"Pummel," I observed, a little irritated at not getting my coffee, "if you were to carry your kettle and spirits of wine up a mountain of a morning, your water would boil there sooner." "I should say, sir." "Or, there are boiling springs in Iceland. Better go to Iceland." "That's what I've been thinking, sir."
I have taken to asking him hard questions, and as I expected, he never admits his own inability to answer them without representing it as common to the human race. "What is the cause of the tides, Pummel?"
"Well, sir, nobody rightly knows. Many gives their opinion, but if I was to give mine, it 'ud be different."
But while he is never surprised himself, he is constantly imagining situations of surprise for others. His own consciousness is that of one so thoroughly soaked in knowledge that further absorption is impossible, but his neighbours appear to him to be in the state of thirsty sponges which it is a charity to besprinkle. His great interest in thinking of foreigners is that they must be surprised at what they see in England, and especially at the beef. He is often occupied with the surprise Adam must have felt at the sight of the assembled animals—"for he was not like us, sir, used from a b'y to Wombwell's shows." He is fond of discoursing to the lad who acts as shoe-black and general subaltern, and I have overheard him saying to that small upstart, with some severity, "Now don't you pretend to know, because the more you pretend the more I see your ignirance"—a lucidity on his part which has confirmed my impression that the thoroughly self-satisfied person is the only one fully to appreciate the charm of humility in others.
Your diffident self-suspecting mortal is not very angry that others should feel more comfortable about themselves, provided they are not otherwise offensive: he is rather like the chilly person, glad to sit next a warmer neighbour; or the timid, glad to have a courageous fellow-traveller. It cheers him to observe the store of small comforts that his fellow-creatures may find in their self-complacency, just as one is pleased to see poor old souls soothed by the tobacco and snuff for which one has neither nose nor stomach oneself.
But your arrogant man will not tolerate a presumption which he sees to be ill-founded. The service he regards society as most in need of is to put down the conceit which is so particularly rife around him that he is inclined to believe it the growing characteristic of the present age. In the schools of Magna Graecia, or in the sixth century of our era, or even under Kublai Khan, he finds a comparative freedom from that presumption by which his contemporaries are stirring his able gall. The way people will now flaunt notions which are not his without appearing to mind that they are not his, strikes him as especially disgusting. It might seem surprising to us that one strongly convinced of his own value should prefer to exalt an age in which he did not flourish, if it were not for the reflection that the present age is the only one in which anybody has appeared to undervalue him.
IX.
A HALF-BREED
An early deep-seated love to which we become faithless has its unfailing Nemesis, if only in that division of soul which narrows all newer joys by the intrusion of regret and the established presentiment of change. I refer not merely to the love of a person, but to the love of ideas, practical beliefs, and social habits. And faithlessness here means not a gradual conversion dependent on enlarged knowledge, but a yielding to seductive circumstance; not a conviction that the original choice was a mistake, but a subjection to incidents that flatter a growing desire. In this sort of love it is the forsaker who has the melancholy lot; for an abandoned belief may be more effectively vengeful than Dido. The child of a wandering tribe caught young and trained to polite life, if he feels an hereditary yearning can run away to the old wilds and get his nature into tune. But there is no such recovery possible to the man who remembers what he once believed without being convinced that he was in error, who feels within him unsatisfied stirrings towards old beloved habits and intimacies from which he has far receded without conscious justification or unwavering sense of superior attractiveness in the new. This involuntary renegade has his character hopelessly jangled and out of tune. He is like an organ with its stops in the lawless condition of obtruding themselves without method, so that hearers are amazed by the most unexpected transitions—the trumpet breaking in on the flute, and the oböe confounding both.
Hence the lot of Mixtus affects me pathetically, notwithstanding that he spends his growing wealth with liberality and manifest enjoyment. To most observers he appears to be simply one of the fortunate and also sharp commercial men who began with meaning to be rich and have become what they meant to be: a man never taken to be well-born, but surprisingly better informed than the well-born usually are, and distinguished among ordinary commercial magnates by a personal kindness which prompts him not only to help the suffering in a material way through his wealth, but also by direct ministration of his own; yet with all this, diffusing, as it were, the odour of a man delightedly conscious of his wealth as an equivalent for the other social distinctions of rank and intellect which he can thus admire without envying. Hardly one among those superficial observers can suspect that he aims or has ever aimed at being a writer; still less can they imagine that his mind is often moved by strong currents of regret and of the most unworldly sympathies from the memories of a youthful time when his chosen associates were men and women whose only distinction was a religious, a philanthropic, or an intellectual enthusiasm, when the lady on whose words his attention most hung was a writer of minor religious literature, when he was a visitor and exhorter of the poor in the alleys of a great provincial town, and when he attended the lectures given specially to young men by Mr Apollos, the eloquent congregational preacher, who had studied in Germany and had liberal advanced views then far beyond the ordinary teaching of his sect. At that time Mixtus thought himself a young man of socially reforming ideas, of religious principles and religious yearnings. It was within his prospects also to be rich, but he looked forward to a use of his riches chiefly for reforming and religious purposes. His opinions were of a strongly democratic stamp, except that even then, belonging to the class of employers, he was opposed to all demands in the employed that would restrict the expansiveness of trade. He was the most democratic in relation to the unreasonable privileges of the aristocracy and landed interest; and he had also a religious sense of brotherhood with the poor. Altogether, he was a sincerely benevolent young man, interested in ideas, and renouncing personal ease for the sake of study, religious communion, and good works. If you had known him then you would have expected him to marry a highly serious and perhaps literary woman, sharing his benevolent and religious habits, and likely to encourage his studies—a woman who along with himself would play a distinguished part in one of the most enlightened religious circles of a great provincial capital.
How is it that Mixtus finds himself in a London mansion, and in society totally unlike that which made the ideal of his younger years? And whom did he marry?
