famous a man!...

Frate. No excuse in that.

Assunta. So dear to Padrone....

Frate. The more shame for him!

Assunta. Called me....

Frate. And called you, did he! the traitorous swine!

Assunta. Called me ... good girl.

Frate. Psha! the wenches, I think, are all mad: but few of them in this manner.

... Without saying another word, Fra Biagio went forward and opened the bedchamber door, saying briskly:

‘Servant! Ser Giovanni! Ser Canonico! most devoted! most obsequious! I venture to incommode you. Thanks to God, Ser Canonico, you are looking well for your years. They tell me you were formerly (who would believe it?) the handsomest man in Christendom, and worked your way glibly, yonder at Avignon.

‘Capperi! Ser Giovanni! I never observed that you were sitting bolt-upright in that long-backed armchair, instead of lying abed. Quite in the right. I am rejoiced at such a change for the better. Who advised it?’

Boccaccio. So many thanks to Fra Biagio! I not only am sitting up, but have taken a draught of fresh air at the window, and every leaf had a little present of sunshine for me.

There is one pleasure, Fra Biagio, which I fancy you never have experienced, and I hardly know whether I ought to wish it you; the first sensation of health after a long confinement.

Frate. Thanks! infinite! I would take any man’s word for that, without a wish to try it. Everybody tells me I am exactly what I was a dozen years ago; while, for my part, I see everybody changed: those who ought to be much about my age, even those.... Per Bacco! I told them my thoughts when they had told me theirs; and they were not so agreeable as they used to be in former days.

Boccaccio. How people hate sincerity!

Cospetto! why, Frate! what hast got upon thy toes? Hast killed some Tartar and tucked his bow into one, and torn the crescent from the vizier’s tent to make the other match it? Hadst thou fallen in thy mettlesome expedition (and it is a mercy and a miracle thou didst not) those sacrilegious shoes would have impaled thee.

Frate. It was a mistake in the shoemaker. But no pain or incommodity whatsoever could detain me from paying my duty to Ser Canonico, the first moment I heard of his auspicious arrival, or from offering my congratulations to Ser Giovanni, on the annunciation that he was recovered and looking out of the window. All Tuscany was standing on the watch for it, and the news flew like lightning. By this time it is upon the Danube.

And pray, Ser Canonico, how does Madonna Laura do?

Petrarca. Peace to her gentle spirit! she is departed.

Frate. Ay, true. I had quite forgotten: that is to say, I recollect it. You told us as much, I think, in a poem on her death. Well, and do you know! our friend Giovanni here is a bit of an author in his way.

Boccaccio. Frate! you confuse my modesty.

Frate. Murder will out. It is a fact, on my conscience. Have you never heard anything about it, Canonico! Ha! we poets are sly fellows: we can keep a secret.

Boccaccio. Are you quite sure you can?

Frate. Try, and trust me with any. I am a confessional on legs: there is no more a whisper in me than in a woolsack.

I am in feather again, as you see; and in tune, as you shall hear.

April is not the month for moping. Sing it lustily.

Boccaccio. Let it be your business to sing it, being a Frate; I can only recite it.

Frate. Pray do, then.

Boccaccio.

Frate. Well now really, Canonico, for one not exactly one of us, that canzone of Ser Giovanni has merit; has not it? I did not ride, however, to-day; as you may see by the lining of my frock. But plus non vitiat; ay, Canonico! About the roads he is right enough; they are the devil’s own roads; that must be said for them.

Ser Giovanni! with permission; your mention of eggs in the canzone has induced me to fancy I could eat a pair of them. The hens lay well now: that white one of yours is worth more than the goose that laid the golden: and you have a store of others, her equals or betters: we have none like them at poor St. Vivaldo. A riverderci, Ser Giovanni! Schiavo! Ser Canonico! mi commandino.

