FLUTTERBUDGET.
"Flutterbudget" is the one expressive word that exactly characterizes a certain brown thrush, or thrasher, the subject of a year's study. This bird is perhaps the only restless creature that bears the name of thrush, and he is totally unlike the rest of his family, having neither dignity, composure, nor repose of manner. My brown thrush, however, was exceedingly interesting in his own way, if only as a study of perpetual motion, of the varieties of shape and attitude possible to him, and the fantastic tricks upon wing of which he was capable. One never tired of watching him, for he was erratic in every movement, always inventing some new sort of evolution, or a fresh way of doing the old things, and scarcely a moment at rest. A favorite exercise was flying across the room, planting his feet flatly against the side wall, turning instantly and flying back. This he often did a dozen times in succession. His feet were always "used to save his head" (contrary to our grandmothers' teachings). When he made the usual attempt to fly through the window on his first outing in the room, he went feet first against it, and thus saved himself a bumped head. His movements were abrupt in the extreme, and always so unexpected that he frequently threw the whole feathered family into a panic, apparently without the least intention of doing so. Standing beside the cage of another bird, he would wheel quickly and face the other way, absolutely nothing more, but doing this in a manner so startling that the occupant of the cage scolded roundly. He specially delighted in clambering all over the cage of a goldfinch, acting as if he should tear it in pieces, and greatly annoying the small bird. He often flew up the side of the window casing, as though climbing it like a ladder, his feet touching it now and then; and he did the same on the curtains of coarse net. Again he flew across the room before the three windows, turning to each one in turn, planted his feet squarely on the linen shade, as on the wall above mentioned, and without a pause passed to the end of the room, and touched it with his feet in the same strange way. Often when standing for the moment perfectly still before a window, he suddenly flew up, put both feet in this unbirdlike way against the window-shade, turned and went to his cage. In like manner he came in contact with a cage, the books on the shelves, the back of a chair, or any piece of furniture, taking from that point a new direction. When startled he instantly bounded into the air as though the ground were hot under his feet, and often turned a corner or two before he came down. In the middle of his most lovely song he was quite likely, without the least warning, to make a mad dash somewhere, turn a sharp corner, dive in another direction, and alight on the spot he had left a moment before, and all in so spasmodic a way that every bird was panic-stricken.
The thrasher was exceedingly wary, and nothing was droller than his manner of approaching anything, whether a worm I had thrown on the matting for him, or the bathing-dish. In the case of the worm, the moment he saw his prey—which I selected for its liveliness—he came to a nearer perch, and stood there a few minutes, posturing, shaking his plumage in great excitement, looking at me and then at the tempting object. Very soon he dropped to the floor and started towards the worm in the funniest way; running a few steps, stopping short and turning half round, ready for instant flight, flirting his feathers with a great rustle, turning an anxious eye on me, then on the wriggling attraction, running a step or two, and repeating the performance. In this way he advanced very gradually till near enough to half encircle his prey; or to run and hop sideways as though to describe a circle, turning away at each pause as before, all the time jerking and fluttering in intense agitation, and always keeping an eye on me. Not that he was in the least afraid of me; it was simply his sensational way of doing everything. When he finally came within reach of the worm, he snatched it, and ran as though the enemy were upon him.
His performances before entering the bath were even more amusing. The bathing-dish, a broad, deep plate, stood upon a towel on a table. The bird alighted on the table, and began first to peck the towel, pulling the fringe, working at any loose thread he discovered, and industriously enlarging any small hole he chanced to find. In doing thus he often turned over the edge, when he sprang back as though he had seen a ghost. Recovering from the shock, he circled around the dish with little hops, occasionally giving a gentle peck at the edge of the dish, or a snip at the water with his beak. Thus he waltzed around the bath perhaps forty times, now and then going so far as to jump up on the edge, make a dash at the water, and back off as if it were hot, or to give a hop into the middle of the water and out again so quickly that one could hardly believe he touched it. When, after all this ceremony, he did go in to stay, he made most thorough work, splashing in a frantic way, as though he had but a moment to stay, and in one minute getting more soaked than many birds ever do. After this short dip he dashed out, flew to a perch, and in the maddest way jerked and shook himself dry; pulling his feathers through his beak with a snap, and making a peculiar sound which I can liken only to the rubbing of machinery that needs oil.
The brown thrush was never so violent and eccentric in movement as just after his bath. Allowing himself often but a moment's hasty shake of plumage, he darted furiously across the room, startling every bird, and alighting no one could guess where. Then, after more jerks and rapid shakings, he flung himself as unexpectedly in another direction, while at every fresh turn birds scattered wildly, everywhere, anywhere, out of his way, bringing up in the most unaccustomed places; as, for instance, a dignified bird, who never went to the floor, coming to rest under the bed, or a ground-lover flattened against the side of a cage. All this disturbance seemed to please the thrasher, for he had a spice of mischief in his composition. A never failing diversion was teasing a goldfinch. He began his pranks by entering the cage and hammering on the tray, or digging into the seed in a savage way that sent it flying out in a shower, which result so entertained him that I was forced to close the door when the owner was out. This the thrush resented, and he next took to jumping against the side of the cage, clinging a moment, then bouncing off with so much force that the cage rocked violently. Then he placed himself on the perch by the door, and pounded, and pulled, and jerked, and shook the door, till, if the owner were home, he was nearly wild. Having exhausted that amusement, he jumped on the top and in some way jarred the cage roughly. To protect it I made a cover of paper, but, contrary to my intentions, this afforded the rogue a new pleasure, for he soon found that by tramping over it he could make a great noise, and he quickly learned the trick of tearing the paper into pieces, and uncovering the little fellow, who, by the way, was not in the least afraid, but simply enraged and insulted, and when outside stood and faced his tormentor, blustering and scolding him well.