Why, he married Scintilla, who fascinated him as she had fascinated others, by her prettiness, her liveliness, and her music. It is a common enough case, that of a man being suddenly captivated by a woman nearly the opposite of his ideal; or if not wholly captivated, at least effectively captured by a combination of circumstances along with an unwarily manifested inclination which might otherwise have been transient. Mixtus was captivated and then captured on the worldly side of his disposition, which had been always growing and flourishing side by side with his philanthropic and religious tastes. He had ability in business, and he had early meant to be rich; also, he was getting rich, and the taste for such success was naturally growing with the pleasure of rewarded exertion. It was during a business sojourn in London that he met Scintilla, who, though without fortune, associated with families of Greek merchants living in a style of splendour, and with artists patronised by such wealthy entertainers. Mixtus on this occasion became familiar with a world in which wealth seemed the key to a more brilliant sort of dominance than that of a religious patron in the provincial circles of X. Would it not be possible to unite the two kinds of sway? A man bent on the most useful ends might, with a fortune large enough, make morality magnificent, and recommend religious principle by showing it in combination with the best kind of house and the most liberal of tables; also with a wife whose graces, wit, and accomplishments gave a finish sometimes lacking even to establishments got up with that unhesitating worldliness to which high cost is a sufficient reason. Enough.
Mixtus married Scintilla. Now this lively lady knew nothing of Nonconformists, except that they were unfashionable: she did not distinguish one conventicle from another, and Mr Apollos with his enlightened interpretations seemed to her as heavy a bore, if not quite so ridiculous, as Mr Johns could have been with his solemn twang at the Baptist chapel in the lowest suburbs, or as a local preacher among the Methodists. In general, people who appeared seriously to believe in any sort of doctrine, whether religious, social, or philosophical, seemed rather absurd to Scintilla. Ten to one these theoretic people pronounced oddly, had some reason or other for saying that the most agreeable things were wrong, wore objectionable clothes, and wanted you to subscribe to something. They were probably ignorant of art and music, did not understand badinage, and, in fact, could talk of nothing amusing. In Scintilla's eyes the majority of persons were ridiculous and deplorably wanting in that keen perception of what was good taste, with which she herself was blest by nature and education; but the people understood to be religious or otherwise theoretic, were the most ridiculous of all, without being proportionately amusing and invitable.
Did Mixtus not discover this view of Scintilla's before their marriage? Or did he allow her to remain in ignorance of habits and opinions which had made half the occupation of his youth?
When a man is inclined to marry a particular woman, and has made any committal of himself, this woman's opinions, however different from his own, are readily regarded as part of her pretty ways, especially if they are merely negative; as, for example, that she does not insist on the Trinity or on the rightfulness or expediency of church rates, but simply regards her lover's troubling himself in disputation on these heads as stuff and nonsense. The man feels his own superior strength, and is sure that marriage will make no difference to him on the subjects about which he is in earnest. And to laugh at men's affairs is a woman's privilege, tending to enliven the domestic hearth. If Scintilla had no liking for the best sort of nonconformity, she was without any troublesome bias towards Episcopacy, Anglicanism, and early sacraments, and was quite contented not to go to church.
As to Scintilla's acquaintance with her lover's tastes on these subjects, she was equally convinced on her side that a husband's queer ways while he was a bachelor would be easily laughed out of him when he had married an adroit woman. Mixtus, she felt, was an excellent creature, quite likable, who was getting rich; and Scintilla meant to have all the advantages of a rich man's wife. She was not in the least a wicked woman; she was simply a pretty animal of the ape kind, with an aptitude for certain accomplishments which education had made the most of.
But we have seen what has been the result to poor Mixtus. He has become richer even than he dreamed of being, has a little palace in London, and entertains with splendour the half-aristocratic, professional, and artistic society which he is proud to think select. This society regards him as a clever fellow in his particular branch, seeing that he has become a considerable capitalist, and as a man desirable to have on the list of one's acquaintance. But from every other point of view Mixtus finds himself personally submerged: what he happens to think is not felt by his esteemed guests to be of any consequence, and what he used to think with the ardour of conviction he now hardly ever expresses. He is transplanted, and the sap within him has long been diverted into other than the old lines of vigorous growth. How could he speak to the artist Crespi or to Sir Hong Kong Bantam about the enlarged doctrine of Mr Apollos? How could he mention to them his former efforts towards evangelising the inhabitants of the X. alleys? And his references to his historical and geographical studies towards a survey of possible markets for English products are received with an air of ironical suspicion by many of his political friends, who take his pretension to give advice concerning the Amazon, the Euphrates, and the Niger as equivalent to the currier's wide views on the applicability of leather. He can only make a figure through his genial hospitality. It is in vain that he buys the best pictures and statues of the best artists. Nobody will call him a judge in art. If his pictures and statues are well chosen it is generally thought that Scintilla told him what to buy; and yet Scintilla in other connections is spoken of as having only a superficial and often questionable taste. Mixtus, it is decided, is a good fellow, not ignorant—no, really having a good deal of knowledge as well as sense, but not easy to classify otherwise than as a rich man. He has consequently become a little uncertain as to his own point of view, and in his most unreserved moments of friendly intercourse, even when speaking to listeners whom he thinks likely to sympathise with the earlier part of his career, he presents himself in all his various aspects and feels himself in turn what he has been, what he is, and what others take him to be (for this last status is what we must all more or less accept). He will recover with some glow of enthusiasm the vision of his old associates, the particular limit he was once accustomed to trace of freedom in religious speculation, and his old ideal of a worthy life; but he will presently pass to the argument that money is the only means by which you can get what is best worth having in the world, and will arrive at the exclamation "Give me money!" with the tone and gesture of a man who both feels and knows. Then if one of his audience, not having money, remarks that a man may have made up his mind to do without money because he prefers something else, Mixtus is with him immediately, cordially concurring in the supreme value of mind and genius, which indeed make his own chief delight, in that he is able to entertain the admirable possessors of these attributes at his own table, though not himself reckoned among them. Yet, he will proceed to observe, there was a time when he sacrificed his sleep to study, and even now amid the press of business he from time to time thinks of taking up the manuscripts which he hopes some day to complete, and is always increasing his collection of valuable works bearing on his favourite topics. And it is true that he has read much in certain directions, and can remember what he has read; he knows the history and theories of colonisation and the social condition of countries that do not at present consume a sufficiently large share of our products and manufactures. He continues his early habit of regarding the spread of Christianity as a great result of our commercial intercourse with black, brown, and yellow populations; but this is an idea not spoken of in the sort of fashionable society that Scintilla collects round her husband's table, and Mixtus now philosophically reflects that the cause must come before the effect, and that the thing to be directly striven for is the commercial intercourse, not excluding a little war if that also should prove needful as a pioneer of Christianity. He has long been wont to feel bashful about his former religion; as if it were an old attachment having consequences which he did not abandon but kept in decent privacy, his avowed objects and actual position being incompatible with their public acknowledgment.
