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In the West Country

Chapter 7: DARTMOOR DAYS.
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About This Book

A series of evocative sketches and reminiscences that roam the West Country’s coasts, moors, river valleys, and rolling hills. The prose attends closely to seasonal shifts, coastal weather, and the plants and animals that define each scene, while tracing links to local history and legend. Frequent portraits of village life and working people—fisherfolk, farm labourers, and quiet parish characters—sit beside meditative passages on harvest, winter, and the sea. Overall the pieces prioritize sensory detail and atmosphere to convey the region’s landscapes, routines, and enduring rural rhythms.

".   .   .   .   .   where the sand like silver shines,
Flows the long, monotonous cadence of its unrhymed lyric lines."

And round the rocky bases of the little island yonder—once, so tradition says, a Viking stronghold—there is the low fret of pale green waves. Beyond the island stretches away to the horizon a vast sweep of sea, smooth, unbroken; an expanse of vivid blue, more brilliant than the brightest sapphire. But

"When descends on the Atlantic
The gigantic
Storm-wind of the equinox,"

then the huge green rollers come charging up this narrow strait, and thunder in the caverns of the cliff, whirling great flakes of foam a hundred feet into the air. They are gentle waves that lap to-day against the rocky wall. But there is no stormier sea when, on rough nights of winter,

"The wild winds lift it in their grasp,
And hold it up, and shake it like a fleece."

A few brown-sailed luggers are cruising in the bay,—mackerel fishing perhaps. The pilchards have deserted this coast altogether. Some of the men say that the constant passing of steamers has disturbed them. Others declare "there have been no pilchards since the new parson came, and there'll be none till he's turned his back on the parish."

On the verge of the next headland, a rampart of grey cliff that stands out towards the open Atlantic, are two great grave mounds, mere flaws on the horizon's edge, piled over the ashes of some long-forgotten warriors. There is a legend here that, at midnight, two kings in golden armour rise from these green barrows, and fight on the short sward of the downs until the lighthouse on the far point

".   .   .    shows the matin to be near.
And 'gins to pale his ineffectual fire."

Then the old sea-kings turn back to their rest, to lie till nightfall, each

"Arched over with a mound of grass,
Two handfuls of white dust shut in an urn of brass."

On a ledge of rock below the barrows, a pair of ravens build. Year after year their brood is reared in safety, beyond the reach even of the most venturesome of climbers. The old birds patrol the cliff for miles, like wandering spirits of two wreckers, condemned to haunt for ever the scene of their ill deeds. Here they come now, sailing slowly along on their broad wings, the sunshine glancing on their glossy plumage. They go sweeping by, uttering at times a crooning sound, not a croak at all, a soft, low note, with no touch of harshness in it. Gracefully they wheel and soar and glide, now turning over in the air, now poising like a pair of kestrels. Below them, crouching on the hot sand of the beach that skirts the bases of the cliff, a flock of gulls are resting, like heaps of foam left stranded by the tide. They do not shrink as the dark figures pass over. There are no eggs to plunder from the rocks; no young broods to harry; and a full-grown herring gull will show fight even to a raven.

It is a noble wall of cliff that guards this sandy fringe of the Atlantic; now light, now dark; here bare and weathered and windswept, there overgrown with sea-pink and samphire; and here again worn into deep clefts and cavernous hollows, which, when this old gun was new, were thorns in the side of the Preventive men. No shore in England has seen more smuggling than this. Many a contraband cargo has been landed at the little village at the head of the creek. It is whispered that more than one family of standing here owes its rise to well-planned "runs" of silk and spirits and tobacco. In the side of the Witan Stone—a grey old Menhir that was old in Roman times—there is still pointed out a hole called the "Gauger's Pocket," into which a bag of gold was dropped when a "run" was coming off, with due notice to the exciseman to go and look for it, and then to keep well in the background. It was quite an open ceremony. "Please, sir," a smuggler would say to the officer, "please, sir, your pocket's unbuttoned." "Aye, aye," was the answer, "but I shan't lose my money for all that."

Those days are not so long ago. It is not really many years since the clergyman who tells that story entered on that cure in the West Country which, to use his own words "was a mixed multitude of smugglers, wreckers, and dissenters," who still held that to shoot the gauger was not only a venial but a meritorious deed. When a man was hanged for murdering one of those hated representatives of law and order, his death was regarded as a piece of flagrant injustice, a crime in the eyes of Heaven itself; the very grass, it was triumphantly pointed out, refusing to grow upon his grave.

