In a Little Town

The committee was not used to chatting with Presidents, and even the practical Pettibone, who had voted against him, had an awe of him in the flesh. He decided to vote for him next time; it would be comforting to be able to say, "Oh yes, I know the President well; I used to take long drives with him—once."

There were heartaches in the carriage as the President, who commented on so many things, failed to comment on the banner of welcome over Pettibone's shop, painted by Pettibone's own practical hand; or the gaily bedighted Bon-Ton Grocery with the wonderful arrangement of tomato-cans into the words, "Welcome to Wakefield." The Building and Loan Association had stretched a streamer across the street, too, and the President never noticed it. His eyes and tongue were caught away by the ornate structure of the opera-house.

"Shelby Opera House. So many things named after Mr. Shelby. Is he the founder of the city or—or—"

"No, just one of the citizens," said Pettibone.

"I should be delighted to meet him."

Three votes fell from the Presidential tree with a thud.

Had the committee been able to imagine in advance how Shelbyisms would obtrude everywhere upon the roving eye of the visitor, whose one aim was a polite desire to exclaim upon everything exclaimable, they might have laid out the line of march otherwise.

But it was too late to change now, and they grew grimmer and grimmer as the way led to the stately pleasure-dome which Shelby Khan had decreed and which imported architects and landscape-gardeners had established.

Here were close-razored lawns and terraces, a lake with spouting fountains, statues of twisty nymphs, glaring, many-antlered stags and couchant lions, all among cedar-trees and flower-beds whose perfumes saluted the Presidential nostril like a gentle hurrah.

Emerging through the trees were the roofs, the cupola and ivy-bowered windows of the home of Shelby, most homeless at home. For, after all his munificence, Wakefield did not like him. The only tribute the people had paid him was to boost the prices of everything he bought, from land to labor, from wall-paper to cabbages. And now on the town's great day he had not been included in any of the committees of welcome. He had been left to brood alone in his mansion like a prince in ill favor exiled to his palace.

He did not know that his palace had delighted even the jaded eye of the far-traveled First Citizen. He only knew that his fellow-townsmen sneered at it with dislike.

Shelby was never told by the discreet committeemen in the carriage that the President had exclaimed on seeing his home:

"Why, this is magnificent! This is an estate! I never dreamed that—er—Wakefield was a city of such importance and such wealth. And whose home is this?"

Somebody groaned, "Shelby's."

"Ah yes; Shelby's, of course. So many things here are Shelby's. You must be very proud of Mr. Shelby. Is he there, perhaps?"

"That's him, standing on the upper porch there, waving his hat," Pettibone mumbled.

The President waved his hat at Shelby.

"And the handsome lady is his wife, perhaps?"

"Yes, that's Mrs. Shelby," mumbled Spate. "She was Miss Carew. Used to teach school here."

Phœbe Shelby was clinging to her husband's side. There were tears in her eyes and her hands squeezed mute messages upon his arm, for she knew that his many-wounded heart was now more bitterly hurt than in all his knowledge of Wakefield. He was a prisoner in disgrace gazing through the bars at a festival.

He never knew that the President suggested stopping a moment to congratulate him, and that it was his own old taskmaster Spate who ventured to say that the President could meet him later. Spate could rise to an emergency; the other committeemen thanked him with their eyes.

As the carriage left the border of the Shelby place the President turned his head to stare, for it was beautiful, ambitiously beautiful. And something in the silent attitude of the owner and his wife struck a deeper note in the noisy, gaudy welcome of the other citizens.

"Tell me about this Mr. Shelby," said the President.

Looks were exchanged among the committee. All disliked the task, but finally Spate broke the silence.

"Well, Mr. President, Shelby is a kind of eccentric man. Some folks say he's cracked. Used to drive a delivery-wagon for me. Ran away and tried his hand at nearly everything. Finally, him and his two brothers invented a kind of washing-powder. It was like a lot of others, but they knew how to push it. Borrowed money to advertise it big. Got it started till they couldn't have stopped it if they'd tried. Shelby decided to come back here and establish a branch factory. That tall chimney is it. No smoke comin' out of it to-day. He gave all the hands a holiday in your honor, Mr. President."

The President said: "Well, that's mighty nice of him. So he's come back to beautify his old home, eh? That's splendid—a fine spirit. Too many of us, I'm afraid, forget the old places when ambition carries us away into new scenes. Mr. Shelby must be very popular here."

There was a silence. Mr. Pettibone was too honest, or too something, to let the matter pass.

"Well, I can't say as to that, Mr. President. Shelby's queer. He's very pushing. You can't drive people more 'n so fast. Shelby is awful fussy. Now, that trolley line—he put that in, but we didn't need it."

"Not but what Wakefield is enterprising," Spate added, anxiously.

Pettibone nodded and went on: "People used to think the old bobtailed horse-car—excuse my language—wasn't much, but the trolley-cars are a long way from perfect. Service ain't so very good. People don't ride on 'em much, because they don't run often enough."

The President started to say, "Perhaps they can't run oftener because people don't ride on 'em enough," but something counseled him to silence, and Pettibone continued:

"Same way with the electric light. People that had gas hated to change. He made it cheap, but it's a long way from perfect. He put in an independent telephone. The old one wasn't much good and it was expensive. Now we can have telephones at half the old price. But result is, you've got to have two, or you might just as well not have one. Everybody you want to talk to is always on the other line."

The President nodded. He understood the ancient war between the simple life and the strenuous. He wished he had left the subject unopened, but Pettibone had warmed to the theme.

"Shelby built an opery-house and brought some first-class troupes here. But this is a religious town, and people don't go much to shows. In the first place, we don't believe in 'em; in the second place, we've been bit by bad shows so often. So his opery-house costs more 'n it takes in.

"Then he laid out the Pastime Park—tried to get up games and things; but the vacant lots always were good enough for baseball. He tried to get people to go out in the country and play golf, too; but it was too much like following the plow. Folks here like to sit on their porches when they're tired.

"He brought an automobile to town—scared most of the horses to death. Our women folks got afraid to drive because the most reliable old nags tried to climb trees whenever Shelby came honking along. He built two or three monuments to famous citizens, but that made the families of other famous citizens jealous.

"He built that big home of his, but it only makes our wives envious. It's so far out that the society ladies can't call much. Besides, they feel uneasy with all that glory.

"Mrs. Shelby has a man in a dress-suit to open the door. The rest of us—our wives answer the door-bell themselves. Our folks are kind of afraid to invite Mr. and Mrs. Shelby to their parties for fear they'll criticize; so Mrs. Shelby feels as if she was deserted.