There is the same kind of fluctuation in his aspect towards social questions and duties. He has not lost the kindness that used to make him a benefactor and succourer of the needy, and he is still liberal in helping forward the clever and industrious; but in his active superintendence of commercial undertakings he has contracted more and more of the bitterness which capitalists and employers often feel to be a reasonable mood towards obstructive proletaries. Hence many who have occasionally met him when trade questions were being discussed, conclude him to be indistinguishable from the ordinary run of moneyed and money-getting men. Indeed, hardly any of his acquaintances know what Mixtus really is, considered as a whole—nor does Mixtus himself know it.
X.
DEBASING THE MORAL CURRENCY.
"Il ne faut pas mettre un ridicule où il n'y en a point: c'est se gâter le goût, c'est corrompre son jugement et celui des autres. Mais le ridicule qui est quelque part, il faut l'y voir, l'en tirer avec grâce et d'une manière qui plaise et qui instruise."
I am fond of quoting this passage from La Bruyère, because the subject is one where I like to show a Frenchman on my side, to save my sentiments from being set down to my peculiar dulness and deficient sense of the ludicrous, and also that they may profit by that enhancement of ideas when presented in a foreign tongue, that glamour of unfamiliarity conferring a dignity on the foreign names of very common things, of which even a philosopher like Dugald Stewart confesses the influence. I remember hearing a fervid woman attempt to recite in English the narrative of a begging Frenchman who described the violent death of his father in the July days. The narrative had impressed her, through the mists of her flushed anxiety to understand it, as something quite grandly pathetic; but finding the facts turn out meagre, and her audience cold, she broke off, saying, "It sounded so much finer in French—j'ai vu le sang de mon père, and so on—I wish I could repeat it in French." This was a pardonable illusion in an old-fashioned lady who had not received the polyglot education of the present day; but I observe that even now much nonsense and bad taste win admiring acceptance solely by virtue of the French language, and one may fairly desire that what seems a just discrimination should profit by the fashionable prejudice in favour of La Bruyère's idiom. But I wish he had added that the habit of dragging the ludicrous into topics where the chief interest is of a different or even opposite kind is a sign not of endowment, but of deficiency. The art of spoiling is within reach of the dullest faculty: the coarsest clown with a hammer in his hand might chip the nose off every statue and bust in the Vatican, and stand grinning at the effect of his work. Because wit is an exquisite product of high powers, we are not therefore forced to admit the sadly confused inference of the monotonous jester that he is establishing his superiority over every less facetious person, and over every topic on which he is ignorant or insensible, by being uneasy until he has distorted it in the small cracked mirror which he carries about with him as a joking apparatus. Some high authority is needed to give many worthy and timid persons the freedom of muscular repose under the growing demand on them to laugh when they have no other reason than the peril of being taken for dullards; still more to inspire them with the courage to say that they object to the theatrical spoiling for themselves and their children of all affecting themes, all the grander deeds and aims of men, by burlesque associations adapted to the taste of rich fishmongers in the stalls and their assistants in the gallery. The English people in the present generation are falsely reputed to know Shakspere (as, by some innocent persons, the Florentine mule-drivers are believed to have known the Divina Commedia, not, perhaps, excluding all the subtle discourses in the Purgatorio and Paradiso); but there seems a clear prospect that in the coming generation he will be known to them through burlesques, and that his plays will find a new life as pantomimes. A bottle-nosed Lear will come on with a monstrous corpulence from which he will frantically dance himself free during the midnight storm; Rosalind and Celia will join in a grotesque ballet with shepherds and shepherdesses; Ophelia in fleshings and a voluminous brevity of grenadine will dance through the mad scene, finishing with the famous "attitude of the scissors" in the arms of Laertes; and all the speeches in "Hamlet" will be so ingeniously parodied that the originals will be reduced to a mere memoria technica of the improver's puns—premonitory signs of a hideous millennium, in which the lion will have to lie down with the lascivious monkeys whom (if we may trust Pliny) his soul naturally abhors.
I have been amazed to find that some artists whose own works have the ideal stamp, are quite insensible to the damaging tendency of the burlesquing spirit which ranges to and fro and up and down on the earth, seeing no reason (except a precarious censorship) why it should not appropriate every sacred, heroic, and pathetic theme which serves to make up the treasure of human admiration, hope, and love. One would have thought that their own half-despairing efforts to invest in worthy outward shape the vague inward impressions of sublimity, and the consciousness of an implicit ideal in the commonest scenes, might have made them susceptible of some disgust or alarm at a species of burlesque which is likely to render their compositions no better than a dissolving view, where every noble form is seen melting into its preposterous caricature. It used to be imagined of the unhappy medieval Jews that they parodied Calvary by crucifying dogs; if they had been guilty they would at least have had the excuse of the hatred and rage begotten by persecution. Are we on the way to a parody which shall have no other excuse than the reckless search after fodder for degraded appetites—after the pay to be earned by pasturing Circe's herd where they may defile every monument of that growing life which should have kept them human?
The world seems to me well supplied with what is genuinely ridiculous: wit and humour may play as harmlessly or beneficently round the changing facets of egoism, absurdity, and vice, as the sunshine over the rippling sea or the dewy meadows. Why should we make our delicious sense of the ludicrous, with its invigorating shocks of laughter and its irrepressible smiles which are the outglow of an inward radiation as gentle and cheering as the warmth of morning, flourish like a brigand on the robbery of our mental wealth?—or let it take its exercise as a madman might, if allowed a free nightly promenade, by drawing the populace with bonfires which leave some venerable structure a blackened ruin or send a scorching smoke across the portraits of the past, at which we once looked with a loving recognition of fellowship, and disfigure them into butts of mockery?—nay, worse—use it to degrade the healthy appetites and affections of our nature as they are seen to be degraded in insane patients whose system, all out of joint, finds matter for screaming laughter in mere topsy-turvy, makes every passion preposterous or obscene, and turns the hard-won order of life into a second chaos hideous enough to make one wail that the first was ever thrilled with light?
