In the Bishop's Carriage

VI.

I got into the train, Mag, the happiest girl in all the country. I'd a big basket of things for Tom. I was got up in my Sunday best, for I wanted to make a hit with some fellow with a key up there, who'd make things soft and easy for my Tommy.

I had so much to tell him. I knew just how I'd take off every member of the company to amuse him. I had memorized every joke I'd heard since I'd got behind the curtain—not very hard for me; things always had a way of sticking in my mind. I knew the newest songs in town, and the choruses of all the old ones. I could show him the latest tricks with cards—I'd got those at first hand from Professor Haughwout. You know how great Tom is on tricks. I could explain the disappearing woman mystery, and the mirror cabinet. I knew the clog dance that Dewitt and Daniels do. I had pictures of the trained seals, the great elephant act, Mademoiselle Picotte doing her great tight-rope dance, and the Brothers Borodini in their pyramid tumbling.

Yes, it was a whole vaudeville show, with refreshments between the acts, that I was taking up to Tom Dorgan. I don't care much for a lot of that truck—funny, isn't it, how you get to turn up your nose at the things you'd have given a finger for once upon a time? But Tom—oh, I'd got everything pat for him—my big, handsome Tom Dorgan in stripes—with his curls all shaved off—ugh!

I'd got just so far in my thoughts, sitting there in the train, when I gave a shiver. I thought for a minute it was at the idea of my Tom with one of those bare, round convict-heads on him, that look like fat skeleton faces. But it wasn't. It was—

Guess, Mag.

Moriway.

Both of us thought the same thing of each other for the first second that our eyes met. I could see that. He thought I was caught at last. And I thought he'd been sharp once too often.

And, Mag, it would be hard to say which of us would have been happier if it had been the truth. Oh, to meet Moriway, bound sure enough for Sing Sing!

He got up and came over to me, smiling wickedly. He took the seat behind me, and leaning forward, said softly:

"Is Miss Omar engaged to read to some invalid up at Sing Sing? And for how long a term—I should say, engagement?"

I'd got through shivering by then. I was ready for him. I turned and looked at him in that very polite, distant sort o' way Gray uses in her act when the Charity superintendent speaks to her. It's the only decent thing she does; chances are that that's how Lord Gray's mother looks at her.

"You know my sister, Mr.—Mr.—" I asked humbly.

He looked at me, perplexed for just a second.

"Sister be hanged!" he said at last. "I know you, Nat, and I'm glad to my finger-tips that you've got it in the neck, in spite of all your smartness."

"You're altogether wrong, sir," I said very stately, but hurt a bit, you know. "I've often been taken for my sister, but gentlemen usually apologize when I explain to them. It's hard enough to have a sister who—" I looked up at him tearfully, with my chin a-wabble with sorrow.

He grinned.

"Liars should have good memories," he sneered. "Miss Omar said she was an orphan, you remember, and had not a relative in the world."

"Did she say that? Did Nora say that?" I exclaimed piteously. "Oh, what a little liar she is! I suppose she thought it made her more interesting to be so alone, more appealing to kind-hearted gentlemen like yourself. I hope she wasn't ungrateful to you, too, as she was to that kind Mr. Latimer, before he found her out. And she had such a good position there, too!"

I wanted to look at him, oh, I wanted to! But it was my role to sit there with downcast eyes, just—the picture of holy grief. I was the good one—the good, shocked sister, and though I wasn't a bit afraid of anything he could do to me, or any game he could put up, I yearned to make him believe me—just because he was so suspicious, so wickedly smart, so sure he was on.

But his very silence sort of told me he almost believed, or that he was laying a trap.

"Will you tell me," he said, "how you—your sister got Latimer to lie for her?"

"Mr. Latimer—lie! Oh, you don't know him. He expected a lady to read to him that very evening. He had never seen her, and when Nora walked into the garden—"

"After getting a skirt somewhere."

"Yes—the housekeeper's, it happened to be her evening out—why, he just naturally supposed Nora was Miss Omar."

"Ah! then her name isn't Omar. What might it be?"

"I'd rather not tell—if you don't mind."

"But when Latimer found out she had the diamonds—he did find out?"

"She confessed to him. Nora's not really so bad a girl as—"

"Very interesting! But it doesn't happen to be Latimer's version. And you say Latimer wouldn't lie."

I got pale—but the paleness was on the inside of me. Think I was going to flinch before a chump like Moriway, even if I had walked straight into his trap?

"It isn't?" I exclaimed.

"No. Latimer's note to Mrs. Kingdon said the diamonds were found in the bell-boy's jacket the thief had left behind him."

"Well! It only shows what a bad habit lying is. Nora must have fibbed to me, for the pure pleasure of fibbing. I'll never dare to trust her again. Do you believe then that she didn't have anything to do with the hotel robbery? I do hope so. It's one less sin on her wicked head. It's hard, having such a girl in the family!" Oh, wasn't I grieved!

He looked me straight in the eye. I looked at him. I was unutterably sad about that tough sister of mine, and I vow I looked holy then, though I never did before and may never again.

"Well, I only saw her in the twilight," he said slowly, watching my face all the time. "You two sisters are certainly miraculously alike."

The train was slowing down, and I got up with my basket. I stood right before him, my full face turned toward him.

"Are we?" I asked simply. "Don't you think it's more the expression than anything else, and the voice? Nora's really much fairer than I am. Good-by."

He watched me as I went out. I felt his eyes on the back of my jacket, and I was tempted to turn at the door and make a face at him. But I knew something better and safer than that. I waited till the train was just pulling out, and then, standing below his window, I motioned to him to raise it.

He did.

"I thought you were going to get out here," I called. "Are you sure you don't belong in Sing Sing, Mr. Moriway?"