Tearing paper was always amusing to the brown thrush. I have seen him take his stand near the wall, peck at the paper till he found a weak spot where it would yield and break, then take the torn edge in his bill and deliberately tear it a little. It was "snatching a fearful joy," however, for the noise always startled him. First came a little tear, then a leap one side, another small rent, another panic; and so he went on till he had torn off a large piece which dropped to the floor, while I sat too much interested in the performance to think of saving the paper. (The room and its contents are always secondary to the birds' comfort and pleasure, in my thoughts.) A newspaper on the floor furnished him amusement for hours, picking it to pieces, tearing pictures, from which he always first pecked the faces, dragging the whole about the floor to hear it rattle and to scare himself with. A pile of magazines on a table made a regular playground for him, his plan being to push and pull at the back of one till he got it loose from the rest, and then work at it till it fell to the floor. He never failed to reduce the pile to a disreputable-looking muss.
The bird was as fond of hammering as any woodpecker, on the bottom of his cage, on perches, on the floor, even on his food; and his leaps or bounds without the apparent help of his wings were extraordinary. Not infrequently I have seen him spring into the air just high enough to see me over my desk,—three feet at least,—probably to satisfy himself as to my whereabouts, and drop instantly back to his work or play.
This amusing bird was also intelligent. He understood perfectly well what I wanted when I spoke to him; that is, he had a guilty conscience when in mischief that translated my tone to him. Also he recognized instantly a bird out of place, as, for instance, one on the floor which usually frequented the perches and higher parts of the room; and having taken upon himself the office of regulator, he always went after the bird thus out of his accustomed beat. When I talked to the thrasher, he answered me not only with a rough-breathing sound, a sort of prolonged "ha-a-a," but with his wings as well. Of course this is not uncommon in birds, but none that I have seen use these members so significantly as he did. His way was to lift the wing nearest me, sometimes very slightly, sometimes to a perpendicular position, but only one wing, and only after I made a remark. This exhibition was curious and interesting, and I often prolonged my talk to see the variety he could give to this simple motion. His wings were always expressive, in alighting in a new place, or where he suspected there might be danger or a surprise; the moment his feet touched he lifted one or both wings quite high, dropping them at once.
A more lithe body than that of the brown thrush I have never seen in feathers; he could assume as many attitudes as he had emotions. He often stood on a perch and postured for a long time, as if greatly excited and meditating some mad deed, and I must confess he usually carried out the intention. Not only was he able to put his body into all possible shapes, but he had extraordinary command of his feathers. He could erect them on any one part alone, on the top of the head, the shoulders, the back, or the chin. He often raised the feathers just above the tail, letting that member hang straight down, giving him the appearance of being chopped square off.
The song of this bird is well known and quite celebrated; indeed, in the Southern States he is called the French mocking-bird, as only second to the mocking-bird proper. My bird never sang above a whisper, one may say; that is, he never opened his mouth to let out the sound, though he was extremely fond of singing, indulging in it by the hour. He hardly paused for eating, or flying, or hopping around on the floor, but dropped sweet notes in between the mouthfuls, and kept up the warble through all movements.
As dusk came on the brown thrush began a wonderful series of postures, more peculiar and varied than one would suppose possible to so large and apparently clumsy a bird. Sometimes he stretched up very tall, then instantly crouched as if about to spring; one moment he turned his head downward as though to dive off, then wheeled and faced the other way; now he drew his body out long to a point, head and tail exactly on a level, then head and tail thrust up, making his back the shape of a bow; at one time he threw his head back as though about to turn a back somersault, then scraped his bill, shook himself out, and made the harsh breathing I have spoken off; in another moment he spread his tail like a fan, and instantly closed it again; then turned his head on one side very far, while his tail hung out the other side, and in this odd position jerked himself along by short jumps the whole length of his perch. Between the postures and on every occasion he scraped his bill violently. Next began movements: first he ran down his three perches, across the floor, and hopped to the upper one from the outside, touching his feet to the wires as he went, so rapidly that my eyes could not follow him; then he alighted on the perch with a graceful flop of one wing, sometimes also bowing his head several times, and uttering the breathing sound each time. Again he jumped from the upper perch to one directly under it, and returned the same way by a very peculiar motion: standing on the lower perch, he turned his head over his shoulder, and sprang back and up at the same time, landing in exactly the same position on the perch above, with perfect ease and grace.
Nothing pleased the thrasher more than watching other birds; he observed them closely, especially liking to stand on top of a cage and see the life below,—an agitated life it was apt to be when he was there. Thus he sometimes stood on the goldfinch's cage and noticed every motion with great interest, yet with an indescribably ironical air, as if he said, "My dear sir, is that the way you eat?" He showed particular interest in seed-eating birds, apparently not understanding how they could enjoy such food. Though full of bluster and pretense, he was as gentle as any bird in the room, never presumed on his size as the biggest, and, though liking to tease and worry, never really touching one. The smallest only needed to stand and face him to see that it was all bluster and fun.
All this until spring began to stir his blood and tempt him occasionally, after long posturing and many feints, to deliver a gentle dig at a neighbor's ribs. Now, too, he began to show interest in out-of-doors, standing on the window sash and looking out, which is a familiar sign that a bird's time to depart has come. In his case I did not consider it necessary to carry him to the park to liberate him, for I was sure he could take care of the sparrows and protect himself—and so it proved. When he found himself suddenly on a tall tree in the street, and before he recovered from his surprise, those disreputable birds gathered around him to see what he was like. They soon found out; he quickly recovered himself, made a wild dash that scattered them like leaves before the wind, and then planted himself on a branch to await another attempt. But sparrows, though saucy, are knowing, and not one came near him again. They had quite satisfied their curiosity, and after a few moments' waiting the brown thrush went on his way rejoicing.
"O WONDROUS SINGERS."
"O WONDROUS SINGERS."
I feel considerable reluctance in approaching the subject of my small thrushes. None but a poet should speak of them—so beautiful, so enchanting in song. Yet I cannot bear to let their lovely lives pass in silence; therefore if they must needs remain unsung, they shall at least be chronicled.