Those were days when the prosperity of a sea-board farm depended less on its scanty grazing and its sterile corn-land than on its ill-gotten harvest of the sea. They were all in it. Even a parson has been known to hold the lantern while the spirit kegs were hauled safely through the surf. And once, when a wreck came ashore in church time, and the congregation had with one accord rushed out of doors, the vicar stopped them on their way to the sea. "Brethren," he shouted, "I have but five words more to say." Then walking deliberately to the front, and taking off his surplice, he said: "Now, let us start fair."

This is a terrible coast. There are villages where half the gardens are decorated with figure-heads of lost ships, where the churchyards are strewn with sorrowful memorials of men, known or nameless, whose lifeless bodies have been given up by the sea. It is not long since corpses that were washed ashore were buried with scant ceremony just above high-water mark. But of recent years these wasted relics of mortality have been treated with more reverence, and in some villages it has become a custom to use figure-heads of wrecked vessels as memorials of the dead. In one place the white effigy of an armed warrior guards the grave of thirteen sailors, whose bodies the sea had laid upon the shore. In another graveyard the stern of a ship's boat has been set up over the remains of ten seamen "who were drifted on shore in a boat, frozen to death, at Beacon Cove, in this parish," one Sunday in December, now nearly fifty years ago. The rock-bound coast is as perilous as ever, but the days have gone when the shipwrecked mariner was dashed ashore alive only to meet his death from enemies more relentless than the waves. It was the height of rashness in the good old wrecking times to rescue a drowning man:—

"Save a stranger from the sea,
And he'll turn your enemy."

In our time, at any rate, no shipwrecked sailor would meet with anything but kindness at the hands of Englishmen. The real race of wreckers has died out—that is to say, the cold-blooded wretches who would lure a ship ashore, and then murder the crew by way of precaution before proceeding to plunder the cargo. But the spirit of plunder at least is not dead. Coastguardsmen and agents of insurance companies know only too well how cleverly the Cornish fishermen even of to-day, though ready to lend willing hands in salving, and though fairly well paid for it too, contrive to appropriate stray things that take their fancy. It is not long since a large ship went ashore at the Lizard, and finally ground herself to pieces on the rocks. The closest watch was kept by the agents and preventive men, but next spring a perfect epidemic of musical instruments broke out in every village in the district, proving audibly enough that the light-fingered wreckers had been at their tricks all the time. How it is done the rambler in the West Country, who can use his eyes and ears, will soon discover; will agree too, with the remark made the other day in a Western village, that people who talked of wrecking as a thing of the past knew very little about it.

"You see, sir," said a weather-beaten fisherman, "a great deal drifts out of a wreck, and although there are salvage men always on the watch, there's many a cask and bale that's picked up by our boats. One man with a long pair of tongs and another with a water-telescope can make a good thing of it between them. There was an Italian steamer, now, that went ashore at Mullion. She was full of fruit and wine and all sorts of things—enough for everybody. There was great cases of champagne lying about, and the word went round among our men that it was 'real' pain, with no 'sham' to it, for when we did knock the tops of the bottles off, the wine all went out at one spurt, and we couldn't get a drop. But at last we got corkscrews, and then we was happy. Well, I had a cask of sherry wine out of her," he went on, "and I got it safe in by the back way, and you see I've a coastguardsman living on each side of me. But, law bless you, sir! they be just the same as we…. Oh, yes, sir, everything is supposed to be given up, but everything isn't, not by a good way. And when we risk our lives to save the cargo, who has a better right to a share of it than we?"

He was near the Mosel, he said, when she ran full speed upon the rocks, and the sound of it was like a thousand tons of cliff falling into the sea, and such shrieks as never were heard…. Might he have stopped her? Well, perhaps he might. But a mate of his who put out at the risk of his life, and warned a big liner that was too close in shore—she was backed off and saved—never got so much as a word of thanks, let alone any reward, for saving her. "Another man," he went on, "warned a steamer from his boat, and, as I'm a living man, they tried to swamp him for fear the captain should be blamed for his bad sailing. No, sir, we'll never do nothing to risk life, but if we can't get fair pay for saving a ship, we'll get fair share by helping ourselves." … Might anything be kept that was picked up? Oh yes, pieces of timber below a certain length. He was pressed further as to how the particular length was settled. "Well," he said slowly, "we do keep a saw in our boat."


DARTMOOR DAYS.