I can see his face yet, Mag, and every time I think of it, it makes me nearly die of laughing. He had actually been fooled another time. It was worth the trip up there, to make a guy of him once more.

And whether it was or not, Mag, it was all I got, after all. For—would you believe Tom Dorgan would turn out such a sorehead? He's kicked up such a row ever since he got there, that it's the dark cell for him, and solitary confinement. Think of it—for Tom!

I begged, I bluffed, I cried, I coaxed, but many's the Nance Olden that has played her game against the rules of Sing Sing, and lost. They wouldn't even let me leave the things for him, or give him a message from me. And back to the station I had to carry the basket, and all the schemes I had to make old Tom Dorgan grin.

All the way back I had him in my mind. He's a tiger—Tom—when he's roused. I could see him, shut up there by himself, with not a soul to talk to, with not a human eye to look into, with not a thing on earth to do—Tom, who's action itself! He never was much of a thinker, and I never saw him read even a newspaper. What would he do to kill the time? Can't you see him there, at bay, back on his haunches, cursing and cursed, alone in the everlasting black silence?

I saw nothing else. Wherever I turned my eyes, that terrible picture was before me. And always it was just on the verge of becoming something else—something worse. He could throttle the world with his bare hands, if it had but one neck, in the mood he must be in now.

It was when I couldn't bear it a moment longer that I set my mind to find something else to think of.

I found it, Mag. Do you know what it was? It was just three words—of Obermuller's: "Earn it now."

After all, Miss Monahan, this graft of honesty they all preach so much about hasn't anything mysterious in it. All it is, is putting your wits to work according to the rules of the game and not against them. I was driven to it—the thought of big Tom crouching for a spring in the dark cell up yonder sent me whirling out into the thinking place, like the picture of the soul in the big book at Latimer's I read out of. And first thing you know, 'pon honor, Mag, it was as much fun planning how to "earn it now" as any lifting I ever schemed. It's getting the best of people that always charmed me—and here was a way to fool 'em according to law.

So busy I was making it all up, that the train pulled into the station before I knew it. I gave a last thought to that poor old hyena of a Tom, and then put him out of my mind. I had other fish to fry. Straight down to Mother Douty I went with my basket.

"A fool girl, mother, on her way up to Sing Sing, lost her basket, and Nance Olden found it; it ought to be worth a good deal."

She grinned. You couldn't make old Douty believe that the Lord himself wouldn't steal if He got a chance. And she knows the chances that come butting up against Nancy Olden.

Why did I lie to her? Not for practice, I assure you. She'd have beaten me down to the last cent if she thought it was mine, but she always thinks there'll be a find for her in something that's stolen. So I let her think I'd stolen it in the railway station, and we came to terms.

With what she gave me I bought a wig. Mag, I want you some day, when you can get off, to come and see that wig. I shouldn't wonder but you'd recognize it. It's red, of very coarse hair, but a wonderful color, and so long it—yes, it might be your own, Mag Monahan, it's so much like it. I went to the theater and got my Charity rig, took it home, and sat for hours there just looking at 'em both. When evening came I was ready to "earn it now."

You see, Obermuller had given me the whole day to be away, and neither Gray nor the other three Charities expected me back. I had to do it on the sly, you sassy Mag! Yes, it was partly because I love to cheat, but more because I was bound to have my chance once whether anybody else enjoyed it or not.

I came to the theater in my Charity rig and the wig. It looked as if I'd slept in it, and it came down to the draggled hem of the skirt. All the way there I walked like you, Mag. Once, when a newsboy grinned at me and shouted "Carrots!" I grinned back—your own, old Cruelty grin, Mag. I vow I felt so much like you—as you used to be—that when I lurched out on the stage at last, stumbling over my shoe laces and trying to push the hair out of my eyes, you'd have sworn it was little Mag Monahan I making her debut in the Cruelty room.

Oh, Mag, Mag, you darling Mag! Did you ever hear a whole house, a great big theater full of a peevish vaudeville audience, just rise at you, give one roar of laughter they hadn't expected at all to give, and then settle down to giggle at every move you made?

Girl alive, I just had 'em! They couldn't take their eyes off me. If I squirmed, they howled. If I stood on one foot, scratching the torn leg of my stocking with the other—you know, Mag!—they yelled. If I grinned, they just roared.

Oh, Mag, can't you see? Don't you understand? I was It. The center of the stage I carried round with me—it was just Nancy Olden. And for ten minutes Nancy had nothing to do but to play with 'em. 'Pon my life, Mag, it's just like stealing; the old graft exactly; it's so fascinating, so busy, and risky, except that they play the game with you and pay you and love you to fool 'em.

When the curtain fell it was different. Grays followed by the Charities, all clean and spick-and-span and—not in it; not even on the edge of it—stormed up to Obermuller standing at the wings.

"I'll quit the show here and now," she squawked. "It's a shame, a beastly shame. How dare you play me such a trick, Fred Obermuller? I never was treated so in my life—to have that dirty little wretch come tumbling on like that, without even so much as your telling me you'd made up all this new business for her! It's indecent, anyway. Why, I lost my cue. There was a gap for a full minute. The whole act was such a ghastly failure that I—"

"That you'd better go out now and make your prettiest bow, Gray. Phew! Listen to the house roar. That's what I call applause. Go on now."

She went.

Me? I didn't say a word. I looked at Obermuller and—and I just did like this. Yes, winked, Mag Monahan. I was so crazily happy I had to, didn't I?

But do you know what he did? Do you know what he did?

Well, I suppose I am screaming and the Troyons will put me out, but—he just—winked—back!