There were two: one the gray-cheeked thrush, the other the veery or Wilson's, and they passed a year in my house, filling it with a marvelous rippling music like the sweet babble of a brook over stones; like the gentle sighing of the wind in pine-trees; like other of nature's enchanting sounds, which I really must borrow a poet's words to characterize:
The gray-cheeked, most charming in every look and motion, uttered his notes in a free sweep or crescendo, which began low, gathered force as he went on, and then gradually died out; all in one long slur, without a defined or staccato note, making a wonderful resemblance to wind sounds, as Emerson expresses it:
The song of the veery was quite different, low, rapid, interspersed with a louder, wild-sounding cry, or, as aptly described by a listener, like the gurgling sounds made by blowing through a tube into soft water, with occasional little explosions. The soft, whispered warble of a brown thrush added a certain under-tone which combined and harmonized both these, forming with them a rhapsody of a rippling, bubbling character impossible to describe, but constantly reminding one of running streams, and gentle water-falls, and coming nearer to "put my woods in song" than any other bird-notes whatever. Neither of the performers opened his mouth, so that the trio was very low, a true whisper-song.
It was somewhat curious that with one exception all the birds in the room through these months sang whisper-songs also, without opening the bill. There were six of them, and every one delighted in singing; the three thrushes, a bluebird, a female orchard oriole, and a Mexican clarin. To the thrushes, music seemed necessary to life; hour after hour they stood on their respective perches across the room, puffed out into balls, "pouring out their souls," and entrancing us not only with their suggestive melody, but with graceful and poetical movements, and a beauty of look and bearing that moved one deeply. During the aria both birds stood motionless, one with wings drooping, and accenting every note, the other with tail slightly jerking for the same purpose.
In character no less than in song the birds differed; bright, active and high-spirited, the gray-cheeked delighted in the freedom of the room, feared nothing, came upon the desk freely, and calmly met one's eyes with his own, brave free soul that he was, while his vis-à-vis was timid and shy, could not be induced to leave the shelter of his home though the door stood open all day. He never resented the intrusion of a neighbor, nor disputed the possession of his own dish.
Almost as interesting as his song was a bewitching dance with which the gray-cheeked charmed every one fortunate enough to see him. His chosen hour was the approach of evening, when, with body very erect and head thrown up in ecstasy, he lifted his wings high above his back, fluttering them rapidly with a sound like soft patter of summer rain, while he moved back and forth on his perch with the daintiest of little steps and hops: now up, now down, now across the cage, with gentle noise of feet and wings. No music accompanied it, and none was needed—it was music itself. Not only did he dance away the long hours of twilight, till so dark he could not be seen, but he greeted the dawn in the same way; long before any other bird stirred, before the hideous morning call of the first sparrow in the street, the soft flutter of his wings, the light patter of his feet was heard. In the night also, if gas was lighted, however dimly, dancing began and was continued in the darkness, long after the light was out and every other feather at rest. A sudden light stopped the motion, but revealed the dancer agitated, stirred, with soft dark eyes fixed upon the observer. This dance was not an attempt or indication of a desire to escape, as I am sure for several reasons. I can tell the instant that longing for freedom sets in. It was a fresh sign of the strange, mysterious emotion with which all thrushes greet the rising and setting of the sun.
The singular use of the feet by this bird was very peculiar, and not confined to his dancing hours. While standing on the edge of the bathing-dish, longing, yet dreading to enter the water, on alighting upon an unaccustomed perch, or venturing on to the desk, many times a day he took the little steps, lifting first one, then the other foot very slightly, and bringing it down with a sound without changing his position. It seemed to be an evidence of excitement, as another bird might exhibit by a quivering of the wings. The veery was also a dancer, but in a different way. He fanned his wings violently and moved back and forth across the top of a cage, but always in daylight, and then only on the rare occasions when, by placing his food outside, he was coaxed from his cage.
Bathing was—next to singing—the dear delight of the gray-cheeked's life, yet no bird ever had more misgivings about taking the fatal plunge. His first movement on leaving the cage was to go to the bath, around which he hovered, now this side, now that, one moment on the perch above, the next on the edge of the dish, plainly longing to be in, yet the mere approach of the smallest bird in the room drove him away. Not that he was afraid, he was not in the least a coward; he met everybody and everything with the dignity and bravery of a true thrush. Neither was it that he was disabled when wet, which makes some birds hesitate; he was never at all disordered by his bath, and however long he soaked, or thoroughly he spattered, his plumage remained in place and he was perfectly able to fly at once. It appeared simply that he could not make up his mind to go in. Then too, it soon became apparent that he noticed his reflection in the water. He often stood on the edge after bathing, as well as before, looking intently upon the image. Before the glass he did the same, looking earnestly and in a low tone "uttering his thoughts to the ideal bird which he fancied he saw before him." Indeed, I think this ideal thrush was a great comfort to him.
Once having decided to go into the bath he enjoyed it exceedingly, though in an unusual way, fluttering and splashing vigorously for a moment, then standing motionless up to his body in the water, not shaking or pluming himself, not alarmed, but quietly enjoying the soaking. After several fits of splashing alternated with soaking, he went to a perch and shook and plumed himself nearly dry, and just when one would think he had entirely finished, he returned to the dish, and began again—hesitating on the brink, coquetting with the "ideal thrush" in the water, and in fact doing the whole thing over again.
My bird had a genuine thrush's love of quiet and dislike of a crowd, preferred unfrequented places to alight on, and was quite ingenious in finding them. The ornamental top of a gas-fixture a few inches below the ceiling, which was cup-shaped and nearly hid him, was a favorite place. So was also the loose edge of a hanging cardboard map which, having been long rolled, hung out from the wall like a half-open scroll. This he liked best, for no other bird ever approached it, and here he passed much time swinging, as if he enjoyed the motion which he plainly made efforts to keep up. His plan was to fly across the room and alight suddenly upon it, when, of course it swayed up and down with his weight. The moment it came to a rest, he flew around the room in a wide circle and came down again heavily, holding on with all his might, and keeping his balance with wings and tail. He enjoyed it so well that he often swung for a long time.
