In Château Land

We set forth early this morning, as we had a long day before us, and as Walter warned us, little time to loiter by the way, great as the temptation might be to stop en route.

I don't know that anything has happened, but the atmosphere seems somewhat electric, and if anything has occurred I am quite sure that it is of a cheerful nature, as there is a telltale light in Archie's eyes that seems to say when they meet mine: "I have been sworn to secrecy, find out if you can!" Lydia's face is inscrutable; but her color is a little brighter than usual and she seems to avoid meeting my gaze, and drops her eyelids in a way that she has when the sun is bright. Then, she is beside me and consequently I cannot see her face as I can Archie's. Our places have been changed in the auto; Lydia and Archie are vis à vis this morning and M. La Tour is opposite to me, but this may be quite accidental.

After Walter's solemn warning about the shortness of time, I was afraid to suggest stopping anywhere; but Lydia had told me that she intended, if possible, to see the Château de Morains, near Saumur, where Margaret of Anjou died. She made her request with some hesitation.

"Of course we can stop," said Walter, "it won't take long, if François knows the way."

François did not know the way to the historic shrine, which is evidently neglected by English and American pilgrims; but by making inquiries he found it without much trouble. We saw the outside of the little château and what interested us especially, the inscription over the gateway which relates that this Manoir of Vignole-Souzay, formerly Dampierre, was the refuge of the heroine of the War of the Roses, Marguerite of Anjou and Lancaster, Queen of England, the most unfortunate of queens, wives and mothers, who died here the 25th of April, 1482, aged fifty-three years. This little French tablet in memory of the English Queen, who was received with such rejoicings in England upon her marriage with Henry VI, seemed to us most pathetic.

As a return for this stop at Morains, which Walter considered a particular concession to the women of the party, he suggested that we take time to stop at Villandry to see a Druid stone which M. La Tour has been telling him about. You may remember that he and Archie are somewhat insane upon the subject of Druidical remains, but I notice that Archie is not as keenly interested in the Druids, this morning, as usual. He and Lydia are talking over some places that they mean to see in or near Paris. Archie has been reading a description of Fouquet's Château of Vaux-le-Vicomte, which is only an hour's ride from Paris, near Melun. Wise in his day and generation is this brother of mine, for nothing could so appeal to Lydia's historic soul as just such an expedition as this! This was the château at which the great financier entertained the King with such magnificence that he aroused the jealousy of his royal master. You remember Dumas's description of it, and La Fontaine's Songe de Vaux, in which he says that everything conspired for the pleasure of the King, music, fountains, Molière's plays, in which he was praised,—even the moon and the stars seemed to shine for him, on those nights at Vaux.

"And the fruits of the earth, and of the greenhouses yielded up their treasures for him," said M. La Tour. "In his old age Louis was wont to say that no peaches were equal to those of Vaux-le-Vicomte in flavor and quality."

"I am quite sure that he had never tasted those of Anjou!" exclaimed Walter, and at this most opportune moment François produced a basket of these same Anjou peaches, and some pears also, all surrounded by green leaves, as only the French know how to set them forth. We feasted on the fat things of the earth, as we made our way to Villandry, where we saw the ancient monument of the Druids, which was not much to see after all. Walter, however, takes a solid satisfaction in visiting the things that he feels it is his duty to see. The same sort of a rainbow illuminates his horizon after a duty of this sort is performed, that irradiates our path when you and I have accomplished a series of perfunctory visits, and yet he tells Lydia and me that we take our sightseeing quite too seriously.

M. La Tour has been telling us about the elaborate New Year's ceremonies once held at Chartres, by the Druids. The mistletoe was cut by the eubage, with a golden faucelle, or sickle, belonging to one of the Druidesses and then distributed to the people. The eubage was, it appears, a combination of priest and bard whose pleasing task it was to cut the throats of the human victims offered upon the Druidical altar of sacrifice. This distribution of the mistletoe at the beginning of the year may have led to our later use of the mistletoe in the Christmas holiday festivals. Walter says that he does not know about this, nor does M. La Tour; but they intend to look it up and communicate the result one to the other. From this conversation you will naturally infer that we are again in the land of the mistletoe.

In the meadows we noticed a delicate little mauve-colored flower, something like an orchid, which François told me was a crocus, blooming for the second time this season, and in the gardens of the little gray houses, with their red-tiled roofs, and by the roadside were gorgeous asters of all shades of purple. In the less cultivated places, heather blooms luxuriantly and yellow gorse which attracted Miss Cassandra's trained botanist's eye, and she suddenly quoted the old Scotch saw, with about the same appropriateness as some of the remarks of "Mr. F's Aunt" in Bleak House: "'When gorse is out of season, kissing is out of fashion,'" and looking straight at Archie, she added encouragingly "you see it is still blooming."

