Italian Days and Ways

We then entered a chamber with an air-shaft above, like most of the cubicula, where, on the walls, were a number of Byzantine paintings of St. Urban, St. Cecilia, and a head of Christ. The guide told us that this chamber contained the remains of St. Cecilia until they were removed to the Church of Santa Cecilia in Trastevere. Without a word of warning, Ludovico drew us across the room to a niche in the wall, where we saw, lying upon her side, the loveliest of girlish figures. The first impression, in the semi-obscurity, with all the light falling on the recumbent figure, was that of a veiled woman asleep.

"Santa Cecilia!" said Ludovico, in a hushed voice. Zelphine bent forward as if ready to fall on her knees, when the official guide broke the reverent silence by reciting in a sing-song tone, but in quite comprehensible English:

"This rich Roman lady was sentenced to death by the prefect of Rome because she would not sacrifice to idols. After trying to smother the lady in her own bath, but not succeeding, because the saints were watching over her, a lictor was sent to cut off her head; but the saints took the strength out of his arm and he only wounded her, after which she lived three days preaching to the people. Step nearer and you will see the wound on the lady's neck. It is partially covered by a gold necklace."

In the sixteenth century the tomb of St. Cecilia was opened, and her embalmed body was found, beautiful and perfect, as if asleep in her own bed rather than lying in a tomb. Pope Clement III. and all Rome went to the Catacombs to look upon the saint, and Stefano Maderno, the greatest sculptor of his time, was called upon to model the marble statue of the lovely sleeping saint. Maderno's original statue of St. Cecilia we had seen in the Church of St. Cecilia in Trastevere, and also the artist's inscription, in which he says that he has modelled her in the very same posture of body as that in which she was found lying incorrupt in her tomb. Beautiful as is the marble in the church, it failed to impress us as did this replica in the appropriate setting of the cubiculum.

Tears were in our eyes as we turned away, and I heard Angela say to Ludovico, in her softest tone, "It is the most real thing I have seen in Rome!"

"Ludovico has good reason to be pleased with the success of his strategy," whispered Zelphine, and then, wishing to carry away undisturbed this exquisite memory of St. Cecilia, we made our way out toward the open, where we found our carriage awaiting us.

We were all very subdued, for pleasure-seekers, and were silent as we drove on past the vast tomb of Cæcilia, the daughter of Metellus and the beloved wife of the younger Crassus. Above the inscription are Gallic trophies which belonged to the elder Crassus, who was Cæsar's legate in Gaul. The tomb itself, a great round tower seventy feet in diameter, seems more like a fortress than a tomb, and we were not surprised to learn that the monument of this noble Roman lady had been used as a fortress in the thirteenth century.

Beyond this tomb, whose mystery and charm have inspired many a poet, the natural beauties of the Appian Way begin, as the vineyard walls no longer interrupt the more extended view over the Latin plain, with its ruined castles, villages, and aqueducts. When we had driven past the fifth mile-stone, near which are the tombs of the Horatii and the vast ruins of the Villa of Commodus, we were warned by a delicate, violet mist which was rising over the Campagna that it was time to turn towards Rome. Good Romans tell us that their city is perfectly healthful now, since the marshes have been drained, and so it seems to be; but it is always a question whether it is wise to linger near the Campagna about sunset, as we usually notice a chill dampness in the air at this time.

Thursday, March 31st.

Mrs. M., my old friend Rosalie L., has come from Sorrento to spend Holy Week and Easter with us. Dr. M. has a professional engagement which will detain him for a week or ten days, and in the interim we four are visiting churches most assiduously. There are interesting Tenebræ services in nearly all the churches this week. This rainy afternoon we went to Santa Maria Maggiore, which is one of the most beautiful and harmonious buildings we have seen. The mosaics are very rich, and the Borghese Chapel is gorgeous with precious marbles and alabaster. Here above an altar of jasper and lapis lazuli is the famous picture of the Virgin said to have been painted by St. Luke. It is much revered, not only on account of its origin, but because of its having, according to tradition, stopped the plague in Rome and brought about the overthrow of the Moorish dominion in Spain.

At St. Peter's, where we went later in the afternoon to hear the fine music, a lock of the Virgin's hair was exhibited, a piece of the true cross, and St. Veronica's handkerchief. I trust you will never cross-examine me upon the color of the Virgin's hair, and to forestall any such inquiries, I here frankly confess that I did not really see it, as the sacred relics were displayed from a high balcony over the great statue of St. Veronica. The handkerchief we did see, and the face of the Saviour on it, which was distinct. The basilica, near the high altar, was crowded; poor people and soldiers were kneeling beside richly dressed Roman ladies; many of the forestieri, like ourselves, were standing about, gazing at the strange sights, and some of them, I regret to say, were talking.