Later he found another snug retreat where no bird ever intruded. He discovered it in this way: one day, on being suddenly startled by an erratic dash around the room of the brown thrush, which scattered the smaller birds like leaves before the wind, he brought up under the bed on the floor. The larger bird had evidently marked the place of his retreat, for he followed him, and in his mad way rushed under when the gray-cheeked disappeared. The bedstead was a light iron one, high from the floor, so that all this was plainly seen. No one being in sight, the brown thrush came out and turned to his regular business of stirring up the household while the little thrush was not to be seen, and perfect silence seemed to indicate that he was not there at all. After some search, aided by an indiscreet movement on his part, he was found perched on the framework, between the mattress and the wall. This narrow retreat, apparently discovered by accident, soon became a favorite retiring place when he did not care for society.
This interesting bird, with all his dignity, had a playful disposition. Nothing pleased him better than rattling and tearing to bits a newspaper or the paper strips over a row of books, although he had to stand on the latter while he worked at it; and notwithstanding it not only rustled, but disturbed his footing as well, he was never discouraged. A more violent jerk than usual sometimes startled him so that he bounded six or eight inches into the air in his surprise, but he instantly returned to the play and never rested till he had picked holes, torn pieces out, and reduced it to a complete wreck.
All through the long winter this charming thrush, with his two neighbors, delighted the house with his peculiar and matchless music, and endeared himself by his gentle and lovely disposition. No harsh sound was ever heard from him, there was no intrusion upon the rights of others, and no vulgar quarrels disturbed his serene soul. But as spring began to stir his blood he changed a little; he grew somewhat belligerent, refused to let any one alight in his chosen places, and even drove others away from his side of the room. Now, too, he added to his already melting song an indescribable trill, something so spiritual, so charged with the wildness of the woods, that no words—even of a poet—can do it justice. Now, too, he began to turn longing glances out of the window, and evidently his heart was no longer with us. So, on the first perfect day in May he was taken to a secluded nook in a park and his door set open. His first flight was to a low tree, twenty feet from the silent spectator, who waited, anxious to see if his year's captivity had unfitted him for freedom.
Perching on the lowest branch, the thrush instantly crouched in an attitude of surprise and readiness for anything, which was common with him, his bill pointed up at an angle of forty-five degrees, head sunk in the shoulders, and tail standing out stiffly, thus forming a perfectly straight line from the point of his beak to the tip of his tail. There he stood, perfectly motionless, apparently not moving so much as an eyelid for twenty minutes, trying to realize what had happened to him and in the patient, deliberate manner of a thrush to adjust himself to his new conditions. In the nook were silence and delicious odors of the woods; from a thick shrub on one side came the sweet erratic song of a cat-bird, and at a little distance the rich organ-tones of the wood-thrush. All these entered the soul of the emancipated bird; he listened, he looked, and at last he spoke, a low, soft, "wee-o." That broke the spell, he drew himself up, hopped about the tree, flew to a shrub, all the time posturing and jerking wings and tail in extreme excitement and no doubt happiness to the tips of his toes. At last he dropped to the ground and fell to digging and reveling in the soft loose earth with enthusiasm. The loving friend looking on was relieved; this was what she had waited for, to be assured that he knew where to look for supplies, and though she left his familiar dish full of food where he could see it in case of accident, she came away feeling that he had not been incapacitated for a free life by his months with her.
One more glimpse of him made it clear also that he could fly as well as his wild neighbors, and removed the last anxiety about him. A wood-thrush, after noticing the stranger for some minutes, finally braved the human presence and made a rush for the little fellow about half his size. Whether war or welcome moved him was not evident, for away they flew across the nook, not more than a foot apart, now sweeping low over the grass, then mounting higher to pass over the shrubs that defined it. A hundred feet or more the chase continued, and then the smaller bird dropped into a low bush, and the larger one passed on.
Then lonely, with empty cage and a happy heart-ache, his friend turned away and left the beautiful bird to his fate, assured that he was well able to supply his needs and to protect himself—in a word, to be free.
A BIRD OF AFFAIRS.
A BIRD OF AFFAIRS.
One of the most interesting birds I have studied was a blue-jay; I may say is, for he stands at this moment not six feet from me, his whole mind intent upon the business of driving small corks through a hole which they snugly fit. He takes the cork, as he does everything, lengthwise, and turns it about till he gets the smaller end outside; then pushes it into the hole and pounds it, delivering straight and rapid strokes with his iron beak, till it is not only driven up to the head, but, since he has found out that he can do so, till it drops out on the other side, when, after an interested glance to see where it has fallen, he instantly goes to the floor for another, and repeats the performance. Hammering, indeed, is one of his chief pleasures, and no woodpecker, whose special mission it is supposed to be, can excel him; in excitement, in anger, when suffering from ennui or from embarrassment, he always resorts to that exercise to relieve his feelings. I have thought sometimes he did it to hear the noise and to amuse himself, in which case it might be called drumming.
