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Jane Cable

Chapter 8: CHAPTER VII — MRS. CABLE ENTERTAINS
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About This Book

A young woman named Jane, raised in comfort amid her parents' rise from humble beginnings, confronts a long-buried family secret that threatens her social standing and romantic prospects. A catastrophic wreck and subsequent separations propel several characters into perilous adventures, including overseas pursuits, a dramatic chase, and a violent struggle within a convent. Encounters with an embittered old clerk and the revelation of a foundling past complicate loyalties, while rescue, loss, and personal reckonings force characters to change. Themes of social ambition, hidden identity, and moral transformation run through a plot that blends romance, suspense, and restorative resolutions.





CHAPTER V — THE BANSEMER CRASH

Twenty long years had passed since David and Frances Cable took their hasty departure—virtually fleeing from New York City, their migrations finally ending in that thriving Western city—Denver. Then, the grime of the engine was on Cable's hands and deep beneath his skin; the roar of iron and steel and the rush of wind was ever in his ears; the quest of danger in his eye; but there was love, pride and a new ambition in his heart. Now, in 1898, David Cable's hands were white and strong; the grime was gone; the engineer's cap had given way to the silk tile of the magnate; and the shovel was a memory.

But his case was not unique in that day and age of pluck and luck. Many another man had gone from the bottom to the top with the speed and security of the elevator car in the lofty "sky-scrapers." In the heartless revolution of a few years, he became the successor of his Western benefactor. The turn that had been kind to him, was unkind to his friend and predecessor; the path that led upward for David Cable, ran the other way for the train-master, who years afterward died in his greasy overalls and the close-fitting cap of an engineer. One night Cable read the news of the wreck with all the joy gone from his heart.

From the cheap, squalid section of town known as "railroad end," Cable's rising influence carried him to the well-earned luxury. The lines of care and toil mellowed in the face of his pretty wife, as the years rolled by; her comely figure shed the cheap raiment of "hard, old days," and took on the plumage of prosperity. Trouble, resentment, and worry disappeared as if by magic, smoothed out by the satiny touch of comfort's fingers. She went upward much faster than her husband, for her ambitions were less exacting. She longed to shine socially—he loathed the thought of it. But Cable was proud of his wife. He enjoyed the transition that lifted her up with steady strength to the plane which fitted her best—as he regarded it. She had stuck by him nobly and uncomplainingly through the vicissitudes; it delighted him to give her the pleasures.

Frances Cable was proud; but she had not been too proud to stand beside the man with the greasy overalls and to bend her fine, young strength to work in unison with his. Together, facing the task, cheerfully, they had battled and won.

There were days when it was hard to smile; but the next day always brought with it a fresh sign of hope. The rough, hard, days in the Far West culminated in his elevation to the office of General Manager of the great railroad system, whose headquarters and home were in the city of Chicago. Attaining this high place two years prior to the opening of this narrative, he was regarded now as one of the brainiest railroad men and slated to be president of the road at the next meeting.

Barely past fifty years of age, David Cable was in the prime of life and usefulness. Age and prosperity had improved him greatly. The iron grey of his hair, the keen brightness of his face, the erect, and soldierly carriage of his person made him a striking figure. His wife, ten years his junior, was one of the most attractive women in Chicago. Her girlish beauty had refined under the blasts of adversity; years had not been unkind to her. In a way, she was the leader of a certain set, but her social ambitions were not content. There was a higher altitude in fashion's realm. Money, influence and perseverance were her allies; social despotism her only adversary.

The tall, beautiful and accomplished daughter of the Cables was worshipped by her father with all the warmth and ardour of his soul. Times there were when he looked in wonder upon this arbiter of not a few manly destinies; and for his life could not help asking himself how the Creator had given him such a being for a child, commenting on the fact that she bore resemblance to neither parent.

For years, Mrs. Cable had lived in no little terror of some day being found out. As the child grew to womanhood, the fears gradually diminished and a sense of security that would not be disturbed replaced them. Then, just as she was reaching out for the chief prizes of her ambition, she came face to face with a man, whose visage she never had forgotten—Elias Droom! And Frances Cable looked again into the old and terrifying shadows!