Rosalie, Zelphine, and I were interested, as indeed we always are, in watching the poor people, who are so attentive and devout, so much in earnest, coming to their churches as to a home. Groups of little children came in holding each other's hands, some of them bringing with them little toddling things of two and three. The face of one little girl I shall never forget, she was so exquisitely beautiful, with the loveliness of childhood and yet with a womanly seriousness in her dark eyes. Rosalie and I imagined Dante's Beatrice looking something like this little girl, and could understand his cherishing in his heart the image of that woman-child all his days.

Easter Sunday, April 3d.

We are glad to have a bright Easter Day, and enjoy it the more because Holy Week has been dark and rainy. We went to the English Church on the Via del Babuino in the morning, and in the afternoon to St. Peter's, to witness a procession of the priests which was somewhat disappointing. We then turned into the Pincio, which was a blaze of color with Judas-trees, wistaria, roses, and anemones. All Rome was in evidence. This is one of the few days in the year when the King and Queen drive out together in state. Angela and I were too late to see them, but Zelphine was more fortunate, as she passed them when she was driving with her cousins. She thought the Queen exceedingly pretty, youthful, and charming.

The well-to-do people were en voiture drawn up in line, the poor on foot crowding the walks and benches near the music-stand, where the band was playing merrily; a good-natured, cheerful crowd, and gayer, it seemed to me, than the same class of people in Paris. Nothing on the Pincio is more picturesque than the nurses in their full skirts of gay colors, with their luxuriant black hair decorated with bright ribbons and gold combs and pins. They look very stylish carrying the aristocratic bambini on pillows. We are told that these unfortunate babies are still swaddled like those in Della Robbia's terra-cottas.

In the meadows adjoining the Borghese Gardens the students of the different colleges were playing ball. Do you wonder that Italian immigrants find our Sundays insupportably dull? Here it is a fête-day all the year, and to-day being the feast of feasts, the people have come out to enjoy themselves in the sunshine. What would your father think of it all, Allan, and your Scotch grandmother? I could feel the shadow of her displeasure darkening the sunshine as I stood in the midst of this joyous crowd, and yet, after all, it seems an innocent way of spending a beautiful Sunday afternoon.

IX
TU ES PETRUS

Via Sistina, April 7th.

A grand and elaborate Gregorian ceremonial is to be held in St. Peter's on Monday, the eleventh, and, as you may imagine, tout le monde, the small world as well as the great, is rushing after tickets. We were able to secure the white entrance cards from our banker on the Piazza di Spagna, with which we were quite satisfied until Miss Dean, the charming Irish lady who sits next to me at the table d'hôte, showed me a yellow biglietto, which assures her a seat in the tribunes. Since then we have been filled with envy, hatred, malice, and all uncharitableness. We did not at all understand the difference between the white ingresso cards and the yellow until she explained it, with a delicious rolling of the r in ingresso such as even Angela, with all her aptitude for mimicking, is unable to attain. The white tickets simply give one an entrée to the church, the yellow, which come only to the favored few, are for seats in the tribunes. Recalling Madame Waddington's description of her own sufferings and those of the other diplomatic ladies at the coronation of the Czar Alexander III., we earnestly hope that we may be so fortunate as to have seats in one of the tribunes.

Ludovico, who has been rushing hither and thither for several days, trying to secure tickets for us through his godfather, who is one of the Pope's chamberlains, came in this evening, his face flushed with the joy of victory. I knew that he had secured the coveted biglietti, as soon as I saw him. There was, however, a shade of embarrassment in his manner which I could not quite understand. The reason became evident when Ludovico pulled two tickets, instead of three, out of his pocket, explaining with much hesitation that it was impossible to get more than two even from his official godfather, so great was the demand. We all three made haste to say, with proper politeness, that it was a great deal to have two tickets for such an occasion and to ask where was his own; to which he replied that there were no places in the tribunes for men. Did we not see that printed on the biglietti? He would go, of course, and stand about, or secure a perch on one of the great columns.

Although we were perfectly civil in our expressions to Ludovico, and, I trust, sufficiently grateful for a favor to which we could lay no possible claim, we were wondering how we could make two tickets answer for three women, all equally anxious to see the great ceremonies. Unlike the dame who was expected to fry her ten fish in nine separate pans at the same moment, we were unwilling "to give it up," and so continued to discuss the problem after we went to our rooms that night. Zelphine and I said most decidedly that Angela should go, at which she opened her eyes wide and asked why, adding, "I was always told that the older children should go everywhere and the younger ones stay at home, on the same principle as the helping at table. Being one of the older children, this has always seemed to me a perfectly fair arrangement, and I have never doubted the propriety of having my younger brothers eat the drumsticks."

"In the first place," said Zelphine, in her most judicial manner, "as you are so much younger, you will probably live longer to tell the tale."

