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Jill the Reckless

Chapter 77: THE END
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About This Book

The narrative follows a spirited young woman who moves through precarious circumstances, domestic upheavals, and awkward romantic prospects within an urbane social circle. Eccentric relatives, bemused servants, and competing suitors create a sequence of misunderstandings, comedic confrontations, and reversals that propel episodic set pieces. Shifts between genteel drawing rooms and humbler lodgings highlight witty observations on manners and class, while the prose balances farcical incidents with affectionate portraiture, leading to clarified relationships and reconciled tensions by the end.

"Oh!" Derek dismissed Lady Underhill with a grand gesture.

"Yes," persisted Jill, "but, if she disapproved of your marrying me before, wouldn't she disapprove a good deal more now, when I haven't a penny in the world and am just in the chorus...."

A sort of strangled sound proceeded from Derek's throat.

"In the chorus!"

"Didn't you know? I thought Freddie must have told you."

"In the chorus!" Derek stammered. "I thought you were here as a guest of Mrs. Peagrim's."

"So I am—like all the rest of the company."

"But.... But...."

"You see, it would be bound to make everything a little difficult," said Jill. Her face was grave, but her lips were twitching. "I mean, you are rather a prominent man, aren't you, and if you married a chorus-girl...."

"Nobody would know," said Derek limply.

Jill opened her eyes.

"Nobody would know!" She laughed. "But, of course, you've never met our Press-agent. If you think that nobody would know that a girl in the company had married a baronet who was a member of parliament and expected to be in the Cabinet in a few years, you're wronging him! The news would be on the front page of all the papers the very next day—columns of it, with photographs. There would be articles about it in the Sunday papers. Illustrated! And then it would be cabled to England and would appear in the papers there.... You see, you're a very important person, Derek."

Derek sat clutching the arms of his chair. His face was chalky. Though he had never been inclined to underestimate his importance as a figure in the public eye, he had overlooked the disadvantages connected with such an eminence. He gurgled wordlessly. He had been prepared to brave Lady Underhill's wrath and assert his right to marry whom he pleased, but this was different.

Jill watched him curiously and with a certain pity. It was so easy to read what was passing in his mind. She wondered what he would say, how he would flounder out of his unfortunate position. She had no illusions about him now. She did not even contemplate the possibility of chivalry winning the battle which was going on within him.

"It would be very awkward, wouldn't it?" she said.

And then pity had its way with Jill. He had treated her badly; for a time she had thought that he had crushed all the heart out of her: but he was suffering, and she hated to see anybody suffer.

"Besides," she said, "I'm engaged to somebody else."

As a suffocating man, his lips to the tube of oxygen, gradually comes back to life, Derek revived—slowly as the meaning of her words sank into his mind, then with a sudden abruptness.

"What?" he cried.

"I'm going to marry somebody else. A man named Wally Mason."

Derek swallowed. The chalky look died out of his face, and he flushed hotly. His eyes, half relieved, half indignant, glowed under their pent-house of eyebrow. He sat for a moment in silence.

"I think you might have told me before!" he said huffily.

Jill laughed.

"Yes, I suppose I ought to have told you before."

"Leading me on...!"

Jill patted him on the arm.

"Never mind, Derek! It's all over now. And it was great fun, wasn't it!"

"Fun!"

"Shall we go and dance? The music is just starting."

"I won't dance!"

Jill got up.

"I must," she said. "I'm so happy I can't keep still. Well, good-bye, Derek, in case I don't see you again. It was nice meeting after all this time. You haven't altered a bit!"

Derek watched her flit down the aisle, saw her jump up the little ladder on to the stage, watched her vanish into the swirl of the dance. He reached for a cigarette, opened his case, and found it empty. He uttered a mirthless, Byronic laugh. The thing seemed to him symbolic.

