In the Wilderness

IV. A-HUNTING OF THE DEER

If civilization owes a debt of gratitude to the self-sacrificing sportsmen who have cleared the Adirondack regions of catamounts and savage trout, what shall be said of the army which has so nobly relieved them of the terror of the deer? The deer-slayers have somewhat celebrated their exploits in print; but I think that justice has never been done them.

The American deer in the wilderness, left to himself, leads a comparatively harmless but rather stupid life, with only such excitement as his own timid fancy raises. It was very seldom that one of his tribe was eaten by the North American tiger. For a wild animal he is very domestic, simple in his tastes, regular in his habits, affectionate in his family. Unfortunately for his repose, his haunch is as tender as his heart. Of all wild creatures he is one of the most graceful in action, and he poses with the skill of an experienced model. I have seen the goats on Mount Pentelicus scatter at the approach of a stranger, climb to the sharp points of projecting rocks, and attitudinize in the most self-conscious manner, striking at once those picturesque postures against the sky with which Oriental pictures have made us and them familiar. But the whole proceeding was theatrical.

Greece is the home of art, and it is rare to find anything there natural and unstudied. I presume that these goats have no nonsense about them when they are alone with the goatherds, any more than the goatherds have, except when they come to pose in the studio; but the long ages of culture, the presence always to the eye of the best models and the forms of immortal beauty, the heroic friezes of the Temple of Theseus, the marble processions of sacrificial animals, have had a steady molding, educating influence equal to a society of decorative art upon the people and the animals who have dwelt in this artistic atmosphere. The Attic goat has become an artificially artistic being; though of course he is not now what he was, as a poser, in the days of Polycletus. There is opportunity for a very instructive essay by Mr. E. A. Freeman on the decadence of the Attic goat under the influence of the Ottoman Turk.

The American deer, in the free atmosphere of our country, and as yet untouched by our decorative art, is without self-consciousness, and all his attitudes are free and unstudied. The favorite position of the deer—his fore-feet in the shallow margin of the lake, among the lily-pads, his antlers thrown back and his nose in the air at the moment he hears the stealthy breaking of a twig in the forest—is still spirited and graceful, and wholly unaffected by the pictures of him which the artists have put upon canvas.

Wherever you go in the Northern forest you will find deer-paths. So plainly marked and well-trodden are they that it is easy to mistake them for trails made by hunters; but he who follows one of them is soon in difficulties. He may find himself climbing through cedar thickets an almost inaccessible cliff, or immersed in the intricacies of a marsh. The “run,” in one direction, will lead to water; but, in the other, it climbs the highest hills, to which the deer retires, for safety and repose, in impenetrable thickets. The hunters, in winter, find them congregated in “yards,” where they can be surrounded and shot as easily as our troops shoot Comanche women and children in their winter villages. These little paths are full of pitfalls among the roots and stones; and, nimble as the deer is, he sometimes breaks one of his slender legs in them. Yet he knows how to treat himself without a surgeon. I knew of a tame deer in a settlement in the edge of the forest who had the misfortune to break her leg. She immediately disappeared with a delicacy rare in an invalid, and was not seen for two weeks. Her friends had given her up, supposing that she had dragged herself away into the depths of the woods, and died of starvation, when one day she returned, cured of lameness, but thin as a virgin shadow. She had the sense to shun the doctor; to lie down in some safe place, and patiently wait for her leg to heal. I have observed in many of the more refined animals this sort of shyness, and reluctance to give trouble, which excite our admiration when noticed in mankind.

The deer is called a timid animal, and taunted with possessing courage only when he is “at bay”; the stag will fight when he can no longer flee; and the doe will defend her young in the face of murderous enemies. The deer gets little credit for this eleventh-hour bravery. But I think that in any truly Christian condition of society the deer would not be conspicuous for cowardice. I suppose that if the American girl, even as she is described in foreign romances, were pursued by bull-dogs, and fired at from behind fences every time she ventured outdoors, she would become timid, and reluctant to go abroad. When that golden era comes which the poets think is behind us, and the prophets declare is about to be ushered in by the opening of the “vials,” and the killing of everybody who does not believe as those nations believe which have the most cannon; when we all live in real concord,—perhaps the gentle-hearted deer will be respected, and will find that men are not more savage to the weak than are the cougars and panthers. If the little spotted fawn can think, it must seem to her a queer world in which the advent of innocence is hailed by the baying of fierce hounds and the “ping” of the rifle.

Hunting the deer in the Adirondacks is conducted in the most manly fashion. There are several methods, and in none of them is a fair chance to the deer considered. A favorite method with the natives is practiced in winter, and is called by them “still hunting.” My idea of still hunting is for one man to go alone into the forest, look about for a deer, put his wits fairly against the wits of the keen-scented animal, and kill his deer, or get lost in the attempt. There seems to be a sort of fairness about this. It is private assassination, tempered with a little uncertainty about finding your man. The still hunting of the natives has all the romance and danger attending the slaughter of sheep in an abattoir. As the snow gets deep, many deer congregate in the depths of the forest, and keep a place trodden down, which grows larger as they tramp down the snow in search of food. In time this refuge becomes a sort of “yard,” surrounded by unbroken snow-banks. The hunters then make their way to this retreat on snowshoes, and from the top of the banks pick off the deer at leisure with their rifles, and haul them away to market, until the enclosure is pretty much emptied. This is one of the surest methods of exterminating the deer; it is also one of the most merciful; and, being the plan adopted by our government for civilizing the Indian, it ought to be popular. The only people who object to it are the summer sportsmen. They naturally want some pleasure out of the death of the deer.

Some of our best sportsmen, who desire to protract the pleasure of slaying deer through as many seasons as possible, object to the practice of the hunters, who make it their chief business to slaughter as many deer in a camping season as they can. Their own rule, they say, is to kill a deer only when they need venison to eat. Their excuse is specious. What right have these sophists to put themselves into a desert place, out of the reach of provisions, and then ground a right to slay deer on their own improvidence? If it is necessary for these people to have anything to eat, which I doubt, it is not necessary that they should have the luxury of venison.

One of the most picturesque methods of hunting the poor deer is called “floating.” The person, with murder in his heart, chooses a cloudy night, seats himself, rifle in hand, in a canoe, which is noiselessly paddled by the guide, and explores the shore of the lake or the dark inlet. In the bow of the boat is a light in a “jack,” the rays of which are shielded from the boat and its occupants. A deer comes down to feed upon the lily-pads. The boat approaches him. He looks up, and stands a moment, terrified or fascinated by the bright flames. In that moment the sportsman is supposed to shoot the deer. As an historical fact, his hand usually shakes so that he misses the animal, or only wounds him; and the stag limps away to die after days of suffering. Usually, however, the hunters remain out all night, get stiff from cold and the cramped position in the boat, and, when they return in the morning to camp, cloud their future existence by the assertion that they “heard a big buck” moving along the shore, but the people in camp made so much noise that he was frightened off.