"I don't think that is much of an argument," replied Angela stoutly. "The young occasionally die, and you are neither of you very aged, and you are both much giddier and more frivolous than I. Indeed, I sometimes wonder——"

You will never know the cause of Angela's wonder, because I interrupted her:

"After all, don't you think we had better consider Ludovico in this matter? Is it likely that he would travel all over Rome for days to get tickets for two old-er women?" I started to say "old," but I saw Zelphine wince, and so compromised on "older." "It is quite natural that a youth like Ludovico should wish to please the young lady of the party, and I must confess that although he handed the tickets to me, he looked at Angela for a smile of thanks, which she never vouchsafed him."

"It wasn't so very much to do," said Angela, laughingly, but with a tone of yielding in her voice. "He had only to go to his godfather and ask him for some tickets."

"Ungrateful child," I exclaimed, "is there any service that you would consider too great to be performed at your behest? I firmly believe that if Ludovico should bring you a wagon-load of roses from Queen Margherita's own garden you would simply raise your eyebrows and say, 'How charming! I never had quite so many roses; I hope you have been at no inconvenience in gathering them.'"

"What a picture!" exclaimed Angela, "and what an imagination you have, Margaret! And what darlings you both are!" With which the spoiled child kissed us both, and dismissed us to our slumbers.

"That is what comes of being a beauty," said Zelphine, "but with Angela's charm and cleverness nothing is really too good for her."

"Zelphine, you are quite as bad as the Italians over Angela's blonde head. I only trust that we may get her home without any love-affairs or duels; but she must go on Monday, coûte que coûte!"

April 10th.

Something has just happened that has forcibly impressed me with the wisdom of your favorite proverb about crossing bridges before one comes to them—a most delightful happening this! Dr. M. came in this evening to say that Rosalie had two tickets for the tribunes, and would I go with her? Of course I accepted with great alacrity, and we are all to set forth together to-morrow. Dr. M. and Ludovico will accompany us to the entrance to the church, when they and the other male barbarians will find such places as they may. I really feel sorry for Dr. M., who may never be here again upon such an occasion; but then he would probably not be willing to change places with any one of us, even with Angela, and I—well, I have never been quite so glad to be a woman as I am now. We do have some privileges, although Miss Susan B. Anthony would say that all of them, when weighed in the balance against the right of suffrage, are lighter than vanity.

Miss Dean informed me at dinner last night that the Earl and Countess of Denbigh, with their two young sons, have come to assist at the service to-morrow. From the expression of awe in her enchanting voice, I am sure that my charming neighbor feels that the pension and everything in it is honored by the presence of this peer and peeress of ancient lineage; but as these noble folk lunch and dine in their own parlor, we have only the uplifting consciousness that they pass through the same hall and go up and down in the same ascenseur (when it runs at all) upon their goings out and comings in. This, however, seems to fill to the brim the cup of content of my Irish friend.

April 11th.

We were all up betimes this morning, and were on our way to St. Peter's before eight o'clock. I must here confess to a quite pardonable pride in the appearance of my companions. Zelphine and Mrs. M., in long black gowns which accentuated their tall slenderness, with handsome lace at the neck and sleeves and the regulation black lace scarf most coquettishly draped over their white pompadours, looked like fair and noble ladies of the court of Louis Quinze on their way to mass at the Sainte Chapelle or Notre Dame. Angela, who owned no black gown, had borrowed one of mine, which she had tucked in and let out and generally readjusted until it became her as everything does that she puts on her graceful figure. The sombreness of her dress and veil served to bring out the gold of the girl's hair and the whiteness of her skin, and with a delicate flush on her cheek, like the inside of a shell, she looked like one of the beings whose name she bears.

Ludovico evidently had the same thought. Touched by the girl's beauty, after the manner of his beauty-loving race, he bent over Angela and repeated the old story of the three prisoners from Britain whose fair faces and blonde heads drew from Pope Gregory the exclamation, "Non Angli sed angeli!" "And this," added Ludovico, devoutly, "as you know, led to the Christianizing of Britain."

By the time Ludovico had finished his story we had reached the Borgo Nuovo. At the Piazza Rusticucci there was so long a line of carriages that we abandoned ours, and passed on foot through Bernini's lofty colonnade, and on by wicked Caligula's grand obelisk out into the vastness of the piazza, spanned to-day by the most perfect of Italian skies, into whose ethereal blueness Maderno's noble fountains were trying which one could throw its spray the highest.

It is a privilege to see St. Peter's at any time, but to see it to-day, with the great piazza filled with soldiers and the vast, surging, swaying throng of people, is an inspiration as well as a joy. The varied uniforms of the soldiers and guards and the gowns of the different seminarists, blue, green, purple, and, above all, the brilliant scarlet gowns of the German students, against the gray background of the great basilica, added much to the picturesqueness of the scene.