Not only does my bird occupy himself with corks, but with perches and the woodwork of his cage, with so great success that the former have to be frequently renewed, and the latter looks as though rats had nibbled it. The deliberate way in which he goes to work to destroy his cage is amusing, lifting the end of a perch and quietly throwing it to the floor, or pounding and splitting off a big splinter of the soft pine and carefully hiding it. To give him liberty, as I have, is simply to enlarge the field of his labors, and furnish him congenial employment from morning to night, the happiest and busiest member of the household. He tries everything: the covers of cardboard boxes, always choosing the spot that is weakest at the corner, and pounding till it is ruined; the cane seats of chairs, which he selects with equal judgment, and never leaves till he has effected a breach; a delicate work-basket, at which he labors with enthusiasm, driving his pickaxe bill into it and cutting a big hole. It is most curious to see him set himself to pick a hole, for instance, in a close-woven rattan chair, or a firm piece of matting stretched upon the floor. Selecting, by some esoteric wisdom, the most vulnerable spot, he pushes and pounds and pokes till he gets the tip of his beak under a strand, and then pulls and jerks and twists till he draws it out of its place. After this the task is easy, and he spends hours over it, ending with a hole in the matting three or four inches in diameter; for he is never discouraged, and his persistence of purpose is marvelous. Books are a special object of his attentions; not only does he peck the backs as they stand on the shelves, till he can insert his beak and tear off a bit, but if he finds one lying down he thrusts the same useful instrument into the edge, slightly open so as to enclose two or three leaves, and then, with a dexterous twist of the head, jerks out a neat little three-cornered piece. Thus he goes on, and after a short absence from the room I have found a great litter of white bits, and my big dictionary curiously scalloped on the edges. He is able to pound up as well as down, crouching, turning his head back, and delivering tremendous blows on the very spot he wishes, and so accurately that he easily cuts a thread, holding its strands under one toe.
But hammering, though a great pleasure, is not his dearest delight. The thing for which, apparently, he came into the world is to put small objects out of sight,—bury them, in fact. No doubt the business for which Nature fitted him, and which in freedom he would follow with enthusiasm, is the planting of trees; to his industry we probably owe many an oak and nut tree springing up in odd places. In captivity, poor soul, he does the best he can to fulfill his destiny. When he has more of any special dainty than he can eat at the moment, as meat, or bread and milk, he hides it at the back of his tray, or in the hole already spoken of in connection with the corks; and when outside, nothing can be droller than the air of concern with which he goes around the floor, picking up any small thing he finds, left purposely for him, a burnt match, a small key, stray pins, or a marble, and seeks the very best and most secluded spot in the room in which to hide it. A pin he takes lengthwise in his mouth, which he closes as though he had swallowed it, as at first I feared he had. He has no doubt about the best place for that; he long ago decided that between the leaves of a book is safest. So he proceeds at once to find a convenient volume, and thrusts the pin far in out of sight. A match gives him the most trouble. He tries the cracks under the grooves in the moulding of the doors, the base board, between the matting and the wall, or under a rocker; in each place he puts it carefully, and pounds it in, then hops off, giving me one of the
attempting to look unconcerned, as if he had not been doing anything. But if he sees that he is observed, or the match is too plainly in sight, he removes it and begins again, running and hopping around on the floor with the most solemn, business-like air, as though he had the affairs of nations on his shoulders, the match thrust nearly its whole length into his mouth. The place usually decided upon is an opening between the breadths of matting. It is amusing when he chances to get hold of a box of matches, accidentally left open, for he feels the necessity and importance of disposing of each one, and is busy and industrious in proportion to the task before him. It is not so pleasing, however, when, in his hammering, he sets one off, as he often does; for they are "parlor matches," and light with a small explosion, which frightens him half out of his wits, and me as well, lest he set the house afire. The business of safely and securely secreting one match will frequently occupy him half an hour. He finds the oddest hiding-places, as in a caster between the wheel and its frame; up inside the seat of a stuffed chair, to reach which he flies up on to the webbing and goes in among the springs; in the side of my slipper while on my foot; in the loop of a bow; in the plaits of a ruffle; under a pillow. Often when I get up, a shower of the jay's treasures falls from various hiding-places about my dress,—nails, matches, shoe-buttons, and others; and I am never sure that I shall not find soft, milk-soaked bread in my slipper. But the latest discovered and most annoying of his receptacles is in my hair. He delights in standing on the high back of my rocking-chair, or on my shoulder, and he soon discovered several desirable hiding-places conveniently near, such as my ear, and under the loosely dressed hair. I did not object to his using these, but when he attempted to tuck away some choice thing between my lips I rebelled. I never expect to find a keyhole that he can reach, free from bread crumbs, and the openings of my waste-basket are usually decorated with objects half driven in.
The jay shows unbounded interest in everything. Every sound and every fresh sight arouses him instantly; his crest comes up, his feathers fluff out, and he is on tiptoe to see what will come next. He is remarkably discriminating among people, and takes violent likes and dislikes on the instant. Some persons, without any reason that I can discover, he salutes on their first appearance with an indescribable cry, like "obble! obble! obble!" At others he squawks madly. On one occasion he took an intense dislike to a lady, of whom birds generally are very fond, and he made a peculiar display of rage, squawking and screaming at her, raising his crest, stamping, snapping his beak, giving vicious digs at the side of the cage, as though he would eat her if he could reach her. And although he often saw her, and she tried her best to win him, he always showed the same spirit, going so far, when out of his cage, as to show fight, fly up at her, peck her savagely, and chase her to the door when she left. Again, a lady came in with her baby, and he at once singled out the infant as his enemy, fixing a very wicked glance on it, but in perfect silence. He jumped back and forth as if mad to get out, and sat with open mouth, panting as if exhausted, with eyes immovably turned to the baby. He would not pay the slightest attention to any one else, nor answer me when I spoke, which was very unusual, till they left the room, when the moment the door closed behind them he began rapidly, as if to make up for lost time. Some visitors whom he fancies, he receives in silence, but with slightly quivering wings; only the very few he loves best are greeted with a low, sweet, and very peculiar chatter, which he keeps up as long as he is talked to.