This is what I call debasing the moral currency: lowering the value of every inspiring fact and tradition so that it will command less and less of the spiritual products, the generous motives which sustain the charm and elevation of our social existence—the something besides bread by which man saves his soul alive. The bread-winner of the family may demand more and more coppery shillings, or assignats, or greenbacks for his day's work, and so get the needful quantum of food; but let that moral currency be emptied of its value—let a greedy buffoonery debase all historic beauty, majesty, and pathos, and the more you heap up the desecrated symbols the greater will be the lack of the ennobling emotions which subdue the tyranny of suffering, and make ambition one with social virtue.
And yet, it seems, parents will put into the hands of their children ridiculous parodies (perhaps with more ridiculous "illustrations") of the poems which stirred their own tenderness or filial piety, and carry them to make their first acquaintance with great men, great works, or solemn crises through the medium of some miscellaneous burlesque which, with its idiotic puns and farcical attitudes, will remain among their primary associations, and reduce them throughout their time of studious preparation for life to the moral imbecility of an inward giggle at what might have stimulated their high emulation or fed the fountains of compassion, trust, and constancy. One wonders where these parents have deposited that stock of morally educating stimuli which is to be independent of poetic tradition, and to subsist in spite of the finest images being degraded and the finest words of genius being poisoned as with some befooling drug.
Will fine wit, will exquisite humour prosper the more through this turning of all things indiscriminately into food for a gluttonous laughter, an idle craving without sense of flavours? On the contrary. That delightful power which La Bruyère points to—"le ridicule qui est quelque part, il faut l'y voir, l'en tirer avec grâce et d'une manière qui plaise et qui instruise"—depends on a discrimination only compatible with the varied sensibilities which give sympathetic insight, and with the justice of perception which is another name for grave knowledge. Such a result is no more to be expected from faculties on the strain to find some small hook by which they may attach the lowest incongruity to the most momentous subject, than it is to be expected of a sharper, watching for gulls in a great political assemblage, that he will notice the blundering logic of partisan speakers, or season his observation with the salt of historical parallels. But after all our psychological teaching, and in the midst of our zeal for education, we are still, most of us, at the stage of believing that mental powers and habits have somehow, not perhaps in the general statement, but in any particular case, a kind of spiritual glaze against conditions which we are continually applying to them. We soak our children in habits of contempt and exultant gibing, and yet are confident that—as Clarissa one day said to me—"We can always teach them to be reverent in the right place, you know." And doubtless if she were to take her boys to see a burlesque Socrates, with swollen legs, dying in the utterance of cockney puns, and were to hang up a sketch of this comic scene among their bedroom prints, she would think this preparation not at all to the prejudice of their emotions on hearing their tutor read that narrative of the Apology which has been consecrated by the reverent gratitude of ages. This is the impoverishment that threatens our posterity:—a new Famine, a meagre fiend with lewd grin and clumsy hoof, is breathing a moral mildew over the harvest of our human sentiments. These are the most delicate elements of our too easily perishable civilisation. And here again I like to quote a French testimony. Sainte Beuve, referring to a time of insurrectionary disturbance, says: "Rien de plus prompt à baisser que la civilisation dans des crises comme celle-ci; on perd en trois semaines le résultat de plusieurs siècles. La civilisation, la vie est une chose apprise et inventée, qu'on le sache bien: 'Inventas aut qui vitam excoluere per artes.' Les hommes après quelques années de paix oublient trop cette verité: ils arrivent à croire que la culture est chose innée, qu'elle est la même chose que la nature. La sauvagerie est toujours là à deux pas, et, dès qu'on lâche pied, elle recommence." We have been severely enough taught (if we were willing to learn) that our civilisation, considered as a splendid material fabric, is helplessly in peril without the spiritual police of sentiments or ideal feelings. And it is this invisible police which we had need, as a community, strive to maintain in efficient force. How if a dangerous "Swing" were sometimes disguised in a versatile entertainer devoted to the amusement of mixed audiences? And I confess that sometimes when I see a certain style of young lady, who checks our tender admiration with rouge and henna and all the blazonry of an extravagant expenditure, with slang and bold brusquerie intended to signify her emancipated view of things, and with cynical mockery which she mistakes for penetration, I am sorely tempted to hiss out "Pétroleuse!" It is a small matter to have our palaces set aflame compared with the misery of having our sense of a noble womanhood, which is the inspiration of a purifying shame, the promise of life—penetrating affection, stained and blotted out by images of repulsiveness. These things come—not of higher education, but—of dull ignorance fostered into pertness by the greedy vulgarity which reverses Peter's visionary lesson and learns to call all things common and unclean. It comes of debasing the moral currency.
The Tirynthians, according to an ancient story reported by Athenaeus, becoming conscious that their trick of laughter at everything and nothing was making them unfit for the conduct of serious affairs, appealed to the Delphic oracle for some means of cure. The god prescribed a peculiar form of sacrifice, which would be effective if they could carry it through without laughing. They did their best; but the flimsy joke of a boy upset their unaccustomed gravity, and in this way the oracle taught them that even the gods could not prescribe a quick cure for a long vitiation, or give power and dignity to a people who in a crisis of the public wellbeing were at the mercy of a poor jest.
XI.
THE WASP CREDITED WITH THE HONEYCOMB
No man, I imagine, would object more strongly than Euphorion to communistic principles in relation to material property, but with regard to property in ideas he entertains such principles willingly, and is disposed to treat the distinction between Mine and Thine in original authorship as egoistic, narrowing, and low. I have known him, indeed, insist at some expense of erudition on the prior right of an ancient, a medieval, or an eighteenth century writer to be credited with a view or statement lately advanced with some show of originality; and this championship seems to imply a nicety of conscience towards the dead. He is evidently unwilling that his neighbours should get more credit than is due to them, and in this way he appears to recognise a certain proprietorship even in spiritual production. But perhaps it is no real inconsistency that, with regard to many instances of modern origination, it is his habit to talk with a Gallic largeness and refer to the universe: he expatiates on the diffusive nature of intellectual products, free and all-embracing as the liberal air; on the infinitesimal smallness of individual origination compared with the massive inheritance of thought on which every new generation enters; on that growing preparation for every epoch through which certain ideas or modes of view are said to be in the air, and, still more metaphorically speaking, to be inevitably absorbed, so that every one may be excused for not knowing how he got them. Above all, he insists on the proper subordination of the irritable self, the mere vehicle of an idea or combination which, being produced by the sum total of the human race, must belong to that multiple entity, from the accomplished lecturer or populariser who transmits it, to the remotest generation of Fuegians or Hottentots, however indifferent these may be to the superiority of their right above that of the eminently perishable dyspeptic author.