The dwellers in the picturesque homesteads scattered at wide intervals over this countryside would hardly be content to hear these hills of theirs called a wilderness. But up yonder against the sky line, with grey clouds trailing low along its topmost ridges, is a brow of the wildest wilderness in England, and these hillside pastures are the fringe of Dartmoor. One might well imagine, too, looking out over this beautiful landscape, that the lines of these West Country yeomen were fallen to them in pleasant places. And, indeed, fortunes have been made here in the "good old days," when bread was dear and wages were at starvation point. But times are hard. And there are sons of the soil here now working for hire on other farms, whose sires held broad acres of their own.

The wayfarer who, making his way up from Chagford towards the moorland, should chance to pass this little settlement, might well pause in wonder as he passed the gate, and stand and rub his eyes in doubt whether it was a dream or not. So unlike the old country is this log hut and all about it that a settler from the Bush might, if he saw it, almost fancy himself upon his native heath. The very trees that flourish here are strange. Among shrubs that have been brought from the slopes of the Himalaya, grow tall bamboos whose feathery crowns look over the topmost ridges of the roof. And yet on every hand there are suggestions of the moorland—those stacks of peat, with their picturesque coverings of furze and straw; that granite roller, so thickly set with crystals of felspar. The very props of the clothes-line are untrimmed birch poles from the wood, wearing still their silvery bark. It is moorland earth that made those rhododendron thickets so broad and strong. It is moorland air that has draped the trees with shaggy lichens, adding centuries of age to oaks yet hardly in their prime, and lending to the sturdy fruit bushes of the borders the air of hoary patriarchs. Furze bushes, in whose thorny depths the yellow-hammers build in springtime, and willow-warblers weave their domes of grass, flourish in the garden precincts. And all the banks are overgrown with a green jungle of fern and broom and bilberry—children of the moorland, stealing down to regain their lost dominions.

This is winter by the calendar. But it is a day of clear shining after rain. The air is full of the sound of streams—of the roar of moorland torrents, of the deeper voice of the river plunging through the wooded gorge below. The stems of the tall birches in the wood below the house, still wet with last night's rain, shine as if they were sheathed in silver, and their branches glitter as if every twig were hung with silver beads—as, indeed, they are, the silver of the clinging raindrops.

A graceful, yellow-breasted wagtail, still lingering here when the rest of her kindred are across the sea, flutters down now and then from the top of the dovecot to catch the flies that are sunning themselves against the wall. On the roof above the pigeons sit in conclave, their slumbrous voices just in keeping with the music of the streams. In his cage against the wall of the hut I can hear, now and then, a raven stirring. He is a silent bird for the most part:

"He speaketh not; and yet there lies
A conversation in his eyes—
The golden silence of the Greek,
The gravest wisdom of the wise,
As if he could, but would not speak."

Some day he will talk, and then perhaps we shall learn what strange things he has been hoarding in the dark places of his memory. Again and again last night he woke me by rattling the bars of his prison, or by sharpening that great bill of his against his perch. I doubt if he slept a wink before daylight. It was strange to hear him thus in the darkness. At times, too, I heard the mellow voices of the owls, sounding clear above the rush of the streams and the patter of rain upon the roof.

Birds pass and repass now in the sunlight. At times the pigeons sweep down from their rest overhead, with sudden clatter of wings, and as they wheel round the house they rouse into speech for a moment the taciturn jackdaw, whose cage adjoins the prison of the yet more silent raven.

From far up the moorland sounds the hoarse clamour of crows. And magpies go by, carefully keeping clear of the precincts, as if they were aware that the Master of the House had a keen eye and a steady hand. But they might lay aside their fears. No beast or bird is vermin in this corner of Arcadia. No jay or magpie ever suffered here the penalty of evil deeds or tarnished reputation. One night the Master of the House was roused by the sounds of a slight scuffle outside. An owl had swooped on a rat in a corner of the verandah, and through the wooden wall of the hut was plainly heard the rustle of feathers as the bird spread its broad wings over the body of its victim. Weasels find sanctuary under the very flooring of the shanty, and stoats may hunt the covers at their will without fear of trap or gun. The Hunt know well that there is no surer spot to find a fox than the larch plantations up yonder on the hill. And there, too, the badgers pursue in safety the even tenour of their harmless lives.

When the larches were first planted, and were but just struggling to get their heads above the hillside jungle, grasshopper-warblers hid their nests on the ground among them, and chats, and tree-pipits. A few years later blackbirds came and built among the branches. Now the ring-doves trust their frail platforms of stick to the strong young arms. And in a year or two sparrow-hawks and magpies will build in the green tops. The trees have already killed the grass about their feet, and the bare earth beneath their shadow is a favourite haunt of the woodcock.

