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In Search of Mademoiselle

Chapter 2: NOTE.
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About This Book

The narrator, a mariner, recounts his passionate pursuit of a lost woman and the bitter enmity that entangles him in the French-Spanish struggle for control of Florida. The tale mixes historical episodes and invented characters as it follows sea voyages, shipboard combat, captures and escapes, diplomatic dealings with indigenous peoples, and journeys to European courts. Themes of love, revenge, faith, and cultural collision run through alternating action sequences and reflective memoir, while the voice balances adventurous incident with personal regret and moral questioning.

NOTE.

There were no more vivid episodes in the colonization of the New World than those resulting from the attempts of the French people to gain a permanent foothold on our shores. This fact has long been recognized by sober historians as well as by the writers of fiction, for all the fascination of romance holds over the whole field of inquiry.

The most thrilling chapter in all this history, strangely neglected or overlooked by the romantic writers, is that of the struggle between the Spanish and French colonists for dominion over our own land of Florida. To me, whose profession it is to see pictures in the words of other men and to produce them, this historic page has appealed very strongly as the proper setting for a human drama—an inviting canvas upon which the imagination may paint a moving picture of the emotions, desires and passions—the loves and hates—of men and women like ourselves—against the somber and sometimes lurid background of historic fact.

I have tried, so far as I have used history, to be scrupulously exact. I have carefully read the original or authorized editions of the writings of Hakluyt, Réné de Laudonnière, and a number of others; but there is little to be found in them which will not also be found much more vividly depicted in the writings of Mr. Francis Parkman. Some of the names will be recognized. Jean Ribault, Laudonnière, Menendez, the Indians Satouriona, Olotoraca and Emola, and others, were all real men. As for those others who are of the imagination—as for Mademoiselle and those who searched for her, it is to be hoped that they will not be found at odds with the events and scenes in which they are placed. These things, or others like them, must have been, for the writer of historic fiction may rely on the fact that human nature remains much the same, no matter how great the lapse of years.

G. G.

Bryn Mawr, March, 1901.


CONTENTS.

CHAPTER. PAGE
I. Of my Meeting with Master Hooper 1
II. Of the Taking of the Cristobal 10
III. Mademoiselle 29
IV. Of my Bout with De Baçan 39
V. Dieppe 51
VI. In which I Learn Something 65
VII. In which I Find new Employment 81
VIII. We Reach the New Land 95
IX. We Put to Sea 110
X. The Hericano 124
XI. What Befell Us upon the Sand-spit 135
XII. Truce 150
XIII. The Line upon the Sand 164
XIV. The Martyrdom 174
XV. The Lodge of Seloy 189
XVI. Of our Escape 204
XVII. In which we Journey to Paris 219
XVIII. The Poet King 235
XIX. I Meet the Avenger 252
XX. We Set Forth Again 267
XXI. We Form an Alliance 281
XXII. Olotoraca 298
XXIII. The Moon-Princess 314
XXIV. We Advance 329
XXV. The Death of the Wolf 344
XXVI. And Last 361

ILLUSTRATIONS.

By GEORGE GIBBS.

Then I left her. (Page 115) Frontispiece.
  PAGE
A moi! a moi! 24
A line in the sand! 170
Quick as he was, my hand was ever quicker. 357