"She thinks her husband is mistreated, too; but—well, Shelby's eccentric. He says we're ungrateful. Maybe we are, but we like to do things our own way. Shelby tried to get us to help boost the town, as he calls it. He offered us stock in his ventures, but we've got taken in so often that—well, once bit is twice shy, you know, Mr. President. So Wakefield stands just about where she did before Shelby came here."

"Not but what Wakefield is enterprising," Mr. Spate repeated.

The President's curiosity overcame his policy. He asked one more question:

"But if you citizens didn't help Mr. Shelby, how did he manage all these—improvements, if I may use the word?"

"Did it all by his lonesome, Mr. President. His income was immense. But he cut into it something terrible. His brothers in the East began to row at the way he poured it out. When he began to draw in advance they were goin' to have him declared incompetent. Even his brothers say he's cracked. Recently they've drawn in on him. Won't let him spend his own money."

A gruesome tone came from among Spate's spectacles and whiskers:

"He won't last long. Health's giving out. His wife told my wife, the other day, he don't sleep nights. That's a bad sign. His pride is set on keepin' everything going, though, and nothing can hold him. He wants the street-cars to run regular, and the telephone to answer quick, even if the town don't support 'em. He's cracked—there's nothing to it."

Amasa Harbury, of the Building and Loan Association, leaned close and spoke in a confidential voice:

"He's got mortgages on 'most everything, Mr. President. He's borrowed on all his securities up to the hilt. Only yesterday I had to refuse him a second mortgage on his house. He stormed around about how much he'd put into it. I told him it didn't count how much you put into a hole, it was how much you could get out. You can imagine how much that palace of his would bring in this town on a foreclosure sale—about as much as a white elephant in a china-shop."

"Not but what Wakefield is enterprising," insisted Spate.

The lust for gossip had been aroused and Pettibone threw discretion to the winds.

"Shelby was hopping mad because we left him off the committee of welcome, but we thought we'd better stick to our own crowd of represent'ive citizens. Shelby don't really belong to Wakefield, anyway. Still, if you want to meet him, it can be arranged."

"Oh no," said the President. "Don't trouble."

And he was politic—or politician—enough to avoid the subject thenceforward. But he could not get Shelby out of his mind that night as his car whizzed on its way. To be called crazy and eccentric and to be suspected, feared, resisted by the very people he longed to lead—Presidents are not unaware of that ache of unrequited affection.

The same evening Shelby and Phœbe Shelby looked out on their park. The crowds that had used it as a vantage-ground for the pageant had all vanished, leaving behind a litter of rubbish, firecrackers, cigar stubs, broken shrubs, gouged terraces. Not one of them had asked permission, had murmured an apology or a word of thanks.

For the first time Phœbe Shelby noted that her husband did not take new determination from rebuff. His resolution no longer made a springboard of resistance. He seemed to lean on her a little.

IV

The perennially empty cutlery-works gave the Wide-a-Wakefield Club no rest. Year after year the anxiously awaited census renewed the old note of fifteen thousand and denied the eloquent argument of increased population. The committee in its letters continued to refer to Wakefield as "thriving" rather than as "growing." Its ingeniously evasive circulars finally roused a curiosity in Wilmer Barstow, a manufacturer of refrigerators, dissatisfied with the taxes and freight rates of the city of Clayton.

Barstow was the more willing to leave Clayton because he had suffered there from that reward which is more unkind than the winter wind. He loved a woman and paid court to her, sending her flowers at every possible excuse and besetting her with gifts.

She was not much of a woman—her very lover could see that; but he loved her in his own and her despite. She was unworthy of his jewels as of his infatuation, yet she gave him no courtesy for his gifts. She behaved as if they bored her; yet he knew no other way to win her. The more indifference she showed the more he tried to dazzle her.

At last he found that she was paying court herself to a younger man—a selfish good-for-naught who made fun of her as well as of Barstow, and who borrowed money from her as well as from Barstow.

When Barstow fully realized that the woman had made him not only her own booby, but the town joke as well, he could not endure her or the place longer. He cast about for an escape. But he found his factory no trifling baggage to move.

It was on such fertile soil that one of the Wide-a-Wakefield circulars fell.

It chimed so well with Barstow's mood that he decided at least to look the town over.

He came unannounced to make his own observations, like the spies sent into Canaan. The trolley-car that met his train was rusty, paintless, forlorn, untenanted. He took a ramshackle hack to the best hotel. Its sign-board bore this legend: "The Palace, formerly Shelby House—entirely new management."

He saw his baggage bestowed and went out to inspect the factory building described to him. The cutlery-works proved smaller than his needs, and it had a weary look. Not far away he found a far larger factory, idle, empty, closed. The sign declared it to be the Wakefield Branch of the Shelby Paradise Powder Company. He knew the prosperity of that firm and wondered why this branch had been abandoned.

In the course of time the trolley-car overtook him, and he boarded it as a sole passenger.

The lonely motorman was loquacious and welcomed Barstow as the Ancient Mariner welcomed the wedding guest. He explained that he made but few trips a day and passengers were fewer than trips. The company kept it going to hold the franchise, for some day Wakefield would reach sixteen thousand and lift the hoodoo.

The car passed an opera-house, with grass aspiring through the chinks of the stone steps leading to the boarded-up doors.

The car passed the Shelby Block; the legend, "For Rent, apply to Amasa Harbury," hid the list of Shelby enterprises.

The car grumbled through shabby streets to the outskirts of the town, where it sizzled along a singing wire past the drooping fences, the sagging bleachers, and the weedy riot of what had been a pleasure-ground. A few dim lines in the grass marked the ghost of a baseball diamond, a circular track, and foregone tennis-courts.

Barstow could read on what remained of the tottering fence:

HELBY'S PAST ARK

When the car had reached the end of the line Barstow decided to walk back to escape the garrulity of the motorman, who lived a lonely life, though he was of a sociable disposition.

Barstow's way led him shortly to the edge of a curious demesne, or rather the débris of an estate. A chaos of grass and weeds thrust even through the rust of the high iron fence about the place. Shrubs that had once been shapely grew raggedly up and swept down into the tall and ragged grass. A few evergreen trees lifted flowering cones like funeral candles in sconces. What had been a lake with fountains was a great, cracked basin of concrete tarnished with scabious pools thick with the dead leaves of many an autumn.

Barstow entered a fallen gate and walked along paths where his feet slashed through barbaric tangles clutching at him like fingers. As he prowled, wondering what splendor this could have been which was so misplaced in so dull a town and drooping into so early a neglect, birds took alarm and went crying through the branches. There were lithe escapes through the grass, and from the rim of the lake ugly toads plounced into the pool and set the water-spiders scurrying on their frail catamarans.