It would be impossible to accuse Miss Cassandra of flirtatious intent, and yet at her glance and words Archie blushed a beautiful scarlet. I tried not to look at him, as I knew that he was inwardly swearing at the thinness of his skin, or whatever it is that makes people blush. I couldn't see Lydia without turning around and staring at her; but Walter, who enjoyed the whole scene from his coign of vantage beside François, told me afterwards that "Lydia never turned a hair, and so you see, Zelphine," he said, laughing gaily, "it all rests between Miss Cassandra and Archie."

Seeing in the distance the curious, enigmatical Pile de Cinq Mars, we suddenly realized that we were quite near Luynes, and Walter told François to stop there as he knew that Archie would be charmed with the beauty of the situation of this château which hangs high, like an eagle's nest, upon a bluff above the lowlands and the river. While we were walking around and about the château, we suddenly came upon Mr. and Mrs. Otis Skinner standing at the entrance to a little smithy, quite near the rock-hewn steps that lead up to the château. We have seen so few Americans, and no friends or acquaintances since we left Tours, and now, as we are again approaching the old town, to meet these good friends was a great pleasure. Mr. Skinner took us into the smithy, which is so charmingly situated, and we wondered again, as at Cheverny, why even a blacksmith's workshop is so much more picturesque here than in England or America. While Mr. Skinner was standing talking to the blacksmith, Lydia and Archie and Mrs. Skinner managed to get snapshots of the forge. If it is satisfactory, I will send you a photograph, as we intend to exchange pictures and you shall have the very best.

After this encounter, we sped along on our way toward Tours, wondering whether Mr. Skinner was collecting material, atmosphere, etc., for a French play. We are glad that our way lay through Tours and that Archie could have even a fleeting glimpse of the old capital. To motor across the great bridge and along the wide Rue Nationale, and to have another look at St. Gatien, with its two beautiful towers, and at those other towers of Charlemagne and de l'Horloge was a joy, even if there was not time to stop over at Tours for an hour.

At Blois we gathered up our luggage, left the automobile and took the train for Orleans. We parted from our François with much regret, as we have come to like his honest, frank face and his pleasant French ways. Walter and Archie, I am quite sure, gave him a generous remembrance, Archie especially being quite in sympathy with his dreams of love in a Touraine cottage. We all wished him happiness, not without some misgivings on my part, I must admit, lest his Eloisa of the bright eyes should play him false for the charms of some one of those red-legged soldiers, who seem to possess an irresistible charm for French women, who are always ready to sing "J'aime le militaire."

From Blois to Orleans is a railroad journey of a little over an hour, through a fertile, but a rather monotonous country abounding in fields of turnips. From the quantities of this vegetable raised here, we naturally conclude that the peasants of this part of France subsist chiefly upon turnips, as the Irish do upon potatoes. We passed through many gray villages, which tone in with the shades of the silver poplars, and this with certain gray atmospheric effects in the landscape makes us realize how true to life are the delicate gray-green canvases of many of the French artists.

The Orleans station, like that of Tours, is a delusion and a snare, as we were suddenly landed at Les Aubrais, one of the outskirts of the old city and from thence had to make our way to Orleans as best we could. We had fortunately been able to send our small luggage directly through to Paris by putting it in the consigne, and paying ten centimes on each article. This convenient and economical device, which with all our travel we had never discovered, was revealed to us by the two charming Connecticut ladies whom we met at Amboise. Walter calls down blessings upon the pretty heads of these two wise New England women whenever we make a stop over between trains; and Miss Cassandra ejaculates: "It takes a Yankee, my dears, to find out the best way to do everything on the top of the earth!"

Having only ourselves to dispose of, we soon found an omnibus which conveyed us to the Place du Martroi, the soul and centre of the ancient city of Orleans, where is fitly placed an equestrian statue of Jeanne d'Arc, by Foyatier. This statue does not, however, happily suggest the Maid, as the peasant girl of Domremy is here represented with a fine Greek profile, and, as Archie noticed, with his keen horseman's eye, the charger upon which she is mounted is a race-horse and not a war-horse. It is, however, a noble and dignified memorial, on the whole, in which it differs from the grotesque affair at Chinon, and Dubray's low reliefs on the sides of the pedestal, representing important scenes in the life of the Maid, are beautiful and impressive.

Here in Orleans, the scene of Joan's first and most remarkable success, we live more completely in the life and spirit of that wonderful period than at Chinon. The marvel of it all impressed us more forcibly than ever before. That this peasant girl, young and ignorant of the art of war, by the power of her sublime faith in her heaven-sent mission and in herself as the divinely appointed one, should have wrested this city from the English, seems nothing short of the miracle that she and her soldiers believed it to be. Even that hard-headed and cold-hearted sovereign, Louis XI, was so overawed by the story of Joan's victories that he marked with tablets the little room at Domremy where she was born, and also the convent of Sainte Catherine de Fierbois, where she was received and where she found her sword with the five crosses.