At the top of the great steps leading to the vestibule Ludovico begged us to turn for a moment to see the crowd below, a restless sea of heads, an immense concourse of people, but a good-natured crowd to which any one might trust himself with safety. Many tourists, English, French, and German as well as American, went to St. Peter's to-day provided only with the white biglietti of admission, and suffered no inconvenience. I really hesitate to tell you just how many souls are said to have been in the basilica this morning, lest the apparent extravagance of my statement should lead to incredulity in the future; but it is said that there were over 50,000 souls inside the walls.

Dr. M. and Ludovico left us at the south door, and once inside the building we had no difficulty in making our way to the sacristy, and through the gray marble portal, by Romano's statues of St. Peter and St. Paul, and so on to the tribunes in the transept.

Rich silk hangings draped the stone walls and columns, those behind the papal throne being embroidered in ecclesiastical designs. The throne was placed in front of the ancient Chair of St. Peter, and between our seats and the throne was the great high altar, ninety-five feet in height, with its bronze canopy and graceful spiral columns of Bernini, double spirals richly gilded. As the mass was to be celebrated at the high altar and as we were in the fourth row of seats from the front, we were sure of a good view of the Pope. All around us were the Swiss Guards, in the picturesque costume of red, yellow, and black designed by Michael Angelo, and the Pope's Guardia Nobile, with "winged Achillean helmet above the Empire uniform—half Greek, half French, half gods, half dandies," as Mrs. Ward described this guard of young nobles which surrounds the Pope. The uniform of the Gendarme Pontificio is somewhat like that of the old Philadelphia City Troop, a handsome uniform of black and white with an immense shako adorned with a red plume. But most gorgeous of all were the chamberlains, in a costume of black velvet of the period of Philip II., a Spanish dress with a velvet cape thrown over one shoulder, superb lace cuffs and collar and an immense ruff around the neck, and gold cords and chains without end. Zelphine and I fancied our friend Dr. R., who was chamberlain to Pope Leo XIII., figuring in this rich, decorative costume. One of the chamberlains wore a costume of ruby-colored velvet with a sable hood over his shoulders.

It was so interesting to sit still and watch the changing scene before us that the two hours of waiting passed quickly. The Pope's little sisters sat in front of us in the seats nearest to the high altar, but although quite close to us we could not see their faces. They, of course, wore the costume de rigueur for such functions, black gowns, and black lace veils on their heads. During the long wait, an American girl sitting near us told us of her experiences. Not understanding about the costume required, "very stupidly," as she said and as we thought, she appeared in a dark blue suit with a hat to match. The guard refused to admit her, explaining the reason with signs and gestures, pointing at the same time to the veiled ladies passing through the doorway. Then, in a flash, presto change!—our quick-witted countrywoman had taken off her hat and tucked it in the folds of her skirt, having previously denuded it of a black dotted veil which she threw over her head. The guard, lost in wonder at the sudden transformation, was so bedazzled that he did not notice that her gown was blue instead of black, or perhaps he was so sure that she would get in by hook or by crook, that he allowed her to pass, exclaiming, "Ah, these Americans!"

"Something is going to happen," said Angela; "the Swiss Guards are coming." A detachment marched along the central aisle, with cuirass and iron helmet added to their brilliant plumage of every-day wear, and lined up by the papal throne. There was a rustle and stir of expectancy over the vast assemblage, then breathless stillness like the silence of nature before a storm. All eyes strained towards the eastern door, through which entered the gorgeous procession. The Palatine Guard lined the way down the central aisle, some of the Swiss Guard being stationed at different points. First came the Guardia Nobile, then the mitred abbots, the bishops and archbishops in copes and mitres of white and gold, the patriarchs and cardinals, these latter with long capes of cloth of gold worn over their scarlet robes. Then came the canons and monsignori in lace and fur tippets, after them the prince in attendance on the papal throne, Don Filippo Orsini, followed by the secret chamberlains bearing the precious tiaras and mitres covered with gold and jewels. The triple crown, which was borne upon a cushion, was a blaze of the most brilliant jewels, diamonds, emeralds, and rubies, too heavy in its richness to be borne long by any mortal head.

Finally, announced by a blast from the silver trumpets, the Pope appeared, seated in the sedia gestatoria, borne above the heads of the multitude by members of the household in a livery of scarlet cloth, the huge feather fans or flabella being carried on each side. I really did not grasp all these details at first, as the interest all centred in that one august figure. The Pope was pale, and at first appeared to be somewhat agitated. It is said that he very much dislikes to be carried into the church, and it must, indeed, be a trying position. The chair is lifted high above the heads of the people, that every one may see the Holy Father; it is borne along slowly, pausing altogether at intervals. There was a stop near our seats of a minute or more, which gave us an opportunity to see the noble, benevolent face of the one man who stands for so much to millions of the faithful. Less handsome and distinguished in appearance than some of his pictures, Pius X. has that in his face that is worth infinitely more than manly beauty or aristocratic bearing; one cannot look into it without being impressed by his earnestness and sincerity.