III

Not having a cigarette of his own, Derek got up and went to look for the only man he knew who could give him one: and after a search of a few minutes came upon Freddie all alone in a dark corner, apart from the throng. It was a very different Freddie from the moody youth who had returned to the box after his conversation with Uncle Chris. He was leaning against a piece of scenery with his head tilted back and a beam of startled happiness on his face. So rapt was he in his reflections that he did not become aware of Derek's approach until the latter spoke.

"Got a cigarette, Freddie?"

Freddie withdrew his gaze from the roof.

"Hullo, old son! Cigarette? Certainly and by all means. Cigarettes? Where are the cigarettes? Mr. Rooke, forward! Show cigarettes." He extended his case to Derek, who helped himself in sombre silence, finding his boyhood's friend's exuberance hard to bear. "I say, Derek, old scream, the most extraordinary thing has happened! You'll never guess. To cut a long story short and come to the blow-out of the scenario, I'm engaged! Engaged, old crumpet! You know what I mean—engaged to be married!"

"Ugh!" said Derek gruffly, frowning over his cigarette.

"Don't wonder you're surprised," said Freddie, looking at him a little wistfully, for his friend had scarcely been gushing, and he would have welcomed a bit of enthusiasm. "Can hardly believe it myself."

Derek awoke to a sense of the conventions.

"Congratulate you," he said. "Do I know her?"

"Not yet, but you will soon. She's a girl in the company—in the chorus as a matter of fact. Girl named Nelly Bryant. An absolute corker. I'll go further—a topper. You'll like her, old man."

Derek was looking at him, amazed.

"Good Heavens!" he said.

"Extraordinary how these things happen," proceeded Freddie. "Looking back, I can see, of course, that I always thought her a topper, but the idea of getting engaged—I don't know—sort of thing that doesn't occur to a chappie, if you know what I mean. What I mean to say is, we had always been the greatest of pals and all that, but it never struck me that she would think it much of a wheeze getting hooked up for life with a chap like me. We just sort of drifted along and so forth. All very jolly and what not. And then this evening—I don't know. I had a bit of a hump, what with one thing and another, and she was most dashed sweet and patient and soothing and—and—well, and what not, don't you know, and suddenly—deuced rummy sensation—the jolly old scales seemed to fall, if you follow me, from my good old eyes; I don't know if you get the idea. I suddenly seemed to look myself squarely in the eyeball and say to myself, 'Freddie, old top, how do we go? Are we not missing a good thing?' And, by Jove, thinking it over, I found that I was absolutely correct-o! You've no notion how dashed sympathetic she is, old man! I mean to say, I had this hump, you know, owing to one thing and another, and was feeling that life was more or less of a jolly old snare and delusion, and she bucked me up and all that, and suddenly I found myself kissing her and all that sort of rot, and she was kissing me and so on and so forth, and she's got the most ripping eyes, and there was nobody about, and the long and the short of it was, old boy, that I said, 'Let's get married!' and she said, 'When?' and that was that, if you see what I mean. The scheme now is to pop down to the City Hall and get a licence, which it appears you have to have if you want to bring this sort of binge off with any success and vim, and then what ho for the padre! Looking at it from every angle, a bit of a good egg, what? Happiest man in the world, and all that sort of thing."

At this point in his somewhat incoherent epic Freddie paused. It had occurred to him that he had perhaps laid himself open to a charge of monopolising the conversation.

"I say! You'll forgive my dwelling a bit on this thing, won't you? Never found a girl who would look twice at me before, and it's rather unsettled the old bean. Just occurred to me that I may have been talking about my own affairs a bit. Your turn now, old thing. Sit down, as the blighters in the novels used to say, and tell me the story of your life. You've seen Jill, of course?"

"Yes," said Derek shortly.

"And it's all right, eh? Fine! We'll make a double wedding of it, what? Not a bad idea, that! I mean to say, the man of God might make a reduction for quantity and shade his fee a bit. Do the job half price!"

Derek threw down the end of his cigarette, and crushed it with his heel. A closer observer than Freddie would have detected long ere this the fact that his demeanour was not that of a happy and successful wooer.

"Jill and I are not going to be married," he said.