One may admit that such considerations carry a profound truth to be even religiously contemplated, and yet object all the more to the mode in which Euphorion seems to apply them. I protest against the use of these majestic conceptions to do the dirty work of unscrupulosity and justify the non-payment of conscious debts which cannot be defined or enforced by the law. Especially since it is observable that the large views as to intellectual property which can apparently reconcile an able person to the use of lately borrowed ideas as if they were his own, when this spoliation is favoured by the public darkness, never hinder him from joining in the zealous tribute of recognition and applause to those warriors of Truth whose triumphal arches are seen in the public ways, those conquerors whose battles and "annexations" even the carpenters and bricklayers know by name. Surely the acknowledgment of a mental debt which will not be immediately detected, and may never be asserted, is a case to which the traditional susceptibility to "debts of honour" would be suitably transferred. There is no massive public opinion that can be expected to tell on these relations of thinkers and investigators—relations to be thoroughly understood and felt only by those who are interested in the life of ideas and acquainted with their history. To lay false claim to an invention or discovery which has an immediate market value; to vamp up a professedly new book of reference by stealing from the pages of one already produced at the cost of much labour and material; to copy somebody else's poem and send the manuscript to a magazine, or hand it about among friends as an original "effusion;" to deliver an elegant extract from a known writer as a piece of improvised eloquence:—these are the limits within which the dishonest pretence of originality is likely to get hissed or hooted and bring more or less shame on the culprit. It is not necessary to understand the merit of a performance, or even to spell with any comfortable confidence, in order to perceive at once that such pretences are not respectable. But the difference between these vulgar frauds, these devices of ridiculous jays whose ill-secured plumes are seen falling off them as they run, and the quiet appropriation of other people's philosophic or scientific ideas, can hardly be held to lie in their moral quality unless we take impunity as our criterion. The pitiable jays had no presumption in their favour and foolishly fronted an alert incredulity; but Euphorion, the accomplished theorist, has an audience who expect much of him, and take it as the most natural thing in the world that every unusual view which he presents anonymously should be due solely to his ingenuity. His borrowings are no incongruous feathers awkwardly stuck on; they have an appropriateness which makes them seem an answer to anticipation, like the return phrases of a melody. Certainly one cannot help the ignorant conclusions of polite society, and there are perhaps fashionable persons who, if a speaker has occasion to explain what the occipat is, will consider that he has lately discovered that curiously named portion of the animal frame: one cannot give a genealogical introduction to every long-stored item of fact or conjecture that may happen to be a revelation for the large class of persons who are understood to judge soundly on a small basis of knowledge. But Euphorion would be very sorry to have it supposed that he is unacquainted with the history of ideas, and sometimes carries even into minutiae the evidence of his exact registration of names in connection with quotable phrases or suggestions: I can therefore only explain the apparent infirmity of his memory in cases of larger "conveyance" by supposing that he is accustomed by the very association of largeness to range them at once under those grand laws of the universe in the light of which Mine and Thine disappear and are resolved into Everybody's or Nobody's, and one man's particular obligations to another melt untraceably into the obligations of the earth to the solar system in general.
Euphorion himself, if a particular omission of acknowledgment were brought home to him, would probably take a narrower ground of explanation. It was a lapse of memory; or it did not occur to him as necessary in this case to mention a name, the source being well known—or (since this seems usually to act as a strong reason for mention) he rather abstained from adducing the name because it might injure the excellent matter advanced, just as an obscure trade-mark casts discredit on a good commodity, and even on the retailer who has furnished himself from a quarter not likely to be esteemed first-rate. No doubt this last is a genuine and frequent reason for the non-acknowledgment of indebtedness to what one may call impersonal as well as personal sources: even an American editor of school classics whose own English could not pass for more than a syntactical shoddy of the cheapest sort, felt it unfavourable to his reputation for sound learning that he should be obliged to the Penny Cyclopaedia, and disguised his references to it under contractions in which Us. Knowl. took the place of the low word Penny. Works of this convenient stamp, easily obtained and well nourished with matter, are felt to be like rich but unfashionable relations who are visited and received in privacy, and whose capital is used or inherited without any ostentatious insistance on their names and places of abode. As to memory, it is known that this frail faculty naturally lets drop the facts which are less flattering to our self-love—when it does not retain them carefully as subjects not to be approached, marshy spots with a warning flag over them. But it is always interesting to bring forward eminent names, such as Patricius or Scaliger, Euler or Lagrange, Bopp or Humboldt. To know exactly what has been drawn from them is erudition and heightens our own influence, which seems advantageous to mankind; whereas to cite an author whose ideas may pass as higher currency under our own signature can have no object except the contradictory one of throwing the illumination over his figure when it is important to be seen oneself. All these reasons must weigh considerably with those speculative persons who have to ask themselves whether or not Universal Utilitarianism requires that in the particular instance before them they should injure a man who has been of service to them, and rob a fellow-workman of the credit which is due to him.