By all odds, the favorite and prevalent mode is hunting with dogs. The dogs do the hunting, the men the killing. The hounds are sent into the forest to rouse the deer, and drive him from his cover. They climb the mountains, strike the trails, and go baying and yelping on the track of the poor beast. The deer have their established runways, as I said; and, when they are disturbed in their retreat, they are certain to attempt to escape by following one which invariably leads to some lake or stream. All that the hunter has to do is to seat himself by one of these runways, or sit in a boat on the lake, and wait the coming of the pursued deer. The frightened beast, fleeing from the unreasoning brutality of the hounds, will often seek the open country, with a mistaken confidence in the humanity of man. To kill a deer when he suddenly passes one on a runway demands presence of mind and quickness of aim: to shoot him from the boat, after he has plunged panting into the lake, requires the rare ability to hit a moving object the size of a deer's head a few rods distant. Either exploit is sufficient to make a hero of a common man. To paddle up to the swimming deer, and cut his throat, is a sure means of getting venison, and has its charms for some. Even women and doctors of divinity have enjoyed this exquisite pleasure. It cannot be denied that we are so constituted by a wise Creator as to feel a delight in killing a wild animal which we do not experience in killing a tame one.

The pleasurable excitement of a deer-hunt has never, I believe, been regarded from the deer's point of view. I happen to be in a position, by reason of a lucky Adirondack experience, to present it in that light. I am sorry if this introduction to my little story has seemed long to the reader: it is too late now to skip it; but he can recoup himself by omitting the story.

Early on the morning of the 23d of August, 1877, a doe was feeding on Basin Mountain. The night had been warm and showery, and the morning opened in an undecided way. The wind was southerly: it is what the deer call a dog-wind, having come to know quite well the meaning of “a southerly wind and a cloudy sky.” The sole companion of the doe was her only child, a charming little fawn, whose brown coat was just beginning to be mottled with the beautiful spots which make this young creature as lovely as the gazelle. The buck, its father, had been that night on a long tramp across the mountain to Clear Pond, and had not yet returned: he went ostensibly to feed on the succulent lily-pads there. “He feedeth among the lilies until the day break and the shadows flee away, and he should be here by this hour; but he cometh not,” she said, “leaping upon the mountains, skipping upon the hills.” Clear Pond was too far off for the young mother to go with her fawn for a night's pleasure. It was a fashionable watering-place at this season among the deer; and the doe may have remembered, not without uneasiness, the moonlight meetings of a frivolous society there. But the buck did not come: he was very likely sleeping under one of the ledges on Tight Nippin. Was he alone? “I charge you, by the roes and by the hinds of the field, that ye stir not nor awake my love till he please.”

The doe was feeding, daintily cropping the tender leaves of the young shoots, and turning from time to time to regard her offspring. The fawn had taken his morning meal, and now lay curled up on a bed of moss, watching contentedly, with his large, soft brown eyes, every movement of his mother. The great eyes followed her with an alert entreaty; and, if the mother stepped a pace or two farther away in feeding, the fawn made a half movement, as if to rise and follow her. You see, she was his sole dependence in all the world. But he was quickly reassured when she turned her gaze on him; and if, in alarm, he uttered a plaintive cry, she bounded to him at once, and, with every demonstration of affection, licked his mottled skin till it shone again.

It was a pretty picture,—maternal love on the one part, and happy trust on the other. The doe was a beauty, and would have been so considered anywhere, as graceful and winning a creature as the sun that day shone on,—slender limbs, not too heavy flanks, round body, and aristocratic head, with small ears, and luminous, intelligent, affectionate eyes. How alert, supple, free, she was! What untaught grace in every movement! What a charming pose when she lifted her head, and turned it to regard her child! You would have had a companion picture if you had seen, as I saw that morning, a baby kicking about among the dry pine-needles on a ledge above the Au Sable, in the valley below, while its young mother sat near, with an easel before her, touching in the color of a reluctant landscape, giving a quick look at the sky and the outline of the Twin Mountains, and bestowing every third glance upon the laughing boy,—art in its infancy.

The doe lifted her head a little with a quick motion, and turned her ear to the south. Had she heard something? Probably it was only the south wind in the balsams. There was silence all about in the forest. If the doe had heard anything, it was one of the distant noises of the world. There are in the woods occasional moanings, premonitions of change, which are inaudible to the dull ears of men, but which, I have no doubt, the forest-folk hear and understand. If the doe's suspicions were excited for an instant, they were gone as soon. With an affectionate glance at her fawn, she continued picking up her breakfast.

But suddenly she started, head erect, eyes dilated, a tremor in her limbs. She took a step; she turned her head to the south; she listened intently. There was a sound,—a distant, prolonged note, bell-toned, pervading the woods, shaking the air in smooth vibrations. It was repeated. The doe had no doubt now. She shook like the sensitive mimosa when a footstep approaches. It was the baying of a hound! It was far off,—at the foot of the mountain. Time enough to fly; time enough to put miles between her and the hound, before he should come upon her fresh trail; time enough to escape away through the dense forest, and hide in the recesses of Panther Gorge; yes, time enough. But there was the fawn. The cry of the hound was repeated, more distinct this time. The mother instinctively bounded away a few paces. The fawn started up with an anxious bleat: the doe turned; she came back; she couldn't leave it. She bent over it, and licked it, and seemed to say, “Come, my child: we are pursued: we must go.” She walked away towards the west, and the little thing skipped after her. It was slow going for the slender legs, over the fallen logs, and through the rasping bushes. The doe bounded in advance, and waited: the fawn scrambled after her, slipping and tumbling along, very groggy yet on its legs, and whining a good deal because its mother kept always moving away from it. The fawn evidently did not hear the hound: the little innocent would even have looked sweetly at the dog, and tried to make friends with it, if the brute had been rushing upon him. By all the means at her command the doe urged her young one on; but it was slow work. She might have been a mile away while they were making a few rods. Whenever the fawn caught up, he was quite content to frisk about. He wanted more breakfast, for one thing; and his mother wouldn't stand still. She moved on continually; and his weak legs were tangled in the roots of the narrow deer-path.

Shortly came a sound that threw the doe into a panic of terror,—a short, sharp yelp, followed by a prolonged howl, caught up and reechoed by other bayings along the mountain-side. The doe knew what that meant. One hound had caught her trail, and the whole pack responded to the “view-halloo.” The danger was certain now; it was near. She could not crawl on in this way: the dogs would soon be upon them. She turned again for flight: the fawn, scrambling after her, tumbled over, and bleated piteously. The baying, emphasized now by the yelp of certainty, came nearer. Flight with the fawn was impossible. The doe returned and stood by it, head erect, and nostrils distended. She stood perfectly still, but trembling. Perhaps she was thinking. The fawn took advantage of the situation, and began to draw his luncheon ration. The doe seemed to have made up her mind. She let him finish. The fawn, having taken all he wanted, lay down contentedly, and the doe licked him for a moment. Then, with the swiftness of a bird, she dashed away, and in a moment was lost in the forest. She went in the direction of the hounds.

According to all human calculations, she was going into the jaws of death. So she was: all human calculations are selfish. She kept straight on, hearing the baying every moment more distinctly. She descended the slope of the mountain until she reached the more open forest of hard-wood. It was freer going here, and the cry of the pack echoed more resoundingly in the great spaces. She was going due east, when (judging by the sound, the hounds were not far off, though they were still hidden by a ridge) she turned short away to the north, and kept on at a good pace. In five minutes more she heard the sharp, exultant yelp of discovery, and then the deep-mouthed howl of pursuit. The hounds had struck her trail where she turned, and the fawn was safe.