And then Gray came trailing back into the wings, and the shrieking and thumping and whistling out in front just went on—and on—and on—and on. Um! I just listened and loved it—every thump of it. And I stood there like a demure little kitten; or more like Mag Monahan after she'd had a good licking, and was good and quiet. And I never so much as budged till Obermuller said:

"Well, Nance, you have earned it. The gall of you! But it only proves that Fred Obermuller never yet bought a gold brick. Only, let me in on your racket next time. There, go on—take it. It's yours."

Oh, to have Fred Obermuller say things like that to you!

He gave me a bit of a push. 'Twas just a love-pat. I stumbled out on to the stage.

VII.

And that's why, Marguerite de Monahan, I want you to buy in with the madam here. Let 'em keep on calling it Troyon's as much as they want, but you're to be a partner on the money I'll give you. If this fairy story lasts, it'll be your own, Mag—a sort of commission you get on my take-off of you. But if anything happens to the world—if it should go crazy, or get sane, and not love Nancy Olden any more, why, here'll be a place for me, too.

Does it look that way? Divil a bit, you croaker! It looks—it looks—listen and I'll tell you how it looks.

It looks as though Gray and the great Gray rose diamond and the three Charities had all become a bit of background for Nance Olden to play upon.

It looks as though the audience likes the sound of my voice as much almost as I do myself; anyway, as much as it does the sight of me.

It looks as though the press, if you please, had discovered a new stage star, for down comes a little reporter to interview me—me, Nancy Olden! Think of that, Mag! I receive him all in my Charity rig, and in Obermuller's office, and he asks me silly questions and I tell him a lot of nonsense, but some truths, too, about the Cruelty. Fancy, he didn't know what the Cruelty was! S. P. C. C., he calls it. And all the time we talked a long-haired German artist he had brought with him was sketching Nance Olden in different poses. Isn't that the limit?

What d'ye think Tom Dorgan'd say to see half a page of Nancy Olden in the X-Ray? Wouldn't his eyes pop? Poor old Tom! ... No danger—they won't let him have the papers.... My old Tommy!

What is it, Mag? Oh, what was I saying? Yes—yes, how it looks.

Well, it looks as though the Trust—yes, the big and mighty T. T.—short for Theatrical Trust, you innocent—had heard of that same Nance Olden you read about in the papers. For one night last week, when I'd just come of and the house was yelling and shouting behind me, Obermuller meets me in the wings and trots me of to his private office.

"What for?" I asked him on the way.

"You'll find out in a minute. Come on."

I pulled up my stocking and followed. You know I wear it in that act without a garter, and it's always coming down the way yours used to, Mag. Even when it doesn't come down I pull it up, I'm so in the habit of doing it.

A little bit of a man, bald-headed, with a dyspeptic little black mustache turned down at the corners, watched me come in. He grinned at my make-up, and then at me.

"Clever little girl," he says through his nose. "How much do you stick Obermuller for?"

"Clever little man," say I, bold as brass and through my own nose; "none of your business."

"Hi—you, Olden!" roared Obermuller, as though I'd run away and he was trying to get the bit from between my teeth. "Answer the gentleman prettily. Don't you know a representative of the mighty T. T. when you see him? Can't you see the Syndicate aureole about his noble brow? This gentleman, Nance, is the great and only Max Tausig. He humbleth the exalted and uplifteth the lowly—or, if there's more money in it, he gives to him that hath and steals from him that hasn't, but would mighty well like to have. He has no conscience, no bowels, no heart. But he has got tin and nerve and power to beat the band. In short, and for all practical purposes for one in your profession, Nancy Olden, he's just God. Down on your knees and lick his boots—Trust gods wear boots, patent leathers—and thank him for permitting it, you lucky baggage!"

I looked at the little man; the angry red was just fading from the top of his cocoanut-shaped bald head.

"You always were a fool, Obermuller," he said cordially. "And you were always over-fond of your low-comedian jokes. If you hadn't been so smart with your tongue, you'd had more friends and not so many enemies in—"

"In the heavenly Syndicate, eh? Well, I have lived without—"

"You have lived, but—"

"But where do I expect to go when I die? Good theatrical managers, Nance, when they die as individuals go to Heaven—they get into the Trust. After that they just touch buttons; the Trust does the rest. Bad ones—the kickers—the Fred Obermullers go to—a place where salaries cease from troubling and royalties are at rest. It's a slow place where—where, in short, there's nothing doing. And only one thing's done—the kicker. It's that place Mr. Tausig thinks I'm bound for. And it's that place he's come to rescue you from, from sheer goodness of heart and a wary eye for all there's in it. Cinch him, Olden, for all the traffic will bear!"

I looked from one to the other—Obermuller, big and savage underneath all his gay talk, I knew him well enough to see that; the little man, his mouth turned down at the corners and a sneer in his eye for the fellow that wasn't clever enough to get in with the push.

"You must not give the young woman the big head, Obermuller. Her own is big enough, I'll bet, as it is. I ain't prepared to make any startling offer to a little girl that's just barely got her nose above the wall. The slightest shake might knock her off altogether, or she mightn't have strength enough in herself to hold on. But we'll give her a chance. And because of what it may lead to, if she works hard, because of the opportunities we can give her, there ain't so much in it in a money way as you might imagine."

Obermuller didn't say anything. His own lips and his own eyes sneered now, and he winked openly at me, which made the little man hot.

"Blast it!" he twanged. "I mean it. If you've got any notion through my coming down to your dirty little joint that we've set our hearts on having the girl, just get busy thinking something else. She may be worth something to you—measured up against the dubs you've got; but to us—"

"To you, it's not so much your not having her as my having her that—" "Exactly. It ain't our policy to leave any doubtful cards in the enemy's hands. He can have the bad ones. He couldn't get the good ones. And the doubtful ones, like this girl Olden—"

"Well, that's just where you're mistaken!" Obermuller thrust his hands deep in his pockets and put out that square chin of his like the fighter he is. "'This girl Olden' is anything but doubtful. She's a big card right now if she could be well handled. And the time isn't so far off when, if you get her, you people will be—"

"Just how much is your interest in her worth?" the little man sneered.

