TIME AND TIDE
BY WEARE AND TYNE
TWENTY-FIVE LETTERS TO A WORKING MAN OF SUNDERLAND ON THE LAWS OF WORK
CONTENTS
| PAGE | ||
| Preface | ix | |
| LETTER | ||
| I. | Co-operation | 1 |
| The two kinds of Co-operation.—In its highest sense it is not yet thought of. | ||
| II. | Contentment | 4 |
| Co-operation, as hitherto understood, is perhaps not expedient. | ||
| III. | Legislation | 7 |
| Of True Legislation.—That every Man may be a Law to himself. | ||
| IV. | Expenditure | 11 |
| The Expenses for Art and for War. | ||
| V. | Entertainment | 13 |
| The Corruption of Modern Pleasure.—(Covent Garden Pantomime.) | ||
| VI. | Dexterity | 18 |
| The Corruption of Modern Pleasure.—(The Japanese Jugglers.) | ||
| VII. | Festivity | 20 |
| Of the Various Expressions of National Festivity. | ||
| VIII. | Things Written | 22 |
| The Four Possible Theories respecting the Authority of the Bible. | ||
| IX. | Thanksgiving | 27 |
| The Use of Music and Dancing under the Jewish Theocracy, compared with their Use by the Modern French. | ||
| X. | Wheat-Sifting | 32 |
| The Meaning, and Actual Operation, of Satanic or Demoniacal Influence. | ||
| XI. | The Golden Bough | 38 |
| The Satanic Power is mainly Twofold: the Power of causing Falsehood and the Power of causing Pain. The Resistance is by Law of Honor and Law of Delight. | ||
| XII. | Dictatorship | 41 |
| The Necessity of Imperative Law to the Prosperity of States. | ||
| XIII. | Episcopacy and Dukedom | 45 |
| The Proper Offices of the Bishop and Duke; or, "Overseer" and "Leader." | ||
| XIV. | Trade-Warrant | 51 |
| The First Group of Essential Laws.—Against Theft by False Work, and by Bankruptcy.—Necessary Publicity of Accounts. | ||
| XV. | Per-Centage | 54 |
| The Nature of Theft by Unjust Profits.—Crime can finally be arrested only by Education. | ||
| XVI. | Education | 59 |
| Of Public Education irrespective of Class distinction. It consists essentially in giving Habits of Mercy, and Habits of Truth. (Gentleness and Justice.) | ||
| XVII. | Difficulties | 66 |
| The Relations of Education to Position in Life. | ||
| XVIII. | Humility | 68 |
| The harmful Effects of Servile Employments. The possible Practice and Exhibition of sincere Humility by Religious Persons. | ||
| XIX. | Broken Reeds | 73 |
| The General Pressure of Excessive and Improper Work, in English Life. | ||
| XX. | Rose-gardens | 78 |
| Of Improvidence in Marriage in the Middle Classes; nd of the advisable Restrictions of it. | ||
| XXI. | Gentillesse | 83 |
| Of the Dignity of the Four Fine Arts; and of the Proper System of Retail Trade. | ||
| XXII. | The Master | 88 |
| Of the Normal Position and Duties of the Upper Classes. General Statement of the Land Question. | ||
| XXIII. | Landmarks | 93 |
| Of the Just Tenure of Lands; and the Proper Functions of high Public Officers. | ||
| XXIV. | The Rod and Honeycomb | 101 |
| The Office of the Soldier. | ||
| XXV. | Hyssop | 108 |
| Of inevitable Distinction of Rank, and necessary Submission to Authority. The Meaning of Pure-Heartedness. Conclusion. | ||
APPENDICES.
| APPENDIX | PAGE | |
| I. | Expenditure on Science and Art | 119 |
| II. | Legislation of Frederick the Great | 120 |
| III. | Effect of Modern Entertainments on the Mind of Youth | 124 |
| IV. | Drunkenness as the Cause of Crime | 124 |
| V. | Abuse of Food | 126 |
| VI. | Regulations of Trade | 128 |
| VII. | Letter to the Editor of the Pall Mall Gazette | 130 |
THE SEVEN LAMPS OF ARCHITECTURE
LECTURES ON ARCHITECTURE AND PAINTING
The Study of Architecture
By John Ruskin
CONTENTS.
| SEVEN LAMPS OF ARCHITECTURE. | |
| PAGE | |
| Preface | 5 |
| Introduction | 9 |
| CHAPTER I. | |
| The Lamp of Sacrifice | 15 |
| CHAPTER II. | |
| The Lamp of Truth | 34 |
| CHAPTER III. | |
| The Lamp of Power | 69 |
| CHAPTER IV. | |
| The Lamp of Beauty | 100 |
| CHAPTER V. | |
| The Lamp of Life | 142 |
| CHAPTER VI. | |
| The Lamp of Memory | 167 |
| CHAPTER VII. | |
| The Lamp of Obedience | 188 |
| Notes | 203 |
| LECTURES ON ARCHITECTURE AND PAINTING. | |
| Preface | 213 |
| Lecture I. | 217 |
| Lecture II. | 248 |
| Addenda to Lectures I. and II. | 270 |
| Lecture III. Turner and his Works | 287 |
| Lecture IV. Pre-Raphaelitism | 311 |
| Addenda to Lecture IV. | 334 |
| THE STUDY OF ARCHITECTURE. | |
| An Inquiry into the Study of Architecture | 339 |
LIST OF ILLUSTRATIONS.