It was all perfectly entrancing; the vast crowd of people so still and reverent, and now and again, when the interest was most intense, a subdued murmur, the Pope turning to right and left to give his blessing, just as he appears in the picture I send you. When the Holy Father had been carried to the apse, he descended from the sedia gestatoria and knelt in prayer before St. Peter's Chair. At this moment a bright ray of sunshine fell upon the group of prelates in their rich and varied vestments; the jewels flashed back their many-hued lights, making a gorgeous mass of color, in the midst of which was the white-robed, triple-crowned figure of the kneeling Pope.

In the service that followed we could hear the Pope's voice distinctly when he intoned the Gloria, and we were near enough to the altar to see him give the cardinals the kiss of peace and celebrate the mass.

The Gregorian chants, which Pius X. so much desires to restore to the services of the Catholic Church, do not seem to be popular, especially among musicians; but in this spacious basilica they sounded grand and beautiful as they swelled forth and rose and fell through its lofty arches. Suddenly from Michael Angelo's great dome overhead there issued the exultant strains of the silver trumpets, filling the church with their sweet, penetrating music; the long line of soldiers from the Chair of St. Peter to the eastern door bent the knee, lowering their arms upon the stone pavement with a ringing sound, the mighty congregation bowed or knelt, and we knew that the supreme moment had come for the elevation of the Host upon the high altar. Then there was a solemn stillness, in which one could hear a pin drop, followed by the stir of the rising of the vast audience, like nothing that I can think of save the rustling of the leaves of a forest swept over by an autumn storm.

There was a great deal of antiphonal singing in the service, in which the Holy Father took part; his beautiful voice rang through the church when he chanted the liturgical prayers and the responses in the "Exultate Justi" and the "Filii Jerusalem." The choruses were glorious, about twelve hundred voices, pupils from the seminaries and colleges and from the Schola Cantorum taking part.

After the Pope had given the apostolic benediction and granted plenary indulgence to the faithful, which formula was read by the Cardinal Bishop in a loud voice, he again ascended the gestatorial chair and was borne from the church as he had entered it, slowly, giving the blessing to right and left, amid a subdued murmur, which he himself prevented from rising to applause by placing his finger upon his lip in very decided disapproval. He could not, however, prevent the waving of handkerchiefs and other mute signs of delight. The Holy Father looked much more cheerful on his journey back to the Vatican, as if greatly relieved that the ordeal was nearly over. All eyes eagerly followed the receding figure until the canopied chair passed out of sight behind the heavy damask curtains of the Chapel of the Pietà.

There was stillness for a moment, and then the voices, long silenced, broke forth in exclamations of interest and pleasure and in salutations to friends. All the English and Americans in Rome seemed to be in St. Peter's to-day, and many distinguished Catholics from different parts of the world. A number of persons came forward to speak to the Pope's sisters, who seemed to be holding quite a reception as we passed by them on our way to the doors.

It was good to be in the open again, in the sparkling air and under the shining sun, which is not too hot, only genial and kindly in its warmth in these early April days.

Angela was telling Ludovico how much she had enjoyed the solemn yet brilliant spectacle, and asking him rapid, eager questions about this official and that—questions that Ludovico was only too glad to answer, while he drew her to the other side of the piazza where a German grand duchess and two lesser duchesses were stepping into their coaches. We also had the honor of seeing the Earl and Countess of Denbigh enter their carriage.

"It has all been perfectly delightful; I shall never forget it!" exclaimed Angela, and then turning to me with frankest inconsequence, she said, "Pray let us do something quite different this afternoon!"

Ludovico fortunately did not hear her aside; but Dr. M. did, and, with his ready sense of humor, was vastly entertained, and will never cease to tease Angela about the effect upon her mind of a solemn service in the greatest cathedral in the world.

X
VALE ROMA

Tuesday, April 12th.

The "something quite different" that Zelphine and I consented to do with Angela yesterday afternoon was to go to the Villa Madama. The drive was pleasant, and the villa itself is charmingly situated on one of the precipitous sides of Monte Mario, but alas! when we reached the entrance gate we found it barred and bolted, which shows how important it is to consult guide-books and local itineraries before making these expeditions.

Rosalie, who was with us, spied a man in the grounds, to whom our vetturino called, "Ecco, ecco!"—the ejaculation which corresponds to our "hello," although it is more universal, as it seems to be suited to all occasions, grave or gay. This man proved to be the custodian of the villa. He stated emphatically that the villa was closed and could not be exhibited to-day; but when he caught the gleam of silver in Angela's outstretched hand, he swung the gate open hospitably.