Two bronze stags towered knee-deep in verdure; one had a single antler, the other none. A pair of toothless lions brooded over their lost dignity. Between their disconsolate sentry, mounted flight on flight of marble steps to the house of the manor. It lay like an old frigate storm-shattered and flung aground to rot. The hospitable doors were planked shut, the windows, too; the floors of the verandas were broken and the roof was everywhere sunken and insecure.

At the portal had stood two nymphs, now almost classic with decay. One of them, toppling helplessly, quenched her bronze torch in weeds. Her sister stood erect in grief like a daughter of Niobe wept into stone.

The scene somehow reminded Barstow of one of Poe's landscapes. It was the corpse of a home. Eventually he noticed a tall woman in black, seated on a bench and gazing down the terraces across the dead lake. Barstow was tempted to ask her whose place this had been and what its history was, but her mien and her crêpe daunted him.

He made his way out of the region, looking back as he went. When he approached the most neighboring house a grocery-wagon came flying down the road. Before it stopped the slanted driver was off the seat and half-way across the yard. In a moment he was back again. Barstow called out:

"Whose place is that?"

"Shelby's."

"Did he move away?"

But the horse was already in motion, and the youth had darted after, leaping to the side of the seat and calling back something which Barstow could not hear.

Shelby, who had given the town everything he could, had even endowed it with a ruins.

When Barstow had reached the hotel again he went in to his supper. A head waitress, chewing gum, took him to a table where a wildly coiffed damsel brought him a bewildering array of most undesirable foods in a flotilla of small dishes.

After supper Barstow, following the suit of the other guests, took a chair on the sidewalk, for a little breeze loafed along the hot street. Barstow's name had been seen upon the hotel register and the executive committee of the Wide-a-Wakefield Club waited upon him in an august body.

Mr. Pettibone introduced himself and the others. They took chairs and hitched them close to Barstow, while they poured out in alternate strains the advantages of Wakefield. Barstow listened politely, but the empty factory and the dismantled home of Shelby haunted him and made a dismal background to their advertisements.

It was of the factory that he spoke first:

"The building you wrote me about and offered me rent-free looks a little small and out of date for our plant. I saw Shelby's factory empty. Could I rent that at a reasonable figure, do you suppose?"

The committee leaped at the idea with enthusiasm. Spate laughed through his beard:

"Lord, I reckon the company would rent it to you for almost the price of the taxes."

Then he realized that this was saying just a trifle too much. They began to crawfish their way out. But Barstow said, with unconviction:

"There's only one thing that worries me. Why did Shelby close up his Paradise Powder factory and move away?"

Pettibone urged the reason hastily: "His brothers closed it up for him. They wouldn't stand any more of his extravagant nonsense. They shut down the factory and then shut down on him, too."

"So he gave up his house and moved away?" said Barstow.

"He gave up his house because he couldn't keep it up," said Amasa Harbury. "Taxes were pretty steep and nobody would rent it, of course. It don't belong in a town like Wakefield. Neither did Shelby."

"So he moved away?"

"Moved away, nothin'," sneered Spate. "He went to a boardin'-house and died there. Left his wife a lot of stock in a broken-down street-car line, and a no-good electric-light company, and an independent telephone system that the regulars gobbled up. She's gone back to teachin' school again. We used our influence to get her old job back. We didn't think we ought to blame her for the faults of Shelby."

"And what had Shelby done?"

They told him in their own way—treading on one another's toes in their anxiety; shutting one another up; hunching their chairs together in a tangle as if their slanders were wares they were trying to sell.

But about all that Barstow could make of the matter was that Shelby had been in much such case as his own. He had been hungry for human gratitude, and had not realized that it is won rather by accepting than by bestowing gifts.

Barstow sat and smoked glumly while the committee clattered. He hardly heard what they were at such pains to emphasize. He was musing upon a philosophy of his father's:

"There's an old saying, 'Never look a gift horse in the mouth.' But sayings and doings are far apart. If you can manage to sell a man a horse he'll make the best of the worst bargain; he'll nurse the nag and feed him and drive him easy and brag about his faults. He'll overlook everything from spavin to bots; he'll learn to think that a hamstrung hind leg is the poetry of motion. But a gift horse—Lord love you! If you give a man a horse he'll look him in the mouth and everywhere else. The whole family will take turns with a microscope. They'll kick because he isn't run by electricity, and if he's an Arabian they'll roast him because he holds his tail so high. If you want folks to appreciate anything don't give it to 'em; make 'em work for it and pay for it—double if you can."

Shelby had mixed poetry with business, had given something for nothing; had paid the penalty.

THE OLD FOLKS AT HOME

I

The old road came pouring down from the wooded hills to the westward, flowed round the foot of other hills, skirting a meadow and a pond, and then went on easterly about its business. Almost overhanging the road, like a mill jutting upon its journeyman stream, was an aged house. Still older were the two lofty oaks standing mid-meadow and imaged again in the pond. Younger than oaks or house or road, yet as old as Scripture allots, was the man who stalked across the porch and slumped into a chair. He always slumped into a chair, for his muscles still remembered the days when he had sat only when he was worn out. Younger than oaks, house, road, or man, yet older than a woman wants to be, was the woman in the garden.

"What you doin', Maw?" the man called across the rail, though he could see perfectly well.

"Just putterin' 'round in the garden. What you been doin', Paw?"

"Just putterin' 'round the barn. Better come in out the hot sun and rest your old back."

Evidently the idea appealed to her, for the sunbonnet overhanging the meek potato-flowers like a flamingo's beak rose in air, as she stood erect, or as nearly erect as she ever stood nowadays. She tossed a few uprooted weeds over the lilac-hedge, and, clumping up the steps of the porch, slumped into a chair. Chairs had once been her luxury, too. She carried a dish-pan full of green peas, and as her gaze wandered over the beloved scene her wrinkled fingers were busy among the pods, shelling them expertly, as if they knew their way about alone.

The old man sighed, the deep sigh of ultimate contentment. "Well, Maw, as the fellow says in the circus, here we are again."

"Here we are again, Paw."

They always said the same thing about this time of year, when they wearied of the splendid home they had established as the capital of their estate and came back to the ground from which they had sprung. James Coburn always said:

"Well, Maw, as the fellow says in the circus, here we are again."

And Sarah Gregg Coburn always answered:

"Here we are again, Paw."

This place was to them what old slippers are to tired feet. Here they put off the manners and the dignities their servants expected of them, and lapsed into shabby clothes and colloquialisms, such as they had been used to when they were first married, long before he became the master of a thousand acres, of cattle upon a hundred hills, of blooded thoroughbreds and patriarchal stallions, of town lots and a bank, and of a record as Congressman for two terms. This pilgrimage had become a sort of annual elopement, the mischief of two white-haired runaways. Now that the graveyard or the city had robbed them of all their children, they loved to turn back and play at an Indian-summer honeymoon.