Obermuller glared at him, and in the pause I murmured demurely:

"Only a six-year contract."

Mag, you should have seen 'em jump—both of 'em; the little man with vexation, the big one with surprise.

A contract! Me?—Nance Olden! Why, Mag, you innocent, of course I hadn't. Managers don't give six-year contracts to girl—burglars who've never set foot on the stage.

When the little man was gone, Obermuller cornered me.

"What's your game, Olden?" he cried. "You're too deep for me; I throw up my hands. Come; what've you got in that smart little head of yours? Are you holding out for higher stakes? Do you expect him to buy that great six-year contract and divvy the proceeds with me? Because he will—when once they get their eye on you, they'll have you; and to turn up your nose at their offer if in just the way to make them itch for you. But how the deuce did you find it out? And where do you get your nerve from, anyway? A little beggar like you to refuse an offer from the T. T. and sit hatching your schemes on your little old 'steen dollars a week! ... It'll have to be twice 'steen, now, I suppose?"

"All right, just as you say," I laughed. "But why aren't you in the Trust, Fred Obermuller?"

"Why aren't you in society, Nance?"

"Um!—well, because society's prejudiced against lifting, but the Trust isn't. Do you know that's a great graft, Mr. Obermuller—lifting wholesale? Why don't you get in?"

"Because a Trust is a lot of sailors on a raft who keep their places by kicking off the drowning hands that clutch at it. Can you fancy a fellow like Tausig stooping down to help me tenderly on board to divide the pickings?"

"No, but I can fancy you grappling with him till he'd be glad to take you on rather than be pulled off himself."

"You'd be in with the push, would you, Olden, if you were managing?" he asked with a grin.

"I'd be at the top, wherever that was."

"Then why the deuce didn't you jump at Tausig's offer? Were you really crafty enough—"

"I am artiste, Monsieur Obermuller," I gutturaled like Mademoiselle Picotte, who dances on the wire. "I moost have about me those who arre—who arre congeniale—"

"You monkey!" he laughed. "Then, when Tausig comes to buy your contract—"

"We'll tell him to go to thunder."

He laughed. Say, Mag, that big fellow is like a boy when he's pleased. I guess that's what makes it such fun to please him.

"And I, who admired your business sagacity in holding off, Nance!" he said.

"I thought you admired my take-off! of Mademoiselle Picotte."

"Well?"

"Well, why don't you make use of it? Take me round to the theaters and let me mimic all the swell actors and actresses. I've got more chance with you than with that Trust gang. They wouldn't give me room to do my own stunt; they'd make me fit into theirs. But you—"

"But me! You think you can wind me round your finger?"

"Not—yet."

He chuckled. I thought I had him going. I saw Nance Olden spending her evenings at the big Broadway theaters, when, just at that minute, Ginger, the call-boy, burst in with a note.

Say, Mag, I wouldn't like to get that man Obermuller hopping mad at me, and Nancy Olden's no coward, either. But the way he gritted his teeth at that note and the devil in his eyes when he lifted them from it, made me wonder how I'd ever dared be facetious with him.

I got up to go. He'd forgotten me, but he looked up then.

"That was a great suggestion of yours, Olden, to put Lord Gray on to act himself—great!" His voice shook, he was so angry.

"Well!" I snapped. I wasn't going to let him see that a big man raging could bluff Nance Olden.

What did he mean? Why—just this: there was Lord Harold Gray, the real Lord behind the scenes, bringing the Lady who was really only a chorus girl to the show in his automobile; helping her dress like a maid; holding her box of jewels as he tagged after her like a big Newfoundland; smoking his one cigarette solemnly and admiringly while she was on the stage; poking after her like a tame bear. He's a funny fellow, that Lord Harold. He's a Tom Dorgan, with the brains and the graft and—and the brute, too, Mag, washed out of him; a Tom Dorgan that's been kept dressed in swagger clothes all his life and living at top-notch—a big, clean, handsome, stupid, good-natured, overgrown boy.

Yes, I'm coming to it. When I'd seen him go tagging after her chippy Ladyship behind the scenes long enough, I told Obermuller one day that it was absurd to send the mock Lady out on the boards and keep the live Lord hidden behind. He jumped at the idea, and they rigged up a little act for the two—the Lord and the Lady. Gray was furious when she heard of it—their making use of her Lord in such a way—but Lord Harold just swallowed his big Adam's apple with a gulp or two, and said:

"'Pon honor, it's a blawsted scheme, you know; but I'm jolly sure I'd make a bleddy ass of myself. I cawn't act, you know."

The ninny! You know he thinks Gray really can.

But Obermuller explained to him that he needn't act—just be himself out behind the wings, and lo! Lord Harold was "chawmed."

And Gray?

Why, she gave in at last; pretended to, anyway—sliding out of the Charity sketch, and rehearsing the thing with him, and all that. And—and do you know what she did, Mag? (Nance Olden may be pretty mean, but she wouldn't do a trick like that.) She waited till ten minutes before time for the thing to be put on and then threw a fit.

"She's so ill, her delicate Ladyship! So ill she just can't go on this evening! Wonder how long she thinks such an excuse will keep Lord Harold off when I want him on!" growled Obermuller, throwing her note over to me. He'd have liked to throw it at me if it'd been heavy enough to hurt; he was so thumping mad.

You see, there it was on the program:

THE CLEVER SKETCH ENTITLED

THEATRICAL ARISTOCRACY.

The celebrated Gray jewels, including the great Rose Diamond,
will be worn by Lady Gray in this number.