But in spite of crows and magpies, stoats and weasels, and all the creatures of the wild that are too often branded as vermin, there is no want of pheasants in the cover. And the Master of the House, with his man behind him, and three eager little terriers dancing at his heels, has but this moment left me to look for a woodcock. The dogs are much keener for the sport than their owner, master of woodcraft though he be. He is always readier to use his field-glass than his gun. Many a time, as he stood motionless, gun in hand, has a rabbit cantering by paused to look up at him, or a woodcock settled near, and come and gone unharmed. The moor-folk here are sportsmen born, with the keenest eyes for the whereabouts of hare or pheasant, and far too much given to the setting of gins. The Master of the House—who says that half the pheasants he shoots have already lost a leg—showed me yesterday an illustrated price-list of the traps made by a man who boasts of supplying the Queen and the Prince of Wales, and who reckons in his long list of noble patrons not a few distinguished names that we have been accustomed to think of as belonging to champions of the "brute" creation. Yet here were not only rat-traps and rabbit-traps, traps for foxes and even for tigers, but traps—of horrible device, and certain to inflict the most cruel tortures—for killing hawks and herons. Surely, if some keepers are still ignorant and brutal, better things might have been expected of their masters. And his must be a mean and sordid soul who would grudge the kingfisher his meed of beauty—even supposing that so rare a bird can do any appreciable amount of harm. Yet in this list of fiendish enginry is figured a kingfisher-trap. This the purchaser is directed "to screw to a stump in the water where the birds resort, and place a piece of wood on the fork for them to alight on, or a small fish may be used as bait."

In the last few days, when from other parts of the island have come reports of bitter weather, of rough winds and frosty airs, the climate here has been almost summer-like. Yesterday, as I sat in the verandah, more than one wasp, roused by the sunshine from her winter slumber, was buzzing among the rafters overhead. But, as the day wore on, there were signs of a change. Ominous-looking clouds began to gather up from the southward. And, in the late afternoon, as we rode slowly up the steep track towards the moor, there came now and then a spurt of wind and rain.

The road, like so many of the Dartmoor roads, was fenced by rude walls of granite, built of blocks so ponderous as to suggest that only giants could have reared such cyclopean masonry. Every chink between the stones was fringed with fern and bilberry. Clinging lichens made the grey faces of the granite greyer still; while others, nestling in mossy hollows, were tipped with scarlet, recalling the vivid touches of colour over the eyes of a moorfowl.

High up on the moorland, looking down on one of the most beautiful of its many river valleys, we came on a great stone circle, known to the moor men as the Roundy Pound—a double ring of unhewn, irregular blocks of granite, shaggy with ages' growth of lichens, and with a single thorn tree standing in the midst, mantled from base to crest with grey—a hoary patriarch, like the lone priest of long-forgotten rites. Far below lay the valley of the Teign, winding away into the hills. To the right rose the sad-coloured slopes of the moorland, here darkened with dead bracken, and there brightened by pale sheets of withered grass. On the left was a birch wood, with a rare purple bloom upon its leafless boughs, like the purple of far hills at sunset. Here and there a dead birch stem glimmered white against the dark. And about the feet of the bare trees was a wealth of colour almost more marvellous still—the rich brown, lustrous velvet of mosses and dead leaves, the fiery red of withered brake fern, beaten down by wind and rain. Below the wood, on a little island in the river, was a group of old Scotch firs, with the water gleaming white between the ruddy branches. Over all there stretched away the far-reaching wastes of the moorland, lifeless, desolate, with a fringe of mist along the sky line.

Night closed in grey and wet. As the hours passed, I woke at times to hear the rush of the rain, the growing sounds of multitudinous streams, the deepening voice of the river roaring through its wooded passes. Morning broke on a day of undoubted Dartmoor weather—no gleam of sunshine anywhere; cold, clinging mists on every hand; grey sheets of rain stalking like ghosts across the landscape.

The day was at its very worst when the keeper, who had been at work since daylight rescuing trout that, in struggling up the swollen streams, had got themselves into difficulties in unexpected shallows, came up to the house and stood for a minute in the rain, the water streaming from every outlying point in his figure, and looked inquiringly at the Master of the House. The Master groaned. But he threw on his old shooting-coat, picked up a handful of cartridges, and took his gun from the corner, and the two men sallied out into the rain.