After all, however, it must be admitted that hardly any accusation is more difficult to prove, and more liable to be false, than that of a plagiarism which is the conscious theft of ideas and deliberate reproduction of them as original. The arguments on the side of acquittal are obvious and strong:—the inevitable coincidences of contemporary thinking; and our continual experience of finding notions turning up in our minds without any label on them to tell us whence they came; so that if we are in the habit of expecting much from our own capacity we accept them at once as a new inspiration. Then, in relation to the elder authors, there is the difficulty first of learning and then of remembering exactly what has been wrought into the backward tapestry of the world's history, together with the fact that ideas acquired long ago reappear as the sequence of an awakened interest or a line of inquiry which is really new in us, whence it is conceivable that if we were ancients some of us might be offering grateful hecatombs by mistake, and proving our honesty in a ruinously expensive manner. On the other hand, the evidence on which plagiarism is concluded is often of a kind which, though much trusted in questions of erudition and historical criticism, is apt to lead us injuriously astray in our daily judgments, especially of the resentful, condemnatory sort. How Pythagoras came by his ideas, whether St Paul was acquainted with all the Greek poets, what Tacitus must have known by hearsay and systematically ignored, are points on which a false persuasion of knowledge is less damaging to justice and charity than an erroneous confidence, supported by reasoning fundamentally similar, of my neighbour's blameworthy behaviour in a case where I am personally concerned. No premisses require closer scrutiny than those which lead to the constantly echoed conclusion, "He must have known," or "He must have read." I marvel that this facility of belief on the side of knowledge can subsist under the daily demonstration that the easiest of all things to the human mind is not to know and not to read. To praise, to blame, to shout, grin, or hiss, where others shout, grin, or hiss—these are native tendencies; but to know and to read are artificial, hard accomplishments, concerning which the only safe supposition is, that as little of them has been done as the case admits. An author, keenly conscious of having written, can hardly help imagining his condition of lively interest to be shared by others, just as we are all apt to suppose that the chill or heat we are conscious of must be general, or even to think that our sons and daughters, our pet schemes, and our quarrelling correspondence, are themes to which intelligent persons will listen long without weariness. But if the ardent author happen to be alive to practical teaching he will soon learn to divide the larger part of the enlightened public into those who have not read him and think it necessary to tell him so when they meet him in polite society, and those who have equally abstained from reading him, but wish to conceal this negation and speak of his "incomparable works" with that trust in testimony which always has its cheering side.
Hence it is worse than foolish to entertain silent suspicions of plagiarism, still more to give them voice, when they are founded on a construction of probabilities which a little more attention to everyday occurrences as a guide in reasoning would show us to be really worthless, considered as proof. The length to which one man's memory can go in letting drop associations that are vital to another can hardly find a limit. It is not to be supposed that a person desirous to make an agreeable impression on you would deliberately choose to insist to you, with some rhetorical sharpness, on an argument which you were the first to elaborate in public; yet any one who listens may overhear such instances of obliviousness. You naturally remember your peculiar connection with your acquaintance's judicious views; but why should he? Your fatherhood, which is an intense feeling to you, is only an additional fact of meagre interest for him to remember; and a sense of obligation to the particular living fellow-struggler who has helped us in our thinking, is not yet a form of memory the want of which is felt to be disgraceful or derogatory, unless it is taken to be a want of polite instruction, or causes the missing of a cockade on a day of celebration. In our suspicions of plagiarism we must recognise as the first weighty probability, that what we who feel injured remember best is precisely what is least likely to enter lastingly into the memory of our neighbours. But it is fair to maintain that the neighbour who borrows your property, loses it for a while, and when it turns up again forgets your connection with it and counts it his own, shows himself so much the feebler in grasp and rectitude of mind. Some absent persons cannot remember the state of wear in their own hats and umbrellas, and have no mental check to tell them that they have carried home a fellow-visitor's more recent purchase: they may be excellent householders, far removed from the suspicion of low devices, but one wishes them a more correct perception, and a more wary sense that a neighbour's umbrella may be newer than their own.
True, some persons are so constituted that the very excellence of an idea seems to them a convincing reason that it must be, if not solely, yet especially theirs. It fits in so beautifully with their general wisdom, it lies implicitly in so many of their manifested opinions, that if they have not yet expressed it (because of preoccupation) it is clearly a part of their indigenous produce, and is proved by their immediate eloquent promulgation of it to belong more naturally and appropriately to them than to the person who seemed first to have alighted on it, and who sinks in their all-originating consciousness to that low kind of entity, a second cause. This is not lunacy, nor pretence, but a genuine state of mind very effective in practice, and often carrying the public with it, so that the poor Columbus is found to be a very faulty adventurer, and the continent is named after Amerigo. Lighter examples of this instinctive appropriation are constantly met with among brilliant talkers. Aquila is too agreeable and amusing for any one who is not himself bent on display to be angry at his conversational rapine—his habit of darting down on every morsel of booty that other birds may hold in their beaks, with an innocent air, as if it were all intended for his use, and honestly counted on by him as a tribute in kind. Hardly any man, I imagine, can have had less trouble in gathering a showy stock of information than Aquila. On close inquiry you would probably find that he had not read one epoch-making book of modern times, for he has a career which obliges him to much correspondence and other official work, and he is too fond of being in company to spend his leisure moments in study; but to his quick eye, ear, and tongue, a few predatory excursions in conversation where there are instructed persons, gradually furnish surprisingly clever modes of statement and allusion on the dominant topic. When he first adopts a subject he necessarily falls into mistakes, and it is interesting to watch his gradual progress into fuller information and better nourished irony, without his ever needing to admit that he has made a blunder or to appear conscious of correction. Suppose, for example, he had incautiously founded some ingenious remarks on a hasty reckoning that nine thirteens made a hundred and two, and the insignificant Bantam, hitherto silent, seemed to spoil the flow of ideas by stating that the product could not be taken as less than a hundred and seventeen, Aquila would glide on in the most graceful manner from a repetition of his previous remark to the continuation—"All this is on the supposition that a hundred and two were all that could be got out of nine thirteens; but as all the world knows that nine thirteens will yield," &c.—proceeding straightway into a new train of ingenious consequences, and causing Bantam to be regarded by all present as one of those slow persons who take irony for ignorance, and who would warn the weasel to keep awake. How should a small-eyed, feebly crowing mortal like him be quicker in arithmetic than the keen-faced forcible Aquila, in whom universal knowledge is easily credible? Looked into closely, the conclusion from a man's profile, voice, and fluency to his certainty in multiplication beyond the twelves, seems to show a confused notion of the way in which very common things are connected; but it is on such false correlations that men found half their inferences about each other, and high places of trust may sometimes be held on no better foundation.