It was late in the afternoon, and she was crossing the sidewalk to her carriage waiting near Field's, when a man brushed against her. She was conscious of a strange oppressiveness. Before she turned to look at him she knew that a pair of staring eyes were upon her face. Something seemed to have closed relentlessly upon her heart.

One glance was sufficient. The tall, angular form stood almost over her; the two, wide, blue eyes looked down in feigned surprise; the never-to-be-forgotten voice greeted her, hoarsely:

"Good afternoon, Mrs. Cable! And how is the baby?"

"The baby!" she faltered. Struggle against it as she would, a sort of fascination drew her gaze toward the remarkable face of the old clerk. "Why—why—she's very well, thank you," she finally stammered. Her face was as white as a ghost; with a shudder she started to pass him. Droom, blocked the way.

"She was such a pretty little thing, I remember;" and then, insinuatingly: "Where is her father, now?"

"He—Mr. Cable," answered Mrs. Cable, feeling very much as a bird feels when it is charmed by a snake, "why, he's at home, of course."

"Indeed!" was all that Elias Droom said; for she had fled to escape the grin that writhed in and out among the wrinkles of his face.

As her carriage struggled through crowded Washington Street, an irresistible something compelled Frances Cable to glance back. Droom stood on the curb, his eyes following her almost hungrily. Half an hour later, when she reached home, she was in a state of collapse. Although there was no physical proof of the fact, she was positive that Elias Droom had followed her to the very doorstep.

In suspense and dread, she waited for days before there was a second manifestation of Droom. There was rarely a day when she did not expect her husband to stand before her and ask her to explain the story that had been carried to him by a demon in the form of man.

But Droom did not go to David Cable. He went to James Bansemer with the news.

James Bansemer's law and loan offices were not far from the river and, it is sufficient to say, not much farther from State Street. He who knows Chicago well cannot miss the location more than three blocks, either way, if he takes City Hall as a focal point. The office building in which they were located is not a pretentious structure, but its tenants were then and still are regarded as desirable. It may be well to announce that Bansemer, on reaching Chicago, was clever enough to turn over a new leaf and begin work on a clear, white page, but it is scarcely necessary to add that the black, besmirched lines on the opposite side of the sheet could be traced through every entry that went down on the fresh white surface. Bansemer was just as nefarious in his transactions, but he was a thousandfold more cautious. Droom sarcastically reminded him that he had a reputation to protect, in his new field and, besides, as his son was "going in society" through the influence of a coterie of Yale men, it would be worse than criminal to deteriorate.

Bansemer loathed Droom, but he also feared him. He was the only living creature that inspired fear in the heart of this bold schemer. It is true that he feared the effect an exposure might have on the mind of his stalwart son, the boy with his mother's eyes; but he had succeeded so well in blinding the youth in the years gone by, that the prospects of discovery now seemed too remote for concern. The erstwhile New York "shark" was now an eel, wily and elusive, but he was an eel with a shark's teeth and a shark's voraciousness. He had grown old in the study of this particular branch of natural history. Bansemer was fifty-five years old in this year of 1898. He was thinner than in the old New York days, but the bull-like vigour had given way to the wiry strength of the leopard. The once black hair was almost white, and grew low and thick on his forehead. Immaculately dressed, ever straight and aggressive in carriage, he soon became a figure of whom all eyes took notice, even in the most crowded of Chicago thoroughfares.

Graydon Bansemer, on leaving Yale with a diploma and some of the honours of his class, urged his father to take him into his office, and ultimately to make him a partner in the business. James Bansemer never forgot the malicious grin that crossed the face of Elias Droom when the young fellow made the proposition not more than a fortnight before the Bansemer establishment picked itself up and hastily deserted New York. That grin spoke plainer than all the words in language. Take him into the office? Make this honest, grey-eyed boy a partner? It was no wonder that Droom grinned and it is no wonder that he forgot to cover his mouth with his huge hand, as was his custom.

The proposition, while sincere and earnest, was too impossible for words. For once in his life, James Bansemer was at a loss for subterfuge. He stammered, flushed and writhed in the effort to show the young man that the step would be unprofitable, and he was sorely conscious that he had not convinced the eager applicant. He even urged him to abandon the thought of becoming a lawyer, and was ably seconded by Elias Droom, whose opinion of the law, as he had come to know it, was far from flattering.