A look of blank astonishment came into Freddie's cheerful face. He could hardly believe that he had heard correctly. It is true that, in gloomier mood, he had hazarded the theory to Uncle Chris that Jill's independence might lead her to refuse Derek, but he had not really believed in the possibility of such a thing even at the time, and now, in the full flood of optimism consequent on his own engagement, it seemed even more incredible.

"Great Scott!" he cried. "Did she give you the raspberry?"

It is to be doubted whether the pride of the Underhills would have permitted Derek to reply in the affirmative, even if Freddie had phrased his question differently; but the brutal directness of the query made such a course impossible for him. Nothing was dearer to Derek than his self-esteem, and, even at the expense of the truth, he was resolved to shield it from injury. To face Freddie and confess that any girl in the world had given him, Derek Underhill, what he coarsely termed the raspberry was a task so revolting as to be utterly beyond his powers.

"Nothing of the kind!" he snapped. "It was because we both saw that the thing would be impossible. Why didn't you tell me that Jill was in the chorus of this damned piece?"

Freddie's mouth slowly opened. He was trying not to realize the meaning of what his friend was saying. His was a faithful soul, and for years—to all intents and purposes for practically the whole of his life—he had looked up to Derek and reverenced him. He absolutely refused to believe that Derek was intending to convey what he seemed to be trying to convey; for, if he was, well ... by Jove ... it was too rotten and Algy Martyn had been right after all and the fellow was simply....

"You don't mean, old man," said Freddie with an almost pleading note in his voice, "that you're going to back out of marrying Jill because she's in the chorus?"

Derek looked away, and scowled. He was finding Freddie, in the capacity of inquisitor, as trying as he had found him in the rôle of exuberant fiancé. It offended his pride to have to make explanations to one whom he had always regarded with a patronizing tolerance as not a bad fellow in his way but in every essential respect negligible.

"I have to be sensible," he said, chafing as the indignity of his position intruded itself more and more. "You know what it would mean.... Paragraphs in all the papers.... photographs ... the news cabled to England ... everybody reading it and misunderstanding.... I've got my career to think of.... It would cripple me...."

His voice trailed off, and there was silence for a moment. Then Freddie burst into speech. His good-natured face was hard with unwonted scorn. Its cheerful vacuity had changed to stony contempt. For the second time in the evening the jolly old scales had fallen from Freddie's good old eyes, and, as Jill had done, he saw Derek as he was.

"My sainted aunt!" he said slowly. "So that's it, what? Well, I've always thought a dashed lot of you, as you know. I've always looked up to you as a bit of a nib and wished I was like you. But, great Scott! if that's the sort of a chap you are, I'm deuced glad I'm not! I'm going to wake up in the middle of the night and think how unlike you I am and pat myself on the back! Ronny Devereux was perfectly right. A tick's a tick, and that's all there is to say about it. Good old Ronny told me what you were, and, like a silly ass, I wasted a lot of time trying to make him believe you weren't that sort of chap at all. It's no good standing there looking like your mother," said Freddie firmly. "This is where we jolly well part brass-rags! If we ever meet again, I'll trouble you not to speak to me, because I've a reputation to keep up! So there you have it in a bally nutshell!"

Scarcely had Freddie ceased to administer it to his former friend in a bally nutshell, when Uncle Chris, warm and dishevelled from the dance as interpreted by Mrs. Waddesleigh Peagrim, came bustling up, saving Derek the necessity of replying to the harangue.

"Well, Underhill, my dear fellow," began Uncle Chris affably, attaching himself to the other's arm, "what...?"

He broke off, for Derek, freeing his arm with a wrench, turned and walked rapidly away. Derek had no desire to go over the whole thing again with Uncle Chris. He wanted to be alone, to build up, painfully and laboriously, the ruins of his self-esteem. The pride of the Underhills had had a bad evening.

Uncle Chris turned to Freddie.

"What is the matter?" he asked blankly.

