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Irish Plays and Playwrights

Chapter 3: Illustrations
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About This Book

A survey of the Celtic literary revival as it shaped modern Irish drama, tracing roots in Gaelic legend and folk-song and showing how language, landscape, and national feeling influenced dramatic style. It mixes historical overview with critical portraits of principal dramatists and their plays, discusses players, audiences, and theatrical practice, and profiles younger writers and related figures. Illustrations, commentary, and an appendix of notes collect textual and practical material to map the movement’s themes, artistic aims, and theatrical concerns.

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Title: Irish Plays and Playwrights

Author: Cornelius Weygandt

Release date: August 11, 2006 [eBook #19028]

Language: English

Credits: Produced by Charlene Taylor and the Online Distributed
Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK IRISH PLAYS AND PLAYWRIGHTS ***

Irish Plays And Playwrights

by

Cornelius Weygandt

with illustrations

BOSTON AND NEW YORK

HOUGHTON MIFFLIN COMPANY
The Riverside Press Cambridge

COPYRIGHT, 1913, BY CORNELIUS WEYGANDT
ALL RIGHTS RESERVED
Published February 1913


Preface

There are so many who have helped me with this book that I cannot begin to thank them one by one. If I name any, however, there are four I would name together. There is my old friend, long since dead, Lawrence Kelly, of County Wexford, who first told me Irish folk-stories, adding to the wonderment of my boyhood with his tales of Finn McCool, Dean Swift, and "The Red-haired Man." There is Dr. Robert Ellis Thompson, of Philadelphia, who quickened, by his enthusiasm, over "twenty golden years ago," my interest in all things Irish. There is Dr. Clarence Griffin Child, my colleague, who recognized the power of these men I write of in "Irish Plays and Playwrights" when there were fewer to recognize their power than there are to-day. There is Mr. John Quinn, of New York, without whose aid ten years ago the current Irish dramatic movement would not have progressed as it has. He has lent for reproduction here the sketches by Mr. J.B. Yeats of Synge, Mr. George Moore, and Mr. Padraic Colum. All but all of the writers I mention particularly in these chapters have put me under obligation by cheerful response to many letters full of questions as to their work. Mr. James H. Cousins and Mr. S. Lennox Robinson have taken especial trouble in my behalf, and Lady Gregory, Mr. W.B. Yeats, and Mr. George W. Russell have put themselves out in many ways that I might learn of Irish Letters.

UNIVERSITY OF PENNSYLVANIA, December 28, 1912.



Illustrations