Investigating everything in the room is one of my bird's greatest pleasures, and most attractive of all he finds the drawer of my desk, on the edge of which he stands, delighted and bewildered by the variety before him. Great would be the havoc if I were not there; and the curious thing about it is that he will pull things over carelessly, with one eye on me, to see if I object. If, on touching some particular thing, he sees that I do not approve,—and he recognizes my sentiment as quickly as a bright child would,—that thing, and that only, he will have. At once he snatches it and flies away across the room, and I may chase him in vain. He regards it as a frolic got up for his amusement, and no child ever equaled him in dodging; he cannot be driven, and if cornered he uses his wings. I simply put my wits against his, follow him about till he has to drop his load to breathe, when a sudden start sends him off, and I secure it. If I cover up anything, he knows at once it is some forbidden treasure, and devotes all his energy and cunning, which are great, to uncovering and possessing himself of it. He opens any box by delivering sharp blows under the edge of the cover, and hides my postage stamps in books and magazines. He hops around the floor in a heavy way, as often sideways as straight, and holds his toes as close together as though he had worn tight boots all his life. If startled, he bounds up into the air in the oddest way, a foot or two, or even more, generally turning half round, and coming down with his head the other way. If much alarmed he will bounce up in this way half a dozen times in quick succession, and should he happen to be on a table at the time, he usually ends by landing on the floor. His alighting after any flight is most singular: he comes to the floor in a crouching position, legs sprawled, body horizontal and nearly touching the matting, looking like a bird gone mad; then instantly springs up six or eight inches, half turns, and stands upright, crest erect, and looking excited, almost frightened. If much disturbed he comes down with wings half open, tail held up, and every feather awry, as if he were out in a gale, uttering at the same time a loud squawk. He is a most expert catcher, not only seizing without fail a canary seed thrown to him, but even fluttering bits of falling paper, the hardest of all things to catch.
The blue-jay is a bird of opinions about most things, and able to express himself quite clearly; as, for example, when he found himself under a chair without rounds, on which he likes to perch, he stood and looked around on every side, and made a low, complaining cry, plainly a protest against so unnatural a chair; and again, when he scolded at the rain that came in sudden gusts against the window, or charged furiously at the crack under a door when he heard sweeping outside. In general he is very quiet when one is in the room, but the moment the door closes behind the last person his voice is heard,—whistling exactly like a boy, calling, squawking, and occasionally uttering a sweet, though not loud song, which is varied by a sound like rubbing a cork against glass. The most quiet approach silences him. When under strong emotion he may squawk or scream before spectators, but he never whistles or sings when he knows any one is in the room. When out of his sight and so long silent that he has forgotten me, I have now and then heard the song.
The funniest thing this knowing fellow does is to stamp his feet, and it is a genuine expression of impatience or displeasure. When I take something away from him or he thinks I mean to do so, or refuse him something he wants, he stands still and jerks his feet in such a way that they stamp with a loud sound, as if they were of iron. It is very droll. In serious anger, he adds to this, bowing and curtsying by bending the legs, snapping the bill, pecking, and jumping up with the body without lifting the feet.
It may be that the jay in freedom disturbs other birds, as has been affirmed, but among a number smaller than himself my bird has never once shown the least hostility. He is interested in their doings, but the only unpleasant thing he has done is to shriek and scream to stop their singing. In spite of his natural boldness, always facing the enemy, always ready to fight, and never running from danger nor allowing himself to be driven anywhere, when he is not quite well he is a timid bird. In moulting, this spring, my jay lost his entire tail, and was extremely awkward in getting about, almost helpless, in fact; and at that time he was afraid to hop to the floor, and refused to come out of the cage. (I should have said, by the way, that he feared hurting himself; he was quite as spirited as ever, as ready to show fight.) To get him out of the door I offered him the greatest inducements, with the cage on the floor, so that he could not fall far. He would stand on the lowest perch, three inches from the floor, look at the meat or whatever treasure I placed in the open doorway, and cry a faint, low, jay-baby cry, yet not dare descend, though plainly aching with desire to get the object so nearly within his reach. Even since he is entirely recovered and the possessor of a beautiful long tail, he dreads the one little step and has to be coaxed out and in his cage every day, as we coax a startled child.
Nothing ever interested the jay more than a piano, though he is fond of any music. The first time he heard one he quickly hopped across to the player, pulled at the hem of her dress, flew up to her lap, then her arm, and mounted to her shoulder, where he stood some time, looking and listening, turning his head this way and that, raising his crest, jerking his body, and in every way showing intense excitement. Finally he took his last step, to the top of her head, where he was more pleased to be than the player was to have him. She put him down; and the next time he tried a different way, mounted to the keys, and thence to the cover, crouching and peering under the lid to see where the sounds came from. Satisfied about this, he returned to her head, which he evidently considered the best post of observation. Every time she played she received the devoted attentions of the bird, and he could not be kept away.
My blue-jay is now a beautiful creature, in perfect plumage, with breast and back plumes so long that often in repose, just after he has dressed them, the violet blue of the back meets the light drab of his breast, on the side, covering his wings completely, and making a lovely picture. All through the spring excitement, when the other birds, one after another, grew uneasy, belligerent, or unhappy, and one after another were returned to freedom, he never showed a moment's uneasiness, an instant's desire to be free, but scrupulously attended to his own regular business, which is to pound and pull and peck to pieces my furniture, and especially to destroy my books.
As these last words are written, just at dusk, the dear, troublesome rogue comes down to the corner of his cage nearest to me, and as if he understood that I had said something about him begins to talk and remonstrate in a low, loving tone. I do feel reproached, and I must unsay it. His business, his manifest destiny, is to hammer and peck the shells of nuts, and to hide them away where they will grow; and if cruel man confines him in a house, he must exercise his untiring energy, his demon of work, in what he finds there,—and who can blame him, or find fault? Not I, certainly.
In behalf of this bird against whom the pen of nearly every writer is lifted, let me quote from one of our early and most careful observers, William Bartram: "The jay is one of the most useful agents in the economy of nature for disseminating forest trees and other ruciferous and hard-seeded vegetables on which they feed. These birds alone are capable in a few years' time to replant all the cleared lands." Thoreau, who was perhaps the closest of our modern students of nature, cites this passage and emphatically affirms its justice.
THE BLUE-JAY AGAIN.
As for birds, I do not believe there is one of them but does more good than harm; and of how many featherless bipeds can this be said?
Lowell.
THE BLUE-JAY AGAIN.