"I'll tell you what's the jolly old matter!" cried Freddie. "The blighter isn't going to marry poor Jill after all! He's changed his rotten mind! It's off!"

"Off?"

"Absolutely off!"

"Absolutely off?"

"Napoo!" said Freddie. "He's afraid of what will happen to his blasted career if he marries a girl who's been in the chorus."

"But, my dear boy!" Uncle Chris blinked. "But, my dear boy! This is ridiculous.... Surely, if I were to speak a word...."

"You can if you like. I wouldn't speak to the man again if you paid me! But it won't do any good, so what's the use?"

Slowly Uncle Chris adjusted his mind to the disaster.

"Then you mean...?"

"It's off!" said Freddie.

For a moment Uncle Chris stood motionless. Then, with a sudden jerk, he seemed to stiffen his backbone. His face was bleak, but he pulled at his moustache jauntily.

"Morituri te salutant!" he said. "Good-bye, Freddie, my boy."

He turned away, gallant and upright, the old soldier.

"Where are you going?" asked Freddie.

"Over the top!" said Uncle Chris.

"What do you mean?"

"I am going," said Uncle Chris steadily, "to find Mrs. Peagrim!"

"Good God!" cried Freddie. He followed him, protesting weakly, but the other gave no sign that he had heard. Freddie saw him disappear into the stage-box, and, turning, found Jill at his elbow.

"Where did Uncle Chris go?" asked Jill. "I want to speak to him."

"He's in the stage-box, with Mrs. Peagrim."

"With Mrs. Peagrim?"

"Proposing to her," said Freddie solemnly.

Jill stared.

"Proposing to Mrs. Peagrim? What do you mean?"

Freddie drew her aside, and began to explain.

IV

In the dimness of the stage-box, his eyes a little glassy and a dull despair in his soul, Uncle Chris was wondering how to begin. In his hot youth he had been rather a devil of a fellow in between dances, a coo-er of soft phrases and a stealer of never very stoutly withheld kisses. He remembered one time in Bangalore ... but that had nothing to do with the case. The point was, how to begin with Mrs. Peagrim. The fact that twenty-five years ago he had crushed in his arms beneath the shadows of the deodars a girl whose name he had forgotten, though he remembered that she had worn a dress of some pink stuff, was immaterial and irrelevant. Was he to crush Mrs. Peagrim in his arms? Not, thought Uncle Chris to himself, on a bet. He contented himself for the moment with bending an intense gaze upon her and asking if she was tired.

"A little," panted Mrs. Peagrim, who, though she danced often and vigorously, was never in the best of condition, owing to her habit of neutralizing the beneficent effects of exercise by surreptitious candy-eating. "I'm a little out of breath."

Uncle Chris had observed this for himself, and it had not helped him to face his task. Lovely woman loses something of her queenly dignity when she puffs. Inwardly, he was thinking how exactly his hostess resembled the third from the left of a troupe of performing sea-lions which he had seen some years ago on one of his rare visits to a vaudeville house.

"You ought not to tire yourself," he said with a difficult tenderness.

"I am so fond of dancing," pleaded Mrs. Peagrim. Recovering some of her breath, she gazed at her companion with a sort of short-winded archness. "You are always so sympathetic, Major Selby."

"Am I?" said Uncle Chris. "Am I?"

"You know you are!"

Uncle Chris swallowed quickly.

"I wonder if you have ever wondered," he began, and stopped. He felt that he was not putting it as well as he might. "I wonder if it has ever struck you that there's a reason." He stopped again. He seemed to remember reading something like that in an advertisement in a magazine, and he did not want to talk like an advertisement. "I wonder if it has ever struck you, Mrs. Peagrim," he began again, "that any sympathy on my part might be due to some deeper emotion which.... Have you never suspected that you have never suspected...." Uncle Chris began to feel that he must brace himself up. Usually a man of fluent speech, he was not at his best to-night. He was just about to try again, when he caught his hostess' eye, and the soft gleam in it sent him cowering back into the silence as if he were taking cover from an enemy's shrapnel.