... Fra Biagio went back into the kitchen, helped himself to a quarter of a loaf, ordered a flask of wine, and, trying several eggs against his lips, selected seven, which he himself fried in oil, although the maid offered her services. He never had been so little disposed to enter into conversation with her; and on her asking him how he found her master, he replied, that in bodily health Ser Giovanni, by his prayers and ptisans, had much improved, but that his faculties were wearing out apace. ‘He may now run in the same couples with the Canonico: they cannot catch the mange one of the other: the one could say nothing to the purpose, and the other nothing at all. The whole conversation was entirely at my charge,’ added he. ‘And now, Assunta, since you press it, I will accept the service of your master’s shoes. How I shall ever get home I don’t know.’ He took the shoes off the handles of the bellows, where Assunta had placed them out of her way, and tucking one of his own under each arm, limped toward St. Vivaldo.

The unwonted attention to smartness of apparel, in the only article wherein it could be displayed, was suggested to Frate Biagio by hearing that Ser Francesco, accustomed to courtly habits and elegant society, and having not only small hands, but small feet, usually wore red slippers in the morning. Fra Biagio had scarcely left the outer door, than he cordially cursed Ser Francesco for making such a fool of him, and wearing slippers of black list. ‘These canonicoes,’ said he, ‘not only lie themselves, but teach everybody else to do the same. He has lamed me for life: I burn as if I had been shod at the blacksmith’s forge.’

The two friends said nothing about him, but continued the discourse which his visit had interrupted.

Petrarca. Turn again, I entreat you, to the serious; and do not imagine that because by nature you are inclined to playfulness, you must therefore write ludicrous things better. Many of your stories would make the gravest men laugh, and yet there is little wit in them.

Boccaccio. I think so myself; though authors, little disposed as they are to doubt their possession of any quality they would bring into play, are least of all suspicious on the side of wit. You have convinced me. I am glad to have been tender, and to have written tenderly: for I am certain it is this alone that has made you love me with such affection.

Petrarca. Not this alone, Giovanni! but this principally. I have always found you kind and compassionate, liberal and sincere, and when Fortune does not stand very close to such a man, she leaves only the more room for Friendship.

Boccaccio. Let her stand off then, now and for ever! To my heart, to my heart, Francesco! preserver of my health, my peace of mind, and (since you tell me I may claim it) my glory.

Petrarca. Recovering your strength you must pursue your studies to complete it. What can you have been doing with your books? I have searched in vain this morning for the treasury. Where are they kept? Formerly they were always open. I found only a short manuscript, which I suspect is poetry, but I ventured not on looking into it, until I had brought it with me and laid it before you.

Boccaccio. Well guessed! They are verses written by a gentleman who resided long in this country, and who much regretted the necessity of leaving it. He took great delight in composing both Latin and Italian, but never kept a copy of them latterly, so that these are the only ones I could obtain from him. Read: for your voice will improve them:

Petrarca. There have been those anciently who would have been pleased with such poetry, and perhaps there may be again. I am not sorry to see the Muses by the side of childhood, and forming a part of the family. But now tell me about the books.

Boccaccio. Resolving to lay aside the more valuable of those I had collected or transcribed, and to place them under the guardianship of richer men, I locked them up together in the higher story of my tower at Certaldo. You remember the old tower?

Petrarca. Well do I remember the hearty laugh we had together (which stopped us upon the staircase) at the calculation we made, how much longer you and I, if we continued to thrive as we had thriven latterly, should be able to pass within its narrow circle. Although I like this little villa much better, I would gladly see the place again, and enjoy with you, as we did before, the vast expanse of woodlands and mountains and maremma; frowning fortresses inexpugnable; and others more prodigious for their ruins; then below them, lordly abbeys, overcanopied with stately trees and girded with rich luxuriance; and towns that seem approaching them to do them honour, and villages nestling close at their sides for sustenance and protection.

Boccaccio. My disorder, if it should keep its promise of leaving me at last, will have been preparing me for the accomplishment of such a project. Should I get thinner and thinner at this rate, I shall soon be able to mount not only a turret or a belfry, but a tube of macarone, while a Neapolitan is suspending it for deglutition.