This year, for the first time, Maw had consented to the aid of a "hired girl." She refused to bring one of the maids or the cook from the big house, and engaged a woman from the village nearest at hand—and then tried to pretend the woman wasn't there. It hurt her to admit the triumph of age in her bones, but there was compensation in the privilege of hearing some one else faintly clattering over the dish-washing of evenings, while she sat on the porch with Paw and watched the sunset trail its gorgeous banners along the heavens and across the little toy sky of the pond.

It was pleasant in the mornings, too, to lie abed in criminal indolence, hearing from afar the racket of somebody else building the fire. After breakfast she made a brave beginning, only to turn the broom and the bedmaking over to Susan and dawdle about after Paw or celebrate matins in the green aisles of the garden. But mostly the old couple just pretended to do their chores, and sat on the porch and watched the clouds go by and the frogs flop into the pond.

"Mail come yet, Maw?"

"Susan's gone for it."

He glanced up the road to a sunbonneted figure blurred in the glare, and sniffed amiably. "Humph! Country's getting so citified the morning papers are here almost before breakfast's cleared off. Remember when we used to drive eleven mile to get the Weekly Tribune, Maw?"

"I remember. And it took you about a week to read it. Sometimes you got one number behind. Nowadays you finish your paper in about five minutes."

"Nothing much in the papers nowadays except murder trials and divorce cases. I guess Susan must have a mash on that mail-carrier."

"I wish she'd come on home and not gabble so much."

"Expectin' a letter from the boy?"

"Ought to be one this morning."

"You've said that every mornin' for three weeks. I s'pose he's so busy in town he don't realize how much his letters mean to us."

"I hate to have him in the city with its dangers—he's so reckless with his motor, and then there's the temptations and the scramble for money. I wish Stevie had been contented to settle down with us. We've got enough, goodness knows. But I suppose he feels he must be a millionaire or nothing, and what you've made don't seem a drop in the bucket."

The old man winced. He thought how often the boy had found occasion to draw on him for help in financing his "sure things" and paying up the losses on the "sure things" that had gone wrong. Those letters had been sent to the bank in town and had not been mentioned at home, except now and then, long afterward, when the wife pressed the old man too hard about holding back money from the boy. Then he would unfold a few figures. They dazed her, but they never convinced her.

Who ever convinced a woman? Persuaded? Yes, since Eve! Convinced? Not yet!

It hurts a man's pride to hear his wife impliedly disparage his own achievements in contrast with his son's. Not that he is jealous of his son; not that he does not hope and expect that the boy will climb to peaks he has never dared; not that he would not give his all and bend his own back as a stepping-stone to his son's ascension; but just that comparisons are odious. This disparagement is natural, though, to wives, for they compare what their husbands have done with what their sons are going to do.

It was an old source of peevishness with Paw Coburn, and he was moved to say—answering only by implication what she had unconsciously implied, and seeming to take his theme from the landscape about them:

"When my father died all he left me was this little—bungalow they'd call it nowadays, I suppose, and a few acres 'round it. You remember, Maw, how, when the sun first came sneakin' over that knob off to the left, the shadow of those two oaks used to just touch the stone wall on the western border of father's property, and when the sun was just crawlin' into bed behind those woods off yonder the shadow of the oaks just overlapped the rail fence on the eastern border? That's all my father left me—that and the mortgage. That's all I brought you home to, Maw. I'm not disparaging my father. He was a great man. When he left his own home in the East and came out here all this was woods, woods, woods, far as you can see. Even that pond wasn't there then. My father cleared it all—cut down everything except those two oak-trees. He used to call them the Twin Oaks, but they always seemed to me like man and wife. I kind o' like to think that they're you and me. And like you and me they're all that's left standin' of the old trees. They were big trees, too, and those were big days."

The greatness of his thoughts rendered him mute. He was a plain man, but he was hearing the unwritten music of the American epic of the ax and the plow, the more than Trojan war, the more than ten years' war, against forests and savages. His wife brought him back from hyper-Homeric vision to the concrete.

"Thank Heaven, Susan's finished gossipin' and started home."

The mail-carrier in his little umbrellaed cart was vanishing up the hill, and the sunbonnet was floating down the road. The sky was an unmitigated blue, save for a few masses of cloud, like piles of new fleece on a shearing-floor. Green woods, gray road, blue sky, pale clouds, all were steeped in heat and silence so intense it seemed that something must break. And something broke.

Appallingly, abruptly, came a shattering crash, a streak of blinding fire, an unendurable noise, a searing blast of blaze as if the sun had been dynamite exploded, splintering the very joists of heaven. The whole air rocked like a tidal wave breaking on a reef; the house writhed in all its timbers. Then silence—unbearable silence.

The old woman, made a child again by a paralytic stroke of terror, found herself on her knees, clinging frantically to her husband. The cheek buried in his breast felt the lurch and leap of his pounding heart. Manlike, he found courage in his woman's fright, but his hand quivered upon her hair; she heard his shaken voice saying:

"There, there, Maw, it's all over."

When he dared to open his eyes he was blinded and dazed like the stricken Saul. When he could see again he found the world unchanged. The sky was still there, and still azure; the clouds swam serenely; the road still poured down from the unaltered hills. He tried to laugh; it was a sickly sound he made.

"I guess that was what the fellow calls a bolt from the blue. I've often heard of 'em, but it's the first I ever saw. No harm's done, Maw, except to Susan's feelings. She's pickin' herself up out the dust and hurryin' home like two-forty. I guess the concussion must have knocked her over."

The old woman, her heart still fluttering madly, rose from her knees with the tremulous aid of the old man and opened her eyes. She could hardly believe that she would not find the earth an apocalyptic ruin of uprooted hills. She breathed deeply of the relief, and her eyes ran along the remembered things as if calling the roll. Suddenly her eyes paused, widened. Her hand went out to clutch her husband's arm.

"Look, Paw! The oaks, the oaks!"

The lightning had leaped upon them like a mad panther, rending their branches from them, ripping off great strips of bark, and leaving long, gaping wounds, dripping with the white blood of trees. The lesser of the two oaks had felt the greater blow, and would have toppled to the ground had it not fallen across its mate; and its mate, though grievously riven, held it up, with branches interlocking like cherishing arms.