| SEVEN LAMPS OF ARCHITECTURE | ||||||
| PLATE | PAGE | |||||
| I. | Ornaments from Rouen, St. Lo, and Venice | 33 | ||||
| II. | Part of the Cathedral of St. Lo, Normandy | 55 | ||||
| III. | Traceries from Caen, Bayeux, Rouen and Beavais | 60 | ||||
| IV. | Intersectional Mouldings | 66 | ||||
| V. | Capital from the Lower Arcade of the Doge's Palace, Venice | 88 | ||||
| VI. | Arch from the Facade of the Church of San Michele at Lucca | 90 | ||||
| VII. | Pierced Ornaments from Lisieux, Bayeux, Verona, and Padua | 93 | ||||
| VIII. | Window from the Ca' Foscari, Venice | 95 | ||||
| IX. | Tracery from the Campanile of Giotto, at Florence. | Frontispiece. | ||||
| X. | Traceries and Mouldings from Rouen and Salisbury | 122 | ||||
| XI. | Balcony in the Campo, St. Benedetto, Venice | 131 | ||||
| XII. | Fragments from Abbeville, Lucca, Venice and Pisa | 149 | ||||
| XIII. | Portions of an Arcade on the South Side of the Cathedral of Ferrara | 161 | ||||
| XIV. | Sculptures from the Cathedral of Rouen | 165 | ||||
UNTO THIS LAST AND OTHER ESSAYS ON POLITICAL ECONOMY
By John Ruskin
CONTENTS.
PART I.
| PAGE | |
| THE POLITICAL ECONOMY OF ART | 7 |
| Lecture I. | 11 |
| 1. Discovery | 23 |
| 2. Application | 28 |
| Lecture II. | 46 |
| 3. Accumulation | 46 |
| 4. Distribution | 65 |
| Addenda | 86 |
| Note 1.—"Fatherly Authority" | 86 |
| " 2.—"Right to Public Support" | 90 |
| " 3.—"Trial Schools" | 95 |
| " 4.—"Public Favour" | 101 |
| " 5.—"Invention of new wants" | 102 |
| " 6.—"Economy of Literature" | 104 |
| " 7.—"Pilots of the State" | 106 |
| " 8.—"Silk and Purple" | 107 |
PART II.
| PAGE | |
| UNTO THIS LAST | 117 |
| Essay | |
| I.—The Roots of Honour | 127 |
| II.—The Veins of Wealth | 143 |
| III.—"Qui Judicatis Terram" | 156 |
| IV.—Ad Valorem | 173 |
PART III.
| PAGE | |
| ESSAYS ON POLITICAL ECONOMY[A] | |
| I.—Maintenance of Life: Wealth, Money and Riches | 207 |
| Section 1. Wealth | 214 |
| " 2. Money | 219 |
| " 3. Riches | 222 |
| II.—Nature of Wealth, Variations of Value, The National Store, Nature of Labour, Value and Price, The Currency | 225 |
| III.—The Currency-holders and Store-holders, The Disease of Desire | 252 |
| IV.—Laws and Governments: Labour And Riches | 278 |
[A] These Essays were afterwards revised and amplified, and published with others under the title "Munera Pulveris."