Just at this time Bansemer was engaged in the most daring as well as the most prodigious "deal" of his long career. With luck, it was bound to enrich him to the extent of $50,000. The plans had been so well prepared and the execution had been so faultless that there seemed to be no possibility of failure. To take his fair-minded son—with the mother's eyes—into the game would be suicidal. The young fellow would turn from him forever. Bansemer never went so far as to wonder whence came the honest blood in the boy's veins, nor to speculate on the origin of the unquestioned integrity. He had but to recall the woman who bore him, the woman whose love was the only good thing he ever knew, the wife he had worshipped while he sinned.

For years and years he had plied his unwholesome trade in reputations, sometimes evading exposure by the narrowest of margins, and he had come to believe that he was secure for all time to come. But it was the "big job" that brought disaster. Just when it looked as though success was assured, the crash came. He barely had time to cover his tracks, throw the figurative pepper into the eyes of his enemies, and get away from the scene of danger. But, he had been clever and resourceful enough to avoid the penalty that looked inevitable and came off with colours trailing but uncaptured.

Perhaps no other man could have escaped; but James Bansemer was cleverest when in a corner. He backed away, held them at bay until he could recover his breath, and then defied them to their teeth. Despite their proof, he baffled them, and virtue was not its own reward—at least in this instance.

In leaving New York, he hoped that Ellas Droom—who knew too much—might refuse to go into the new territory with him, but the gaunt, old clerk took an unnatural and malevolent delight in clinging to his employer. He declined to give up his place in the office, and, although he hated James Bansemer, he came like an accusing shadow into the new offices near the Chicago River, and there he toiled, grinned and scowled with the same old faithfulness.








CHAPTER VI — IN SIGHT OF THE FANGS

At first, it was hard for James Bansemer to believe that his henchman had not been mistaken. Droom's description of the lady certainly did not correspond to what his memory recalled. Investigation, however, assured him that the Cables in the mansion near the lake were the people he had known in New York. Bansemer took no one into his confidence, not even Droom. Once convinced that the erstwhile fireman was now the rich and powerful magnate, he set to work upon the machinery which was to extract personal gain from the secret in his possession. He soon learned that the child was a young woman of considerable standing in society, but there was no way for him to ascertain whether Frances Cable had told the truth to her husband in those dreary Far West days.

Bansemer was rich enough, but avarice had become a habit. The flight from New York had deprived him of but little in worldly goods. His ill-gotten gains came with him; and investments were just as easy and just as safe in Chicago as in New York. Now, he saw a chance to wring a handsome sum from the rich woman whose only possession had been love when he first knew her. If the secret of Jane's origin still remained locked up in her heart, the effort would be an easy one. He learned enough of David Cable, however, to know that if he shared the secret, the plan would be profitless and dangerous.

It was this uncertainty that kept him from calling at the Cable home; likewise, from writing a note which might prove a most disastrous folly. Time and circumstance could be his only friends, and he was accustomed to the whims of both. He read of the dinners and entertainments given by the Cables, and smiled grimly. Time had worked wonders for them! Scandal, he knew, could undo all that ambition and pride had wrought. He could well afford to wait.

However, he did not have long to wait, for his opportunity came one night in Hooley's Theatre. Graydon and he occupied seats in the orchestra, near the stage and not far from the lower right-hand boxes. It was during the busy Christmas holidays, but the "star" was of sufficient consequence to pack the house. The audience was no end of a fashionable one. Time and again, some strange influence drew his gaze to the gay party in one of the lower boxes. The face of the woman nearest to him was not visible; but the two girls who sat forward, turned occasionally to look over the audience; and he saw that they were pretty, one exceptionally so. One of the men was grey-haired and strong-featured; the others were quite too insignificant to be of interest to him. The woman whose back he could see did not look out over the audience. Her indifference was so marked that it seemed deliberate.

At last, he felt that her eyes were upon him; he turned quickly. True enough, for with lips slightly parted, her whole attitude suggestive of intense restraint, Mrs. Cable was staring helplessly into the eyes of the man who could destroy her with a word.