The blue-jay came out of the egg with his mind made up. He always knew exactly what he wanted, and never doubted that he knew how to get it. I wrote of this bird some time ago, but he was then a comparatively new acquaintance. He lived with us many months after that, and became much more familiar; for besides being slow to feel thoroughly at home, he was very young, and he grew in wisdom with age. So I have more to say of him.
Human society was necessary to the jay; he cared for the other birds of the room only as objects on which to play tricks for his own amusement. He was peculiar, too, in never liking more than one friend at a time, and was very decided in his opinions of people, having a distinctly different reception for each one of the household, as well as for strangers. His mistress was always his prime favorite; and although during my absence from home he adopted some one temporarily in my place, he was never so affectionate to that one as to me, and the instant I returned resumed his old relations to each of us.
To his best beloved this bird never squawked or whistled; on the contrary, he talked in low, sweet tones, hardly more than a murmur, slightly lifting and quivering his wings, sidling as near as he could get, and if I put my face down to him touching my cheek or lips gently with his beak, in little taps, like kisses. Any one else in that position would receive a violent peck. Sometimes, when I was busy, and therefore silent a long time, and the jay was in his cage, where I was obliged to put him in order to work at all, he stood perfectly quiet and motionless an hour at a time, moving only when he was hungry, and apparently watching me every instant,—a performance very uncommon in a bird, who usually has some interests of his own, however fond he may be of a person. The moment I spoke to him his whole manner changed. He came at once as near as he could, about four feet from me, and began to talk, holding his tail on one side, and both wings spread to their fullest extent and parallel with his back. In this attitude he hopped up and down his three perches, always as near my side as possible, and evidently in great excitement. If during this exhibition any one came in, his wings instantly dropped, though he did not stop talking to me. This action of the wings showed extreme affection, and must not be profaned by common eyes. When I came close and replied to him, his agitation was almost painful to see,—such loving tones, such gentle kisses, such struggles to express himself. Not only did he insist on sharing his dainties with me, offering me mocking-bird food or bread and milk in the most loving way, but he wished to share mine; ice-cream he delighted in, cake he was as fond of as any child, and candy he always begged for, though instead of eating it he hid it somewhere about the room,—under my pillow, or between the leaves of a book, all sticky as it was from his mouth.
Second in the blue-jay's affection was a lady to whom at first he took a great dislike. She tried her best to win him, talking to him, treating him to various tidbits, and offering him the hospitality of her room,—separated from the bird-room by a passage,—and above all dancing with him. These attentions in time secured her a warm place in his regards, though his treatment of her was very different from that reserved for me. He was always gentle with me, while in her society he exhibited all his noisy accomplishments,—squawked, whistled and screamed, stamped his feet, and jounced (the only word to describe a certain raising and violent dropping of the body without lifting the feet). He ran after her when she left the room; he pecked her hand, and flew up at her face. Gradually, as he grew to like her better, the more violent demonstrations ceased; but he was always boisterous with her, generally expected a half-fight, half-frolic, and I must say never failed to enjoy it greatly.
The dance spoken of was droll. His chosen place for this indulgence was the back of a tall chair. His friend stood before this, whistled, bowed, and moved her head up and down as if dancing; and he on his perch did the same, jumping up and down in a similar way, answering her whistle for whistle, moving his feet, sliding from one side to the other, curtsying, lowering the body and flattening the head feathers, then rising, stamping his feet, and drooping his wings. This he kept up as long as she played second to him.
When this playfellow went away, the jay missed his dances and frolics. He flew into her empty room, perched on the back of the rocking-chair, where he had been wont to stand and pull her hair, and began a peculiar cry. Again and again he repeated it, louder and louder each time, till it ended in a squawk, impatient and angry, as much as to say, "Why don't you answer?" After a while he began to whistle the notes she used to imitate; finding that this brought no response, he returned to the cry; and when at last he had exhausted all his resources, he came back to my desk and consoled himself by talking to me.
A young lady in the family he greeted by flying at her, alighting on her chair-back, clawing her neck, and squawking; and before a youth who often teased him he trailed his wings on the floor, tail spread and dragging also, uttering a curious "obble! obble!" something like the cry of a turkey. The head of the household he met with stamping of the feet, and no sound; while at a maid who came in to sweep he always flew furiously, aiming for her head, and invariably frightening her half out of her wits.
The jay was extremely wary about anything like a trap, and being always on the lookout for one, he sometimes, like bigger persons, fooled himself badly. Finding him fond of standing on a set of turning bookshelves, I thought to please him by arranging over it a convenient resting-place. He watched me with great interest, but, when I had finished, declined to use the perch, though ordinarily nothing could keep him from trying every new thing. I put a bait upon it in the shape of bits of gum-drops, a favorite delicacy; but he plainly saw that I wanted him to go to it, and in the face of the fact that I had heretofore tried to keep him off the papers and magazines lying there, he decided that it was suspicious. He flew so as almost to touch the stick, and hovered before it to snatch off the candy placed there; but alight on it he would not, and did not, though I kept it in place a week.
In many ways this bird was wise; he knew exactly where to deliver his blows to effect what he desired. A cage-door being fastened with fine wire, he never wasted a stroke upon the door, but gave telling blows directly upon the wire. A rubber band was looped about a rod for him to play with, in the expectation that he would pull on it and make sport; but he disappointed us all by hammering at the loop, until he loosened it and easily pulled it off. Again it was tied on with strong linen thread; he turned his whole attention to the knot of the latter, till it yielded and was disposed of also.