It is a commonplace that words, writings, measures, and performances in general, have qualities assigned them not by a direct judgment on the performances themselves, but by a presumption of what they are likely to be, considering who is the performer. We all notice in our neighbours this reference to names as guides in criticism, and all furnish illustrations of it in our own practice; for, check ourselves as we will, the first impression from any sort of work must depend on a previous attitude of mind, and this will constantly be determined by the influences of a name. But that our prior confidence or want of confidence in given names is made up of judgments just as hollow as the consequent praise or blame they are taken to warrant, is less commonly perceived, though there is a conspicuous indication of it in the surprise or disappointment often manifested in the disclosure of an authorship about which everybody has been making wrong guesses. No doubt if it had been discovered who wrote the 'Vestiges,' many an ingenious structure of probabilities would have been spoiled, and some disgust might have been felt for a real author who made comparatively so shabby an appearance of likelihood. It is this foolish trust in prepossessions, founded on spurious evidence, which makes a medium of encouragement for those who, happening to have the ear of the public, give other people's ideas the advantage of appearing under their own well-received name, while any remonstrance from the real producer becomes an unwelcome disturbance of complacency with each person who has paid complimentary tributes in the wrong place.
Hardly any kind of false reasoning is more ludicrous than this on the probabilities of origination. It would be amusing to catechise the guessers as to their exact reasons for thinking their guess "likely:" why Hoopoe of John's has fixed on Toucan of Magdalen; why Shrike attributes its peculiar style to Buzzard, who has not hitherto been known as a writer; why the fair Columba thinks it must belong to the reverend Merula; and why they are all alike disturbed in their previous judgment of its value by finding that it really came from Skunk, whom they had either not thought of at all, or thought of as belonging to a species excluded by the nature of the case. Clearly they were all wrong in their notion of the specific conditions, which lay unexpectedly in the small Skunk, and in him alone—in spite of his education nobody knows where, in spite of somebody's knowing his uncles and cousins, and in spite of nobody's knowing that he was cleverer than they thought him.
Such guesses remind one of a fabulist's imaginary council of animals assembled to consider what sort of creature had constructed a honeycomb found and much tasted by Bruin and other epicures. The speakers all started from the probability that the maker was a bird, because this was the quarter from which a wondrous nest might be expected; for the animals at that time, knowing little of their own history, would have rejected as inconceivable the notion that a nest could be made by a fish; and as to the insects, they were not willingly received in society and their ways were little known. Several complimentary presumptions were expressed that the honeycomb was due to one or the other admired and popular bird, and there was much fluttering on the part of the Nightingale and Swallow, neither of whom gave a positive denial, their confusion perhaps extending to their sense of identity; but the Owl hissed at this folly, arguing from his particular knowledge that the animal which produced honey must be the Musk-rat, the wondrous nature of whose secretions required no proof; and, in the powerful logical procedure of the Owl, from musk to honey was but a step. Some disturbance arose hereupon, for the Musk-rat began to make himself obtrusive, believing in the Owl's opinion of his powers, and feeling that he could have produced the honey if he had thought of it; until an experimental Butcher-bird proposed to anatomise him as a help to decision. The hubbub increased, the opponents of the Musk-rat inquiring who his ancestors were; until a diversion was created by an able discourse of the Macaw on structures generally, which he classified so as to include the honeycomb, entering into so much admirable exposition that there was a prevalent sense of the honeycomb having probably been produced by one who understood it so well. But Bruin, who had probably eaten too much to listen with edification, grumbled in his low kind of language, that "Fine words butter no parsnips," by which he meant to say that there was no new honey forthcoming.
Perhaps the audience generally was beginning to tire, when the Fox entered with his snout dreadfully swollen, and reported that the beneficent originator in question was the Wasp, which he had found much smeared with undoubted honey, having applied his nose to it—whence indeed the able insect, perhaps justifiably irritated at what might seem a sign of scepticism, had stung him with some severity, an infliction Reynard could hardly regret, since the swelling of a snout normally so delicate would corroborate his statement and satisfy the assembly that he had really found the honey-creating genius.
The Fox's admitted acuteness, combined with the visible swelling, were taken as undeniable evidence, and the revelation undoubtedly met a general desire for information on a point of interest. Nevertheless, there was a murmur the reverse of delighted, and the feelings of some eminent animals were too strong for them: the Orang-outang's jaw dropped so as seriously to impair the vigour of his expression, the edifying Pelican screamed and flapped her wings, the Owl hissed again, the Macaw became loudly incoherent, and the Gibbon gave his hysterical laugh; while the Hyaena, after indulging in a more splenetic guffaw, agitated the question whether it would not be better to hush up the whole affair, instead of giving public recognition to an insect whose produce, it was now plain, had been much overestimated. But this narrow-spirited motion was negatived by the sweet-toothed majority. A complimentary deputation to the Wasp was resolved on, and there was a confident hope that this diplomatic measure would tell on the production of honey.
XII.
"SO YOUNG!"
Ganymede was once a girlishly handsome precocious youth. That one cannot for any considerable number of years go on being youthful, girlishly handsome, and precocious, seems on consideration to be a statement as worthy of credit as the famous syllogistic conclusion, "Socrates was mortal." But many circumstances have conspired to keep up in Ganymede the illusion that he is surprisingly young. He was the last born of his family, and from his earliest memory was accustomed to be commended as such to the care of his elder brothers and sisters: he heard his mother speak of him as her youngest darling with a loving pathos in her tone, which naturally suffused his own view of himself, and gave him the habitual consciousness of being at once very young and very interesting. Then, the disclosure of his tender years was a constant matter of astonishment to strangers who had had proof of his precocious talents, and the astonishment extended to what is called the world at large when he produced 'A Comparative Estimate of European Nations' before he was well out of his teens. All comers, on a first interview, told him that he was marvellously young, and some repeated the statement each time they saw him; all critics who wrote about him called attention to the same ground for wonder: his deficiencies and excesses were alike to be accounted for by the flattering fact of his youth, and his youth was the golden background which set off his many-hued endowments. Here was already enough to establish a strong association between his sense of identity and his sense of being unusually young. But after this he devised and founded an ingenious organisation for consolidating the literary interests of all the four continents (subsequently including Australasia and Polynesia), he himself presiding in the central office, which thus became a new theatre for the constantly repeated situation of an astonished stranger in the presence of a boldly scheming administrator found to be remarkably young. If we imagine with due charity the effect on Ganymede, we shall think it greatly to his credit that he continued to feel the necessity of being something more than young, and did not sink by rapid degrees into a parallel of that melancholy object, a superannuated youthful phenomenon. Happily he had enough of valid, active faculty to save him from that tragic fate. He had not exhausted his fountain of eloquent opinion in his 'Comparative Estimate,' so as to feel himself, like some other juvenile celebrities, the sad survivor of his own manifest destiny, or like one who has risen too early in the morning, and finds all the solid day turned into a fatigued afternoon. He has continued to be productive both of schemes and writings, being perhaps helped by the fact that his 'Comparative Estimate' did not greatly affect the currents of European thought, and left him with the stimulating hope that he had not done his best, but might yet produce what would make his youth more surprising than ever.