The one thing that flashed through Bansemer's brain was the realisation that she was far more beautiful than he had expected her to be. There was a truly aristocratic loveliness in the rather piquant face, and she undeniably possessed "manner." Maturity had improved her vastly, he confessed with strange exultation; age had been kinder than youth. He forgot the play, seldom taking his eyes from the back which again had been turned to him. Calculating, he reached the conclusion that she was not more than forty years of age. More than once he made some remark to his son, only to surprise that young man glancing surreptitiously at the face of the more beautiful of the two girls. Even in this early stage, James Bansemer began to gloat over the beauty of this new-found, old acquaintance.

In the lobby of the theatre, as they were leaving, he deliberately doffed his hat and extended a pleasant hand to the wife of David Cable. She turned deathly pale and there was a startled, piteous look in her eyes that convinced him beyond all shadow of a doubt. There was nothing for her to do but introduce him to her husband. Two minutes later Graydon Bansemer and Jane Cable, strangers until then, were asking each other how they liked the play, and Fate was at work.

A few weeks after this scene at the theatre young Mr. Bansemer dashed across the hall from the elevator and entered his father's office just as Elias Droom was closing up.

"Where's the governor, Mr. Droom?" he asked, deliberately brushing past the old clerk in the outer office.

"Left some time ago," replied Droom, somewhat ungraciously, his blue eyes staring past the young man with a steadiness that suggested reproach because he was out of the direct line of vision. "It is nearly six o'clock—he's never here after five."

"I know that he—I asked you if you knew of his whereabouts. Do you—or not?" The self-confident, athletic youth did not stand in physical awe of the clerk.

"No," was the simple and sufficient answer.

"Well then—I'm off," said Graydon a trifle less airily.

Droom's overcoat was on and buttoned up to his chin; his long feet were encased in rubbers of enormous size and uncertain age. There must have been no blood in the veins of this grim old man, for the weather was far from cold and the streets were surprisingly dry for Chicago.

"I am closing the office for the day," said Droom. For no apparent reason a smile spread over the lower part of his face and Graydon, bold as he was, turned his eyes away.

"I thought I'd stop in and pick up the governor for a ride home in my motor," said he, turning to the door.

"Yours is one of the first out here, I suppose," came from the thin lips of the old clerk.

Graydon laughed.

"Possibly. The company charges a nickel a ride—half a dime—Going down, sir?" Graydon had rung for the elevator and was waiting in front of the grating.

A look containing a curious compound of affectionate reproach and a certain senile gratification at being made the object of the boy's condescending raillery crossed Droom's countenance. Without, however, answering his question, he slowly and carefully closed the door, tried it vigorously, and joined Bansemer at the shaft. With Droom, words were unnecessary when actions could speak for themselves.

"Still living over in Wells Street, Mr. Droom?" went on Graydon, thoroughly at home with the man whom he had feared and despised by stages from childhood up.

"It's good enough for me," said Droom shortly. "'Tisn't Michigan Avenue, the Drive or Lincoln Park Boulevard, but it's just as swell as I am—or ever hope to be."

"There's nothing against Wells Street but—it got ashamed of itself when it crossed the river."

"They call it Fifth Avenue," sneered Droom, "but it isn't THE Avenue, is it?" Bansemer was surprised to note a tone of affectionate pride in the question.

"No indeed!"

"Oh, there's only one, Mr. Graydon," said the old clerk, quite warmly; "our own Fifth Avenue."

"I had no idea you cared so much for swagger things, Mr. Droom," observed the other, genuinely surprised.

"Even Broadway is heaven to me," said Droom, some of the rasp gone from his voice. "Good-bye; I go this way," he said when they reached the sidewalk a little later. The young man watched his gaunt figure as it slouched away in the semi-darkness.

"By George, the old chap is actually homesick!" muttered he. "I didn't think it was in him."

Droom had rooms over a millinery shop in Wells Street. There was a bedroom at the back and a "living-room" in front, overlooking the street from the third story of the building. Of the bedchamber there is but little to say, except that it contained a bed, a washstand, a mirror, two straight-backed chairs and a clothes-press. Droom went out for his bath—every Saturday night. The "living-room," however, was queer in more ways than one. In one corner, on a chest of drawers, stood his oil stove, while in the opposite corner, a big sheet-iron heater made itself conspicuous. Firewood was piled behind the stove winter and summer, Droom lamenting that one could not safely discriminate between the seasons in Chicago. The chest of drawers contained his stock of provisions, his cooking and table utensils, his medicine and a small assortment of carpenter's tools. He had no use for an icebox.