It was, in truth, a dreary morning. There was no sunshine now to light the dripping birch stems. But even under that grey sky there was marvellous beauty in the bare boughs, in the brown oak leaves, in the streaming ferns on the green bank below. Under the bank was a new gleam of silver, where the swollen brook went swirling by under a grey brow of granite. Hour after hour fell the pitiless rain. Every thread of water on the hillside was a headlong torrent. The road below the house was deep under a rushing flood.

It was late when the little shooting party came back, their coming heralded by the screaming of a troop of jays that apparently kept pace with them as they plodded through the underwood. But the birds were not inveighing against the sportsmen. When my friend returned, he told me that as he passed under a pollard oak an owl flew out, almost brushing him with its wings. The jays, who were hanging about among the thickets on the edge of the wood, espied it in a moment. And, raising a hue and cry that was caught up by every finch and tit and blackbird within hearing, they chased the bewildered bird from tree to tree, scolding and storming, and buffeting it with their wings. Earlier in the afternoon a rabbit passed, unnoticed by the dogs, not running, but leaping, across the wood; and close at its heels a weasel, following in hot pursuit.

The rain was slackening a little as we turned into the hut. But a heavy fog was closing in from the moor, blotting out even the near woodland with its wall of grey. Pleasant, indeed, after the mist and the rain was the glow of lamplight. And pleasanter still the glow of roaring oak logs, as we sat that night, each with a terrier on his knee, before the great wood fire. The dogs have taken kindly to the casual stranger, and one of them in particular is fond of sitting by me on a chair at meal times, resting her head on my arm in the most engaging manner. The two are on the best of terms for the most part, but a little attention paid to one is apt to lead to trouble with the other. I am told that there is sometimes a good deal of jealousy shown in the retrieving of a rabbit—a circumstance which, as may readily be guessed, does not tend to improve the condition of the game. And the slippers which we threw to distant corners of the hut for the dogs to bring back to us suffered severely in the bringing.

As we sat by the fire I heard something of the dangers of the moor, and of the reality of getting lost at night or in a Dartmoor fog. The oldest hand, said the Master of the House, would be helpless in such a fog as now lay round the house. A good plan, he added, is to follow a stream if you are fortunate enough to find one. Sooner or later you are sure to come to a house. He himself was on the moor once, with two companions, far away from any path, when a dense mist came on. After long walking, he happened, by great good fortune, on the wall that bounded his own common, and came at length to a familiar gate that he knew was only half a mile from home.

The three wanderers drew a breath of relief. They were all right now. The haunting fear of having to pass a night upon the moor, as many a lost wayfarer has done, was forgotten in a moment. With confident steps they marched through the mist straight down the slope towards this bungalow. But after going steadily for three hours, with a gradually growing conviction that something after all must be wrong, they found themselves back at the same wall, and at the very identical gate. They had been walking in a circle—an experience only too familiar to travellers who have lost their way in the desert. They now followed the wall until it turned abruptly down the hill. My friend then walked close to it, while the others kept abreast of him, at a distance of a hundred yards or so, that they might avoid a bog which skirted the enclosure. In this way, shouting to each other now and then, they reached here in safety, not having seen each other since they parted company.

Another man, well known in the district—a man who rather prides himself on his acquaintance with Dartmoor—will not soon be allowed to forget how he set off on horseback one day in the mist, taking a short cut across the moor, by which he expected in half an hour to strike the Princetown road, and how, after an hour and a half of pretty hard riding, he too, found himself at the spot from which he had started.


WYCHANGER: A FAR RETREAT.

On the northern edge of Exmoor, parted from the outer world by a long ridge of wooded hills that die away into a bold headland by the grey sea, there lies a spacious valley—fair even for the West Country, a valley that for its beauty of broad fields and noble trees and old-world villages, may rank among the fairest in all England. The traveller by the well-kept coach road that passes along the foot of the hills, almost from end to end of it, looking across its green meadows and its red corn-lands to the deer-haunted heights of Dunkerry, sees something of its beauty, of its picturesque cottages, its wooded slopes, its rich pasture lands; may even catch a glimpse in passing of that old mill that, with its pointed gables, its rambling outbuildings, its rude bridges, and its

"Dark wheel that toils amid the hurry
And rushing of the flume,"

is like an artist's dream.

He who fares through on foot will know more of its charm, but even he is hardly likely to discover the best of its lovely lanes, deep set under over-arching hedgerows, the oldest and most magnificent of its trees, the most picturesque and retiring of its cottages. While hidden behind a rampart of low hills on the very skirts of Dunkery, the most beautiful village of all, an ideal West Country hamlet, will escape him altogether:—a village in a nest of hills, with brown gables all embowered in green. By the church, whose grey tower rises in the midst, two poplars stand, their young leaves trembling in the sunshine, their tall forms just swaying in the wind.