No wonder Obermuller was raging. I looked at him. You don't like to tackle a fellow like that when he's dancing hot. And yet you ache to help him and—yes, yourself.

"Lord Harold's here yet, and the jewels?" I asked.

He gave a short nod. He was thinking. But so was I.

"Then all he wants is a Lady?"

"That's all," he said sarcastically.

"Well, what's the matter with me?"

He gasped.

"There's nothing the matter with your nerve, Olden."

"Thank you, so much." It was the way Gray says it when she tries to have an English accent. "Dress me up, Fred Obermuller, in Gray's new silk gown and the Gray jewels, and you'd never—"

"I'd never set eyes on you again."

"You'd never know, if you were in the audience, that it wasn't Gray herself. I can take her off to the life, and if the prompter'll stand by—"

He looked at me for a full minute.

"Try it, Olden," he said.

I did. I flew to Gray's dressing-room. She'd gone home deathly ill, of course. They gave me the best seamstress in the place. She let out the waist a bit and pulled over the lace to cover it. I got into that mass of silk and lace—oh, silk on silk, and Nance Olden inside! Beryl Blackburn did my hair, and Grace Weston put on my slippers. Topham, himself, hung me with those gorgeous shining diamonds and pearls and emeralds, till I felt like an idol loaded with booty. There were so many standing round me, rigging me up, that I didn't get a glimpse of the mirror till the second before Ginger called me. But in that second—in that second, Mag Monahan, I saw a fairy with blazing cheeks and shining eyes, with a diamond coronet in her brown hair, puffed high, and pearls on her bare neck and arms, and emeralds over the waist, and rubies and pearls on her fingers, and sprays of diamonds like frost on the lace of her skirt, and diamond buckles on her very slippers, and the rose diamond, like a sun, outshining all the rest; and—and, Mag, it was me!

How did it go? Well, wouldn't it make you think you were a Lady, sure enough, if you couldn't move without that lace train billowing after you; without being dazzled with diamond-shine; without a truly Lord tagging after you?

He kept his head, Lord Harold did—even if it is a mutton-head. That helped me at first. He was so cold, so stupid, so slow, so good-tempered—so just himself. And after the first plunge—

I tell you, Mag Monahan, there's one thing that's stronger than wine to a woman—it's being beautiful. Oh! And I was beautiful. I knew it before I got that quick hush, with the full applause after it. And because I was beautiful, I got saucy, and then calm, and then I caught Fred Obermuller's voice—he had taken the book from the prompter and stood there himself—and after that it was easy sailing.

He was there yet when the act was over, and I trailed out, followed by my Lord. He let the prompt-book fall from his hands and reached them both out to me.

I flirted my jeweled fan at him and swept him a courtesy.

Cool? No, I wasn't. Not a bit of it. He was daffy with the sight of me in all that glory, and I knew it.

"Nance," he whispered, "you wonderful girl, if I didn't know about that little thief up at the Bronsonia I'd—I'd marry you alive, just for the fun of piling pretty things on you."

"The deuce you would!" I sailed past him, with Topham and my Lord in my wake.

They didn't leave me till they'd stripped me clean. I felt like a Christmas tree the day after. But, somehow, I didn't care.

VIII.

Is that you, Mag? Well, it's about time you came home to look after me. Fine chaperon you make, Miss Monahan! Why, didn't I tell you the very day we took this flat what a chaperon was, and that you'd have to be mine? Imagine Nancy Olden without a chaperon—Shocking!

No, 'tisn't late. Sit down, Maggie, there, and let me get the stool and talk to you. Think of us two—Cruelty girls, both of us—two mangy kittens deserted by the old cats in a city's alleys, and left mewing with cold and hunger and dirt, out in the wet—think of us two in our own flat, Mag!

I say, it makes me proud of us! There are times when I look at every stick of furniture we own, and I try to pretend to it all that I'm used to a decent roof over my head, and a dining-room, kitchen, parlor, bedroom and bath. Oh, and I forgot the telephone the other tenant left here till its lease is up. But at other times I stand here in the middle of it and cry out to it, in my heart:

"Look at me, Nancy Olden, a householder, a rent-payer, the head of the family, even if it's only a family of two and the other one Mag! Look at me, with my name in the directory, a-paying milk bills and meat bills and bread bills! Look at me with a place of my own, where nobody's right's greater than my own; where no one has a right but me and Mag; a place where—where there's nothing to hide from the police!"

There's the rub, Mag, as Hamlet says—(I went to see it the other night, so that I could take off the Ophelia—she used to be a good mimic herself, before she tried to be a leading lady.) It spoils you, this sense of safeness that goes with the honesty graft. You lose the quickness of the hunter and the nerve of the hunted. And—worse—you lose your taste for the old risky life. You grow proud and fat, and you love every stick in the dear, quiet little place that's your home—your own home. You love it so that you'd be ashamed to sneak round where it could see you—you who'd always walked upright before it with the step of the mistress; with nothing in the world to be ashamed of; nothing to prevent your staring each honest dish-pan in the face!

And, Mag, you try—if you're me—to fit Tom Dorgan in here—Tom Dorgan in stripes and savage sulks still—all these months—kept away from the world, even the world behind bars! Maggie, don't you wish Tom was a ventriloquist or—or an acrobat or—but this isn't what I had to tell you.

Do you know what a society entertainer is, Miss Monahan? No? Well, look at me. Yes, I'm one. Miss Nance Olden, whose services are worth fifty dollars a night—at least, they were one night.

Ginger brought me the note that made me a society entertainer. It was from a Mrs. Paul B. Gates, who had been "charmed by your clever impersonations, Miss Olden, and write to know if you have the leisure to entertain some friends at my house on Thursday of this week."