To that human couple the tragedy of the trees they had looked upon as the very emblems of stability was pitiful. The old woman's eyes swam with tears. She made no shame of her sobs. The old man tried to comfort her with a commonplace:

"I was readin' only the other day, Maw, that oaks attract the lightning more than any other trees," and then he broke down. "Father always called 'em the Twin Oaks, but I always called 'em you and me."

The panic-racked Susan came stumbling up the steps, gasping with experiences. But the aged couple either did not hear or did not heed. With old hand embracing old hand they sat staring at the rapine of the lightning, the tigerish atrocity that had butchered and mutilated their beloved trees. Susan dropped into Mrs. Coburn's lap what mail she brought and hurried inside to faint.

The old couple sat in a stupor long and long before Mrs. Coburn found that she was idly fingering letters and papers. She glanced down, and a familiar writing brought her from her trance.

"Oh, Paw, here's a letter from the boy! Here's a letter from Stevie. And here's your paper."

He took the paper, but did not open it, turning instead to ask, "What does the boy say?"

With hands awkwardly eager she ripped the envelope, tore out the letter, and spread it open on her lap, then pulled her spectacles down from her hair, and read with loving inflection:

"My Darling Mother and Dad,—It is simply heinous the way I neglect to write you, but somehow the rush of things here keeps me putting it off from day to day. If remembrances were letters you would have them in flocks, for I think of you always and I am homesick for the sight of your blessed faces.

"I should like to come out and see you in your little old nest, but business piles up about me till I can't see my way out at present. I do wish you could run down here and make me a good long visit, but I suppose that is impossible, too. There are two or three big deals pending that look promising, and if any one of them wins out I shall clean up enough to be a gentleman of leisure. The first place I turn will be home. My heart aches for the rest and comfort of your love.

"Write me often and tell me how you both are, and believe me, with all the affection in the world,

"Your devoted son,

"Stephen."

She pushed her dewy spectacles back in her gray hair and pressed the letter to her lips; she was smiling as only old mothers smile over letters from their far-off children. The man's face softened, too, with the ache that battle-scarred fathers feel, thinking of their sons in the thick of the fight. Then he unfolded his paper, set his glasses on his big nose, and pursed his lips to read what was new in the world at large. His wife sat still, just remembering, perusing old files and back numbers of the gazettes of her boy's past, remembering him from her first vague thrill of him to his slow youth, to manhood, and the last good-by kiss.

Nothing was heard from either of them for a long while, save the creak of her chair and the rustle of his paper as he turned to the page recording the results in the incessant Gettysburgs over the prices of corn, pork, poultry, butter, and eggs. They were history to him. He could grow angry over a drop in December wheat, and he could glow at a sign of feverishness in oats. To-day he was profoundly moved to read that October ribs had opened at 10.95 and closed at 11.01, and depressed to see that September lard had dropped from 11.67 to 11.65.

As he turned the paper his eye was caught by the head-lines of an old and notorious trial at law, and he was confirmed in his wrath. He growled:

"Good Lord, ain't that dog hung yet?"

"What you talkin' about, Paw?"

"I was just noticin' that the third trial of Tom Carey is in full swing again. It's cost the State a hundred thousand dollars already, and the scoundrel ain't punished yet."

"What did he do, Paw?"

The old man blushed like a boy as he stammered: "You're too young to know all he did, Maw. If I told you, you wouldn't understand. But it ended in murder. If he'd been a low-browed dago they'd have had him railroaded to Jericho in no time. But the lawyers are above the law, and they've kept this fellow from his deserts till folks have almost forgot what it was he did. It's disgraceful. It makes our courts the laughing-stock of the world. It gives the anarchists an excuse for saying that there's one law for the poor and another for the rich."

After the thunder of his ire had rolled away there was a gentle murmur from the old woman. "It's a terrible thing to put a man to death."

"So it is, Maw, and if this fellow had only realized it he'd have kept out of trouble."

"He was excited, most likely, and out of his head. What I mean is, it's a terrible thing for a judge and a jury to try a man and take his life away from him."

"Oh, it's terrible, of course, Maw, but we've got to have laws to hold the world together, ain't we? And if we don't enforce 'em, what's the use of havin' 'em?"

Silence and a far-away look on the wrinkled face resting on the wrinkled hand and then a quiet question:

"Suppose it was our Steve?"

"I won't suppose any such thing. Thank God there's been no stain on any of our family, either side; just plain hard-workin' folks—no crazy ones, no criminals."

"But supposing it was our boy, Paw?"

"Oh, what's the use of arguin' with a woman! I love you for it, Maw, but—well, I'm sorry I spoke."

He returned to his paper, growling now and then as he read of some new quibble devised by the attorneys for the defense. As softly and as surreptitiously as it begins to rain on a cloudy day, she was crying. He turned again with mock indignation.

"Here, here! What you turning up about now?"

"I want to see my boy. I'm worried. He may be sick. He'd never let us know."

The old man tried to cajole her from her forebodings, tried to reason them away, laugh them away. At last he said, with a poor effort at gruffness:

"Well, for the Lord's sake, why don't you go? He's always askin' us to come and see him. I'm kind o' homesick for a sight of the boy m'self. You haven't been to town for a month of Sundays. Throw a few things in a valise and I'll hitch up. We'll just about make the next train from the village."

She needed no coercion from without. She rose at once. As she opened the squeaky screen-door he was clumping down the steps. He paused to call back:

"Oh, Maw!"

"Yes, Paw!"

"Better tuck in a jar of those preserves you been puttin' up. The boy always liked those better 'n most anything. Don't wrap 'em in my nightshirt, though."

She called out, "All right," and the slap of the screen-door was echoed a moment later by a similar sound in the barn, accompanied by the old man's voice:

"Give over, Fan."

II

The elevator-boy hesitated. "Oh, yes-sum, I got a pass-key, all right, but I can't hahdly let nobody in Mista Coburn's 'pahtment 'thout his awdas."

"But we're his mother and father."

"Of co'se I take yo' wud for that, ma'am, but, you see, I can't hahdly let nobody—er—um'm—thank you, sir—well, I reckon Mista Coburn might be mo' put out ef I didn't let you-all in than ef I did."

The elevator soared silently to the eighth floor, and there all three debarked. The boy was so much impressed with the tip the old man had slipped him that he unlocked the door, put the hand-baggage into the room, snapped the switch that threw on all the lights, and said, "Thank you, sir," again as he closed the door.

Paw opened it to give the boy another coin and say: "Don't you let on that we're here. It's a surprise."

The boy, grinning, promised and descended, like an imp through a trap.

The old couple stood stock-still, hesitating to advance. So many feelings, such varied timidities, urged them forward, yet held them back. It was the home of the son they had begotten, conceived, tended, loved, praised, punished, feared, prayed for, counseled, provisioned, and surrendered. Years of separation had made him almost a stranger, and they dreaded the intrusion into the home he had built for himself, remote from their influence. Poor, weak, silly old things, with a boy-and-girlish gawkishness about them, the helpless feeling of uninvited guests!