What I am about to mention will show you how little you can rely on me! I have preserved the books, as you desired, but quite contrary to my resolution: and, no less contrary to it, by your desire I shall now preserve the Decameron. In vain had I determined not only to mend in future, but to correct the past; in vain had I prayed most fervently for grace to accomplish it, with a final aspiration to Fiametta that she would unite with your beloved Laura, and that, gentle and beatified spirits as they are, they would breathe together their purer prayers on mine. See what follows.

Petrarca. Sigh not at it. Before we can see all that follows from their intercession, we must join them again. But let me hear anything in which they are concerned.

Boccaccio. I prayed; and my breast, after some few tears, grew calmer. Yet sleep did not ensue until the break of morning, when the dropping of soft rain on the leaves of the fig-tree at the window, and the chirping of a little bird, to tell another there was shelter under them, brought me repose and slumber. Scarcely had I closed my eyes, if indeed time can be reckoned any more in sleep than in heaven, when my Fiametta seemed to have led me into the meadow. You will see it below you: turn away that branch: gently! gently! do not break it; for the little bird sat there.

Petrarca. I think, Giovanni, I can divine the place. Although this fig-tree, growing out of the wall between the cellar and us, is fantastic enough in its branches, yet that other which I see yonder, bent down and forced to crawl along the grass by the prepotency of the young shapely walnut-tree, is much more so. It forms a seat, about a cubit above the ground, level and long enough for several.

Boccaccio. Ha! you fancy it must be a favourite spot with me, because of the two strong forked stakes wherewith it is propped and supported!

Petrarca. Poets know the haunts of poets at first sight; and he who loved Laura.... O Laura! did I say he who loved thee? ... hath whisperings where those feet would wander which have been restless after Fiametta.

Boccaccio. It is true, my imagination has often conducted her thither; but there in this chamber she appeared to me more visibly in a dream.

‘Thy prayers have been heard, O Giovanni,’ said she.

I sprang to embrace her.

‘Do not spill the water! Ah! you have spilt a part of it.’

I then observed in her hand a crystal vase. A few drops were sparkling on the sides and running down the rim: a few were trickling from the base and from the hand that held it.

‘I must go down to the brook,’ said she, ‘and fill it again as it was filled before.’

What a moment of agony was this to me! Could I be certain how long might be her absence? She went: I was following: she made a sign for me to turn back: I disobeyed her only an instant: yet my sense of disobedience, increasing my feebleness and confusion, made me lose sight of her. In the next moment she was again at my side, with the cup quite full. I stood motionless: I feared my breath might shake the water over. I looked her in the face for her commands ... and to see it ... to see it so calm, so beneficent, so beautiful. I was forgetting what I had prayed for, when she lowered her head, tasted of the cup, and gave it me. I drank; and suddenly sprang forth before me many groves and palaces and gardens, and their statues and their avenues, and their labyrinths of alaternus and bay, and alcoves of citron, and watchful loopholes in the retirements of impenetrable pomegranate. Farther off, just below where the fountain slipped away from its marble hall and guardian gods, arose, from their beds of moss and drosera and darkest grass, the sisterhood of oleanders, fond of tantalizing with their bosomed flowers and their moist and pouting blossoms the little shy rivulet, and of covering its face with all the colours of the dawn. My dream expanded and moved forward. I trod again the dust of Posilipo, soft as the feathers in the wings of Sleep. I emerged on Baia; I crossed her innumerable arches; I loitered in the breezy sunshine of her mole; I trusted the faithful seclusion of her caverns, the keepers of so many secrets; and I reposed on the buoyancy of her tepid sea. Then Naples, and her theatres and her churches, and grottoes and dells and forts and promontories, rushed forward in confusion, now among soft whispers, now among sweetest sounds, and subsided, and sank, and disappeared. Yet a memory seemed to come fresh from every one: each had time enough for its tale, for its pleasure, for its reflection, for its pang. As I mounted with silent steps the narrow staircase of the old palace, how distinctly did I feel against the palm of my hand the coldness of that smooth stone-work, and the greater of the cramps of iron in it!