Had I the leisure—well, rather! I showed the note to Gray, just to make her jealous. (Oh, yes, she goes on all right in the act with Lord Harold every night. Catch her letting me wear those things of hers twice!) Well, she just turned up her nose.

"Of course, you won't accept?" she said.

"Of course, I will."

"Oh! I only thought you'd feel as I should about appearing before a lot of snobs, who'll treat you like a servant and—"

"Who'll do nothing of the sort and who'll pay you well for it," put in Obermuller. He had come up and was reading the note I had handed to him. "You just say yes, Nance," he went on, after Gray had bounced of to her dressing-room. "It isn't such a bad graft and—and this is just between us two, mind—that little beggar, Tausig, has begun his tricks since you turned his offer down. They can make things hot for me, and if they do, it won't be so bad for you to go in for this sort of thing—unless you go over to the Trust—"

I shook my head.

"Well, this thing will be an ad for you, besides,—if the papers can be got to notice it. They're coy with their notices, confound them, since Tausig let them know that big Trust ads don't appear in the same papers that boom anti-Trust shows!"

"How long are you going to stand it, Mr. O?"

"Just as long as I can't help myself; not a minute longer."

"There ought to be a way—some way—"

"Yes, there ought, but there isn't. They've got things down to a fine point, and the fellow they don't fear has got to fear them.... I'll put your number early to-night, so that you can get off by nine. Good luck, Nance."

At nine, then, behold Nancy Olden in her white muslin dress, long-sleeved and high-necked, and just to her shoe-tops, with a big white muslin sash around her waist. Oh, she's no baby, is Nance, but she looks like one in this rig with her short hair—or rather, like a school-girl; which makes the stunts she does in mimicking the corkers of the profession all the more surprising.

"We're just a little party," said Mrs. Paul Gates, coming into the bedroom where I was taking of my wraps. "And I'm so glad you could come, for my principal guest, Mr. Latimer, is an invalid, who used to love the theaters, but hasn't been to one since his attack many years ago. I count on your giving him, in a way, a condensed history in action of what is going on on the stage."

I told her I would. But I didn't just know what I was saying. Think of Latimer there, Maggie, and think of our last meeting! It made me tremble. Not that I fancied for a moment he'd betray me. The man that helps you twice don't hurt you the third time. No, it wasn't that; it was only that I longed to do well—well before him, so that—

And then I found myself in an alcove off the parlors, separated from them by heavy curtains. It was such a pretty little red bower. Right behind me was the red of the Turkish drapery of a cozy corner, and just as I took my place under the great chandelier, the servants pulled the curtains apart and the lights went out in the parlors.

In that minute I got it, Mag—yes, stage fright. Got it bad. I suppose it was coming to me, but Lordy! I hadn't ever known before what it was. I could see the black of the men's clothes in the long parlors in front of me, and the white of the women's necks and arms. There were soft ends of talk trailing after the first silence, and everything was so strange that I seemed to hear two men's voices which sounded familiar—Latimer's silken voice, and another, a heavy, coarse bass, that was the last to be quieted.

I fancied that when that last voice should stop I could begin, but all at once my mind seemed to turn a somersault, and, instead of looking out upon them, I seemed to be looking in on myself—to see a white-faced little girl in a white dress, standing alone under a blaze of light in a glare of red, gazing fearfully at this queer, new audience.

Fail? Me? Not Nancy, Maggie. I just took me by the shoulders.

"Nancy Olden, you little thief!" I cried to me inside of me. "How dare you! I'd rather you'd steal the silver on this woman's dressing-table than cheat her out of what she expects and what's coming to her."

Nance really didn't dare. So she began.

The first one was bad. I gave 'em Duse's Francesca. You've never heard the wailing music in that woman's voice when she says:

"There is no escape, Smaragdi.
         You have said it;
The shadow is a glass to me, and God
         Lets me be lost."

I gave them Duse just to show them how swell I was myself; which shows what a ninny I was. The thing the world loves is the opposite of what it is. The pat-pat-pat of their gloves came in to me when I got through. They were too polite to hiss. But it wasn't necessary. I was hissing myself. Inside of me there was a long, nasty hiss-ss-ss!

I couldn't bear it. I couldn't bear to be a failure with Latimer listening, though out there in that queer half-light I couldn't see him at all, but could only make out the couch where I knew he must be lying.

I just jumped into something else to retrieve myself. I can do Carter's Du Barry to the Queen's taste, Maggie. That rotten voice of hers, like Mother Douty's, but stronger and surer; that rocky old face pretending to look young and beautiful inside that talented red hair of hers; that whining "Denny! Denny!" she squawks out every other minute. Oh, I can do Du Barry all right!

They thought I could, too, those black and white shadows out there on the other side of the velvet curtains. But I cared less for what they thought than for the fact that I had drowned that sputtering hiss-ss-ss inside of me, and that Latimer was among them.

I gave them Warfield, then; I was always good at taking off the sheenies in the alley behind the Cruelty—remember? I gave them that little pinch-nosed Maude Adams, and dry, corking little Mrs. Fiske, and Henry Miller when he smooths down his white breeches lovingly and sings Sally in our Alley, and strutting old Mansfield, and—

Say, isn't it funny, Mag, that I've seen 'em all and know all they can do? They've been my college education, that crowd. Not a bad one, either, when you come to think of what I wanted from it.

They pulled the curtains down at the end and I went back to the bedroom. I had my hat and jacket on when Mrs. Gates and some of the younger ladies came to see me there, but I caught no glimpse of Latimer. You'd think—wouldn't you—that he'd have made an opportunity to say just one nice word to me in that easy, soft voice of his? I tried to believe that perhaps he hadn't really seen me, lying down, as he must have been, or that he hadn't recognized me, but I knew that I couldn't make myself believe that; and the lack of just that word from him spoiled all my satisfaction with myself, and I walked out with Mrs. Gates through the hall and past the dining-room feeling as hurt as though I'd deserved that a man like Latimer should notice me.