The old manor house, whose traditions go back beyond the days of the Armada, seems to stand at the very limit of the world. So near the wilderness is it that the creatures of the wild, the birds, the beasts, share with man the possession of its barns and outbuildings. Its lawns, its thick-growing bays and laurels, its broad eaves, the masonry of its old walls are haunted by innumerable birds.

In the early morning, an hour or more before the sunrise, the whole air about the house is filled with sweet sounds, with the sunny ripple of the goldfinch's song, with the mingled chorus of thrush and blackbird, of wrens and robins and warblers, with the call of the cuckoo, the pipe of the wryneck, the croon of doves among the larches on the hill. At times, from far up the moorland comes down even the strange cry of a buzzard, or the croak of a wandering raven. All day the garden is full of pleasant sounds and sweet suggestions of the woodland, of the hushed whispers of swift moorland streams, of the stir of winds among the restless pines.

Even after sundown life is still stirring. Long after the mists of evening have begun to gather on the darkening hills the cuckoo calls. The musical halloo of wandering owls breaks in through the vespers of the blackbird, and the shrill challenge of the black-cock sounds loud on the fringe of the moorland. Instead of the swallows, that all day float singing round the eaves, the bats come out of hiding in old barns and ruinous outbuildings, and flutter on silent wings through vacant windows.

In the twilight even the wild red deer stray down from their fastness to the very precincts of the garden. It is not long since, in the hind-hunting time, the "tufters" broke away after a stag and followed it, in spite of all the efforts of the huntsmen, far across the moor and down into the lowland. And, when at length the hounds were beaten off, two sheep-dogs from the village took up the chase and drove the stag up here to the Manor House. There it stood for hours in a narrow passage near the stables, showing a bold front to its pursuers, and undismayed by the curious villagers who came thronging up to gaze at it—a noble beast, with all its honours. Someone at length opened the door of an empty stable, and the stag walked quietly in. Tired out with the long chase over the slopes of Dunkery, it stayed in its strange asylum two days and nights, entirely unmoved by efforts to dislodge it, but lowering its antlers in a moment if one of its visitors made an attempt to cross the threshold; though when one of the men, thinking it had gone, went into the stable after dark and actually brushed against it, the stag, happily for him, took no notice. The door was left open; the noble beast was free to go when it would. On the third morning the stable was empty; the strange guest had gone. A line of footprints across the lawn to the fence that parts the garden from the paddock, and up the long meadow towards the hanger, showed how it had made its way back unmolested to its haunt upon the moor.

Guests almost as strange are two wild ducks that built a nest in a pool in the field below the house. The eggs were hatched not many days since, and the young brood were caught and given in charge to a hen, who, so far, has proved herself but an indifferent foster-mother. The drake, after the manner of his kind, has another mate, and she is still sitting on her eggs on a small island in another pond near by. And he and the mother of the lost family still linger about the farm. You may see them flying past the windows on their way down from one of the moorland streams, or watch them in the meadow by the empty nest. Or you may even chance upon them among the outbuildings, the drake a little way in advance, walking slowly forward, looking this way and that, pausing now and then at some strange sound; while his sober-tinted mate follows meekly a yard or so behind him. Now they stand doubtful, uncertain whether or no it is safe to enter the precincts. At length they venture in. Now walk quietly after them. There they stand, a gallant pair, he splendid with the rich green velvet of his glossy head, the white ring about his neck, the dark chocolate of his breast, his brilliant orange legs, and all the exquisite shades of grey upon his beautiful back: she with quiet plumage, streaked and mottled with soft tones of brown, looking for all the world like a dry heap of reeds and withered sedges. In a moment they are aware of danger. They move closer together. The drake utters a low warning call, nodding his head, slowly at first, then faster and faster until, with a loud note the two birds spread their beautiful wings, wheel round the house, and sail down to their old haunt by the pool.

By the same pool, not fifty yards from the road, there is another nest—a moorhen's; and if you creep quietly up you may see the old bird on her nest of rushes under the bank, her dark figure looking little more than a patch of shadow in the heart of the bramble bush that overhangs her home. Her, too, you may watch in the early mornings wading among the long grass of the meadow, or you may even catch a glimpse of her as she paddles fast across the pool, keeping time with her glossy head to the rapid movement of her feet.

Hood has told us how, in his "Haunted House,"

"A wren had built within the porch, she found
The quiet loneliness so sure and thorough."