‘Ah me! is this forgetting?’ cried I anxiously to Fiametta.

‘We must recall these scenes before us,’ she replied: ‘such is the punishment of them. Let us hope and believe that the apparition, and the compunction which must follow it, will be accepted as the full penalty, and that both will pass away almost together.’

I feared to lose anything attendant on her presence: I feared to approach her forehead with my lips: I feared to touch the lily on its long wavy leaf in her hair, which filled my whole heart with fragrance. Venerating, adoring, I bowed my head at last to kiss her snow-white robe, and trembled at my presumption. And yet the effulgence of her countenance vivified while it chastened me. I loved her ... I must not say more than ever ... better than ever; it was Fiametta who had inhabited the skies. As my hand opened toward her:

‘Beware!’ said she, faintly smiling; ‘beware, Giovanni! Take only the crystal; take it, and drink again.’

‘Must all be then forgotten?’ said I sorrowfully.

‘Remember your prayer and mine, Giovanni. Shall both have been granted ... oh, how much worse than in vain?’

I drank instantly; I drank largely. How cool my bosom grew; how could it grow so cool before her! But it was not to remain in its quiescency; its trials were not yet over. I will not, Francesco! no, I may not commemorate the incidents she related to me, nor which of us said, ‘I blush for having loved first;’ nor which of us replied, ‘Say least, say least, and blush again.’

The charm of the words (for I felt not the encumbrance of the body nor the acuteness of the spirit) seemed to possess me wholly. Although the water gave me strength and comfort, and somewhat of celestial pleasure, many tears fell around the border of the vase as she held it up before me, exhorting me to take courage, and inviting me with more than exhortation to accomplish my deliverance. She came nearer, more tenderly, more earnestly; she held the dewy globe with both hands, leaning forward, and sighed and shook her head, drooping at my pusillanimity. It was only when a ringlet had touched the rim, and perhaps the water (for a sunbeam on the surface could never have given it such a golden hue), that I took courage, clasped it, and exhausted it. Sweet as was the water, sweet as was the serenity it gave me ... alas! that also which it moved away from me was sweet!

‘This time you can trust me alone,’ said she, and parted my hair, and kissed my brow. Again she went toward the brook: again my agitation, my weakness, my doubt, came over me: nor could I see her while she raised the water, nor knew I whence she drew it. When she returned, she was close to me at once: she smiled: her smile pierced me to the bones: it seemed an angel’s. She sprinkled the pure water on me; she looked most fondly; she took my hand; she suffered me to press hers to my bosom; but, whether by design I cannot tell, she let fall a few drops of the chilly element between.

‘And now, O my beloved!’ said she, ‘we have consigned to the bosom of God our earthly joys and sorrows. The joys cannot return, let not the sorrows. These alone would trouble my repose among the blessed.’

‘Trouble thy repose! Fiametta! Give me the chalice!’ cried I ... ‘not a drop will I leave in it, not a drop.’

‘Take it!’ said that soft voice. ‘O now most dear Giovanni! I know thou hast strength enough; and there is but little ... at the bottom lies our first kiss.’

‘Mine! didst thou say, beloved one? and is that left thee still?’

‘Mine,’ said she, pensively; and as she abased her head, the broad leaf of the lily hid her brow and her eyes; the light of heaven shone through the flower.

‘O Fiametta! Fiametta!’ cried I in agony, ‘God is the God of mercy, God is the God of love ... can I, can I ever?’ I struck the chalice against my head, unmindful that I held it; the water covered my face and my feet. I started up, not yet awake, and I heard the name of Fiametta in the curtains.

Petrarca. Love, O Giovanni, and life itself, are but dreams at best. I do think