The doe was in good running condition, the ground was not bad, and she felt the exhilaration of the chase. For the moment, fear left her, and she bounded on with the exaltation of triumph. For a quarter of an hour she went on at a slapping pace, clearing the moose-bushes with bound after bound, flying over the fallen logs, pausing neither for brook nor ravine. The baying of the hounds grew fainter behind her. But she struck a bad piece of going, a dead-wood slash. It was marvelous to see her skim over it, leaping among its intricacies, and not breaking her slender legs. No other living animal could do it. But it was killing work. She began to pant fearfully; she lost ground. The baying of the hounds was nearer. She climbed the hard-wood hill at a slower gait; but, once on more level, free ground, her breath came back to her, and she stretched away with new courage, and maybe a sort of contempt of her heavy pursuers.

After running at high speed perhaps half a mile farther, it occurred to her that it would be safe now to turn to the west, and, by a wide circuit, seek her fawn. But, at the moment, she heard a sound that chilled her heart. It was the cry of a hound to the west of her. The crafty brute had made the circuit of the slash, and cut off her retreat. There was nothing to do but to keep on; and on she went, still to the north, with the noise of the pack behind her. In five minutes more she had passed into a hillside clearing. Cows and young steers were grazing there. She heard a tinkle of bells. Below her, down the mountain slope, were other clearings, broken by patches of woods. Fences intervened; and a mile or two down lay the valley, the shining Au Sable, and the peaceful farmhouses. That way also her hereditary enemies were. Not a merciful heart in all that lovely valley. She hesitated: it was only for an instant. She must cross the Slidebrook Valley if possible, and gain the mountain opposite. She bounded on; she stopped. What was that? From the valley ahead came the cry of a searching hound. All the devils were loose this morning. Every way was closed but one, and that led straight down the mountain to the cluster of houses. Conspicuous among them was a slender white wooden spire. The doe did not know that it was the spire of a Christian chapel. But perhaps she thought that human pity dwelt there, and would be more merciful than the teeth of the hounds.

In a panic, frightened animals will always flee to human-kind from the danger of more savage foes. They always make a mistake in doing so. Perhaps the trait is the survival of an era of peace on earth; perhaps it is a prophecy of the golden age of the future. The business of this age is murder,—the slaughter of animals, the slaughter of fellow-men, by the wholesale. Hilarious poets who have never fired a gun write hunting-songs,—Ti-ra-la: and good bishops write war-songs,—Ave the Czar!

The hunted doe went down the “open,” clearing the fences splendidly, flying along the stony path. It was a beautiful sight. But consider what a shot it was! If the deer, now, could only have been caught I No doubt there were tenderhearted people in the valley who would have spared her life, shut her up in a stable, and petted her. Was there one who would have let her go back to her waiting-fawn? It is the business of civilization to tame or kill.

The doe went on. She left the sawmill on John's Brook to her right; she turned into a wood-path. As she approached Slide Brook, she saw a boy standing by a tree with a raised rifle. The dogs were not in sight; but she could hear them coming down the hill. There was no time for hesitation. With a tremendous burst of speed she cleared the stream, and, as she touched the bank, heard the “ping” of a rifle bullet in the air above her. The cruel sound gave wings to the poor thing. In a moment more she was in the opening: she leaped into the traveled road. Which way? Below her in the wood was a load of hay: a man and a boy, with pitchforks in their hands, were running towards her. She turned south, and flew along the street. The town was up. Women and children ran to the doors and windows; men snatched their rifles; shots were fired; at the big boarding-houses, the summer boarders, who never have anything to do, came out and cheered; a campstool was thrown from a veranda. Some young fellows shooting at a mark in the meadow saw the flying deer, and popped away at her; but they were accustomed to a mark that stood still. It was all so sudden! There were twenty people who were just going to shoot her; when the doe leaped the road fence, and went away across a marsh toward the foothills. It was a fearful gauntlet to run. But nobody except the deer considered it in that light. Everybody told what he was just going to do; everybody who had seen the performance was a kind of hero,—everybody except the deer. For days and days it was the subject of conversation; and the summer boarders kept their guns at hand, expecting another deer would come to be shot at.

The doe went away to the foothills, going now slower, and evidently fatigued, if not frightened half to death. Nothing is so appalling to a recluse as half a mile of summer boarders. As the deer entered the thin woods, she saw a rabble of people start across the meadow in pursuit. By this time, the dogs, panting, and lolling out their tongues, came swinging along, keeping the trail, like stupids, and consequently losing ground when the deer doubled. But, when the doe had got into the timber, she heard the savage brutes howling across the meadow. (It is well enough, perhaps, to say that nobody offered to shoot the dogs.)

The courage of the panting fugitive was not gone: she was game to the tip of her high-bred ears. But the fearful pace at which she had just been going told on her. Her legs trembled, and her heart beat like a trip-hammer. She slowed her speed perforce, but still fled industriously up the right bank of the stream. When she had gone a couple of miles, and the dogs were evidently gaining again, she crossed the broad, deep brook, climbed the steep left bank, and fled on in the direction of the Mount-Marcy trail. The fording of the river threw the hounds off for a time. She knew, by their uncertain yelping up and down the opposite bank, that she had a little respite: she used it, however, to push on until the baying was faint in her ears; and then she dropped, exhausted, upon the ground.

This rest, brief as it was, saved her life. Roused again by the baying pack, she leaped forward with better speed, though without that keen feeling of exhilarating flight that she had in the morning. It was still a race for life; but the odds were in her—favor, she thought. She did not appreciate the dogged persistence of the hounds, nor had any inspiration told her that the race is not to the swift.

She was a little confused in her mind where to go; but an instinct kept her course to the left, and consequently farther away from her fawn. Going now slower, and now faster, as the pursuit seemed more distant or nearer, she kept to the southwest, crossed the stream again, left Panther Gorge on her right, and ran on by Haystack and Skylight in the direction of the Upper Au Sable Pond. I do not know her exact course through this maze of mountains, swamps, ravines, and frightful wildernesses. I only know that the poor thing worked her way along painfully, with sinking heart and unsteady limbs, lying down “dead beat” at intervals, and then spurred on by the cry of the remorseless dogs, until, late in the afternoon, she staggered down the shoulder of Bartlett, and stood upon the shore of the lake. If she could put that piece of water between her and her pursuers, she would be safe. Had she strength to swim it?

At her first step into the water she saw a sight that sent her back with a bound. There was a boat mid-lake: two men were in it. One was rowing: the other had a gun in his hand. They were looking towards her: they had seen her. (She did not know that they had heard the baying of hounds on the mountains, and had been lying in wait for her an hour.) What should she do? The hounds were drawing near. No escape that way, even if she could still run. With only a moment's hesitation she plunged into the lake, and struck obliquely across. Her tired legs could not propel the tired body rapidly. She saw the boat headed for her. She turned toward the centre of the lake. The boat turned. She could hear the rattle of the oarlocks. It was gaining on her. Then there was a silence. Then there was a splash of the water just ahead of her, followed by a roar round the lake, the words “Confound it all!” and a rattle of the oars again. The doe saw the boat nearing her. She turned irresolutely to the shore whence she came: the dogs were lapping the water, and howling there. She turned again to the center of the lake.

The brave, pretty creature was quite exhausted now. In a moment more, with a rush of water, the boat was on her, and the man at the oars had leaned over and caught her by the tail.

“Knock her on the head with that paddle!” he shouted to the gentleman in the stern.