I saw something of him through his Antinoüs period, the time of rich chesnut locks, parted not by a visible white line, but by a shadowed furrow from which they fell in massive ripples to right and left. In these slim days he looked the younger for being rather below the middle size, and though at last one perceived him contracting an indefinable air of self-consciousness, a slight exaggeration of the facial movements, the attitudes, the little tricks, and the romance in shirt-collars, which must be expected from one who, in spite of his knowledge, was so exceedingly young, it was impossible to say that he was making any great mistake about himself. He was only undergoing one form of a common moral disease: being strongly mirrored for himself in the remark of others, he was getting to see his real characteristics as a dramatic part, a type to which his doings were always in correspondence. Owing to my absence on travel and to other causes I had lost sight of him for several years, but such a separation between two who have not missed each other seems in this busy century only a pleasant reason, when they happen to meet again in some old accustomed haunt, for the one who has stayed at home to be more communicative about himself than he can well be to those who have all along been in his neighbourhood. He had married in the interval, and as if to keep up his surprising youthfulness in all relations, he had taken a wife considerably older than himself. It would probably have seemed to him a disturbing inversion of the natural order that any one very near to him should have been younger than he, except his own children who, however young, would not necessarily hinder the normal surprise at the youthfulness of their father. And if my glance had revealed my impression on first seeing him again, he might have received a rather disagreeable shock, which was far from my intention. My mind, having retained a very exact image of his former appearance, took note of unmistakeable changes such as a painter would certainly not have made by way of flattering his subject. He had lost his slimness, and that curved solidity which might have adorned a taller man was a rather sarcastic threat to his short figure. The English branch of the Teutonic race does not produce many fat youths, and I have even heard an American lady say that she was much "disappointed" at the moderate number and size of our fat men, considering their reputation in the United States; hence a stranger would now have been apt to remark that Ganymede was unusually plump for a distinguished writer, rather than unusually young. But how was he to know this? Many long-standing prepossessions are as hard to be corrected as a long-standing mispronunciation, against which the direct experience of eye and ear is often powerless. And I could perceive that Ganymede's inwrought sense of his surprising youthfulness had been stronger than the superficial reckoning of his years and the merely optical phenomena of the looking-glass. He now held a post under Government, and not only saw, like most subordinate functionaries, how ill everything was managed, but also what were the changes that a high constructive ability would dictate; and in mentioning to me his own speeches and other efforts towards propagating reformatory views in his department, he concluded by changing his tone to a sentimental head voice and saying—
"But I am so young; people object to any prominence on my part; I can only get myself heard anonymously, and when some attention has been drawn the name is sure to creep out. The writer is known to be young, and things are none the forwarder."
"Well," said I, "youth seems the only drawback that is sure to diminish. You and I have seven years less of it than when we last met."
"Ah?" returned Ganymede, as lightly as possible, at the same time casting an observant glance over me, as if he were marking the effect of seven years on a person who had probably begun life with an old look, and even as an infant had given his countenance to that significant doctrine, the transmigration of ancient souls into modern bodies.
I left him on that occasion without any melancholy forecast that his illusion would be suddenly or painfully broken up. I saw that he was well victualled and defended against a ten years' siege from ruthless facts; and in the course of time observation convinced me that his resistance received considerable aid from without. Each of his written productions, as it came out, was still commented on as the work of a very young man. One critic, finding that he wanted solidity, charitably referred to his youth as an excuse. Another, dazzled by his brilliancy, seemed to regard his youth as so wondrous that all other authors appeared decrepit by comparison, and their style such as might be looked for from gentlemen of the old school. Able pens (according to a familiar metaphor) appeared to shake their heads good-humouredly, implying that Ganymede's crudities were pardonable in one so exceedingly young. Such unanimity amid diversity, which a distant posterity might take for evidence that on the point of age at least there could have been no mistake, was not really more difficult to account for than the prevalence of cotton in our fabrics. Ganymede had been first introduced into the writing world as remarkably young, and it was no exceptional consequence that the first deposit of information about him held its ground against facts which, however open to observation, were not necessarily thought of. It is not so easy, with our rates and taxes and need for economy in all directions, to cast away an epithet or remark that turns up cheaply, and to go in expensive search after more genuine substitutes. There is high Homeric precedent for keeping fast hold of an epithet under all changes of circumstance, and so the precocious author of the 'Comparative Estimate' heard the echoes repeating "Young Ganymede" when an illiterate beholder at a railway station would have given him forty years at least. Besides, important elders, sachems of the clubs and public meetings, had a genuine opinion of him as young enough to be checked for speech on subjects which they had spoken mistakenly about when he was in his cradle; and then, the midway parting of his crisp hair, not common among English committee-men, formed a presumption against the ripeness of his judgment which nothing but a speedy baldness could have removed.
It is but fair to mention all these outward confirmations of Ganymede's illusion, which shows no signs of leaving him. It is true that he no longer hears expressions of surprise at his youthfulness, on a first introduction to an admiring reader; but this sort of external evidence has become an unnecessary crutch to his habitual inward persuasion. His manners, his costume, his suppositions of the impression he makes on others, have all their former correspondence with the dramatic part of the young genius. As to the incongruity of his contour and other little accidents of physique, he is probably no more aware that they will affect others as incongruities than Armida is conscious how much her rouge provokes our notice of her wrinkles, and causes us to mention sarcastically that motherly age which we should otherwise regard with affectionate reverence.
But let us be just enough to admit that there may be old-young coxcombs as well as old-young coquettes.