We knew that the Place du Martroi was not the scene of Joan's martyrdom, and yet this wide, noble square, with her monument in the centre, from which diverge so many streets associated with her history, stood for infinitely more to us than anything we had seen at Rouen, the actual place of her martyrdom.

From the square, M. La Tour conducted us to the cathedral, which has been criticized by Victor Hugo and many others, and which we, perhaps from pure perversity, found much more harmonious than we had expected. The façade, which the local guidebook pronounces majestic, even if bâtarde in style, is rich in decoration, and the little columns on the towers I thought graceful and beautiful, however bâtarde they may be. Two cathedrals have stood upon the site of the present Sainte Croix, the last having been destroyed by the Huguenots, to whom are attributed the same sort of destruction that marked the course of Oliver Cromwell's army in England. It is said that the great Protestant leader, Théodore de Bèze, himself blew up the four noble pillars that once supported the belfry. However this may be, and Miss Cassandra says that we are all free to believe such tales or not, as we choose, very little is left of the old edifice except the eleven chapels and the side walls. Even if Théodore de Bèze destroyed the old cathedral, the building as it now stands was the work of his former chief, for it was Henry of Navarre who laid the corner stone of the new edifice, in 1601, to fulfill a vow made to Pope Clement VIII who had absolved him from the ban of excommunication.

In the side windows, in richly colored glass, is the story of the Maid of Orleans, from the day when she heard the voices and a vision appeared to her while she kept her father's sheep in the fields near Domremy, to the hour when she and her troops gave thanks for the victory of Orleans in this cathedral. On through the eventful months of her life to the sad and shameful scenes at Rouen, where the innocent and devoted Maid was burned at the stake, while France which she had delivered, and Charles whom she had crowned, made no sign, the story is told in a series of pictures. Even if of modern glass and workmanship, these windows seemed to us most beautiful, especially those on the right-hand side through which the light streamed red, yellow and blue from the jewelled panes. The window representing the crowning of Charles VII at Rheims is especially rich in color. Joan, with a rapt ecstatic expression on her face, is here to see her King crowned and with her is the banner that she loved even more than her mystic sword. Below are inscribed her own simple words, "It has been with him in the suffering, it is right that it should be with him in the glory." Ever self-effacing, it was of her beloved banner that Joan was thinking, never of herself.

The whole wonderful story is written upon these windows so plainly that any child may read it. We have been thinking of Christine and Lisa, and wishing that they were here to read it with us. They will learn of Joan of Arc in their histories, but it will never be so real to them as it is here where her great work was done, and where she is so honored. Some day we promise ourselves the pleasure of bringing the children here and going with them through all the Joan of Arc country. M. La Tour, who has made the journey, says that, as the Joan of Arc cult is increasing all the time, every spot associated with her is marked and everything most carefully preserved.

"Most interesting of all," he says, "is the little church where Jeanne worshipped. Although badly restored by Louis XVIII, the nave remains intact, and the pavement is just as it was when the bare feet of Jeanne trod its stones, in ecstatic humility, during the long trance of devotion when she felt that supernatural beings were about her and unmistakable voices were bidding her to do what maid had never dreamed of doing before. In a little chapel, beside the main edifice, is the stone fount where the infant Jeanne was baptized. Fastened to the wall there hangs a remnant of the iron balustrade, that Jeanne's hands must have rested on during the hours that she passed in rhapsody, seeing what never was seen on land or sea. A few steps from the church stands the cot where the maid was born, almost as humbly as the Christ Child. Entering through the small doorway, you see the room in which Jeanne first opened her eyes to the light. On one side stands the 'dresser,' or wardrobe, built half way into the wall, where the housewife stored the family belongings. Beside this is the iron arm which held the lamp, used during midnight watches. Beyond this general room is the alcove that served Jeanne as a sleeping-room. In this narrow chamber, more like a cell than a sleeping-room, Jeanne heard 'voices,' and dreamed her dreams."

M. La Tour's description is so interesting that we all long to follow in his footsteps and in those of the Maid, from the clump of oak trees—of which one still stands—and the "Fountain of the Voices" to the ruins of the Château of Vaucouleurs, where the chivalrous Robert de Baudricourt, impressed by the girl's serene confidence, gave her a letter for the King, who was at Chinon, as we know.