It is almost more strange that here a pair of chaffinches have made a sanctuary of this porch, and have built their nest just over the door, within arm's reach of every passer-by. It is an exquisite work of art, whose moss and lichen, felted with cobwebs and fine strands of wool fitted deftly on the curve of a level larch pole, and woven among the young shoots of the climbing rose tree, whose leaves hang down as if to hide it, might have escaped notice altogether were it not that the little builders are busy all day upon the grass before the windows, now taking short flights among the laurels or the branches of the old arbutus, or the great bay tree that overhangs the lawn, scenting all the air with its abundant bloom, and that now and then they fly up to their nest over the doorway.

A far retreat—a spot in which the lover of nature would only too gladly settle down, content, amid this gracious scenery and these pleasant sights and sounds, to end his days in one of the little old-world cottages of "the sweetest village in the world," with their tiny windows, their quaint gables, their roofs of russet thatch. A far retreat, upon whose dreamlike quiet no ripple of unrest could surely enter.

We can hardly realise that it was a lord of this very manor who, though long past his three score years and ten, held a fortress for King Charles until the last extremity, marching out at length with all the honours of war.

It is stranger still that a marble tablet on the chancel wall of the old church records how a rector of this peaceful parish left his charge and followed his master to the war; how he raised a troop of horse for the King's service; how four of his sons were captains in the Royal army; and how he himself, after Worcester's Crowning Fight, went with the second Charles across the sea, giving up all, with a devotion worthy of a better cause, for a prince whom the clearer vision of our time justly brands as "immoral, dishonourable, and contemptible."


LUCCOMBE: TWILIGHT IN THE HOLLOW.

Round the old mill that stands like a drowsy sentinel at the gate of the valley, quiet reigns. Silenced is the plash of the wheel; hushed the low rumble of the rude machinery. Through the rich grass of the meadow by the stream the red cattle are trooping home in answer to the milking call. The sun, already sunk below the fringe of woodland on the hill, shows like a fiery cloud through the dark lattice work of branches. Light still lingers on the steep slope across the glen, on tawny grass and golden furze, and on points of grey rock that here and there break through the short turf. There is sunshine still upon the dark tops of the highest ridge of pines, and there are lines of silver on the branches of a giant oak whose crest towers far above his fellows. But here in the hollow the mist of evening gathers. All along the stream are drawn grey lines of vapour that, in the far recesses of the valley, deepen to a shadowy gloom.

The birds, with whose notes the whole glen was ringing, grow silent one by one. Their brief vesper hour is almost over. The hush of night is settling on the woodland. Far up the slope there still sounds the clear whistle of a blackbird. A thrush, too, is singing, as if moved to rivalry. His is a song less wild and thrilling, less powerful and passionate, yet a masterpiece of melody. Still through the deepening shadows rings the clear treble of the robin, and through all, like a whisper of peace, one hears the slumbrous voices of the doves.

Two cuckoos are still calling; one near at hand, whose loud notes, clear and mellow, seem to linger among the trees, dying slowly, like music in the roof of a cathedral. Another, more distant, answers him. They keep such perfect time that the stronger voice overpowers half the answer, and, for the most part three notes alone are audible, the last one faint and low, and like a soft refrain:

Cuckoo! Cuckoo!
Cuckoo!

The cuckoo's life is like that of no other bird that flies. There are no household cares for him; no nest to build, no eggs to warm, no brood to forage for. His sole business seems but to call his own name all day among the tree tops. It is a beautiful sound. And yet there are times when the cuckoo, as much as any bandit of the air, any crow, or sparrow-hawk, or prowling magpie, breaks the peace of the sylvan solitude. He may call all day if he will, without let or hindrance, or the least attempt at interruption. The birds pay little heed to him, save now and then in an idle moment to mob him and jeer at and hustle him, as they love to do to an owl, who by some mischance has sallied out into the daylight.

But the moment his mate is suspected of designs on the nest of some defenceless hedge-sparrow, or robin, or wagtail, with an eye to finding foster parents for her own discarded offspring, the whole neighbourhood is up in arms. A few days since a cuckoo, who had evidently set her heart on a robin's nest in the thick growth of ivy round the chimney of one of the houses in the village, alighted in the top of a tall aspen that overlooked the spot. She settled on the roof of the house to reconnoitre. She even perched on the ledge of the garret window to get a better view. And all the while she was followed by an excited mob of redstarts, wagtails, and robins, scolding, storming, chattering. Sometimes, as if dismayed by their persistent clamour, the cuckoo made a half circuit of the garden, diving in and out among the bushes, swooping down to avoid the attack of some pursuer more importunate than the rest, and uttering now and then a strange, inarticulate cry, as if—which is likely enough—she were carrying in her mouth the egg she wanted to leave in the robin's nest. She gave it up at last, plunging down into a great bay tree, seeking in its thick-growing foliage some respite from pursuit.