Mrs. Peagrim touched him on the arm.

"You were saying...?" she murmured encouragingly.

Uncle Chris shut his eyes. His fingers pressed desperately into the velvet curtain beside him. He felt as he had felt when a raw lieutenant in India, during his first hill-campaign, when the etiquette of the service had compelled him to rise and walk up and down in front of his men under a desultory shower of jezail-bullets. He seemed to hear the damned things whop-whopping now ... and almost wished that he could really hear them. One or two good bullets just now would be a welcome diversion.

"Yes?" said Mrs. Peagrim.—

"Have you never felt," babbled Uncle Chris, "that, feeling as I feel, I might have felt ... that is to say might be feeling a feeling...?"

There was a tap at the door of the box. Uncle Chris started violently. Jill came in.

"Oh, I beg your pardon," she said. "I wanted to speak...."

"You wanted to speak to me?" said Uncle Chris, bounding up. "Certainly, certainly, certainly, of course. If you will excuse me for a moment?"

Mrs. Peagrim bowed coldly. The interruption had annoyed her. She had no notion who Jill was, and she resented the intrusion at this particular juncture intensely. Not so Uncle Chris, who skipped out into the passage like a young lamb.

"Am I in time?" asked Jill in a whisper.

"In time?"

"You know what I mean. Uncle Chris, listen to me! You are not to propose to that awful woman. Do you understand?"

Uncle Chris shook his head.

"The die is cast!"

"The die isn't anything of the sort," said Jill. "Unless...." She stopped, aghast. "You don't mean that you have done it already?"

"Well, no. To be perfectly accurate, no. But...."

"Then that's all right. I know why you were doing it, and it was very sweet of you, but you mustn't."

"But, Jill, you don't understand."

"I do understand."

"I have a motive...."

"I know your motive. Freddie told me. Don't you worry yourself about me, dear, because I am all right. I am going to be married."

A look of ecstatic relief came into Uncle Chris' face.

"Then Underhill...?"

"I am not marrying Derek. Somebody else. I don't think you know him, but I love him, and so will you." She pulled his face down and kissed him. "Now you can go back."

Uncle Chris was almost too overcome to speak. He gulped a little.

"Jill," he said shakily, "this is a ... this is a great relief."

"I knew it would be."

"If you are really going to marry a rich man...."

"I didn't say he was rich."

The joy ebbed from Uncle Chris' face.

"If he is not rich, if he cannot give you everything of which I...."

"Oh, don't be absurd! Wally has all the money anybody needs. What's money?"

"What's money?" Uncle Chris stared. "Money, my dear child, is ... is ... well, you mustn't talk of it in that light way. But, if you think you will really have enough...?"

"Of course we shall. Now you can go back. Mrs. Peagrim will be wondering what has become of you."

"Must I?" said Uncle Chris doubtfully.

"Of course. You must be polite."

"Very well," said Uncle Chris. "But it will be a little difficult to continue the conversation on what you might call general lines. However!"


Back in the box, Mrs. Peagrim was fanning herself with manifest impatience.

"What did that girl want?" she demanded.

Uncle Chris seated himself with composure. The weakness had passed, and he was himself again.

"Oh, nothing, nothing. Some trivial difficulty, which I was able to dispose of in a few words."

Mrs. Peagrim would have liked to continue her researches, but a feeling that it was wiser not to stray too long from the main point restrained her. She bent towards him.

"You were going to say something when that girl interrupted us."

Uncle Chris shot his cuffs with a debonair gesture.

"Was I? Was I? To be sure, yes. I was saying that you ought not to let yourself get tired. Deuce of a thing, getting tired. Plays the dickens with the system."

Mrs. Peagrim was disconcerted. The atmosphere seemed to have changed, and she did not like it. She endeavoured to restore the tone of the conversation.

"You are so sympathetic," she sighed, feeling that she could not do better than to begin again at that point. The remark had produced good results before and it might do so a second time.