Dear as was this bird, he was a more than usually troublesome pet. My desk became his favorite playground, and havoc indeed he made with the things upon it; snatching and running off with paper, pen, or any small object, destroying boxes and injuring books. Finally, in self-defense, I adopted the plan of laying over it every morning a woolen cloth, which must be lifted every time anything was taken from the desk. This arrangement did not please my small friend in blue, and he took pains to express his displeasure in the most emphatic way. He came down upon the cover, tramped all over it, and sought small holes in it through which to thrust his bill. One day he was busily engaged in hammering a book through an opening, and to cure him of the trick I slipped my hand under, caught his beak between two fingers, and held it a moment. This amazed but did not alarm the bird; on the contrary, he plainly decided to persevere till he found out the secret. He pecked the mounds made by my fingers; he stooped and looked into the hole, and then probed again. This time I held him longer, so that he had to struggle and beat his wings to get away, and then he walked off indignantly. Still he was not satisfied about that mystery, and in a moment he was back again, trying in new ways to penetrate it. I was tired before he was. He was baffled only temporarily; he soon learned to draw up the fabric, hold the slack under one foot while he pulled it still further, and thus soon reach anything he desired.
The blue-jay always pried into packages by pecking a hole in the wrapper and examining the contents through that; and boxes he opened by delivering upward blows under the edge of the cover. The waste-basket he nearly emptied from the outside by dragging papers through the openings in the weaving. Seeing two or three unmounted photographs put into a book, he went speedily for that volume, thrust his beak into the slight opening made by the pictures, and pulled them out, flying at once across the room with one in his mouth. It was secured and put back, and the book held down by a heavy weight; but he found the place at once, and repeated the naughtiness. The book had to be completely covered up before the photographs were safe.
After the blue-jay had put on a new suit of feathers he flew with great ease, and selected for a retreat the top of a door into the passageway mentioned, which usually stood open. It was not long before his curiosity was roused to know what was outside the door that so often swallowed up his friends,—that into the hall. He resolved to find out, and to that end, when stationed on the elevated perch of his choice, held himself in readiness, upon the exit of any one, to fly out. He did not wish to get away; he merely took a turn in the hall, and came back; and once, when accidentally left in that unfamiliar place, he stayed in the bath-room, with window wide open, for half an hour before he was found. He became so expert in flying out of the door that it was a difficult matter to pass through without his company; we had to train ourselves in sleight-of-hand to outwit him. There were two ways of getting the better of him; mere suddenness was of no use,—he was much quicker than we were. One way was to go to the room on the other side of the passage, where he was sure to follow, and before he fairly settled there, to dodge back and shut the door,—a proceeding so unexpected that he never learned to allow for it. The other way was to go to the hall-door as if intending to open it; instantly the bird swooped down, ready to slip out also, but finding the way closed, swept around the room and alighted somewhere. This was the second to open the door and step out, for he always paused a moment before flying again.
The only notice the jay ever took of the birds, as said above, was to tease them, or put them in a flutter; as society he plainly despised them. They soon learned to regard him as a sort of infernal machine, liable at any moment to explode; and they were fully justified, for he was fond of surprising them by unexpectedly flying around the room, tail spread, feathers rustling, squawking madly in a loud voice. He usually managed in his career to sweep close over the head of every bird, of course frightening them off their perches, and thus to put the whole room into a panic. They took refuge anywhere,—under the bed, behind the chairs, against the wires, and on the floor,—while the mischief-maker circled around, filling the air with shrieks, then suddenly dropped to the round of a chair and calmly dressed his feathers, as if he had merely been exercising his wings.
Poor little fellow! he was hardly more than a baby, and not very brave. A big grasshopper which once got into the room afforded him great excitement and the spectators much amusement. He saw it before his cage was opened, and as soon as he came out he went after it. The insect hopped up three feet, and so startled the bird that he jumped almost as high. When it alighted he picked it up, but seeming not to know what to do with it, soon dropped it. Again it hopped, and again the jay repeated his bound; and this performance went on for some minutes, one of the drollest of sights,—his cautious approach, the spring of the insect, and his instant copy of the same, as if in emulation. After being picked up several times the grasshopper was disabled; then when the bird came near, it lifted its wings, plainly to scare its persecutor; it did awe him. Meanwhile an orchard oriole had been eagerly looking on, and on one occasion that the grasshopper was dropped he pounced upon it and carried it off to a chair, where he proceeded to eat it, though it was so big as to be almost unmanageable. The jay did not like being deprived of his plaything. He ran after the thief, and stood on the floor, uttering a low cry while watching the operation. In the oriole's moving the clumsy insect fell to the floor, when the jay snatched it; and it was evident that he had got a new idea about its use, for he carried it under a chair and demolished it completely,—not even a wing remained.
More disturbing to the jay, strange as it may seem, was a tree. It was really touching to see a bird afraid of this, but the poor youngster had been taken from the nest to a house. A Christmas tree was brought into the bird-room to please the residents there, when, to our amazement, the jay went into a wild fright, flew madly around near the ceiling, squawking, and making the other birds think something terrible had happened. He flew till he was breathless, and was evidently very much distressed. For three or four days he was equally alarmed the moment he caught sight of it in the morning and whenever I moved it an inch, though the other birds liked it and were on it half the time. When he did get used to it he did not go upon it, but to the standard below, where he could pick the needle-like leaves and carry them off to hide about the room.
The blue-jay took his bath in an original way as he did everything else. First, he stood beside the wide, shallow dish, looked at it, then at me and all around the room, one wing drooping and the other laid jauntily over the back, while he talked in a low tone, as if he said, "If anybody is going to object, now is the time." No one ventured to dispute his right, and suddenly he plumped into the middle, neither alighting on the edge nor testing the water. Then there was a lively frolic, with tail spread, crest raised, wings beating, and the water flying several feet around. He was a very beautiful bird when in perfect-plumage. There were six distinct shades of blue, besides rich velvety black, snowy white, delicate dove color, and blue-gray. He is too well known to need description, but a jay is not often so closely seen when alive and in perfection of plumage. This bird had a charming way of folding his wings that hid all the plain blue-gray. When held thus and laid together over the back, there were displayed first the beautiful tail, with broad white edges to the feathers; above it the wings looking like a square cut mantle, of the same colors; above this a deep pointed shoulder cape, of rich violet blue, the feathers fluffed up loosely; and at the top of all, his exquisite crest.