The Porte de France is still standing, M. La Tour tells us, through which the shepherd maid, with her four men-at-arms and her brother Jean, embarked on her perilous journey of eleven days across a country filled with roaming bands of British and Burgundian soldiers. The places are all marked, Saint-Urbain, Auxerre, Gien, Sainte Catherine de Fierbois, where Jeanne was received in the "aumonerie" of the convent, now transformed into a Mayor's office. When we come to Orleans with the children, we must try to be here on the 8th of May, when the whole city is en fête celebrating the glorious victory of the Maid. Still talking over the projected Joan of Arc pilgrimage, M. La Tour led us by the Rue Jeanne d'Arc which faces the cathedral and to the Maison de l'Annonciade where Jacques Boucher, treasurer of the Duke of Orleans, received the Maid. In the court of this building, now used as a Dominican convent, is a small statue of Joan, above the well. This house is also called the Maison de Jeanne d'Arc, and in a charming Renaissance building, near by, is a collection of relics of the Maid. For some unknown reason this house is sometimes spoken of as the house of Agnes Sorel; and with about the same authority another house at the corner of the streets, Charles-Sanglier and Des Albanais, is called the Maison de Diane de Poitiers. This latter mansion, with its small towers and richly ornamented façade, is now an historical museum and is better known as the Hôtel Cabu.

By the Rue Royale, which suddenly changes its name and becomes the Rue de la Republique after it crosses the Place du Martroi, we made our way to the Hôtel du Ville, a handsome sixteenth century building of brick and stone. On a tablet upon the façade is a long inscription telling how many kings, queens and notable personages have stopped here; but what interested us much more is a statuette in bronze of Joan, the work of the Princess Marie d'Orléans, daughter of Louis Philippe. The modest, devout little maid, represented by this statue, is more like the real Joan, to our thinking, than most of the more pretentious monuments.

In the Salle des Marriages of the Hôtel du Ville, we came suddenly upon souvenirs of a much later period than that of Joan, for here, in this room, Francis II died. He and Mary came here from Chenonceaux, and becoming violently ill from a malady in his ear which had tortured him for some time, the poor young king took to his bed never to rise again. His mother followed him here, and at Mary's instance the great surgeon Ambrose Paré was summoned. He wished to operate; the young Queen had full confidence in his judgment and skill, but Catherine resolutely opposed the use of the surgeon's knife, and poor Francis lingered a few days in great pain, and finally died in the arms of his wife. There is a painting in the Salle des Marriages of this sad scene; Mary is kneeling by the bedside of her husband and Catherine is seated nearby, her face cold and expressionless. It has been intimated that Catherine opposed Ambrose Paré because she wished to have poor Francis removed to make way for a son whom she could control and bend to her will; but with all her wickedness, it is impossible to believe in such a motive. One may, however, understand her ignorant horror of the use of the knife, and the superstitious terror that haunted her in view of the recent revelations of Ruggieri at Chaumont.

"I think it is quite evident what was amiss with King Francis!" exclaimed Miss Cassandra. "He was suffering from mastoiditis, of course, and Ambrose Paré was clever enough to find it out, and might have saved his life if he had been allowed to have his way. I have no patience with Catherine, and she knew what she was about when she set up her opinion against that of a great surgeon."

Archie says that to diagnose a case at a distance of several hundred miles requires considerable skill; but still greater is the insight into obscure maladies of our Quaker lady, who bridges over the centuries and tells us just what disease afflicted Francis II in the year of grace 1560; and he added quite seriously:

"You may be quite correct in your surmise, Miss West. Your niece and I will hunt up Ambrose Paré's diary when we get to Paris, and see what he says about the case. If you are right, I'll take you into my office as a partner."

After a somewhat strenuous morning of sightseeing and a sumptuous regale at the Hôtel St. Aignan, whose name pleased us on account of its Dumas flavor, we climbed up to a lovely terrace garden from which we could overlook the town and the cathedral, to which distance certainly lends enchantment. In this pleasant resting place I am writing to you, dear Margaret, while we wait for a late train to Paris. M. La Tour expects his auto to meet us and convey us to the station and then to take him to his home. We shall miss him, as his kind attentions and vast fund of information have added much to the pleasure of our sojourn in Château Land. To-day he has managed our time so judiciously that we have seen everything of importance in Orleans without being hurried, and we now have this quiet hour on the hillside garden before setting forth upon our journey. He evidently has no idea of what is happening in our midst, and is as attentive as ever to Lydia, talking to her and walking with her, whenever Archie gives him a chance; and who can blame him? I have never seen Lydia more charming than she is to-day; but the soft light that shines in her eyes is not for the young Frenchman, I am sure. Walter says:

"If La Tour had his wits about him he would see what is going on under his nose; it takes a sledge hammer to drive in some other things beside a joke."

Here comes the auto, and in five minutes we shall be en route for Paris.

XVI

A CHÂTEAU FÊTE

We found Angela eagerly awaiting us when we reached our destination, and I must admit still more eagerly awaiting another arrival, as Mr. McIvor was expected by a train due here later than ours. Since she had been with his Scotch and English relatives, Angela insists upon having her fiancé called Mr. McIvor, as that is the custom in his own country. She, however, much prefers our calling him by his own delightful Scotch name, Ian, and we like him well enough to fall in with her desires. Ian arrived in due time, and our party is now complete.