A bookcase, old enough to warm the heart of the most ardent antiquarian, held his small and unusual collection of books. Standing side by side, on the same shelf, were French romances, unexpurgated, and the Holy Bible, much bethumbed and pencilled. There were schoolbooks alongside of sentimental love tales, Greek lexicons and quaint old fairy stories, law books and works on criminology; books on botany, geology, anatomy, and physics. In all, perhaps, there were two hundred volumes. A life of Napoleon revealed signs of almost constant usage. There were three portraits of the Corsican on the dingy green walls.

The strange character of the man was best shown by the pictures that adorned—or rather disfigured the walls. Vulgar photographs and prints were to be seen on all sides. Mingled with these cheap creations were excellent copies of famous Madonnas, quaint Scriptural drawings, engravings of the Saviour, and an allegorical coloured print which emphasised the joys of heaven. There was also a badly drawn but idealised portrait of Droom, done in crayon at the age of twenty. This portrait was one of his prized possessions. He loved it best because it was a bust and did not expose his longitudinal defects. If Droom ever had entertained a feminine visitor in his apartments, there is no record of the fact. But few men had seen the interior of his home, and they had gone away with distressed, perplexed sensibilities.

He cooked his own meals on the oil stove, and, alone, ate them from the little table that stood near the heater. Occasionally, he went out to a near-by eating house for a lonely feast. His rooms usually reeked with the odour of boiled coffee, burnt cabbage and grease, pungent chemicals and long-suffering bed linen. Of his "front" room, it may be said that it was kitchen, dining-room, parlour, library, workshop, laboratory and conservatory. Four flower-pots in which as many geraniums existed with difficulty, despite Droom's constant and unswerving care, occupied a conspicuous place on the window-sills overlooking the street. He watched aver them with all the tender solicitude of a lover, surprising as it may appear when one pauses to consider the vicious exterior of the man.

Droom was frugal. He was, in truth, a miser. If anyone had asked him what he expected to do with the money he was putting away in the bank, he could not have answered, calculating as he was by nature. He had no relative to whom he would leave it and he had no inclination to give up the habit of active employment. His salary was small, but he managed to save more than half of it—for a "rainy day," as he said. He did his reading and experimenting by kerosene light, and went to bed by candle light, saving a few pennies a week in that way. The windows in his apartment were washed not oftener than once a year. He was seldom obliged to look through them during the day, and their only duty at night was to provide ventilation—and even that was characteristically meagre.

He was a man of habit—not habits. A pipe at night was his only form of dissipation. It was not too far for him to walk home from the office of evenings, and he invariably did so unless the weather was extremely unpleasant. So methodical was he that he never had walked over any other bridge than the one in Wells Street, coming and going.

Past sixty-five years of age. Broom's hair still was black and snaky; his teeth were as yellow and jagged as they were in the seventies, and his eyes were as blue and ugly as ever. He had not aged with James Bansemer. In truth, he looked but little older then when we made his acquaintance. The outside world knew no more of Droom's private transactions than it knew of Bansemer's. Up in the horrid little apartment in Wells Street the queer old man could do as he willed, unobserved and unannoyed. He could pursue his experiments with strange chemicals, he could construct odd devices with his kit of tools, and he could let off an endless amount of inventive energy that no one knew he possessed.

When he left Graydon Bansemer on the sidewalk in front of the office building, he swung off with his long strides towards the Wells Street bridge. His brain had laid aside everything that had occupied its attention during office hours and had given itself over to the project that hastened his steps homeward. His supper that night was a small one and hurriedly eaten in order that he might get to work on his new device. Droom grinned and cackled to himself all alone up there in the lamplight, for he was perfecting an "invention" by which the honest citizen could successfully put to rout the "hold-up" man that has made Chicago famous.

Elias Droom's inventive genius unfailingly led him toward devices that could inflict pain and discomfiture. His plan to get the better of the wretched, hard-working hold-up man was unique, if not entirely practical. He was constructing the models for two little bulbs, made of rubber and lined with a material that would resist the effects of an acid, no matter how powerful. On one end of each bulb, which was capable of holding at least an ounce of liquid, there was a thin syringe attachment, also proof against acids. These little bulbs were made so that they could be held in the palm of the hand. By squeezing them suddenly a liquid could be shot from the tube with considerable force.