The dining-room was all lighted, but empty—the colored, shaded candlesticks glowing down on the cut glass and silver, on delicate china and flowers. The ladies and gentlemen hadn't come out to supper yet; at least, only one was there. He was standing with his back to me, before the sideboard, pouring out a glass of something from a decanter. He turned at the rustle of my starched skirt, and, as I passed the door, he saw me. I saw him, too, and hurried away.

Yes, I knew him. Just you wait.

I got home here earlier than I'd expected, and I'd just got off my hat and jacket and put away that snug little check when there came a ring at the bell.

I thought it was you, Mag—that you'd forgotten your key. I was so sure of it that I pulled the door open wide with a flourish and—

And admitted—Edward!

Yes, Edward, husband of the Dowager. The same red-faced, big-necked old fellow, husky-voiced with whisky now, just as he was before. He must have been keeping it up steadily ever since the day out in the country when Tom lifted his watch. It'll take more than one lost watch to cure Edward.

"I—followed you home, Miss Murieson," he said, grabbing me by the hand and pushing the door closed behind him. "Or is it Miss Murieson? Which is your stage name, and which your real one? And have you really learned to remember it? For my part, any old name will smell as sweet, now that I'm close to the rose."

I jerked my hand away from him.

"I didn't ask you to call," I said, haughty as the Dowager herself was when first I saw her in her gorgeous parlor, the Bishop's card in her hand.

"No, I noticed that," he roared jovially. "You skinned out the front door the moment you saw me. All that was left to me was to skin after."

"Why?"

"Why!" He slapped his leg as though he'd heard the best joke in the world. "To renew our acquaintance, of course. To ask you if you wouldn't like me to buy you a red coat and hat like the one you left behind you that day over in Philadelphia, when you cut your visit so short. To insist upon my privilege of relationship. To call that wink you gave me in the hall that day, you little devil. Now, don't look at me like that. I say, let's be friends; won't you?"

"Not for a red coat trimmed with chinchilla," I cried.

He got between me and the door.

"Prices gone up?" he inquired pleasantly. "Who's bulling the stock?"

"Never you mind, so long as his name isn't Ramsay."

"But why shouldn't his name be Ramsay?" he cooed.

"Just because it isn't. I'm expecting a friend. Hadn't you better go home to Mrs. Dowager Diamonds?"

"Bully! Is that what you call her? No, I'll stay and meet your friend."

"Better not."

"Oh, I'm not afraid. Does he know as much about you as I do?"

"More."

"About your weakness for other girls' coats?"

"Yes."

You do know it all, don't you? And yet you care for me, Maggie Monahan!

I retreated before him into the dining-room. What in the world to do to get rid of him!

"I think you'd better go home, Mr. Ramsay," I said again, decidedly. "If you don't, I'll have to call the janitor to put you out."

"Call, sweetheart. He'll put you out with me; for I'll tell him a thing or two about you, and we'll go and find a better place than this. Stock can't be quoted so high, after all, if this is the best prospectus your friend can put up.... Why don't you call?"

I looked at him. I was thinking.

"Well?" he demanded.

"I've changed my mind."

Oh, Mag, Mag, did you ever see the man—ugly as a cannibal he may be and old as the cannibal's great-grandfather—that couldn't be persuaded he was a lady-killer?

His manner changed altogether. He plumped down on the lounge and patted the place beside him invitingly, giving me a wink that was deadly.

"But, Mrs. Dowager!" I exclaimed coquettishly.

"Oh, that's all right, little one! She hasn't even missed me yet. When she's playing Bridge she forgets even to be jealous."

"Playing Bridge," I murmured sweetly, "'way off in Philadelphia, while you, you naughty man—"

Oh, he loved that!

"Not so naughty as—as I'd like to be," he bellowed, heavily witty. "And she isn't 'way off in Philadelphia either. She's just round the corner at Mrs. Gates', and—what's the matter?"

"Nothing—nothing. Did she recognize me?"

"Oh, that's what scared you, is it? She didn't recognize you. Neither did I, till I got that second glimpse of you with your hat and jacket on. But even if she had—ho! ho! ho! I say; do you know, you couldn't convince the Bishop and Henrietta, if you'd talk till doomsday, that that red coat and hat we advertised weren't taken by a little girl that was daffy. Fact; I swear it! They admit you took the coat, you little witch, but it was when you were out of your mind—of course—of course! 'The very fact that she left the coat behind her and took nothing else from the house shows a mind diseased,' insisted Henrietta. Of course—of course! 'And her coming for no reason at all to your house,' adds the Bishop.... Say, what was the reason?"

Maggie, I'll tell you a hard thing: it isn't when people think worse of you than you are, but better, that you feel most uncomfortable. I got pale and sick inside of me at the thought of my poor little Bishop. I loved him for believing me straight and—

"I've been dying of curiosity to know what was in your wise little head that day," he went on. "Oh, it was wise all right; that wink you gave me was perfectly sane; there was method in that madness of yours."

"I will tell you, Mr. Ramsay," I said sweetly, "at supper."

"Supper!"

"Yes, the supper you're going to get for me."

His bellowing laughter filled the place. Maggie, our little flat and our few things don't go well with sounds like that.

"Oh, you're all alike, you women!" he roared. "All right, supper it is. Where shall we go—Rector's?"

I pouted.

"It's so much more cozy right here," I said. "I'll telephone. There's Brophy's, just round the corner, and they send in the loveliest things."

"Oh, they do! Well, tell 'em to begin sending."