"How fortunate it is that the hour was in our favor instead of the Doctor's," exclaimed Walter; for according to French etiquette to have left Angela here unchaperoned with her lover in the same city, even if not in the same hotel, would have shocked all ideas of propriety. "I fancy that M. La Tour, good fellow as he is, couldn't understand our leaving Angela here by herself even for a single night."

"No," I said, "and I didn't think it necessary to tell him."

"Queer notions these people have! As if Angela didn't know how to take care of herself!"

No one knows better, and I told Walter how Angela managed in London. She reached there in the afternoon, instead of in the morning as she had expected. Something about the automobile had given out and they had finally to take a train from York. When she reached the hotel where she was to meet the Dudleys, she found a note telling her to follow them to Southampton as they were obliged to take the night boat. Angela immediately looked up trains and finding that the next train would be one hour too late for the boat, what do you think she did? She telegraphed to the Captain to wait for her! Did you ever hear of anything so delicious? Walter calls it a piece of American effrontery, but I call it quickwitted, don't you? Of course the Captain could not keep his boat waiting for any person of less distinction than the Queen; but by good luck (Angela is always lucky) the vessel was late in sailing that evening. The Dudleys, who were anxiously waiting for her on deck, saw her coming, just as the sailors were about to take up the gang-plank, and begged the Captain for a moment's delay. Of course Angela looked charmingly pretty as she tripped up the incline; and she never realized that her little telegram could be taken otherwise than seriously until she heard the Captain say to the first officer, as she stepped on deck: "She was worth waiting for, after all." At this the child was so overcome with confusion that she did not know which way to look, and evidently did not recover her self-possession during the crossing. Walter insists that she is still blushing over her own daring. If she is, it is vastly becoming to her, as I have never seen Angela look more brilliantly beautiful.

We are living in an atmosphere so charged with romance, that it would be positively dangerous for two unmated beings to join our party at this time. Miss Cassandra pays Archie and myself the compliment of appearing to be radiantly happy over Lydia's engagement, although I know that she drops a tear in secret over M. La Tour and his château. I tell her that this is not an entirely safe environment for her, especially as one of her old time suitors is in Paris; he met us at Morgan's this morning and has been dancing attendance on Miss Cassandra this evening, which last, Walter says, is a very disrespectful way to speak of the decorous call of a dignified Quaker gentleman.

However that may be, Miss Cassandra laughed gaily at my serious warning, and with a flash of her bright blue eyes dismissed her quondam suitor and my solicitude in one brief sentence:

"Thee is very flattering, my dear, and I admit that Jonah is an excellent person; but he is quite too slow for me!"

"That may be; very few people are quick enough for you, dear Miss Cassandra; but you must acknowledge that Mr. Passmore was not at all slow about calling upon you to-night."

It is really too bad to tease our Quaker lady; but she takes it all so literally and is so charmingly good-humored withal that it is a temptation not easy to resist.

We are making the most of our few days in Paris, as we leave here early next week. Lydia announced at breakfast that she felt it her duty, and she hoped that we should feel it to be ours to make a pilgrimage to St. Denis this afternoon.

"After enjoying ourselves in the châteaux of the Kings and Queens of France, it is," she says, "the very least that we can do to go to St. Denis and see them decently and honorably buried."

Miss Cassandra quite agreed with Lydia, and Archie, although he says that it is a ghoulish sort of expedition, would go anywhere with her, of course.

It is rather odd that none of us have ever been to St. Denis, not even Ian McIvor who lived in Paris for months while he was studying medicine. We set forth this afternoon in truly democratic fashion on top of a tram, on one of the double-deckers that they have over here, to Angela's great delight. A rather lively party we were, I must admit, despite the sobriety of our errand.

There was nothing that especially interested us in the prosperous manufacturing town of St. Denis, and we went directly to the basilica, which with the mingling of the Romanesque and Gothic in its architecture is much more beautiful than we had expected. It is sufficiently ancient to satisfy our antiquarian taste, as the site of the original abbey dates back to 275, having been erected over the remains of St. Dionysius or St. Denis. The present edifice owes its existence to the Abbé Suger who reigned here in the days of Saint Louis. There have been many restorations, of course, and some very bad ones as late as the reign of Napoleon Bonaparte. In this basilica the Emperor Napoleon was married to the Archduchess Marie Louise and, what is more interesting to us, here Joan of Arc hung up her arms, in 1429. It is wonderful to see the monuments to royalties as far back in French history as Queen Frédégonde and King Dagobert, who founded an abbey here as early as 638. The tomb of Dagobert is a most remarkable and realistic representation of the King's soul leaving his body and its reception in heaven; the means of transportation is a boat with oarsmen, both going and coming, if I may so express it, that is the soul of Dagobert goes forth upon the unknown sea in a boat, and in another carving on the tomb he is welcomed to the shores of heaven, still in a boat. It is very interesting, as there is a poetic as well as a realistic side to the strange conception. Near Dagobert's monument some one had left a visiting card, after the curious French fashion.