This Medici villa, which was named after a daughter of Charles V. who married Alessandro de' Medici, is not spacious and imposing like the Villa d'Este or the Borghese; but it is an ideal patrician country-seat. We had been reading Marion Crawford's novel in which he describes this villa, restored by the Contessina Cecilia Palladio. So perfect is the vraisemblance of the novelist's picture that when we entered the half-ruinous, deserted house, from whose damp walls the beautiful frescoes are fast fading, we felt a shock of disappointment. Mr. Crawford's glowing description is of the Villa Madama as it should be rather than as it is.

If I were only a multi-millionaire, I would buy this lovely old place and make it the thing of beauty that Mr. Crawford describes. In fact, Rosalie and I sat in the "court of honor" by the old fountain basin, and planned a restoration which we thought even superior to Cecilia Palladio's, with plate-glass sashes in the loggias and steam heat to dry out the dampness and preserve Giulio Romano's wonderful frescoes; comfort as well as beauty would reign in the old villa! When this great work is completed, we four are to meet here every spring in the rose-time; would you like to come, Allan, as our first guest to this château en Espagne?

Angela, in whom the instincts for castle-building and for home-making are sadly wanting, interrupted our day-dreams by reminding us that we were due at a tea, and had barely time to get to the Via Ludovisi by five o'clock. As we passed by the barracks near the Ponte Margherita, our driver motioned toward an approaching carriage—a handsome carriage with liveries and a fine span of horses but no outriders. In the flash of the rapid passing we could only catch a glimpse of two ladies inside; one with fine dark eyes, animated and gracious, attracted us especially.

"The good Queen Mother," said the vetturino, turning to us. "We all love her."

We were glad to have even this fleeting view of the Queen so beloved by the Italians. It is charming to hear them speak of her as they do, not as the Queen Dowager, or the old Queen, but affectionately, as the Queen Mother.

Friday, April 15th.

Mrs. Coxe, with whom we made the excursion to Pæstum, called to see us yesterday morning. We came near losing her visit altogether in this curious, rambling pension, where the drawing-rooms are on the third floor, the dining-room on the fourth, and the bedrooms are scattered over all of the floors. The bell-boy escorted our visitor, in truly foreign fashion, to Zelphine's bedroom on the fourth piano, and as she happened to be in the salon, and there was no boy or bell in sight, Mrs. Coxe set forth on a voyage of discovery, exploring the dining-room and then going down to the smoking-rooms and library until she found the salon, in which we were comfortably seated enjoying our morning mail.

She laughed heartily over our detached way of living, but said she was determined to find us even if she followed us to the cellar, as she was the bearer of an invitation to join a party to be conducted by Monsignor A. through some of the rooms of the Vatican not usually open to visitors. Mrs. Coxe had brought a letter to this gentleman from her parish priest, which was the reason for this courteous invitation in which we were so generously included.

We met the Monsignor and his party near the steps leading to the Sistine Chapel, and were taken through the rooms in which the finest tapestries are kept—immense pieces representing Scripture scenes. These tapestries, which are beautiful, with all the delicacy of painting and the richness of needlework, are only used behind the altar when the Pope celebrates. Monsignor A. told us that the Holy Father never celebrates before a painting, always before tapestry. In another room we saw a man at work upon a large altar-piece, weaving in the colors by hand—a slow process, as you may imagine, but they count years here as we count days.

We were allowed to enter the grand banquet-hall hung with tapestries, in which preparations were being made for a great dinner; handsome glass and plate were on the buffet, looking very secular for il Vaticano. We saw the rooms of one of the old popes, and Monsignor A. showed us the low, broad steps over which the popes used to ride on their white mules from one part of the Vatican to the other. We did not wonder that they were glad to ride through this vast building, as we were tired after we had seen only a small part of it and a few of the eleven thousand rooms. Fancy the extent of this palace, with its museums, libraries, chapels, and suites of apartments, of which we gained some idea from the inner court and galleries.

Monsignor A. proved to be a genial old gentleman who enlivened his discourse with occasional anecdotes, which, delicious as they were in his broken English, would lose something of their flavor if I should undertake to repeat them in less picturesque language. He took us out on the balcony overlooking the piazza, from which the Pope used to give his blessing to the populace on Easter Sunday. The Monsignor said, with some sadness, that this custom belonged to the old régime. We could imagine what the great piazza must have been, filled with devout kneeling figures, and, like the good father, we regretted the passing of this impressive ceremony.

As we were going through one of the large audience-halls, an American lady drew Mrs. Coxe and me aside.

"What shall we do about tipping?" she whispered. "These men," pointing to some attendants, "have been opening doors for us ever since we started. We must fee them, and yet how can we do it without attracting the attention of the Monsignor? Do you think there will be an opportunity to give them something?"

"If there is not," said Mrs. Coxe, promptly, "it will be the first time such a thing ever happened in Italy! I, for one, am quite willing to take my chances on it."