The bulbs were to contain vitriol.

When the hold-up man gave the command to "hold up your hands," the victim had only to squeeze the bulb as the hands went up, and, if accurately aimed, the miscreant would get the stream of the deadly vitriolic fluid in his eyes and—here endeth the first lesson. Experience alone could do the rest.

Young Bansemer hurried to their apartments on the North Side. He found his father dressed and ready to go out to dinner.

"Well, how was everything to-day?" asked James Bansemer from his easy chair in the library. Graydon threw his hat and gloves on the table.

"Terribly dull market, governor," he said. "It's been that way for a week. How are you feeling?"

"Fit to dine with a queen," answered the older man, with a smile. "How soon can you dress for dinner, Gray?"

"That depends on who is giving the dinner."

"Some people you like. I found the note here when I came in a little after five. We have an hour in which to get over there. Can you be ready?"

"Do you go security for the affair?" asked Graydon.

"Certainly. You have been there, my boy, and I've not heard you complain."

"You mean over at—-"

"Yes, that's where I mean," said the other, breaking in quietly.

"I think I can be ready in ten minutes, father."

While he was dressing, his father sat alone and stared reflectively at the small blue gas blaze in the grate. A dark, grim smile unconsciously came over his face, the inspiration of a triumphant joy. Twice he read the dainty note that met him on his return from the office.

"What changes time can make in woman!" he mused; "and what changes a woman can make in time! For nearly a year I've waited for this note. I knew it would come—it was bound to come. Graydon has had everything up to this time, while I have waited patiently in the background. Now, it is my turn."

"All right, father," called Graydon from the hall. "The cab is at the door."

Together they went down the steps, arm in arm, strong figures.

"To Mr. David Cable's," ordered Bansemer, the father, complacently, as he stepped into the carriage after his son.








CHAPTER VII — MRS. CABLE ENTERTAINS

James Bansemer had not recklessly rushed into Mrs. Cable's presence with threats of exposure; but on the contrary, he had calmly, craftily waited. It suited his purpose to let her wonder, dread and finally develop the trust that her secret was safe with him. Occasionally, he had visited the Cable box in the theatre; not infrequently he had dined with them in the downtown cafes and at the homes of mutual acquaintances; but this was the first time that James Bansemer had enjoyed the hospitality of Frances Cable's home. His son, on the best of terms with their daughter, was a frequent visitor there.

There was a rare bump of progressiveness in the character of Graydon Bansemer. He was good-looking enough beyond doubt, and there was a vast degree of personal magnetism about him. It seemed but natural that he should readily establish himself as a friend and a favourite of the fair Miss Cable. For some time, James Bansemer had watched his son's progress with the Cable family, not once allowing his personal interest to manifest itself. It was but a question of time until Mrs. Cable's suspense and anxiety would bring her to him, one way or another. Every word that fell from the lips of his son regarding the Cables held his attention, and it was not long before he saw the family history as clearly as though it were an open book—and he knew far more than the open book revealed.

Frances Cable was not deluded by his silence and aloofness; but she was unable to devise means to circumvent him. Constant fear of his power to crush lurked near her day and night. Conscious of her weakness, but eager to have done with the strife, sometimes she longed for the enemy to advance. At first, she distrusted and despised the son, but his very fairness battered down the barriers of prejudice, and real admiration succeeded. Her husband liked him immensely, and Jane was his ablest ally. David Cable regarded him as one of the brightest, young men on the Stock Exchange, and predicted that some day he would be an influential member of the great brokerage firm for which he now acted as confidential clerk. Mr. Clegg, the senior member of the firm of Clegg, Groll & Davidson, his employers, personally had commended young Bansemer to Cable, and he was properly impressed.

Graydon's devotion to Jane did not go unnoticed. This very condition should have assured Mrs. Cable that James Bansemer had kept her secret zealously. There was nothing to indicate that the young man knew the story of the foundling.