"It seemed so very late in the day to be calling upon King Dagobert," as Walter remarked.

After this ancient mausoleum, that of Louis and Anne de Bretagne seemed quite modern, and very handsome, much in the style of the Visconti monument at the Certosa near Pavia. Not far from this tomb we came upon that of Henry II and Catherine de Médicis, in which they are represented in that gruesome fashion so frequent in English cathedral tombs,—the nude figures below, while above in a beautiful chapel, with marble columns and pillars, there are handsome bronze figures of the King and Queen devoutly kneeling. Very inappropriately at the four corners are placed bronze figures of Faith, Hope, Charity and Good Works. Catherine is said to have planned this mausoleum herself, and, strange to relate, in the choir we found another monument to the same King and Queen.

"Just like the grasping creature to want two tombs!" exclaimed Miss Cassandra. "Most people are satisfied with one."

It appears that in her old age Catherine disapproved of the nude figures on the first monument, and had this one made with two decently robed effigies, in marble, resting upon a bronze couch.

We went down into the crypt, all of us except Angela, who still has an aversion to underground resorts. Ian went with us; but after a hurried glance at the most important tombs he made his way back to the sunshine and to Angela. The rest of the party went through everything quite resolutely, although we found this ancient crypt of the good Abbé Suger even more gruesome than most crypts. The guide directed us to a tiny window, through which we could see the place where poor Marie Antoinette and Louis XVI were finally buried, at least all that could be found of their remains. Here a light was burning, which they told us was never allowed to go out. In strange contrast to this solemn little chapel, there is a kneeling figure of the Queen on one side of the crypt in a ball dress with jewels around her neck. This statue, by Petitot, although strangely inappropriate in costume, is beautiful in expression, and in the modelling of the face, arms, and hands, the latter being very lovely.

Here also is a "Caveau Impérial," constructed by the order of Napoleon III, as the burial place of his dynasty. This tomb is quite untenanted, of course, as no Bonapartes lie at St. Denis; although the bones of the Valois, Orleans and Bourbon families, who have come and gone in France, probably forever, are royally entombed here, from their early sovereigns down to Louis XVIII.

I tell you all this because I think you have not been to St. Denis, and we found it so much more interesting than we had expected. Walter and Archie made their acknowledgments to Lydia, in due form, and indeed we should never have made this pilgrimage had she not been enterprising enough to lead us forth toward St. Denis and its royal tombs.

Madame La Tour and her son made a formal call upon us yesterday. M. La Tour had already dropped in, in his friendly way, to inquire after our comfort and to offer his services, as a guide to anything that we might wish to see. As Madame had announced her coming we were at home to receive her. She is pretty and graceful, a charming combination of the American and French woman. We all fell in love with her. M. La Tour is frankly proud of his mother and was anxious that we should meet her. He has evidently not yet grasped the situation of affairs, although during the visit, which was brief if somewhat embarrassing, I could see nothing but the sapphire that sparkled upon Lydia's finger. Madame La Tour very cordially invited Lydia to go to the opera with her, and M. La Tour was evidently much disappointed when she declined in consequence of another engagement.

"Lydia never said a truer word in her life!" exclaimed Walter, after the visitors had departed; "but La Tour is very stupid not to know what sort of an engagement it is that she has on her hands."

Upon which I suggested that Walter should mention the engagement to M. La Tour, quite casually, in the course of conversation.

"Why not tell him yourself, Zelphine? You are so much more adroit at that sort of thing."

"It is really becoming embarrassing. Some flowers came last night, forget-me-nots again, to Archie's amusement. Now if Lydia had been anything but just ordinarily nice and pleasant to him, as she is to everyone, it would be different."

"Well, and even if she had been more than ordinarily nice to La Tour why do you trouble yourself about it, Zelphine? It is something that only concerns Lydia and La Tour, and Archie perhaps in a way, but we really have nothing to do with it."

Thus, manlike, does Walter push aside all part and lot in the affaires du cœur of his fellow-travellers; but I have just had a brilliant and beautiful idea, which I intend to communicate to Archie at once. We were all talking en route of the Château of Vaux-le-Vicomte.

As this is a land where people make a fête upon every occasion, Archie shall give a breakfast at Melun or some place near the château, and invite us all, and the La Tours also, an engagement party. I have no doubt the French have some charming name for this sort of an entertainment, which we can find out. I shall write you later of the success of my plan.

Of course Archie was delighted with my suggestion, as he and Lydia have been promising themselves the pleasure of an excursion to Vaux-le-Vicomte which seems to go by the name of Vaux-Praslin at the present time. Archie and Walter did the very kindest and most friendly thing, which in the end proved to be the most advantageous to themselves. They took M. La Tour into their confidence and consulted with him as to how the little excursion should be made and where the breakfast should be given. Naturally the poor boy was very much surprised, and quite downhearted when he found out what event was to be celebrated, and we did not see him for two whole days, not until this evening, when he called and offered his congratulations to Lydia in pretty French phrases.