A few minutes later the Monsignor signified that we had completed our tour with him. He courteously hoped that we had been repaid for the fatigue of the many steps we had taken. Then, motioning toward the attendants, he said that we might give them a few soldi for their trouble, adding, simply and naturally, as if the words cost him no effort:

"The keys of the rooms that you have seen are in the charge of a gentleman who lends them to me. When I return them, I should be glad to hand him something to repay him for his kindness. If you feel like giving him a trifle, he and his friends will sit down at a table in some garden, with a bottle of wine before them, and drink to Father A.'s hat." His own hat, of course! Was it not deliciously frank and foreign? Mrs. Coxe glanced triumphantly at us, and Angela was so much amused at the idea of contributing to the convivial pleasures of several unknown gentlemen in return for our privileges at the Vatican that I thought it wise to make our compliments and adieus to the Monsignor as quickly as possible, before she should disgrace the party by unseemly hilarity.

Thursday, April 21st.

This has been a full week, in which there has been little time for letter-writing. Zelphine and I have been driving about making calls and leaving cards upon people who have invited us to their days. Angela flatly refuses to join us, declaring that she did not come to Rome to do the self-same things that she has to do at home. Instead of which, she has been having a gay time with the W.'s from Philadelphia, driving to the "Doria-Pamfili" and going to the races at the Campanelle, for this is the height of the racing season. To-day she went to the Grand Steeplechase of Rome, and had the pleasure of seeing the King and Queen driving in an open carriage drawn by four horses. The Queen gave her own prize, the Queen Elena prize offered to gentlemen riders, and who of all people should get it but the young Roman who nearly ran over Mrs. Robins at the meet! He is a titled personage, the Marquis de B., but as we could not remember his long, unpronounceable name, we have dubbed him the Marquis de Carabas, being more familiar with titles in fairy lore than in real life. Angela says that when Ludovico brought the Marquis de B. to the carriage to speak to her, she was in such terror lest she should call him by our nickname that she was afraid to open her mouth. Fancy Angela afraid to open her mouth under any circumstances! She must have overcome her hesitation, for she afterwards had a long talk with the young Marquis, who took her and Mrs. W. to have tea.

Zelphine and I find that our social duties have their compensations, as we meet such interesting people. I had a long talk with your friend Dr. White at a reception the other evening. He told me that he was publishing his reminiscences of diplomatic life in Russia and Germany. Madame Waddington is here now, and much fêted of course. Mrs. Coxe, who has known her for years, says that she is the same Mary King whom she knew as a school-girl, and is quite as unspoiled by the success of her book as by her diplomatic successes.

One day this week an American friend, who lives here in a beautiful old palace, sent us her box for "Les Huguenots." The box was in the centre of what we call the balcony, near the royal box. We were hoping that the King and Queen would appear, but we have learned since that they seldom go to any plays except those given in their own royal theatre. Otherwise the house was as brilliant as we had expected, and the singing very fine, the choruses unusually strong.

Ludovico brought the Marquis de B. to our box. He has charming manners; indeed, so much manner that one does not get beyond it. I prefer our American heartiness to this studied politeness. Ludovico has asked permission to bring the young Marquis to call on us, assuring us that he belongs to one of the oldest families in Italy. I told him that as a gentleman and his friend the Marquis de B. would be welcome without the glory of an ancient lineage. Ludovico laughed, and said, "Oh, you Americans are so proud—as proud of your democracy as if you were all nobles!"

President Loubet is coming to Rome next Sunday, and the whole city has begun to put on yards of bunting to receive him. These people possess a genius for decoration, and have a clever fashion of hanging bright-colored shawls and bits of carpet out of their windows; the effect is really very good.

Sunday, April 24th.

Rome is en fête to-day, a brilliantly gay city! We were invited to see the reception of M. Loubet from a balcony overlooking the Esedra di Termine, from which we had a fine view of the great concourse of people—a wonderful sight! All the school-children of Rome were seated on stands surrounding the piazza; there were lines and lines of soldiers, cavalry and infantry, and people were standing everywhere except in the space reserved for the carriages; those of the nobility were like gilded Cinderella coaches, their coachmen and footmen in gorgeous livery. The carriage of the Mayor, Prince Prosper Colonna, was especially fine.

The band played the Marcia Reale, a curious little quickstep air, which announced the approach of the expected guest. A troop of cuirassiers opened the way; then came the royal carriage with the red liveries of the house of Savoy, the King and President Loubet seated side by side. Prince Colonna received the distinguished guest with much grace and dignity; the band then struck up the Marseillaise; the applause was wild, vivas, bravos on all sides. These Italians are not, I fancy, devotedly attached to the French Republic or to its President; but like all Latin peoples they delight in a celebration, a general hurrah, martial music, flying banners, and tumultuous applause.

Monday, April 25th.

