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Japanese Colour-Prints and Their Designers cover

Japanese Colour-Prints and Their Designers

Chapter 47: ANDO HIROSHIGE
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About This Book

An illustrated lecture and catalogue examines the history, aesthetics, and makers of Japanese colour prints, tracing their roots to ancient Chinese painting and the adaptation of classical conventions by Japanese schools. It surveys social and economic changes that fostered a popular print culture, outlines technical and stylistic developments within the ukiyo-e tradition, and profiles leading designers and representative sheets. The text pairs critical discussion of principles and visual analysis with a descriptive catalogue of loaned colour-prints and reproductions to guide readers through the genre's major themes, artists, and characteristic subjects.

ANDO HIROSHIGE

The last great artist of the Ukiyoé school, and a consummate master of landscape art. Born in 1797 and died on October 12, 1858.

LENT BY HAMILTON EASTER FIELD.

220 A cold morning at Shono, on the To̅kaido̅.
221 View of Fuji san from Goyo.
222 Pine trees on the shore at Hamamatsu.
223 Flying kites at Fukuroi.
224 The “fox fires” at O̅ji.
225 Kinryusan, Asakusa, in snow.
226 The fields back of Asakusa seen from a window through which a white cat is looking out.
227 Travellers in snow at Ishiyakushi.
HIROSHIGE. Pines at Hammamatsu.

LENT BY ALBERT GALLATIN.

228 Evening rain at Azumasha.
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LENT BY A COLLECTOR

229 Autumn moon over the river Tama.
230 The evening glow at Setta.
231 The crowd in Ni Cho̅ (Second Street) at night. At the right is the Ichimura theatre, upon which and upon the tea-house across the way are tall signs advertising plays and actors.
232 Aowi and bird.
233 Pheasant and young pine trees upon a steep hillside.
234 Raftsman on the Sumida river in a snow storm.

LENT BY HOWARD MANSFIELD.

235 Shower at Sho̅no.
236 Gyo̅toku; boats returning.