The gentleman was a gentleman, with a kind, smooth-shaven face, and might have been a minister of some sort of everlasting gospel. He took the paddle in his hand. Just then the doe turned her head, and looked at him with her great, appealing eyes.

“I can't do it! my soul, I can't do it!” and he dropped the paddle. “Oh, let her go!”

“Let H. go!” was the only response of the guide as he slung the deer round, whipped out his hunting-knife, and made a pass that severed her jugular.

And the gentleman ate that night of the venison.

The buck returned about the middle of the afternoon. The fawn was bleating piteously, hungry and lonesome. The buck was surprised. He looked about in the forest. He took a circuit, and came back. His doe was nowhere to be seen. He looked down at the fawn in a helpless sort of way. The fawn appealed for his supper. The buck had nothing whatever to give his child,—nothing but his sympathy. If he said anything, this is what he said: “I'm the head of this family; but, really, this is a novel case. I've nothing whatever for you. I don't know what to do. I've the feelings of a father; but you can't live on them. Let us travel.”

The buck walked away: the little one toddled after him. They disappeared in the forest.

V. A CHARACTER STUDY

There has been a lively inquiry after the primeval man. Wanted, a man who would satisfy the conditions of the miocene environment, and yet would be good enough for an ancestor. We are not particular about our ancestors, if they are sufficiently remote; but we must have something. Failing to apprehend the primeval man, science has sought the primitive man where he exists as a survival in present savage races. He is, at best, only a mushroom growth of the recent period (came in, probably, with the general raft of mammalian fauna); but he possesses yet some rudimentary traits that may be studied.

It is a good mental exercise to try to fix the mind on the primitive man divested of all the attributes he has acquired in his struggles with the other mammalian fauna. Fix the mind on an orange, the ordinary occupation of the metaphysician: take from it (without eating it) odor, color, weight, form, substance, and peel; then let the mind still dwell on it as an orange. The experiment is perfectly successful; only, at the end of it, you haven't any mind. Better still, consider the telephone: take away from it the metallic disk, and the magnetized iron, and the connecting wire, and then let the mind run abroad on the telephone. The mind won't come back. I have tried by this sort of process to get a conception of the primitive man. I let the mind roam away back over the vast geologic spaces, and sometimes fancy I see a dim image of him stalking across the terrace epoch of the quaternary period.

But this is an unsatisfying pleasure. The best results are obtained by studying the primitive man as he is left here and there in our era, a witness of what has been; and I find him most to my mind in the Adirondack system of what geologists call the Champlain epoch. I suppose the primitive man is one who owes more to nature than to the forces of civilization. What we seek in him are the primal and original traits, unmixed with the sophistications of society, and unimpaired by the refinements of an artificial culture. He would retain the primitive instincts, which are cultivated out of the ordinary, commonplace man. I should expect to find him, by reason of an unrelinquished kinship, enjoying a special communion with nature,—admitted to its mysteries, understanding its moods, and able to predict its vagaries. He would be a kind of test to us of what we have lost by our gregarious acquisitions. On the one hand, there would be the sharpness of the senses, the keen instincts (which the fox and the beaver still possess), the ability to find one's way in the pathless forest, to follow a trail, to circumvent the wild denizens of the woods; and, on the other hand, there would be the philosophy of life which the primitive man, with little external aid, would evolve from original observation and cogitation. It is our good fortune to know such a man; but it is difficult to present him to a scientific and caviling generation. He emigrated from somewhat limited conditions in Vermont, at an early age, nearly half a century ago, and sought freedom for his natural development backward in the wilds of the Adirondacks. Sometimes it is a love of adventure and freedom that sends men out of the more civilized conditions into the less; sometimes it is a constitutional physical lassitude which leads them to prefer the rod to the hoe, the trap to the sickle, and the society of bears to town meetings and taxes. I think that Old Mountain Phelps had merely the instincts of the primitive man, and never any hostile civilizing intent as to the wilderness into which he plunged. Why should he want to slash away the forest and plow up the ancient mould, when it is infinitely pleasanter to roam about in the leafy solitudes, or sit upon a mossy log and listen to the chatter of birds and the stir of beasts? Are there not trout in the streams, gum exuding from the spruce, sugar in the maples, honey in the hollow trees, fur on the sables, warmth in hickory logs? Will not a few days' planting and scratching in the “open” yield potatoes and rye? And, if there is steadier diet needed than venison and bear, is the pig an expensive animal? If Old Phelps bowed to the prejudice or fashion of his age (since we have come out of the tertiary state of things), and reared a family, built a frame house in a secluded nook by a cold spring, planted about it some apple trees and a rudimentary garden, and installed a group of flaming sunflowers by the door, I am convinced that it was a concession that did not touch his radical character; that is to say, it did not impair his reluctance to split oven-wood.

He was a true citizen of the wilderness. Thoreau would have liked him, as he liked Indians and woodchucks, and the smell of pine forests; and, if Old Phelps had seen Thoreau, he would probably have said to him, “Why on airth, Mr. Thoreau, don't you live accordin' to your preachin'?” You might be misled by the shaggy suggestion of Old Phelps's given name—Orson—into the notion that he was a mighty hunter, with the fierce spirit of the Berserkers in his veins. Nothing could be farther from the truth. The hirsute and grisly sound of Orson expresses only his entire affinity with the untamed and the natural, an uncouth but gentle passion for the freedom and wildness of the forest. Orson Phelps has only those unconventional and humorous qualities of the bear which make the animal so beloved in literature; and one does not think of Old Phelps so much as a lover of nature,—to use the sentimental slang of the period,—as a part of nature itself.

His appearance at the time when as a “guide” he began to come into public notice fostered this impression,—a sturdy figure with long body and short legs, clad in a woolen shirt and butternut-colored trousers repaired to the point of picturesqueness, his head surmounted by a limp, light-brown felt hat, frayed away at the top, so that his yellowish hair grew out of it like some nameless fern out of a pot. His tawny hair was long and tangled, matted now many years past the possibility of being entered by a comb.

His features were small and delicate, and set in the frame of a reddish beard, the razor having mowed away a clearing about the sensitive mouth, which was not seldom wreathed with a childlike and charming smile. Out of this hirsute environment looked the small gray eyes, set near together; eyes keen to observe, and quick to express change of thought; eyes that made you believe instinct can grow into philosophic judgment. His feet and hands were of aristocratic smallness, although the latter were not worn away by ablutions; in fact, they assisted his toilet to give you the impression that here was a man who had just come out of the ground,—a real son of the soil, whose appearance was partially explained by his humorous relation to-soap. “Soap is a thing,” he said, “that I hain't no kinder use for.” His clothes seemed to have been put on him once for all, like the bark of a tree, a long time ago. The observant stranger was sure to be puzzled by the contrast of this realistic and uncouth exterior with the internal fineness, amounting to refinement and culture, that shone through it all. What communion had supplied the place of our artificial breeding to this man?

Perhaps his most characteristic attitude was sitting on a log, with a short pipe in his mouth. If ever man was formed to sit on a log, it was Old Phelps. He was essentially a contemplative person. Walking on a country road, or anywhere in the “open,” was irksome to him. He had a shambling, loose-jointed gait, not unlike that of the bear: his short legs bowed out, as if they had been more in the habit of climbing trees than of walking. On land, if we may use that expression, he was something like a sailor; but, once in the rugged trail or the unmarked route of his native forest, he was a different person, and few pedestrians could compete with him. The vulgar estimate of his contemporaries, that reckoned Old Phelps “lazy,” was simply a failure to comprehend the conditions of his being. It is the unjustness of civilization that it sets up uniform and artificial standards for all persons. The primitive man suffers by them much as the contemplative philosopher does, when one happens to arrive in this busy, fussy world.

If the appearance of Old Phelps attracts attention, his voice, when first heard, invariably startles the listener. A small, high-pitched, half-querulous voice, it easily rises into the shrillest falsetto; and it has a quality in it that makes it audible in all the tempests of the forest, or the roar of rapids, like the piping of a boatswain's whistle at sea in a gale. He has a way of letting it rise as his sentence goes on, or when he is opposed in argument, or wishes to mount above other voices in the conversation, until it dominates everything. Heard in the depths of the woods, quavering aloft, it is felt to be as much a part of nature, an original force, as the northwest wind or the scream of the hen-hawk. When he is pottering about the camp-fire, trying to light his pipe with a twig held in the flame, he is apt to begin some philosophical observation in a small, slow, stumbling voice, which seems about to end in defeat; when he puts on some unsuspected force, and the sentence ends in an insistent shriek. Horace Greeley had such a voice, and could regulate it in the same manner. But Phelps's voice is not seldom plaintive, as if touched by the dreamy sadness of the woods themselves.

When Old Mountain Phelps was discovered, he was, as the reader has already guessed, not understood by his contemporaries. His neighbors, farmers in the secluded valley, had many of them grown thrifty and prosperous, cultivating the fertile meadows, and vigorously attacking the timbered mountains; while Phelps, with not much more faculty of acquiring property than the roaming deer, had pursued the even tenor of the life in the forest on which he set out. They would have been surprised to be told that Old Phelps owned more of what makes the value of the Adirondacks than all of them put together, but it was true. This woodsman, this trapper, this hunter, this fisherman, this sitter on a log, and philosopher, was the real proprietor of the region over which he was ready to guide the stranger. It is true that he had not a monopoly of its geography or its topography (though his knowledge was superior in these respects); there were other trappers, and more deadly hunters, and as intrepid guides: but Old Phelps was the discoverer of the beauties and sublimities of the mountains; and, when city strangers broke into the region, he monopolized the appreciation of these delights and wonders of nature. I suppose that in all that country he alone had noticed the sunsets, and observed the delightful processes of the seasons, taken pleasure in the woods for themselves, and climbed mountains solely for the sake of the prospect. He alone understood what was meant by “scenery.” In the eyes of his neighbors, who did not know that he was a poet and a philosopher, I dare say he appeared to be a slack provider, a rather shiftless trapper and fisherman; and his passionate love of the forest and the mountains, if it was noticed, was accounted to him for idleness. When the appreciative tourist arrived, Phelps was ready, as guide, to open to him all the wonders of his possessions; he, for the first time, found an outlet for his enthusiasm, and a response to his own passion. It then became known what manner of man this was who had grown up here in the companionship of forests, mountains, and wild animals; that these scenes had highly developed in him the love of beauty, the aesthetic sense, delicacy of appreciation, refinement of feeling; and that, in his solitary wanderings and musings, the primitive man, self-taught, had evolved for himself a philosophy and a system of things. And it was a sufficient system, so long as it was not disturbed by external skepticism. When the outer world came to him, perhaps he had about as much to give to it as to receive from it; probably more, in his own estimation; for there is no conceit like that of isolation.

Phelps loved his mountains. He was the discoverer of Marcy, and caused the first trail to be cut to its summit, so that others could enjoy the noble views from its round and rocky top. To him it was, in noble symmetry and beauty, the chief mountain of the globe. To stand on it gave him, as he said, “a feeling of heaven up-h'istedness.” He heard with impatience that Mount Washington was a thousand feet higher, and he had a childlike incredulity about the surpassing sublimity of the Alps. Praise of any other elevation he seemed to consider a slight to Mount Marcy, and did not willingly hear it, any more than a lover hears the laudation of the beauty of another woman than the one he loves. When he showed us scenery he loved, it made him melancholy to have us speak of scenery elsewhere that was finer. And yet there was this delicacy about him, that he never over-praised what he brought us to see, any more than one would over-praise a friend of whom he was fond. I remember that when for the first time, after a toilsome journey through the forest, the splendors of the Lower Au Sable Pond broke upon our vision,—that low-lying silver lake, imprisoned by the precipices which it reflected in its bosom,—he made no outward response to our burst of admiration: only a quiet gleam of the eye showed the pleasure our appreciation gave him. As some one said, it was as if his friend had been admired—a friend about whom he was unwilling to say much himself, but well pleased to have others praise.

Thus far, we have considered Old Phelps as simply the product of the Adirondacks; not so much a self-made man (as the doubtful phrase has it) as a natural growth amid primal forces. But our study is interrupted by another influence, which complicates the problem, but increases its interest. No scientific observer, so far as we know, has ever been able to watch the development of the primitive man, played upon and fashioned by the hebdomadal iteration of “Greeley's Weekly Tri-bune.” Old Phelps educated by the woods is a fascinating study; educated by the woods and the Tri-bune, he is a phenomenon. No one at this day can reasonably conceive exactly what this newspaper was to such a mountain valley as Keene. If it was not a Providence, it was a Bible. It was no doubt owing to it that Democrats became as scarce as moose in the Adirondacks. But it is not of its political aspect that I speak. I suppose that the most cultivated and best informed portion of the earth's surface—the Western Reserve of Ohio, as free from conceit as it is from a suspicion that it lacks anything owes its pre-eminence solely to this comprehensive journal. It received from it everything except a collegiate and a classical education,—things not to be desired, since they interfere with the self-manufacture of man. If Greek had been in this curriculum, its best known dictum would have been translated, “Make thyself.” This journal carried to the community that fed on it not only a complete education in all departments of human practice and theorizing, but the more valuable and satisfying assurance that there was nothing more to be gleaned in the universe worth the attention of man. This panoplied its readers in completeness. Politics, literature, arts, sciences, universal brotherhood and sisterhood, nothing was omitted; neither the poetry of Tennyson, nor the philosophy of Margaret Fuller; neither the virtues of association, nor of unbolted wheat. The laws of political economy and trade were laid down as positively and clearly as the best way to bake beans, and the saving truth that the millennium would come, and come only when every foot of the earth was subsoiled.

I do not say that Orson Phelps was the product of nature and the Tri-bune: but he cannot be explained without considering these two factors. To him Greeley was the Tri-bune, and the Tri-bune was Greeley; and yet I think he conceived of Horace Greeley as something greater than his newspaper, and perhaps capable of producing another journal equal to it in another part of the universe. At any rate, so completely did Phelps absorb this paper and this personality that he was popularly known as “Greeley” in the region where he lived. Perhaps a fancied resemblance of the two men in the popular mind had something to do with this transfer of name. There is no doubt that Horace Greeley owed his vast influence in the country to his genius, nor much doubt that he owed his popularity in the rural districts to James Gordon Bennett; that is, to the personality of the man which the ingenious Bennett impressed upon the country. That he despised the conventionalities of society, and was a sloven in his toilet, was firmly believed; and the belief endeared him to the hearts of the people. To them “the old white coat”—an antique garment of unrenewed immortality—was as much a subject of idolatry as the redingote grise to the soldiers of the first Napoleon, who had seen it by the campfires on the Po and on the Borysthenes, and believed that he would come again in it to lead them against the enemies of France. The Greeley of the popular heart was clad as Bennett said he was clad. It was in vain, even pathetically in vain, that he published in his newspaper the full bill of his fashionable tailor (the fact that it was receipted may have excited the animosity of some of his contemporaries) to show that he wore the best broadcloth, and that the folds of his trousers followed the city fashion of falling outside his boots. If this revelation was believed, it made no sort of impression in the country. The rural readers were not to be wheedled out of their cherished conception of the personal appearance of the philosopher of the Tri-bune.

That the Tri-bune taught Old Phelps to be more Phelps than he would have been without it was part of the independence-teaching mission of Greeley's paper. The subscribers were an army, in which every man was a general. And I am not surprised to find Old Phelps lately rising to the audacity of criticising his exemplar. In some recently-published observations by Phelps upon the philosophy of reading is laid down this definition: “If I understand the necessity or use of reading, it is to reproduce again what has been said or proclaimed before. Hence, letters, characters, &c., are arranged in all the perfection they possibly can be, to show how certain language has been spoken by the original author. Now, to reproduce by reading, the reading should be so perfectly like the original that no one standing out of sight could tell the reading from the first time the language was spoken.”

This is illustrated by the highest authority at hand: I have heard as good readers read, and as poor readers, as almost any one in this region. If I have not heard as many, I have had a chance to hear nearly the extreme in variety. Horace Greeley ought to have been a good reader. Certainly but few, if any, ever knew every word of the English language at a glance more readily than he did, or knew the meaning of every mark of punctuation more clearly; but he could not read proper. 'But how do you know?' says one. From the fact I heard him in the same lecture deliver or produce remarks in his own particular way, that, if they had been published properly in print, a proper reader would have reproduced them again the same way. In the midst of those remarks Mr. Greeley took up a paper, to reproduce by reading part of a speech that some one else had made; and his reading did not sound much more like the man that first read or made the speech than the clatter of a nail factory sounds like a well-delivered speech. Now, the fault was not because Mr. Greeley did not know how to read as well as almost any man that ever lived, if not quite: but in his youth he learned to read wrong; and, as it is ten times harder to unlearn anything than it is to learn it, he, like thousands of others, could never stop to unlearn it, but carried it on through his whole life.

Whether a reader would be thanked for reproducing one of Horace Greeley's lectures as he delivered it is a question that cannot detain us here; but the teaching that he ought to do so, I think, would please Mr. Greeley.

The first driblets of professional tourists and summer boarders who arrived among the Adirondack Mountains a few years ago found Old Phelps the chief and best guide of the region. Those who were eager to throw off the usages of civilization, and tramp and camp in the wilderness, could not but be well satisfied with the aboriginal appearance of this guide; and when he led off into the woods, axe in hand, and a huge canvas sack upon his shoulders, they seemed to be following the Wandering Jew. The contents—of this sack would have furnished a modern industrial exhibition, provisions cooked and raw, blankets, maple-sugar, tinware, clothing, pork, Indian meal, flour, coffee, tea, &c. Phelps was the ideal guide: he knew every foot of the pathless forest; he knew all woodcraft, all the signs of the weather, or, what is the same thing, how to make a Delphic prediction about it. He was fisherman and hunter, and had been the comrade of sportsmen and explorers; and his enthusiasm for the beauty and sublimity of the region, and for its untamable wildness, amounted to a passion. He loved his profession; and yet it very soon appeared that he exercised it with reluctance for those who had neither ideality, nor love for the woods. Their presence was a profanation amid the scenery he loved. To guide into his private and secret haunts a party that had no appreciation of their loveliness disgusted him. It was a waste of his time to conduct flippant young men and giddy girls who made a noisy and irreverent lark of the expedition. And, for their part, they did not appreciate the benefit of being accompanied by a poet and a philosopher. They neither understood nor valued his special knowledge and his shrewd observations: they didn't even like his shrill voice; his quaint talk bored them. It was true that, at this period, Phelps had lost something of the activity of his youth; and the habit of contemplative sitting on a log and talking increased with the infirmities induced by the hard life of the woodsman. Perhaps he would rather talk, either about the woods-life or the various problems of existence, than cut wood, or busy himself in the drudgery of the camp. His critics went so far as to say, “Old Phelps is a fraud.” They would have said the same of Socrates. Xantippe, who never appreciated the world in which Socrates lived, thought he was lazy. Probably Socrates could cook no better than Old Phelps, and no doubt went “gumming” about Athens with very little care of what was in the pot for dinner.

If the summer visitors measured Old Phelps, he also measured them by his own standards. He used to write out what he called “short-faced descriptions” of his comrades in the woods, which were never so flattering as true. It was curious to see how the various qualities which are esteemed in society appeared in his eyes, looked at merely in their relation to the limited world he knew, and judged by their adaptation to the primitive life. It was a much subtler comparison than that of the ordinary guide, who rates his traveler by his ability to endure on a march, to carry a pack, use an oar, hit a mark, or sing a song. Phelps brought his people to a test of their naturalness and sincerity, tried by contact with the verities of the woods. If a person failed to appreciate the woods, Phelps had no opinion of him or his culture; and yet, although he was perfectly satisfied with his own philosophy of life, worked out by close observation of nature and study of the Tri-bune, he was always eager for converse with superior minds, with those who had the advantage of travel and much reading, and, above all, with those who had any original “speckerlation.” Of all the society he was ever permitted to enjoy, I think he prized most that of Dr. Bushnell. The doctor enjoyed the quaint and first-hand observations of the old woodsman, and Phelps found new worlds open to him in the wide ranges of the doctor's mind. They talked by the hour upon all sorts of themes, the growth of the tree, the habits of wild animals, the migration of seeds, the succession of oak and pine, not to mention theology, and the mysteries of the supernatural.

I recall the bearing of Old Phelps, when, several years ago, he conducted a party to the summit of Mount Marcy by the way he had “bushed out.” This was his mountain, and he had a peculiar sense of ownership in it. In a way, it was holy ground; and he would rather no one should go on it who did not feel its sanctity. Perhaps it was a sense of some divine relation in it that made him always speak of it as “Mercy.” To him this ridiculously dubbed Mount Marcy was always “Mount Mercy.” By a like effort to soften the personal offensiveness of the nomenclature of this region, he invariably spoke of Dix's Peak, one of the southern peaks of the range, as “Dixie.” It was some time since Phelps himself had visited his mountain; and, as he pushed on through the miles of forest, we noticed a kind of eagerness in the old man, as of a lover going to a rendezvous. Along the foot of the mountain flows a clear trout stream, secluded and undisturbed in those awful solitudes, which is the “Mercy Brook” of the old woodsman. That day when he crossed it, in advance of his company, he was heard to say in a low voice, as if greeting some object of which he was shyly fond, “So, little brook, do I meet you once more?” and when we were well up the mountain, and emerged from the last stunted fringe of vegetation upon the rock-bound slope, I saw Old Phelps, who was still foremost, cast himself upon the ground, and heard him cry, with an enthusiasm that was intended for no mortal ear, “I'm with you once again!” His great passion very rarely found expression in any such theatrical burst. The bare summit that day was swept by a fierce, cold wind, and lost in an occasional chilling cloud. Some of the party, exhausted by the climb, and shivering in the rude wind, wanted a fire kindled and a cup of tea made, and thought this the guide's business. Fire and tea were far enough from his thought. He had withdrawn himself quite apart, and wrapped in a ragged blanket, still and silent as the rock he stood on, was gazing out upon the wilderness of peaks. The view from Marcy is peculiar. It is without softness or relief. The narrow valleys are only dark shadows; the lakes are bits of broken mirror. From horizon to horizon there is a tumultuous sea of billows turned to stone. You stand upon the highest billow; you command the situation; you have surprised Nature in a high creative act; the mighty primal energy has only just become repose. This was a supreme hour to Old Phelps. Tea! I believe the boys succeeded in kindling a fire; but the enthusiastic stoic had no reason to complain of want of appreciation in the rest of the party. When we were descending, he told us, with mingled humor and scorn, of a party of ladies he once led to the top of the mountain on a still day, who began immediately to talk about the fashions! As he related the scene, stopping and facing us in the trail, his mild, far-in eyes came to the front, and his voice rose with his language to a kind of scream.

“Why, there they were, right before the greatest view they ever saw, talkin' about the fashions!”

Impossible to convey the accent of contempt in which he pronounced the word “fashions,” and then added, with a sort of regretful bitterness, “I was a great mind to come down, and leave 'em there.”

In common with the Greeks, Old Phelps personified the woods, mountains, and streams. They had not only personality, but distinctions of sex. It was something beyond the characterization of the hunter, which appeared, for instance, when he related a fight with a panther, in such expressions as, “Then Mr. Panther thought he would see what he could do,” etc. He was in “imaginative sympathy” with all wild things. The afternoon we descended Marcy, we went away to the west, through the primeval forests, toward Avalanche and Colden, and followed the course of the charming Opalescent. When we reached the leaping stream, Phelps exclaimed,

“Here's little Miss Opalescent!”

“Why don't you say Mr. Opalescent?” some one asked.

“Oh, she's too pretty!” And too pretty she was, with her foam-white and rainbow dress, and her downfalls, and fountainlike uprising. A bewitching young person we found her all that summer afternoon.

This sylph-like person had little in common with a monstrous lady whose adventures in the wilderness Phelps was fond of relating. She was built some thing on the plan of the mountains, and her ambition to explore was equal to her size. Phelps and the other guides once succeeded in raising her to the top of Marcy; but the feat of getting a hogshead of molasses up there would have been easier. In attempting to give us an idea of her magnitude that night, as we sat in the forest camp, Phelps hesitated a moment, while he cast his eye around the woods: “Waal, there ain't no tree!”

It is only by recalling fragmentary remarks and incidents that I can put the reader in possession of the peculiarities of my subject; and this involves the wrenching of things out of their natural order and continuity, and introducing them abruptly, an abruptness illustrated by the remark of “Old Man Hoskins” (which Phelps liked to quote), when one day he suddenly slipped down a bank into a thicket, and seated himself in a wasps' nest: “I hain't no business here; but here I be!”

The first time we went into camp on the Upper Au Sable Pond, which has been justly celebrated as the most prettily set sheet of water in the region, we were disposed to build our shanty on the south side, so that we could have in full view the Gothics and that loveliest of mountain contours. To our surprise, Old Phelps, whose sentimental weakness for these mountains we knew, opposed this. His favorite camping ground was on the north side,—a pretty site in itself, but with no special view. In order to enjoy the lovely mountains, we should be obliged to row out into the lake: we wanted them always before our eyes,—at sunrise and sunset, and in the blaze of noon. With deliberate speech, as if weighing our arguments and disposing of them, he replied, “Waal, now, them Gothics ain't the kinder scenery you want ter hog down!”

It was on quiet Sundays in the woods, or in talks by the camp-fire, that Phelps came out as the philosopher, and commonly contributed the light of his observations. Unfortunate marriages, and marriages in general, were, on one occasion, the subject of discussion; and a good deal of darkness had been cast on it by various speakers; when Phelps suddenly piped up, from a log where he had sat silent, almost invisible, in the shadow and smoke, “Waal, now, when you've said all there is to be said, marriage is mostly for discipline.”

Discipline, certainly, the old man had, in one way or another; and years of solitary communing in the forest had given him, perhaps, a childlike insight into spiritual concerns. Whether he had formulated any creed or what faith he had, I never knew. Keene Valley had a reputation of not ripening Christians any more successfully than maize, the season there being short; and on our first visit it was said to contain but one Bible Christian, though I think an accurate census disclosed three. Old Phelps, who sometimes made abrupt remarks in trying situations, was not included in this census; but he was the disciple of supernaturalism in a most charming form. I have heard of his opening his inmost thoughts to a lady, one Sunday, after a noble sermon of Robertson's had been read in the cathedral stillness of the forest. His experience was entirely first-hand, and related with unconsciousness that it was not common to all. There was nothing of the mystic or the sentimentalist, only a vivid realism, in that nearness of God of which he spoke,—“as near some-times as those trees,”—and of the holy voice, that, in a time of inward struggle, had seemed to him to come from the depths of the forest, saying, “Poor soul, I am the way.”

In later years there was a “revival” in Keene Valley, the result of which was a number of young “converts,” whom Phelps seemed to regard as a veteran might raw recruits, and to have his doubts what sort of soldiers they would make.

“Waal, Jimmy,” he said to one of them, “you've kindled a pretty good fire with light wood. That's what we do of a dark night in the woods, you know but we do it just so as we can look around and find the solid wood: so now put on your solid wood.”

In the Sunday Bible classes of the period Phelps was a perpetual anxiety to the others, who followed closely the printed lessons, and beheld with alarm his discursive efforts to get into freer air and light. His remarks were the most refreshing part of the exercises, but were outside of the safe path into which the others thought it necessary to win him from his “speckerlations.” The class were one day on the verses concerning “God's word” being “written on the heart,” and were keeping close to the shore, under the guidance of “Barnes's Notes,” when Old Phelps made a dive to the bottom, and remarked that he had “thought a good deal about the expression, 'God's word written on the heart,' and had been asking himself how that was to be done; and suddenly it occurred to him (having been much interested lately in watching the work of a photographer) that, when a photograph is going to be taken, all that has to be done is to put the object in position, and the sun makes the picture; and so he rather thought that all we had got to do was to put our hearts in place, and God would do the writin'.”

Phelps's theology, like his science, is first-hand. In the woods, one day, talk ran on the Trinity as being nowhere asserted as a doctrine in the Bible, and some one suggested that the attempt to pack these great and fluent mysteries into one word must always be more or less unsatisfactory. “Ye-es,” droned Phelps: “I never could see much speckerlation in that expression the Trinity. Why, they'd a good deal better say Legion.”

The sentiment of the man about nature, or his poetic sensibility, was frequently not to be distinguished from a natural religion, and was always tinged with the devoutness of Wordsworth's verse. Climbing slowly one day up the Balcony,—he was more than usually calm and slow,—he espied an exquisite fragile flower in the crevice of a rock, in a very lonely spot.

“It seems as if,” he said, or rather dreamed out, “it seems as if the Creator had kept something just to look at himself.”

To a lady whom he had taken to Chapel Pond (a retired but rather uninteresting spot), and who expressed a little disappointment at its tameness, saying, of this “Why, Mr. Phelps, the principal charm of this place seems to be its loneliness.”

“Yes,” he replied in gentle and lingering tones, and its nativeness. “It lies here just where it was born.”

Rest and quiet had infinite attractions for him. A secluded opening in the woods was a “calm spot.” He told of seeing once, or rather being in, a circular rainbow. He stood on Indian Head, overlooking the Lower Lake, so that he saw the whole bow in the sky and the lake, and seemed to be in the midst of it; “only at one place there was an indentation in it, where it rested on the lake, just enough to keep it from rolling off.” This “resting” of the sphere seemed to give him great comfort.

One Indian-summer morning in October, some ladies found the old man sitting on his doorstep smoking a short pipe.

He gave no sign of recognition except a twinkle of the eye, being evidently quite in harmony with the peaceful day. They stood there a full minute before he opened his mouth: then he did not rise, but slowly took his pipe from his mouth, and said in a dreamy way, pointing towards the brook,—

“Do you see that tree?” indicating a maple almost denuded of leaves, which lay like a yellow garment cast at its feet. “I've been watching that tree all the morning. There hain't been a breath of wind: but for hours the leaves have been falling, falling, just as you see them now; and at last it's pretty much bare.” And after a pause, pensively: “Waal, I suppose its hour had come.”

This contemplative habit of Old Phelps is wholly unappreciated by his neighbors; but it has been indulged in no inconsiderable part of his life. Rising after a time, he said, “Now I want you to go with me and see my golden city I've talked so much about.” He led the way to a hill-outlook, when suddenly, emerging from the forest, the spectators saw revealed the winding valley and its stream. He said quietly, “There is my golden city.” Far below, at their feet, they saw that vast assemblage of birches and “popples,” yellow as gold in the brooding noonday, and slender spires rising out of the glowing mass. Without another word, Phelps sat a long time in silent content: it was to him, as Bunyan says, “a place desirous to be in.”

Is this philosopher contented with what life has brought him? Speaking of money one day, when we had asked him if he should do differently if he had his life to live over again, he said, “Yes, but not about money. To have had hours such as I have had in these mountains, and with such men as Dr. Bushnell and Dr. Shaw and Mr. Twichell, and others I could name, is worth all the money the world could give.” He read character very well, and took in accurately the boy nature. “Tom” (an irrepressible, rather overdone specimen),—“Tom's a nice kind of a boy; but he's got to come up against a snubbin'-post one of these days.”—“Boys!” he once said: “you can't git boys to take any kinder notice of scenery. I never yet saw a boy that would look a second time at a sunset. Now, a girl will some times; but even then it's instantaneous,—comes an goes like the sunset. As for me,” still speaking of scenery, “these mountains about here, that I see every day, are no more to me, in one sense, than a man's farm is to him. What mostly interests me now is when I see some new freak or shape in the face of Nature.”

In literature it may be said that Old Phelps prefers the best in the very limited range that has been open to him. Tennyson is his favorite among poets an affinity explained by the fact that they are both lotos-eaters. Speaking of a lecture-room talk of Mr. Beecher's which he had read, he said, “It filled my cup about as full as I callerlate to have it: there was a good deal of truth in it, and some poetry; waal, and a little spice, too. We've got to have the spice, you know.” He admired, for different reasons, a lecture by Greeley that he once heard, into which so much knowledge of various kinds was crowded that he said he “made a reg'lar gobble of it.” He was not without discrimination, which he exercised upon the local preaching when nothing better offered. Of one sermon he said, “The man began way back at the creation, and just preached right along down; and he didn't say nothing, after all. It just seemed to me as if he was tryin' to git up a kind of a fix-up.”

Old Phelps used words sometimes like algebraic signs, and had a habit of making one do duty for a season together for all occasions. “Speckerlation” and “callerlation” and “fix-up” are specimens of words that were prolific in expression. An unusual expression, or an unusual article, would be charactcrized as a “kind of a scientific literary git-up.”

“What is the program for tomorrow?” I once asked him. “Waal, I callerlate, if they rig up the callerlation they callerlate on, we'll go to the Boreas.” Starting out for a day's tramp in the woods, he would ask whether we wanted to take a “reg'lar walk, or a random scoot,”—the latter being a plunge into the pathless forest. When he was on such an expedition, and became entangled in dense brush, and maybe a network of “slash” and swamp, he was like an old wizard, as he looked here and there, seeking a way, peering into the tangle, or withdrawing from a thicket, and muttering to himself, “There ain't no speckerlation there.” And when the way became altogether inscrutable,—“Waal, this is a reg'lar random scoot of a rigmarole.” As some one remarked, “The dictionary in his hands is like clay in the hands of the potter.” “A petrifaction was a kind of a hard-wood chemical git-up.”

There is no conceit, we are apt to say, like that born of isolation from the world, and there are no such conceited people as those who have lived all their lives in the woods. Phelps was, however, unsophisticated in his until the advent of strangers into his life, who brought in literature and various other disturbing influences. I am sorry to say that the effect has been to take off something of the bloom of his simplicity, and to elevate him into an oracle. I suppose this is inevitable as soon as one goes into print; and Phelps has gone into print in the local papers. He has been bitten with the literary “git up.” Justly regarding most of the Adirondack literature as a “perfect fizzle,” he has himself projected a work, and written much on the natural history of his region. Long ago he made a large map of the mountain country; and, until recent surveys, it was the only one that could lay any claim to accuracy. His history is no doubt original in form, and unconventional in expression. Like most of the writers of the seventeenth century, and the court ladies and gentlemen of the eighteenth century, he is an independent speller. Writing of his work on the Adirondacks, he says, “If I should ever live to get this wonderful thing written, I expect it will show one thing, if no more; and that is, that every thing has an opposite. I expect to show in this that literature has an opposite, if I do not show any thing els. We could not enjoy the blessings and happiness of riteousness if we did not know innicuty was in the world: in fact, there would be no riteousness without innicuty.” Writing also of his great enjoyment of being in the woods, especially since he has had the society there of some people he names, he adds, “And since I have Literature, Siance, and Art all spread about on the green moss of the mountain woods or the gravell banks of a cristle stream, it seems like finding roses, honeysuckels, and violets on a crisp brown cliff in December. You know I don't believe much in the religion of seramony; but any riteous thing that has life and spirit in it is food for me.” I must not neglect to mention an essay, continued in several numbers of his local paper, on “The Growth of the Tree,” in which he demolishes the theory of Mr. Greeley, whom he calls “one of the best vegetable philosophers,” about “growth without seed.” He treats of the office of sap: “All trees have some kind of sap and some kind of operation of sap flowing in their season,” the dissemination of seeds, the processes of growth, the power of healing wounds, the proportion of roots to branches, &c. Speaking of the latter, he says, “I have thought it would be one of the greatest curiosities on earth to see a thrifty growing maple or elm, that had grown on a deep soil interval to be two feet in diameter, to be raised clear into the air with every root and fibre down to the minutest thread, all entirely cleared of soil, so that every particle could be seen in its natural position. I think it would astonish even the wise ones.” From his instinctive sympathy with nature, he often credits vegetable organism with “instinctive judgment.” “Observation teaches us that a tree is given powerful instincts, which would almost appear to amount to judgment in some cases, to provide for its own wants and necessities.”