The darkness deepens. But there is still light enough to follow the deer-path among the trees, whose thick carpeting of brown dry pine-needles is soft as velvet to the feet. It is not yet too dark to see the black-cock that gets up from the bilberry jungle by the path, or the wood pigeons that, when you pause beneath their roosting place, go crashing out from the branches overhead. You can still watch the two squirrels that chase each other round the stem of a giant ash tree; can follow them, when, startled from their frolic, they take a short cut homeward through the larch-tops. They leap from the firm footing of one tree to the drooping bough beyond, and when it goes down, down beneath them like a blade of grass, they go on, without a moment's pause, towards their nest in the heart of the wood. So few wayfarers disturb the quiet here—or else the brown woodlanders have had such scant experience of the ways of man, of his love of capture and annexation—that the squirrels have not thought it worth while to build their stronghold high among the trees. It is not twenty feet from the ground. It is like a great wren's nest, a ball of moss, thick and closely felted, and marvellously laced round and round with long pliant larch twigs, and with only the least trace of an entrance at the side.

A flock of swifts are careering down the glen, like a troop of noisy revellers; their wild chorus sounding shrill and clear in the deepening hush of night. They wheel, with loud rustle of keen wings, and dash upwards towards the moor. Again that swift career along the grass-grown road; again that wild exultant scream, so fierce, so beautiful. Deride it if you will. Call it hoarse, discordant, savage. It is a victorious pæan, a song of triumph, an exultant chorus proclaiming the empire of the air.

The dark forms vanish; the wild notes die away. It is the last sound of daylight.

"Far away, some belfry chime
Breathes a prayer across the moors."

The last sound of daylight. The children of the night are abroad. White moths, painted boldly on the shadows, flit by like phantoms. Ghost-like, too, is the soundless flutter of a bat that, by the dark archway of the old bridge, chases the insects that hover on the stream. The long, low, monotonous call of the grasshopper-warbler among the furze bushes on the edge of the wood, is a strange sound;—the voice of a cricket, one might think, and not of a bird at all. Strange, too, is the droning note of a nightjar, rising and falling as if the bird, wheeling this way and that, were chasing moths among the trees. The bats have voices, though their flight is soundless, and their faint shrill cries grow in the stillness louder and more clear. At intervals an owl hoots, startling from their half sleep the drowsy birds among the thickets over which he passes, so that one may follow his flight by the clamour he leaves behind him. Among the trees there sounds at times the crash of a belated ring-dove, settling down for the night, followed by a murmur of soft love notes, an answering whisper, and then silence.

Yet the air is full of faint, indistinguishable sounds, the opening of leaves perhaps, the patter of spent petals, the fall of pine needles, and the movements of night-wandering creatures. And to every sound the darkness lends a touch of mystery. Fancy could paint almost anything of strange and startling among the black shadows of the wood. You stop, almost in terror, when a pheasant rises, under your very feet, with a great rush of wings, and vanishes into the gloom. A blackbird, flying over unseen, sounds his loud alarm in passing, ringing, musical, metallic, like the throbbing string of some wild instrument.

There is another sound, the sound as of some large animal moving heavily among the thickets near the stream, with now and then a crash of branches. The noise draws nearer. Some red deer are making their way down to the water. The light wind is blowing straight this way. There is nothing to warn them. The leader pauses, not five yards away, fetlock deep in the soft green morass along one of the small streams that vein the hill. His shape is dark and indistinct, yet there is just light enough to see that he has antlers still. Behind him is a troop of hinds, a mingled mass of stately, slow-moving, shadowy figures, leisurely crashing through the thickets. One strolls idly this way, closer still, pausing to browse on the leaves of the very willow that spreads its long boughs overhead. Another follows, and another. There are ten of them, at least, and not one aware of danger. Like Ajax, one longs for daylight. Yet daylight must have revealed the ambush. They are passing on. Another moment and they will have taken the alarm. Stand up and shout. What headlong rush, what wild stampede, what thunder of swift hoofs, what gallop of flying feet. Away they go, crashing through the underwood, up the slope, into the black, impenetrable shadows—sanctuary as safe as the very densest covert of the forest.