Angela is charmed with M. La Tour and his manners, and says that she does not see how Lydia could possibly resist his fascinations; this with a mischievous glance at Archie, who, serene and confident in his own happiness, replies that Lydia is probably making the mistake of her life in turning away from the young Frenchman and his château.

But Lydia knows that she is making no mistake and takes all this jesting in good part; but she insists that the little celebration shall be called a château fête, as Vaux-le-Vicomte is our objective point. This is in much better taste, and, after all, we don't know the French name for an engagement fête.

"We certainly don't want to ask La Tour to inform our ignorance," as Walter says. "It would be like requiring the man who is down on his luck to name the happy day. It is quite better taste, and, after all, we don't know the occasion."

Miss Cassandra and Walter and I went to the American church this morning because we like the simple service there, and the rest of the party went to the Russian Church to hear the music, which was very good to-day. The afternoon we all spent at Versailles, where we were so fortunate as to see the fountains play. Nothing, not even the châteaux of the Loire, gives us so realizing a sense of the gayety and splendor of the life of the French court, in the seventeenth and eighteenth centuries, as this vast palace of pleasure when the gardens bask in sunshine and the fountains are playing. We recalled Madame de Sévigné's spirited description of the court and royal family setting forth upon some pleasure party, herself among them, tucked in snugly in the same carosse with her favorite, Duchesse de La Vallière, or Madame de Montespan of the many ringlets, for whom she cares nothing,—these two ladies in close quarters although cordially hating each other. The Queen is in another carosse with her children, and the King, being a free lance, drives in the coach with the royal favorites or rides beside it as his fancy dictates.

Our fête is to be on Tuesday, and M. La Tour came to the hotel this evening with a well arranged plan. He really is a dear, and having plenty of spirit and a certain kind of pride that seems to belong to well-bred French people, he has no idea of wearing his heart upon his sleeve, even for the love of Lydia. His suggestions are most practical and sensible, and his advice to Archie is to go to Fontainebleu first and have a walk through the forest, breakfast at one of the hotels there, and motor to Vaux-le-Vicomte, by way of Melun, in the afternoon. It all sounds perfectly delightful, and I have secured a copy of the Vicomte de Bragelonne, at Brentano's, in order to read over again his account of Fouquet's reception of the King at Vaux.

We shall be glad to see Fontainebleau again. Since we have seen the châteaux of the Loire, all of these palaces near Paris are most interesting to us, as they make us realize, as we have never done before, what a great pleasure park much of France was under the Valois and the Bourbons. If the forest of Chambord was vast with its many acres, so also was that of Fontainebleau with its 42,500 acres. Palaces of pleasure, all of these châteaux were intended to be, as were Chenonceaux, Azay le Rideau, Blois and Chambord, although many of them are stained by dark and bloody crimes. Passing through the gardens and park of Versailles to-day we forgot the terrible scenes that were enacted there in 1793, until the guide pointed out to us the Queen's apartments, and showed us the little room from which Marie Antoinette fled for safety to the King's rooms, on that October night of horror, when the Parisian mob swept down upon the palace.

Our day in the open was a brilliant success. Archie had a large automobile, or perhaps I should say a touring car, large enough to hold us all. Madame La Tour declined, and so we have our château party, with the pleasant addition of Angela and Ian, who naturally entered with great spirit into the celebration. We had all the time we needed at Fontainebleau, entering by the old Cour du Cheval Blanc, but avoiding the interior of the palace, as we had all been here before, some of us several times, and spending all our time in the gardens and forest which are ever new and always beautiful. We looked for the quincunx near which Louise de La Vallière and her companions were hiding when the king and St. Aignan overheard their girlish confidences, but not finding anything answering to Dumas's description we had to content ourselves with a labyrinth which M. La Tour thinks should answer quite as well. At the end of it is the huge grape-vine, called the King's Vine, which reminded us of the vine at Hampton Court, and like it is said to produce an enormous crop of grapes.

Archie's breakfast was delightful, an al fresco entertainment under a spreading horse-chestnut tree in the garden of a hotel at Fontainebleau. The table was beautifully decorated with flowers and fruit, and the menu, which was suggested by M. La Tour, was the sort to tempt one's appetite on a warm day like this, for it is summer here and much like our September weather at home.