"Yes," agreed Uncle Chris cheerily. "You see, I have seen something of all this sort of thing, and I realize the importance of it. I know what all this modern rush and strain of life is for a woman in your position. Parties every night ... dancing ... a thousand and one calls on the vitality ... bound to have an effect sooner or later, unless—unless," said Uncle Chris solemnly, "one takes steps. Unless one acts in time. I had a friend—" His voice sank—"I had a very dear friend over in London, Lady Alice—but the name would convey nothing—the point is that she was in exactly the same position as you. On the rush all the time. Never stopped. The end was inevitable. She caught cold, hadn't sufficient vitality to throw it off, went to a dance in mid-winter, contracted pneumonia...." Uncle Chris sighed. "All over in three days," he said sadly. "Now at that time," he resumed, "I did not know what I know now. If I had heard of Nervino then...." He shook his head. "It might have saved her life. It would have saved her life. I tell you, Mrs. Peagrim, that there is nothing, there is no lack of vitality which Nervino cannot set right. I am no physician myself, I speak as a layman, but it acts on the red corpuscles of the blood...."

Mrs. Peagrim's face was stony. She had not spoken before, because he had given her no opportunity, but she spoke now in a hard voice.

"Major Selby!"

"Mrs. Peagrim?"

"I am not interested in patent medicines!"

"One can hardly call Nervino that," said Uncle Chris reproachfully. "It is a sovereign specific. You can get it at any drug store. It comes in two sizes, the dollar-fifty—or large—size, and the...."

Mrs. Peagrim rose majestically.

"Major Selby, I am tired...."

"Precisely. And, as I say, Nervino...."

"Please," said Mrs. Peagrim coldly, "go to the stage-door and see if you can find my limousine. It should be waiting in the street."

"Certainly," said Uncle Chris. "Why, certainly, certainly, certainly."

He left the box and proceeded across the stage. He walked with a lissom jauntiness. His eye was bright. One or two of those whom he passed on his way had the idea that this fine-looking man was in pain. They fancied that he was moaning. But Uncle Chris was not moaning. He was humming a gay snatch from the lighter music of the 'nineties.


CHAPTER XXI

WALLY MASON LEARNS A NEW EXERCISE

I

Up on the roof of his apartment, far above the bustle and clamour of the busy city, Wally Mason, at eleven o'clock on the morning after Mrs. Peagrim's Bohemian party, was greeting the new day, as was his custom, by going through his ante-breakfast exercises. Mankind is divided into two classes—those who do setting-up exercises before breakfast and those who know they ought to but don't. To the former and more praiseworthy class Wally had belonged since boyhood. Life might be vain and the world a void, but still he touched his toes the prescribed number of times and twisted his muscular body about according to the ritual. He did so this morning a little more vigorously than usual, partly because he had sat up too late the night before and thought too much and smoked too much, with the result that he had risen heavy-eyed, at the present disgraceful hour, and partly because he hoped by wearying the flesh to still the restlessness of the spirit. Spring generally made Wally restless, but never previously had it brought him this distracted feverishness. So he lay on his back and waved his legs in the air, and it was only when he had risen and was about to go still further into the matter that he perceived Jill standing beside him.

"Good Lord!" said Wally.

"Don't stop," said Jill. "I'm enjoying it.'

"How long have you been here?"

"Oh, I only just arrived. I rang the bell, and the nice old lady who is cooking your lunch told me you were out here.'

"Not lunch. Breakfast."

"Breakfast! At this hour?"

"Won't you join me?"

"I'll join you. But I had my breakfast long ago."

Wally found his despondency magically dispelled. It was extraordinary how the mere sight of Jill could make the world a different place. It was true the sun had been shining before her arrival, but in a flabby, weak-minded way, not with the brilliance it had acquired immediately he heard her voice.

"If you don't mind waiting for about three minutes while I have a shower and dress...."

"Oh, is the entertainment over?" asked Jill, disappointed. "I always arrive too late for everything."