It was not until some weeks after the chance meeting in Hooley's Theatre that Mrs. Cable came into direct contact with James Bansemer's designs. She had met him at two or three formal affairs, but their conversations had been of the most conventional character; on the other hand, her husband had lunched and dined at the club with the lawyer. At first, she dreaded the outcome of these meetings, but as Cable's attitude towards her remained unchanged, she began to realise that Bansemer, whatever his purpose, was loyal.

They met at last, quite informally, at Mrs. Clegg's dinner, a small and congenial affair. When the men came into the drawing-room, after the cigars, Mrs. Cable, with not a little trepidation, motioned to Mr. Bansemer to draw up his chair beside her.

"I have been looking forward with pleasure to this opportunity, Mr. Bansemer," she said, in a courteously acidulated way. "It has been so long in coming."

"Better late than never," he returned, with marked emphasis. Fortunately, for her, the challenging significance of his words was quickly nullified by the smile with which she was almost instantly favoured. "Twenty years, I believe—it certainly came very near being 'never,'" he went on, abruptly changing from harsh to the sweetest of tones. "No one could believe that you—you're simply wonderful!" and added, pointedly, "But your daughter is even more beautiful, if such is possible, than her—her mother."

Apparently, the innuendo passed unnoticed; in reality, it required all her courage to appear calm.

"How very nice of you," she said softly; and looking him full in the face: "Her mother thanks you for the compliment."

It was a brave little speech; such bravery would have softened a man of another mould—changed his purpose. Not so with Bansemer. A sinister gleam came into his eyes and his attack became more brutally direct.

"But the husband—has he never mistrusted?"

The blow told, though her reply was given with rippling laughter and for the benefit of any chance listeners.

"For shame, Mr. Bansemer!" she cried lightly; "after flattering me so delightfully, you're surely not going to spoil it all?"

Despite his growing annoyance, admiration shone clearly from Bansemer's eyes. His memory carried him, back some twenty years to the scene in his office. Was it possible, he was thinking, that the charming woman before him exercising so cleverly all the arts of society, as if born to the purple, and the light-headed, frivolous, little wife of the Central's engineer were one and the same person? The metamorphosis seemed incredible.

Unwittingly, his manner lost some of its aggressiveness; and the woman perceiving the altered conditions, quick to take advantage, resolved to learn, if possible his intentions. Presently, going right to the point, she asked:

"Is that extraordinary looking creature you had in your office still with you, Mr. Bansemer?"

"Extraordinary!" He laughed loudly. "He is certainly that, and more. Indeed, the English language does not supply us with an adjective that adequately describes the man."

The people nearest to them, by this time, had moved away to another part of the large drawing-room; practically, the couple were by themselves. She had been thinking, for a moment, reasoning with a woman's logic that it was always well to know one's enemy. When she next spoke, it was almost in a whisper.

"How much does that terrible man know?"

"He is not supposed to know anything;" and then, with an enigmatical smile, promptly admitted: "However, I'm afraid that he does."

"You have told him? And yet, you promised nobody should know. How could—-"

"My dear Mrs. Cable, he was not told; if he has found out—I could not prevent his discovering the truth through his own efforts," he interrupted in a tone more assuaging than convincing to her; and then, hitching his chair closer, and lowering his voice a note, he continued: "The papers had to be taken out—but you must not worry about him—you can depend on me."

"Promise me that you will make him—I am so fearful of that awful—-" she broke off abruptly. Her fears were proving too much for her, and she was in imminent danger of a complete breakdown; all the veneer with which she had bravely commenced the interview had disappeared.

Bansemer endeavoured to soothe her with promises; but the poor woman saw only his teeth in the reassuring smile that he presented to her, together with the warnings that they were likely to be observed. With the hardest kind of an effort, she succeeded in pulling herself together sufficiently to bid good-night to her hostess.

When Mrs. Cable reached home that night, it was a full realisation that she was irrevocably committed into the custody of these cold-blooded men.

They met again and again at the homes of mutual friends, and she had come to loathe the pressure of his hand when it clasped hers. The undeniable caress in his low, suggestive voice disturbed her; his manner was unmistakable. One night he held her hand long and firmly in his, and while she shrank helplessly before him he even tenderly asked why she had not invited him into her home. It was what she had expected and feared. Her cup of bitterness was filling rapidly—too rapidly. His invitation to dinner a fortnight later, followed.

Jane Cable was radiant as she entered the drawing-room shortly after the arrival of the two Bansemers.