"You go first, Paw."

And Paw went first. On the sill of the drawing-room he paused and swept a glance around. He would have given an arm to be inspired with some scheme for whisking his wife away or changing what she must see. But she was already crowding on his heels, pushing him forward. There was no retreat. He tried to laugh it off.

"Well, here we are at last, as the fellow doesn't say in the circus."

There was nothing to do but sit down and wait. The very chairs were of an architecture and upholstery incongruous to them. They knew something of luxury, but not of this school. There was nowhere for them to look that something alien did not meet their eyes. So they looked at the floor.

"It gets awful hot in town, don't it?" said Paw, mopping his beaded forehead.

"Awful," said Maw, dabbing at hers.

Eventually they heard the elevator door gride on its grooves. All the way in on the train they had planned to hide and spring out on the boy. They had giggled like children over the plot. It was rather their prearrangement than their wills that moved them to action. Automatically they hid themselves, without laughter, rather with a sort of guilty terror. They found a deep wardrobe closet and stepped inside, drawing the door almost shut.

They heard a key in the lock, the click of a knob, the sound of a door closed. Then a pause. They had forgotten to turn off the lights. Hurrying footsteps, loud on the bare floor, muffled on the rugs. How well they knew that step! But there was excitement in its rhythm. They could hear the familiar voice muttering unfamiliarly as the footsteps hurried here and there. He came into the room where they were. They could hear him breathe now, for he breathed heavily, as if he had been running. From place to place he moved with a sense of restless stealth. At length, just as they were about to sally forth, he hurried forward and flung open their door.

Standing among the hanging clothes, the light strong on their faces, they seemed to strike him at first as ghosts. He stared at them aghast, and recoiled. Then the old ghosts smiled and stepped forward with open arms. But he recoiled again, and his welcome to his far-come, heart-hungry parents was a groan.

They saw that he had a revolver in his hand. His eyes recurred to it, and he turned here and there for a place to lay it, but seemed unable to let it go. His mother flung forward and threw her arms about him, her lips pursed to kiss him, but he turned away with lowered eyes. His father took him by the shoulders and said:

"Why, what's the matter, boy? Ain't you glad to see your Maw—and me?"

For answer he only breathed hard and chokingly. His eyes went to the revolver again, then roved here and there, always as if searching for a place to hide it.

"Give that thing to me, Steve," the old man said. And he took it in his hands, forcing from the cold steel the colder fingers that clung as if frozen about the handle.

Once he was free of the weapon, the boy toppled into a chair, his mother still clasping him desperately.

The old man knew something about firearms. He found the spring, broke the revolver, and looked into the cylinder. In every chamber was the round eye of a cartridge. Three of them bore the little scar of the firing-pin.

Old Coburn leaned hard against the wall. He looked about for a place to hide the horrible machine, but he, too, could not let go of it. His mouth was full of the ashes of life. He would have been glad to drop dead. But beyond the sick, clammy face of his son he saw the face of his wife, an old face, a mother's face, witless with bewilderment. The old man swallowed hard.

"What's happened, Steve? What's been goin' on?"

The young man only shook his head, ran his dry tongue along his lips, tore a piece of loose skin from the lower one with his teeth, and breathed noisily through nostrils that worked like a dog's. He pushed his mother's hands away as if they irked him. The old man could have struck him to the ground for that roughness, but the prayers in the mother's eyes restrained him.

"Better tell us, Steve. Maybe we might help you."

The young man's head worked as if he were gulping at a hard lump; his lips moved without sound, his gaze leaped from place to place, lighting everywhere but on his father's waiting, watching eyes, and always coming back to the revolver with a loathing fascination. At last he spoke, in a whisper like the rasp of chafed husks:

"I had to do it. He deserved it."

The mother had not seen the nicks on the cartridges, but she needed no such evidence. She wailed:

"You don't mean that you—no—no—you didn't k-kill-ill-ill—"

The word rattled in her throat, and she went to the floor like a toppling bolster. It was the old man that lifted her face from the rug, ran to fetch water, and knelt to restore her. The son just wavered in his chair and kept saying:

"I had to do it. He was making her life a—"

"Her life?" the old man groaned, looking up where he knelt. "Then there's a woman in it?"

"Yes, it was for her. She's had a hard time. She's been horribly misunderstood. She may have been indiscreet—still she's a noble woman at heart. Her husband was a vile dog. He deserved it."

But the old man's head had dropped as if his neck were cracked. He saw what it all meant and would mean. He would have sprawled to the floor, but he caught sight of the pitiful face of his old love still white with the half-death of her swoon. He clenched his will with ferocity, resolving that he must not break, could not, would not break. He laid a hand on his son's knee and said, appealingly, in a low tone, as if he were the suppliant for mercy:

"Better not mention anything about—about her—the woman you know, Steve—before your mother, not just now. Your mother's kind of poorly the last few days. Understand, Steve?"

The answer was a nod like the silly nodding of a toy mandarin.

It was a questionable mercy, restoring the mother just then from the bliss of oblivion, but she came gradually back through a fog of daze to the full glare of fact. Her thoughts did not run forward upon the scandal, the horror of the public, the outcry of all the press; she had but one thought, her son's welfare.

"Did anybody see you, Steve?"

"No. I went to his room. I don't think anybody s-saw me—yes, maybe the man across the hall did. Yes, I guess he saw me. He was at his door when I came out. He looked as if he sus-suspected-ed me. I suppose he heard the shots. And probably he s-saw the revol-ver. I couldn't seem to let it drop—to le-let it drop."

The mother turned frantic. "They'll come here for you, Stevie. They'll find it out. You must get away—somewhere—for just now, till we can think up something to do. Father will find some way of making everything all right, won't you, Paw? He always does, you know. Don't be scared, my boy. We must keep very calm." Her hands were wavering over him in a palsy. "Where can he go, Paw? Where's the best place for him to go? I'll tell you, Steve. Is your—your car anywhere near?"

"It's outside at the door. I came back in it."

She got to her feet, and her urgency was ferocious. "Then you get right in this minute and go up to the old place—the little old house opposite the pond. Go as fast as you can. You know the place—where we lived before you were born. There's two big oak-trees st-standing there, and a pond just across the road. You go there and tell Susan—what shall he tell Susan, father? What shall he tell Susan? We'll stay here, and—and we'll bribe the elevator-boy to say you haven't come home at all, and if the po-po-lice come here we'll say we're expecting you, but we haven't seen you for ever so long. Won't we, Paw? That's what we'll say, won't we, Paw?"