"One of these days you shall see me go through the whole programme, including shadow-boxing and the goose-step. Bring your friends! But at the moment I think it would be more of a treat for you to watch me eat an egg. Go and look at the view. From over there you can see Hoboken."

"I've seen it. I don't think much of it."

"Well, then, on this side we have Brooklyn. There is no stint. Wander to and fro and enjoy yourself. The rendezvous is in the sitting-room in about four moments."

Wally vaulted through the passage-window and disappeared. Then he returned and put his head out.

"I say!"

"Yes?"

"Just occurred to me. Your uncle won't be wanting this place for half an hour or so, will he? I mean, there will be time for me to have a bite of breakfast?"

"I don't suppose he will require your little home till some time in the evening."

"Fine!"

Wally disappeared again, and a few moments later Jill heard the faint splashing of water. She walked to the parapet and looked down. On the windows of the nearer buildings the sun cast glittering beams, but further away a faint, translucent mist hid the city. There was Spring humidity in the air. In the street she had found it oppressive: but on the breezy summit of this steel-and-granite cliff the air was cool and exhilarating. Peace stole into Jill's heart as she watched the boats dropping slowly down the East River, which gleamed like dull steel through the haze. She had come to Journey's End, and she was happy. Trouble and heartache seemed as distant as those hurrying black ants down on the streets. She felt far away from the world on an enduring mountain of rest. She gave a little sigh of contentment and turned to go in as Wally called.

In the sitting-room her feeling of security deepened. Here, the world was farther away than ever. Even the faint noises which had risen to the roof were inaudible, and only the cosy tick-tock of the grandfather's clock punctuated the stillness.

She looked at Wally with a quickening sense of affection. He had the divine gift of silence at the right time. Yes, this was home. This was where she belonged.

"It didn't take me in, you know," said Jill at length, resting her arms on the table and regarding him severely.

Wally looked up.

"What didn't take you in?"

"That bath of yours. Yes, I know you turned on the cold shower, but you stood at a safe distance and watched it show!"

Wally waved his fork.

"As Heaven is my witness.... Look at my hair! Still damp! And I can show you the towel."

"Well, then, I'll bet it was the hot water. Why weren't you at Mrs. Peagrim's party last night?"

"It would take too long to explain all my reasons, but one of them was that I wasn't invited. How did it go off?"

"Splendidly. Freddie's engaged!"

Wally lowered his coffee cup.

"Engaged! You don't mean what is sometimes slangily called betrothed?"

"I do. He's engaged to Nelly Bryant. Nelly told me all about it when she got home last night. It seems that Freddie said to her 'What ho!' and she said 'You bet!' and Freddie said 'Pip pip!' and the thing was settled." Jill bubbled. "Freddie wants to go into vaudeville with her!"

"No! The Juggling Rookes? Or Rooke and Bryant, the cross-talk team, a thoroughly refined act, swell dressers on and off?"

"I don't know. But it doesn't matter. Nelly is domestic. She's going to have a little home in the country, where she can grow chickens and pigs."

"Father's in the pigstye, you can tell him by his hat, eh?"

"Yes. They will be very happy. Freddie will be a father to her parrot."

Wally's cheerfulness diminished a trifle. The contemplation of Freddie's enviable lot brought with it the inevitable contrast with his own. A little home in the country.... Oh, well!

II

There was a pause. Jill was looking a little grave.

"Wally!"

"Yes?"

She turned her face away, for there was a gleam of mischief in her eyes which she did not wish him to observe.

"Derek was at the party!"

Wally had been about to butter a piece of toast. The butter, jerked from the knife by the convulsive start which he gave, popped up in a semi-circle and plumped on to the tablecloth. He recovered himself quickly.

"Sorry!" he said. "You mustn't mind that. They want me to be second-string for the "Boosting the Butter" event at the next Olympic Games, and I'm practising all the time.... Underhill was there, eh?"

"Yes."

"You met him?"

"Yes."

Wally fiddled with his knife.

"Did he come over.... I mean ... had he come specially to see you?"