"It's quite like a family party! How splendid!" she said to Graydon with a quick glance in the direction of James Bansemer and David Cable, who stood conversing together, and withdrawing her soft, white hand, which she had put forth to meet his in friendly clasp. "It's too good to be true!" she went on in a happy, spontaneous, almost confiding manner.

The two fathers looked on in amused silence, the one full of admiration and pride for the clean, vigorous manhood of his son awaiting to receive welcome from the adorable Jane; the other, long since conscious of the splendid beauty of his daughter, mentally declaring that she never had appeared so well as when standing beside this gallant figure.

Other guests arrived before Mrs. Cable made her appearance in the drawing-room. She had taken more time than usual with her toilet. It was impossible for her to hide the fact that the strain was telling on her perceptibly. The face that looked back into her eyes from the mirror on her dressing-table was not the fresh, warm one that had needed so little care a few short months before. There was a heaviness about the eyes and there were strange, persistent lines gathering under the soft, white tissues of her skin. But when she at last stepped into the presence of her guests, with ample apologies for her tardiness, she was the picture of life and nerve. So much for the excellent resources of her will.

Bansemer was the last to present himself for her welcome, lingering in the background until the others had passed.

"I'm so glad you could come. Indeed, it's a pleasure to—-" She spoke clearly and distinctly as she extended her hand; but as she looked squarely into his eyes she thought him the ugliest man she ever had seen. Every other woman in the party was saying to herself that James Bansemer was strikingly handsome.

"Most pleasures come late in life to some of us," he returned, gallantly, and even Graydon Bansemer wished that he could have said it.

"Your father is a perfect dear," Jane said to him, softly. "It was not what he said just then that pleased me, but what he left unsaid."

"Father's no end of a good fellow, Jane. I'm glad you admire him."

"You are not a bit like him," she said reflectively.

"Thanks," he exclaimed. "You are not very flattering."

"But you are a different sort of a good fellow, that's what I mean. Don't be absurd," she cried in some little confusion.

"I'm like my mother, they say, though I don't remember her at all."

"Oh, how terrible it must be never to have known one's mother," said she tenderly.

"Or one's father," added James Bansemer, who was passing at that instant with Mrs. Cable. "Please include the father, Miss Cable," he pleaded with mock seriousness. Turning to Mrs. Cable, who had stopped beside him, he added: "You, the most charming of mothers, will defend the fathers, won't you?"

"With all my heart," she answered so steadily that he was surprised.

"I will include the father, Mr. Bansemer," said Jane, "if it is guaranteed that he possibly could be as nice and dear as one's mother. In that case, I think it would be—oh, dreadfully terrible never to have known him."

"And to think, Miss Cable, of the unfortunates who have known neither father nor mother," said Bansemer, senior, slowly, relentlessly. "How much they have missed of life and love!"

"That can be offset somewhat by the thought of the poor parents who never have known a son or a daughter," said Jane.

"How can they be parents, then?" demanded Bobby Rigby, coming up in time.

"Go away, Bobby," she said scornfully.

"That's a nice way to treat logic," he grumbled, ambling on in quest of Miss Clegg.

"The debate will become serious if you continue," said Mrs. Cable lightly. "Come along, Mr. Bansemer; Mrs. Craven is waiting."

When they were across the room and alone, she turned a white face to him and remonstrated bitterly: "Oh, that was cowardly of you after your promise to me!"

"I forgot myself," he said quietly. "Don't believe me to be utterly heartless." His hand touched her arm. Instantly her assumed calm gave way to her deep agitation, and with a swift change of manner, she turned on him, her passion alight.

"You—-!" she stammered; then her fears found voice. "What do you mean?" she demanded in smothered, alarmed tones.

He desisted savagely and shrank away, the colour flaming into his disgusted, saturnine face. He did not speak to her again until he said good-bye long afterward.

As he had expected, his place at the dinner-table was some distance from hers. He was across the table from Jane and Graydon, and several seats removed from. David Cable. He smiled grimly and knowingly when he saw that he had been cut off cleverly from the Cables.

"To-morrow night, then, Jane!" said Graydon at parting. No one was near enough to catch the tender eagerness in his voice, nor to see the happy flush in her cheek as she called after him:

"To-morrow night!"