The old man stood up to the lightning like an old oak. Trees do not run. They stand fast and take what the sky sends them. Old Coburn shook his white hair as a tree its leaves in a blast of wind before he spoke.

"Steve, my boy, I don't know what call you had to do this, but it's no use trying to run away and hide. They'll get you wherever you go. The telegraph and the cable and the detectives—no, it's not a bit of use. It only makes things look worse. Put on your hat and come with me. We'll go to the police before they come for you. I'll go with you, and I'll see you through."

But flight, not fight, was the woman's one hope. She was wild with resistance to the idea of surrender. Her panic confirmed the young man in his one impulse—to get away. He dashed out into the hall, and when the father would have pursued, the mother thrust him aside, hurried past, and braced herself against the door. He put off her clinging, clutching hands as gently as he might, but she resisted like a tigress at bay, and before he could drag her aside they heard the iron-barred door of the elevator glide open and clang shut. And there they stood in the strange place, the old man staggered with the realization of the future, the old woman imbecile with fear.

What harm is it the honest oaks do, that Heaven hates them so and its lightnings search them out with such peculiar frenzy?

III

Having no arenas where captive gladiators and martyrs satisfy the public longing for the sight of bleeding flesh and twitching nerve, the people of our day flock to the court-rooms for their keenest excitements.

The case of "The People vs. Stephen Coburn" had been an intensely popular entertainment. This day the room was unusually stuffed with men and women. At the door the officers leaned like buttresses against the thrust of a solid wall of humanity. Outside, the halls, the stairs, and the sidewalk were jammed with the mob crushing toward the door for a sight of the white-haired mother pilloried in the witness-box and fighting with all her poor wits against the shrewdest, calmest, fiercest cross-examiner in the State.

In the jury-box the twelve silent prisoners of patience sat in awe of their responsibilities, a dozen extraordinarily ordinary, conspicuously average persons condemned to the agony of deciding whether they should consign a fellow-man to death or release a murderer among their fellow-men.

Next the judge sat Sarah Coburn, her withered hands clenched bonily in the lap where, not so many years ago, she had cuddled the babe that was now the culprit hunted down and abhorred. The mere pressure of his first finger had sent a soul into eternity and brought the temple of his own home crashing about his head.

Next the prisoner sat his father, veteran now with the experience that runs back to the time when the first father and mother found the first first-born of the world with hands reddened in the blood of the earliest sacrifice on the altar of Cain.

People railed in the street and in the press against the law's delay with Stephen Coburn's execution and against the ability of a rich father to postpone indefinitely the vengeance of justice. Old Coburn had forced the taxpayers to spend vast sums of money. He had spent vaster sums himself. The public and the prosecution, his own enormously expensive lawyers, his son and his very wife, supposed that he still had vast sums to spend. It was solely his own secret that he had no more. He had built his fortune as his father had built the stone wall along his fields, digging each boulder from the ground with his hands, lugging it across the irregular turf and heaving it to its place. Every dollar of his had its history of effort, of sweat and ache. And now the whole wall was gone, carried away in wholesale sweeps as by a landslide.

In his business he had been so shrewd and so close that people had said, "Old Coburn will fight for five days for five minute's interest on five cents." When his son's liberty was at stake he signed blank checks, he told his lawyers to get the best counsel in the nation. He did not ask, "How much?" He asked, "How good?" Every technical ruse that could be employed to thwart the prosecution he employed. He bribed everybody bribable whose silence or speech had value. Dangerous witnesses were shipped to places whence they could not be summonsed. Blackmailers and blackguards fattened on his generosity and his fear.

The son, Stephen Coburn, had gone to the city, warm-hearted, young, venturesome, not vicious, had learned life in a heap, sowed his wild oats all at once, fallen among evil companions, and drifted by easy stages into an affair of inexcusable ugliness, whence he seemed unable to escape till a misplaced chivalry whispered him what to do. He had found himself like Lancelot with "his honor rooted in dishonor" and "faith unfaithful kept him falsely true." But Stephen Coburn was no Lancelot, any more than his siren was a Guinevere or her slain husband a King Arthur. He was simply a well-meaning, hot-headed, madly enamoured young fool. The proof of this last was that he took a revolver to his Gordian knot. Revolvers, as he found too late, do not solve problems. They make a far-reaching noise, and their messengers cannot be recalled.

His parents had not known the city phase of their son. They had known the adorable babe he had been, the good boy weeping over a broken-winged robin tumbled from a nest, running down-stairs in his bare feet for one more good-night kiss, crying his heart out when he must be sent away to school, remembering their birthdays and abounding in gentle graces. This was the Stephen Coburn they had known. They believed it to be the real, the permanent, Stephen Coburn; the other was but the victim of a transient demon. They could not believe that their boy would harm the world again. They could not endure the thought that his repentance and his atonement should be frustrated by a dishonorable end.

The public knew only the wicked Stephen Coburn. His crime had been his entrance into fame. All the bad things he had done, all the bad people he had known, all the bad places he had gone, were searched out and published by the detectives and the reporters. To blacken Stephen Coburn's repute so horribly that the jurors would feel it their inescapable duty to scavenge him from the offended earth, that was the effort of the prosecution. To prevent that blackening was one of the most vital and one of the most costly features of the defense. To deny the murder and tear down the web of circumstantial evidence as fast as the State could weave it was another.

The Coburn case had become a notorious example of that peculiarly American institution, the serial trial. The first instalment had ended in a verdict of guilty. It had been old Coburn's task to hold up his wife and his son in the collapse of their mad despair, while he managed and financed the long, slow struggle with the upper courts till he wrung from them an order for a new trial. This had ended, after weeks of torment in the court-room and forty-eight hours of almost unbearable suspense, in a disagreement of the jury. The third trial found the prosecution more determined than ever, and acquainted with all the methods of the defense. The only flaw was the loss of an important witness, "the man across the hall," whom impatient time had carried off to the place where subpœnas are not respected. His deposition and his testimony at the previous trials were as lacking in vitality as himself.

And now once more old Coburn must carry everything upon his back, aching like a world-weary Atlas who dares not shift his burden. But now he was three years weaker, and he had no more money to squander. His house, his acres, the cattle upon his hills, his blooded thoroughbreds, his patriarchal stallions, his town lots, his bank-building, his bonds and stocks, all were sold, pawned as collateral, or blanketed with mortgages.