I thought he'd follow me out in the hall to the 'phone, but he was having some trouble in pulling out his purse—to count out his money, I suppose. I got Central and asked for the number. Oh, yes, I knew it all right; I had called up that same number once, already, to-day. Brophy's? Why, Maggie Monahan, you ought to know there's no Brophy's. At least none that I ever heard about.

With my hand over the mouthpiece, so that nobody heard but Edward, I ordered a supper fit for a king—or a chorus girl! What didn't I order! Champagne, broiled lobster, crab meat, stuffed pimentoes, kirschkaffee—everything I'd ever heard Beryl Blackburn tell about.

"Say, say," interrupted Edward, coming out after me. "That's enough of that stuff. Tell him to send in a Scotch and soda and—what—"

For at that moment the connection was made and I cut in sweetly with:

"Mrs. Edward Ramsay?—just a minute."

Mag, you should have seen the man's face! It was red, it was white; it was furious, it was frightened.

I put my hand a moment over the mouthpiece and turned on him then. "I've got her on the 'phone at Mrs. Gates' house. Shall I tell your wife where you are, Edward? ... Just a moment, Mrs. Ramsay, hold the wire; some one wants to speak with you."

"You little devil!" His voice was thick with rage.

"Yes, you called me that some time ago, but not in that tone. Quick, now—the door or ... Waiting, Mrs. Ramsay?"

He moved toward the door.

"How'll I know you won't tell her when I'm gone?" he growled.

"Merely by my saying that I won't," I answered curtly. "You're in no position to dictate terms; I am."

But I could, without leaving the 'phone, latch the chain on the door behind him, leaving it half open. So he must have heard the rest.

"Yes, Mrs. Ramsay, waiting?" I croaked like the driest kind of hello-girl. "I was mistaken. It was a message left to be delivered to you—not some one wanting to speak with you. Who am I? Why, this is Central. Here is the message: 'Will be with you in half an hour.' Signed 'Edward.' ... Yes, that's right. Thank you. Good night."

I hung up, gave the door a touch that shut it in his face and went back into the dining-room to throw open the windows. The place smelled of alcohol; the moral atmosphere left behind by that bad old man sickened me.

I leaned out and looked at the stars and tried to think of something sweet and wholesome and strengthening.

"Ah, Nance," I cried to myself with a sob—I had pretended to take it lightly enough when he was here, but now—"if you had heard of a girl who, like yourself this evening, unexpectedly met two men she had known, and the good man ignored her and the bad one followed her—oh, Nancy—what sort of girl would you think she was at heart? What sort of hope could you imagine her treasuring for her own future? And what sort of significance would you attach to—"

And just then the bell rang again.

This time I was sure it was you. And, O Maggie, I ran to the door eager for the touch of your hand and the look in your eyes. I was afraid to be alone with my own thoughts. I was afraid of the conclusion to which they were leading me. Maggie, if ever a girl needed comfort and encouragement and heartening, I did then.

And I got it, dear.

For there was a man at the door, with a great basket of azaleas—pale, pink earth-stars they are, the sweet, innocent things—and a letter for me. Here it is. Let me read it to you.

"My dear Miss Omar:

Once on a time there was a Luckless Pot, marred in the making, that had the luck to be of service to a Pipkin.

It was a saucy Pipkin, though a very winning one, and it had all the health and strength the poor Pot lacked—physically. Morally—morally, that young Pipkin was in a most unwholesome condition. Already its fair, smooth surface was scratched and fouled. It was unmindful of the treasure of good it contained, and its responsibility to keep that good intact. And it seemed destined to crash itself to pieces among pots of baser metal.

What the Luckless Pot did was little—being ignorant of the art by which diamonds may be attained easily and honestly—but it gave the little Pipkin a chance.

What the Pipkin did with that chance the Pot learned to-night, with such pleasure and satisfaction as made it impossible for him not to share it with her. So while he sent Burnett out to the conservatory to cut azaleas, he wrote her a note to try to convey to her what he felt when, in that nicely polished, neatly decorated and self-respecting Vessel on exhibition in Mrs. Gates' red room, he recognized the poor little Pipkin of other days.

The Pot, as you know, was a sort of stranded bit of clay that had never filled the use for which pots are created. He had little human to interest him. The fate of the Pipkin, therefore, he had often pondered on; and, in spite of improbabilities, had had faith in a certain quality of brave sincerity the little thing showed; a quality that shone through acquired faults like a star in a murky sky.

This justification of his faith in the Pipkin may seem a small matter to make so much of. And yet the Pot—that sleeps not well o' nights, as is the case with damaged pots—will take to bed with him to-night a pretty, pleasant thought due just to this.

But do not think the Pot an idealist. If he were, he might have been tempted to mistake the Pipkin for a statelier, more pretentious Vessel—a Vase, say, all graceful curves and embossed sides, but shallow, perhaps, possibly lacking breadth. No, the Pipkin is a pipkin, made of common clay—even though it has the uncommon sweetness and strength to overcome the tendencies of clay—and fashioned for those common uses of life, deprivation of which to anything that comes from the Potter's hands is the most enduring, the most uncommon sorrow.

O pretty little Pipkin, thank the Potter, who made you as you are, as you will be—a thing that can cheer and stay men's souls by ministering to the human needs of them. For you, be sure, the Potter's 'a good fellow and 'twill all be well.'

For the Pot—he sails shortly, or rather, he is to be carted abroad by some optimistic friends whose hopes he does not share—to a celebrated repair shop for damaged pots. Whether he shall return, patched and mended into temporary semblance of a useful Vessel; whether he shall continue to be merely the same old Luckless Pot, or whether he shall return at all, O Pipkin, does not matter much.

But it has been well that, before we two behind the veil had passed, we met again, and you left me such a fragrant memory.

LATIMER."