"Yes."

"I see."

There was another pause.

"He wants to marry you?"

"He said he wanted to marry me."

Wally got up and went to the window. Jill could smile safely now, and she did, but her voice was still grave.

"What ought I to do, Wally? I thought I would ask you as you are such a friend."

Wally spoke without turning.

"You ought to marry him, of course."

"You think so?"

"You ought to marry him, of course," said Wally doggedly. "You love him, and the fact that he came all the way to America must mean that he still loves you. Marry him!"

"But...." Jill hesitated. "You see, there's a difficulty."

"What difficulty?"

"Well ... it was something I said to him just before he went away. I said something that made it a little difficult."

Wally continued to inspect the roofs below.

"What did you say?"

"Well ... it was something ... something that I don't believe he liked ... something that may interfere with his marrying me."

"What did you say?"

"I told him I was going to marry you!"

Wally spun round. At the same time he leaped in the air. The effect of the combination of movements was to cause him to stagger across the room and, after two or three impromptu dance steps which would have interested Mrs. Peagrim, to clutch at the mantelpiece to save himself from falling. Jill watched him with quiet approval.

"Why, that's wonderful, Wally! Is that another of your morning exercises? If Freddie does go into vaudeville, you ought to get him to let you join the troupe."

Wally was blinking at her from the mantelpiece.

"Jill!"

"Yes?"

"What—what—what...!"

"Now, don't talk like Freddie, even if you are going into vaudeville with him."

"You said you were going to marry me?"

"I said I was going to marry you!"

"But—do you mean...?"

The mischief died out of Jill's eyes. She met his gaze frankly and seriously.

"The lumber's gone, Wally," she said. "But my heart isn't empty. It's quite, quite full, and it's going to be full for ever and ever and ever."

Wally left the mantelpiece, and came slowly towards her.

"Jill!" He choked. "Jill!"

Suddenly he pounced on her and swung her off her feet She gave a little breathless cry.

"Wally! I thought you didn't approve of cavemen!"

"This," said Wally, "is just another new morning exercise I've thought of!"

Jill sat down, gasping.

"Are you going to do that often, Wally?"

"Every day for the rest of my life!"

"Goodness!"

"Oh, you'll get used to it. It'll grow on you."

"You don't think I am making a mistake marrying you?"

"No, no! I've given the matter a lot of thought, and ... in fact, no, no!"

"No," said Jill thoughtfully. "I think you'll make a good husband. I mean, suppose we ever want the piano moved or something.... Wally!" she broke off suddenly.

"You have our ear."

"Come out on the roof," said Jill. "I want to show you something funny."

Wally followed her out. They stood at the parapet together, looking down.

"There!" said Jill, pointing.

Wally looked puzzled.

"I see many things, but which is the funny one?"

"Why, all these people. Over there—and there—and there. Scuttering about and thinking they know everything there is to know, and not one of them has the least idea that I am the happiest girl on earth!"

"Or that I'm the happiest man! Their ignorance is—what is the word I want? Abysmal. They don't know what it's like to stand beside you and see that little dimple in your chin.... They don't know you've got a little dimple in your chin.... They don't know.... They don't know.... Why, I don't suppose a single one of them even knows that I'm just going to kiss you!"

"Those girls in that window over there do," said Jill. "They are watching us like hawks."

"Let 'em!" said Wally briefly.

THE END


WHAT THIS STORY IS ABOUT

Jill had money, Jill was engaged to be married to Sir Derek Underhill. Suddenly Jill becomes penniless, and she is no longer engaged. With a smile, in which there is just a tinge of recklessness, she refuses to be beaten and turns to face the world. Instead she went to New York and became a member of the chorus of "The Rose of America," and Mr. Wodehouse is enabled to lift the curtain of the musical comedy world.

There is laughter and drama in Jill the Reckless, and the action never flags from the moment that Freddie Rooke confesses that he has had a hectic night, down to the point where Wally says briefly "Let 'em," which is page 313.