Walter complimented M. La Tour so heartily upon his good taste that he laughingly reminded Walter of our first acquaintance at the Bon Laboreur, and asked him if he still had a poor opinion of the French cuisine. "Not when you have anything to do with the ordering, my dear fellow!" was the response. "Perhaps my taste needed to be cultivated, for I have come to like some of your French dishes very much, and as for your wines, my taste did not need to be cultivated to like them; I took to them quite naturally." There were toasts, speeches and good wishes, Angela and Ian coming in for their full share. Altogether something to be remembered was that luncheon under the chestnut tree, and near the great forest of Fontainebleau, one of the many pleasant things to be stored up in our memories in connection with our days in Château Land.

This motor trip, to Vaux-le-Vicomte, which seemed so short to us, was evidently quite an affair to Louis XIV and his court, as, according to Dumas, there was some talk of stopping at Melun over night. As we know, large bodies move slowly, and the royal party must have been sufficiently cumbersome, with the heavy coaches of the King, of the two Queens, Anne of Austria and Maria Teresa, and the several coaches of their maids of honor, to say nothing of the outriders, the Swiss Guards and the Musketeers with our friend D'Artagnan at their head. A small army was this, that passed over the road that we travel to-day, lighting up the gray-green landscape with all colors of the rainbow.

At the Château of Vaux-le-Vicomte, of which we had only expected to see the outside, M. La Tour had a surprise for us, as he had managed, in some way, to secure tickets of admission. We mounted the great steps, entered the vast vestibule and passed through the salons in which are beautiful paintings by Mignard and the two Le Bruns. As we wandered through these rooms, richly furnished and hung with old tapestries, and into the rotunda, capped by its great dome, we wondered in which of these rooms Molière's play had been given.

The performance of Les Fâcheux, written especially for the occasion, was the crowning glory of the King's visit to Vaux. We learned that it was not given in any of these rooms, but in the garden, in the starlight. When the guests were seated, Molière appeared, and with well counterfeited surprise at seeing the King, apologized for having no players with him and no play to give. At this juncture, there arose from the waters of a fountain nearby, a nymph in a shell, who gracefully explained that she had come from her home beneath the water to behold the greatest monarch that the world had ever seen.

We can well believe that a play, set in this flattering key, was calculated to please the King, who was praised all through at the expense of his courtiers, who were les fâcheux, the bores. After this rare bit of adulation Molière's fortune was made.

For the host, Fouquet, who had gathered so much here to give the King pleasure, a far different fate was reserved. The sumptuous entertainment, the show of wealth on all sides, aroused bitter jealousy in the King's heart, and when some designing person (Colbert, it is said) whispered in his ear that Fouquet, not content with outshining his sovereign in the magnificence of his château, had raised his eyes to the royal favorite, Louise de La Vallière, the King's wrath knew no bounds. He was eager to have Fouquet arrested, while he was still accepting his hospitality.

One of the finest passages in Dumas's description of the fête at Vaux-le-Vicomte is that in which Colbert tries to inflame his royal master's jealousy, while the usually timid and gentle Louise de La Vallière urges the King to control his wrath, reminding him that he is the guest of M. Fouquet and would dishonor himself by arresting him under such circumstances.

"He is my King and my master," said La Vallière, turning to Fouquet; "I am the humblest of his servants. But he who touches his honor touches my life. Now, I repeat that they dishonor the King who advise him to arrest M. Fouquet under his own roof. . . . Were M. Fouquet the vilest of men, I should say aloud, 'M. Fouquet's person is sacred to the King because he is the King's host. Were his house a den of thieves, were Vaux a cave of coiners or robbers, his home is sacred, his palace inviolable, since his wife is living in it; and it is an asylum which even executioners would not dare to violate.'"

These words, from the woman whom he loved, influenced Louis, and for the time he relinquished his design; but eighteen days after the great festival at Vaux, M. Fouquet was arrested, near Nantes as we know, and ended his days in prison. This magnificent château, which the architect Le Vau, the artist Le Brun, and the landscape gardener Le Nôtre had conspired to make so beautiful, is still, in a way, a monument to the great financier, although it has passed from his family into the hands of the Duke de Praslin.

Unlike many of the châteaux, Vaux-le-Vicomte is still the home of people who love its beautiful lawns and parterres and keep them green and blooming. Armies of gardeners trim the hedges, plant the borders, and remove every stray leaf from the gravel paths. Here we saw the perfection of French gardening.

As we motored home by the light of the stars, we felt that this, our last day in Château Land, was one of the happiest that we had known. We would like to stay longer in Paris and visit the many châteaux within motoring distance of the capital; but our holiday time is nearly over. Walter starts for Lausanne to-night, to gather up the children and bring them to London, whither we all go to-morrow. We shall have a few days there, and as many more in Oxford, where Walter has some engagements with old friends, and then to Southampton and home. We all sail October first, all except Ian McIvor, who comes over in December for a very important event. You and Allen must come some time, and visit with us the châteaux that we have seen, and see the others that we have not yet visited. For to-night, au revoir. Life has many joys, and not the least among them is to see the beautiful places of the earth, in congenial company, such as yours, dear Margaret.