THE EAGLE'S NEST
TEN LECTURES ON THE RELATION OF NATURAL SCIENCE TO ART
GIVEN BEFORE THE UNIVERSITY OF OXFORD, IN LENT TERM, 1872
By John Ruskin
CONTENTS
| LECTURE I. | |
| February 8, 1872. | |
| Page | |
|
THE FUNCTION IN ART OF THE FACULTY CALLED BY THE GREEKS oio?a |
1 |
| LECTURE II. | |
| February 10, 1872. | |
|
THE FUNCTION IN SCIENCE OF THE FACULTY CALLED BY THE GREEKS oio?a |
25 |
| LECTURE III. | |
| February 15, 1872. | |
| THE RELATION OF WISE ART TO WISE SCIENCE | 46 |
| LECTURE IV. | |
| February 17, 1872. | |
|
THE FUNCTION IN ART AND SCIENCE OF THE VIRTUE CALLED BY THE GREEKS ouonio?ic |
74 |
| LECTURE V. | |
| February 22, 1872. | |
|
THE FUNCTION IN ART AND SCIENCE OF THE VIRTUE CALLED BY THE GREEKS a?oan?a?a |
89 |
| LECTURE VI. | |
| February 24, 1872. | |
| THE RELATION TO ART OF THE SCIENCE OF LIGHT | 114 |
| LECTURE VII. | |
| February 29, 1872. | |
|
THE RELATION TO ART OF THE SCIENCES OF INORGANIC FORM |
138 |
| LECTURE VIII. | |
| March 2, 1872. | |
|
THE RELATION TO ART OF THE SCIENCES OF ORGANIC FORM |
161 |
| LECTURE IX. | |
| March 7, 1872. | |
|
INTRODUCTION TO ELEMENTARY EXERCISES IN PHYSIOLOGIC ART. THE STORY OF THE HALCYON |
188 |
| LECTURE X. | |
| March 9, 1872. | |
|
INTRODUCTION TO ELEMENTARY EXERCISES IN HISTORIC ART. THE HERALDIC ORDINARIES |
225 |
RUSKIN RELICS
By W. G. Collingwood
Author Of "The Life Of John Ruskin
With Fifty Illustrations By John Ruskin And Others
CONTENTS
| CHAPTER | PAGE | |
| I. | Ruskin's Chair | 1 |
| II. | Ruskin's "Jump" | 13 |
| III. | Ruskin's Gardening | 29 |
| IV. | Ruskin's Old Road | 45 |
| V. | Ruskin's "Cashbook" | 63 |
| VI. | Ruskin's Ilaria | 83 |
| VII. | Ruskin's Maps | 105 |
| VIII. | Ruskin's Drawings | 119 |
| IX. | Ruskin's Hand | 133 |
| X. | Ruskin's Music | 149 |
| XI. | Ruskin's Jewels | 165 |
| XII. | Ruskin's Library | 179 |
| XIII. | Ruskin's Bibles | 193 |
| XIV. | Ruskin's "Isola" | 213 |
| Index | 299 |
ILLUSTRATIONS
| Page | |
| Ruskin's Study at Brantwood | 5 |
| Brantwood Harbour in the Seventies | 17 |
| Coniston Hall and Boathouse | 18 |
| Ruskin's "Jump" adrift off Brantwood | 19 |
| The Ruskin Museum, Coniston | 22 |
| Trial Model for the Jumping Jenny | 25 |
| The Waterfall at Brantwood Door | 33 |
| Ruskin's Reservoir, Brantwood | 37 |
| Ruskin's Moorland Garden | 41 |
| On Ruskin's Old Road, between Morez and Les Rousses, 1882 | 53 |
| Lake of Geneva and Dent d'Oches under the Smoke-cloud | 57 |
| The Gorge of Monnetier and Buttresses of the Salève, 1882 | 61 |
| Mont Blanc clearing; Sallenches, Sept. 1882 | 67 |
| The Head of the Lake of Annecy | 71 |
| The Mont Cenis Tunnel in Snow, Nov. 11, 1882 | 75 |
| A Savoy Town in Snow, Nov. 1882 | 79 |
| The Palace of Paolo Guinigi, Lucca | 87 |
| Ilaria del Carretto; head of the Effigy | 91 |
| Thunderstorm clearing, Lucca | 95 |
| The Marble Mountains of Carrara from the Lucca Hills | 99 |
| Ruskin's first Map of Italy | 108 |
| Geology on the Old Road, by John Ruskin | 109 |
| Sketch of Spain, by John Ruskin | 112 |
| Physical Sketch of Savoy, by John Ruskin | 113 |
| The History of France, by John Ruskin | 117 |
| Early Journal at Coniston, by John Ruskin | 137 |
| Ruskin's Handwriting in 1836 | 139 |
| Ruskin's Handwriting in 1837 | 141 |
| Notes for "Stones of Venice," by John Ruskin | 143 |
| Ruskin's Handwriting in 1875 | 145 |
| Ruskin's Piano in Brantwood Drawing-room | 153 |
| John Ruskin in the Seventies, by Prof. B. Creswick | 157 |
| At Marmion's Grave; air by John Ruskin (two pages of Music) | 160 |
| "Trust Thou Thy Love," facsimile of music by John Ruskin | 163 |
| Gold as it Grows | 169 |
| Native Silver, by John Ruskin | 170 |
| Page from an early Mineral Catalogue, by John Ruskin | 171 |
| Letter on Snow Crystals, by John Ruskin | 174 |
| Diamond Diagrams, by John Ruskin | 175 |
| Ruskin's Swiss Figure | 185 |
| His "Nuremberg Chronicle" and Pocket "Horace" | 189 |
| The Bible from which John Ruskin learnt in Childhood | 197 |
| Sermon-book written by Ruskin as a Boy | 199 |
| Greek Gospels with Annotations by Ruskin | 201 |
| King Hakon's Bible, owned by Ruskin | 203 |
| An Illuminated Page of King Hakon's Bible | 207 |
| Lady Mount Temple, portrait by Edward Clifford | 217 |
| Lady Mount Temple, chalk drawing by G. F. Watts, R.A | 221 |
| Lady Mount Temple, 1886 | 223 |
| Lady Mount Temple, 1889 | 224 |