As he had comforted his wife when they had witnessed the bolt from the blue, so now he sat facing her in her third ordeal. Only now she was not on the home porch, but in the arena. He could not hold her hands. Now she dared not close her eyes and cry; it was not the work of one thunderbolt she had to see. Now, under the darting questions of the court-examiner, she was like a frightened girl lost in the woods and groping through a tempest, with lightning thrusts pursuing her on every side, stitching the woods with fire like the needle in a sewing-machine stabbing and stabbing at the dodging shuttle.

The old woman had gone down into the pit for her son. She had been led through the bogs and the sewers of vice. Almost unspeakable, almost unthinkable wickedness had been taught to her till she had become deeply versed in the lore that saddens the eyes of the scarlet women of Babylon. But still her love purified her, and almost sanctified the strategy she practised, the lies she told, the truths she concealed, the plots she devised with the uncanny canniness of an old peasant. People not only felt that it was her duty to fight for her young like a mad she-wolf, but they would have despised her for any failure of sacrifice.

She sat for hours baffling the inquisitor, foreseeing his wiles by intuition, evading his masked pitfalls by instinct. She was terribly afraid of him, yet more afraid of herself, afraid that she would break down and become a brainless, weeping thing. It was the sincerity of her fight against this weakness that made her so dangerous to the prosecuting attorney. He wanted to compel her to admit that her son had confessed his deed to her. She sought to avoid this admission. She had not guessed that he was more in dread of her tears than of her guile. He was gentler with her than her own attorneys had been. At all costs he felt that he must not succeed too well with her.

The whole trial had become by now as academic as a game of chess, to all but the lonely, homesick parents. The prosecuting attorney knew that the mother was not telling the truth; the judge and the jury knew that she was not telling the truth. But unless this could be geometrically demonstrated the jury would disregard its own senses. Yet the prosecutor knew that if he succeeded in trapping the mother too abruptly into any admission dangerous to her son she would probably break down and cry her dreary old heart out, and then those twelve superhuman jurors would weep with her and care for nothing on earth except her consolation.

The crisis came as crises love to come, without warning. The question had been simple enough, and the tone as gentle as possible: "You have just stated, Mrs. Coburn, that your son spoke to you in his apartment the day he is alleged to have committed this act, but I find that at the first and second trials you testified that you did not see him in his apartment at all. Which, please, is the correct statement?"

In a flash she realized what she had done. It is so hard to build and defend a fortress of lies, and she was very old and not very wise, tired out, confused by the stare of the mob and the knowledge that every word she uttered endangered the life she had borne. Now she felt that she had undone everything. She blamed herself for ruining the work of years. She saw her son led to death because of her blunder. Her answer to the question and the patient courtesy of the attorney was to throw her hands into the air, toss her white head to and fro, and give up the battle. The tears came like a gush of blood from a deep wound; they poured through the lean fingers she pressed against her gaunt cheeks, and she shook with the dry, weak weeping of senility and utter desolation. Then her old arms yearned for him as when a babe.

"I want my boy! I want my boy!"

The judge grew very busy among his papers, the prosecuting attorney swallowed hard. The jurymen thought no more of evidence and of the stability of the laws. They all had mothers, or memory-mothers, and they only resolved that whatever crime Stephen Coburn might have committed, it would be a more dastardly crime for them to drive their twelve daggers into the aching breast that had suckled him. On the instant the trial had resolved itself into "The People vs. One Poor Old Mother." The jury's tears voted for them, and their real verdict was surging up in one thought:

"This white haired saint wants her boy: he may be a black sheep, but she wants him, and she shall have him, by—" whatever was each juryman's favorite oath.

When the judge had finished his charge the jury stumbled on one another's heels to get to their sanctum. There they reached a verdict so quickly that, as the saying is, the foreman was coming back into the court-room before the twelfth man was out of it. Amazed at their own unanimity, they were properly ashamed, each of the other eleven, for their mawkish weakness, and their treachery to the stern requirements of higher citizenship. But they went home not entirely unconsoled by the old woman's cry of beatitude at that phrase, "Not Guilty."

She went among them sobbing with ecstasy, and her tears splashed their hands like holy water. It was all outrageously illegal, and sentimental, and harmful to the sanctity of the law. And yet, is it entirely desirable that men should ever grow unmindful of the tears of old mothers?

IV

The road came pouring down from the wooded hills, and the house faced the pond as before. But there was a new guest in the house. Up-stairs, in a room with a sloping wall and a low ceiling and a dormer window, sat a young man whose face had been prominent so long in the press and in the court-room that now he preferred to keep away from human eyes. So he sat in the little room and read eternally. He had acquired the habit of books in the whitewashed cell where he had spent the three of his years that should have been the happiest, busiest, best of all. He read anything he could find now—old books, old magazines, old newspapers. Finally he read even the old family Bible his mother had toted into his room for his comfort. It was a bulky tome with print of giant size and pictures of crude imagery, with here and there blank pages for recording births, deaths, marriages. Here he found the names of all his brothers and sisters, and all of them were entered among the deaths. The manners of the deaths were recorded in the shaky handwriting of fresh grief: Alice Anne, scarlet fever; James Arthur, Jr., convulsions; Andrew Morton, whooping-cough; Cicely Jane, typhoid; Amos Turner, drowned while saving his brother Stephen's life; Edward John, killed in train wreck.

Sick at heart, he turned away from the record, but the book fell open of itself at a full-page insert of the Decalogue, illuminated by some artless printer with gaudy splotches of gold, red and blue and green initials, and silly curlicues of arabesque, as if the man had been ignorant of what they meant, those ten pillars of the world.

Stephen smiled wanly at the bad taste of the decoration, till one line of fire leaped from the text at him, "Thou Shalt Not Kill." But he needed no further lessoning in that wisdom. He retreated from the accusing page and went to lean against the dormer window and look out upon the world from the jail of his past. No jury could release him from that. Everywhere he looked, everywhere he thought, he saw evidence of the penalty he had brought upon his father and mother, more than upon himself and his future. He knew that his father's life-work had been ruined, and that his honorable career would be summed up in the remembrance that he was the old man who bankrupted himself to save his son from the gallows. He knew that this very house, which remained as the last refuge, was mortgaged again as when his father and mother had come into it before he was born. The ironic circle was complete.

Down-stairs he could hear the slow and heavy footsteps of his father, and the creak of the chair as he dropped heavily into it. Then he heard the screen-door flap and heard his mother's rocking-chair begin its seesaw strain. He knew that their tired old hands would be clasped and that their tired old eyes would be staring off at the lightning-shattered oaks. He heard them say, just about as always:

"What you been doin', Paw?"

"Just putterin' 'round the barn. What you been doin', Maw?"

"Just putterin' 'round the kitchen gettin' supper started. I went up-stairs and knocked at Stevie's door. He didn't answer. Guess he's asleep."