We have quaffed our last draught from the Fountain of Trevi, thrown a penny into the pool to ensure our return to Rome, and taken a farewell look at Neptune and his floundering steeds. Our trunks are packed, as we had planned to leave Rome this morning, but the men did not come for our boxes, which are to go by petite vitesse to Florence while we loiter by the way in several hill towns. We set forth to discover the reason of the delay, and found the express office closed, all business being suspended during the grand review which is being held on the Piazza d'Armi in honor of the French President. It is evident that we shall have to adapt our movements to those of this worthy gentleman; but after all, this detention cannot be looked upon as an unmixed evil, as it gave us a few hours more in Rome which we spent in the Vatican. After taking a last lingering look at the Apollo and the Laocoon, we had an hour in the Sistine Chapel for the ceiling frescoes of Michael Angelo. To-day being brilliantly clear, the faces and figures stood out as we had never seen them before, and we ended by feeling grateful to M. Loubet, for had he not detained us we might never have so truly appreciated the magnificent Prophets and Sybils, which are difficult to see properly in cloudy weather such as we had during Holy Week.

En Route for Viterbo.

Ludovico and the Marquis de B. were at the station this afternoon to see us off, although they had spent a part of the morning with us. They both brought offerings of flowers, which was certainly a graceful attention on the part of the Marquis, whom we only know casually; but here they offer flowers with almost as little thought as one says good morning in America. Zelphine and I have the dark red ones that we love; Angela's are white and pink. The Marquis paid our youngest and fairest some compliments about the roses matching the color in her cheeks, which served to spread a pink glow all over her face and to make Ludovico angry. It is quite evident that we are not leaving Rome too soon, as these good friends might quarrel if we should stay longer, and my duties as a chaperon would certainly become more arduous. We shall miss Ludovico at every turn, and I flatter myself that he will miss us. We have all so enjoyed our Roman days together, and he and Angela were simply bons camarades, after the comfortable, unsentimental fashion of the modern boy and girl, until the Marquis came into our little circle with his too evident admiration and florid, Continental compliments.

XI
SHORT JOURNEYS

Orvieto, April 27th.

We have been travelling so fast, in the last days, that there has been no time for writing, which is my excuse for not sending you a letter from Viterbo, whose middle-age charms might fill many pages. Now I am writing with the brilliant colors of the façade of Orvieto's great cathedral still dazzling my eyes. We saw it first at sunset, when its exquisite colors were intensified, and glowed in harmony with the delicate rose and rich golden glory of the sky. With its vast mosaic front and exquisite Gothic arches and spires, the Cathedral of Orvieto is the central point of shining light in the old gray-brown town which it crowns. This evening it was like a jewel with a thousand facets gleaming in the sunset light, and, as many travellers have asserted, its immense rose-window above the cathedral portal is in itself worth a journey to Orvieto. This window with the lovely mosaic above it of Christ and the Virgin Mary enthroned and surrounded by angels, all in the softest blue, crimson, and gold, quite enthralled us, and we lingered so long before the cathedral that the sunset colors faded, the delicate hues of the mosaic grew dim, and darkness fell upon the huge mass, wrapping it about as with a garment. "We shall never again see anything so beautiful in this world," said Zelphine, solemnly, as we walked back to our hotel through the narrow, dark streets. And indeed I doubt if we ever shall; to behold a sunset of such brilliancy illuminating a building of beauty so entrancing is something that one need not expect to have repeated in a lifetime.

We intended to come here directly from Rome, a journey of only a few hours; a detour to Montefiascone and Viterbo was decided upon, on the spur of the moment, just before leaving Rome. Zelphine came across some notes about Montefiascone in her Baedeker that reminded her of Mr. Longfellow's description of his visit to the tomb of Johannes Fugger of Augsburg, upon which she insisted that we linger a day and night on our journey hither, in order to visit the sacred city of the Etruscans.

You probably recall the story in "Outre-Mer," and will be laughing at us for going many miles to do honor to the memory of a wine-loving old bishop; but I was glad that we had listened to Zelphine's words of wisdom, as the place itself, quite aside from the strange tomb, is so interesting—a little gray town towering above the green plain, with narrow streets and high stone houses, plastered, to be sure, but still ancient and impressive. Just outside the gate is a small inn, the Aquila Nera, which is said to occupy the site of the shrine of Voltumna, the tutelary goddess of the Etruscans, where the princes of the nation once gathered in council. Here we discharged our vetturino, as this hill town is not adapted to the luxuries of modern transportation, and made our way on foot to the Church of San Flaviano.

We did not, like Mr. Longfellow, make a midnight pilgrimage to Bishop Fugger's tomb; our visit was at high noon. The eleventh-century Church of San Flaviano is unique and imposing, with its huge Romanesque columns, Gothic doorways, and upper and lower buildings. Here before the high altar is a well-worn gravestone with a relief of a bishop in his robes, a goblet on each side of his head, and at his feet the cabalistic words "Est, Est, Est." The remainder of the inscription we could not decipher, but we afterwards learned that it ran thus: