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Index of the Project Gutenberg Works of John Ruskin

Chapter 60: APPENDIX
By John Ruskin
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About This Book

A compiled guide presenting an organized listing of the writer's major publications, each entry accompanied by tables of contents, chapter headings, and representative passages to aid navigation. Material ranges from polemical lectures and analytical essays on art and architecture—examining tone, color, chiaroscuro, space, sky, and vegetation—to poetical and shorter narrative pieces and instructional texts on drawing. Volumes and sections are grouped by title and number, offering readers a structural overview and selected extracts that illustrate key themes and methods across the corpus.

LECTURES ON ARCHITECTURE AND PAINTING

Delivered At Edinburgh In November, 1853.

CONTENTS.

 PAGE
Prefacev
LECTURE I.
Architecture1
LECTURE II.
Architecture34
Addenda to Lectures I. and II.56
LECTURE III.
Turner and his Works75
LECTURE IV.
Pre-Raphaelitism100
Addenda to Lecture IV.123

LIST OF PLATES.

Plate I. Figs. 1. 3. and 5. Illustrative diagrams 3
" II. " 2. Windows in Oakham Castle 5
" III. " 4. and 6. Spray of ash-tree, and improvement of the same on Greek principles 10
" IV. " 7. Window in Dunblane Cathedral 15
" V. " 8. Mediæval turret 20
" VI. " 9. and 10. Lombardic towers 22
" VII. " 11. and 12. Spires at Coutances and Rouen 25
" VIII. " 13. and 14. Illustrative diagrams 39
" IX. " 15. Sculpture at Lyons 40
" X. " 16. Niche at Amiens 41
" XI. " 17. and 18. Tiger's head, and improvement of the same on Greek principles 44
" XII. " 19. Garret window in Hotel de Bourgtheroude 51
" XIII. " 20. and 21. Trees, as drawn in the 13th century 81
" XIV. " 22. Rocks, as drawn by the school of Leonardo da Vinci 83
" XV. " 23. Boughs of trees, after Titian 84





THE BIBLE OF AMIENS

CONTENTS

PREFACE. iii
Chapter I.     —  By the Rivers of Waters 1
Chapter II.    —  Under the Drachenfels 26
Chapter III.   —  The Lion Tamer 58
Chapter IV.  — Interpretations

88
Appendix I.   —  Chronological List of Principal Events referred to in the 'Bible of Amiens' 143
Appendix II.  — References Explanatory of Photographs to Chapter IV 144
Appendix III.  —  General Plan of 'Our Fathers have told us' 153
INDEX 157

PLATES

Plate I.  — The Dynasties of France 9
Plate II.  —  The Bible of Amiens, Northern Porch before Restoration 27
Plate III.  —  Amiens, Jour Des Trépassés, 1880 58
St. Mary 131
Plan of the West Porches 140





ARATRA PENTELICI.

SEVEN LECTURES ON THE ELEMENTS OF SCULPTURE

Given Before The University Of Oxford In Michaelmas Term, 1870

CONTENTS

PAGE

Preface v

LECTURE I.
Of the Division of Arts 1

LECTURE II.
Idolatry 20

LECTURE III.
Imagination 39

LECTURE IV.
Likeness 67

LECTURE V.
Structure 90

LECTURE VI.
The School of Athens 114

LECTURE VII.
The Relation Between Michael Angelo and Tintoret 132

LIST OF PLATES

Facing Page

I. Porch of San Zenone, Verona 14

II. The Arethusa of Syracuse 15

III. The Warning to the Kings, San Zenone, Verona 15

IV. The Nativity of Athena 46

V. Tomb of the Doges Jacopo and Lorenzo Tiepolo 49

VI. Archaic Athena of Athens and Corinth 50

VII. Archaic, Central and Declining Art of Greece 72

VIII. The Apollo of Syracuse, and the Self-made Man 84

IX. Apollo Chrysocomes of Clazomenæ 85

X. Marble Masonry in the Duomo of Verona 100

XI. The First Elements of Sculpture. Incised outline and opened space 101

XII. Branch of Phillyrea 109

XIII. Greek Flat relief, and sculpture by edged incision 111

XIV. Apollo and the Python. Heracles and the Nemean Lion 119

XV. Hera of Argos. Zeus of Syracuse 120

XVI. Demeter of Messene. Hera of Cnossus 121

XVII. Athena of Thurium. Siren Ligeia of Terina 121

XVIII. Artemis of Syracuse. Hera of Lacinian Cape 122

XIX. Zeus of Messene. Ajax of Opus 124

XX. Greek and Barbarian Sculpture 127

XXI. The Beginnings of Chivalry 129





THE CROWN OF WILD OLIVE

Also, Munera Pulveris,
Pre-Raphaelitism-aratra Pentelici,
The Ethics Of The Dust,
Fiction, Fair And Foul,
The Elements Of Drawing

John Ruskin



CONTENTS.

THE CROWN OF WILD OLIVE.

PAGE
LECTURE I.

Work, 17

LECTURE II.

Traffic, 44

LECTURE III.

War, 66


MUNERA PULVERIS.

Preface, 97

CHAP.

I. Definitions, 111

II. Store-Keeping, 125

III. Coin-Keeping, 151

IV. Commerce, 170

V. Government, 181

VI. Mastership, 204

Appendices, 222


PRE-RAPHAELITISM.

Preface, 235

Pre-Raphaelitism, 237


ARATRA PENTELICI.

Preface, 283

LECTURE

I. Of the Division of Arts, 287

II. Idolatry, 304

III. Imagination, 322

IV. Likeness, 350

V. Structure, 372

VI. The School of Athens, 395

The Future of England, 415

Notes on Political Economy of Prussia, 435

LIST OF ILLUSTRATIONS.

PLATES FACING PAGE

I. Porch of San Zenone. Verona, 300

II. The Arethusa of Syracuse, 302

III. The Warning to the Kings, 302

IV. The Nativity of Athena, 308

V. Tomb of the Doges Jacopo and Lorenzo Tiepolo, 333

VI. Archaic Athena of Athens and Corinth, 334

VII. Archaic, Central and Declining Art of Greece, 355

VIII. The Apollo of Syracuse and the Self-made Man, 366

IX. Apollo Chrysocomes of Clazomenæ, 368

X. Marble Masonry in the Duomo of Verona, 381

XI. The First Elements of Sculpture, 382

XII. Branch of Phillyrea. Dark Purple, 390

XIII. Greek Flat Relief and Sculpture by Edged Incision, 392

XIV. Apollo and the Python. Heracles and the Nemean Lion, 400

XV. Hera of Argos. Zeus of Syracuse, 401

XVI. Demeter of Messene. Hera of Crossus, 402

XVII. Athena of Thurium. Sereie Ligeia of Terina, 402

XVIII. Artemis of Syracuse. Hera of Lacinian Cape, 404

XIX. Zeus of Messene. Ajax of Opus, 405

XX. Greek and Barbarian Sculpture, 407

XXI. The Beginnings of Chivalry, 409


FIGURE PAGE

1. Specimen of Plate, 293

2. Woodcut, 323

3. Figure on Greek Type of Vases, 326

4. Early Drawing of the Myth, 330

5. Cut, "Give It To Me," 332

6. Engraving on Coin, 335

7. Drawing of Fish. By Turner, 362

8. Iron Bar, 379

9. Diagram of Leaf, 391





ARIADNE FLORENTINA

SIX LECTURES ON WOOD AND METAL ENGRAVING

GIVEN BEFORE THE UNIVERSITY OF OXFORD,
IN MICHAELMAS TERM, 1872.

CONTENTS.

DEFINITION OF THE ART OF ENGRAVING 1
THE RELATION OF ENGRAVING TO OTHER ARTS IN FLORENCE 22
THE TECHNICS OF WOOD ENGRAVING 42
THE TECHNICS OF METAL ENGRAVING 61
DESIGN IN THE GERMAN SCHOOLS OF ENGRAVING (HOLBEIN AND DÜRER) 81
DESIGN IN THE FLORENTINE SCHOOLS OF ENGRAVING (SANDRO BOTTICELLI) 108

APPENDIX

ARTICLE
I. NOTES ON THE PRESENT STATE OF ENGRAVING IN ENGLAND 143
II. DETACHED NOTES 157

LIST OF PLATES

Diagram 27
The Last Furrow (Fig. 2). Facsimile from Holbein's woodcut 47
The Two Preachers (Fig. 3). Facsimile from Holbein's woodcut 48
I. Things Celestial and Terrestrial, as apparent to the English mind 56
II. Star of Florence 62
III. "At evening from the top of Fésole" 72
IV. "By the Springs of Parnassus" 77
V. "Heat considered as a Mode of Motion." Florentine Natural Philosophy 92
VI. Fairness of the Sea and Air. In Venice and Athens 95
  The Child's Bedtime (Fig. 5). Facsimile from Holbein's woodcut 103
  "He that hath ears to hear let him hear" (Fig. 6). Facsimile from Holbein's woodcut 105
VII. For a time, and times 130
VIII. The Nymph beloved of Apollo (Michael Angelo) 131
IX. In the Woods of Ida 132
X. Grass of the Desert 135
XI. "Obediente Domino voci hominis" 145
XII. The Coronation in the Garden 158





SAINT URSULA

By John Ruskin



Contents

PREFACE
THE STORY OF ST. URSULA
THE DREAM OF ST. URSULA





THE ELEMENTS OF DRAWING

IN THREE LETTERS TO BEGINNERS



CONTENTS.

  page
Preface ix
LETTER I.
On First Practice 1
LETTER II.
Sketching from Nature 65
LETTER III.
On Color and Composition 106
APPENDIX I.
Illustrative Notes 183
APPENDIX II.
Things to be Studied 188





STONES OF VENICE

By John Ruskin



CONTENTS

THE STONES OF VENICE
PREFACE.
THE STONES OF VENICE
CHAPTER I. — THE QUARRY.
CHAPTER II. — THE THRONE.
CHAPTER III. — TORCELLO.
CHAPTER IV. — ST. MARK'S.
CHAPTER V. — THE DUCAL PALACE.
NOTE.