Toccata in F sharp minor.
Toccata in C minor.
Fugue in A minor.
FOURTH YEAR.
Passion-music according to St. Matthew the Evangelist.
FIFTH YEAR.
First Issue:
Church Cantatas. Vol. III.
| No. | 21. Ich hatte viel Bekümmerniss. |
| " | 22. Jesus nahm zu sich die Zwölfe. |
| " | 23. Du wahrer Gott und David's Sohn. |
| " | 24. Ein ungefärbt Gemüthe. |
| " | 25. Es ist nichts Gesundes an meinen Leibe. |
| " | 26. Ach wie flüchtig, ach wie nichtig. |
| " | 27. Wer weiss, wie nahe mir mein Ende. |
| " | 28. Gottlob! nun geht das Jahr zu Ende. |
| " | 29. Wir danken dir, Gott, wir danken dir. |
| " | 30. Freue dich, erlöste Schaar. |
Second Issue:
Christmas Oratorio, the Text from St. Luke, ii: 1-21; and St. Matthew ii: 1-12.
| First | Part: | For Christmas Eve: Jauchzet, frohlocket, auf, preiset die Tage! |
| Second | " | For the day after Christmas: Und es waren Hirten in derselben Gegend. |
| Third | " | For the second day after Christmas: Herrscher des Himmels, erhöre das Lallen. |
| Fourth | " | For New Year's Day: Fallt mit Danken, fallt mit Loben. |
| Fifth | " | For the Sunday after New Year's: Ehre sei dir, Gott, gesungen. |
| Sixth | " | For the Feast of the Epiphany: Herr, wenn die stolzen Feinde schnauben. |
SIXTH YEAR.
The Mass in B Minor.
SEVENTH YEAR.
Church Cantatas. Vol. IV.
| No. | 31. Der Himmel lacht, die Erde jubiliret. |
| " | 32. Liebster Jesu, mein Verlangen. |
| " | 33. Allein zu dir, Herr Jesu Christ. |
| " | 34. O ewiges Feuer, o Ursprung der Liebe. |
| " | 35. Geist und Seele wird verwirrt. |
| " | 36. Schwingt freudig euch empor. |
| " | 37. Wer da glaubet und getauft wird. |
| " | 38. Aus tiefer Noth schrei' ich zu dir. |
| " | 39. Brich dem Hungrigen dein Brot. |
| " | 40. Dazu ist erschienen der Sohn Gottes. |
EIGHTH YEAR.
Four Masses, in F major, A major, G minor and G major.
NINTH YEAR.
Chamber-music. Vol. I.
Three Sonatas for pianoforte and flute.
Suite for pianoforte and violin.
Six Sonatas for pianoforte and violin.
Three Sonatas for pianoforte and viola da gamba.
Sonata for flute, violin, and figured bass.
Sonata for two violins and figured bass.
Appendix.
TENTH YEAR.
Church Cantatas. Vol. V.
| No. | 41. Jesu, nun sei gepreiset. |
| " | 42. Am Abend aber desselbigen Sabbaths. |
| " | 43. Gott fähret auf mit Jauchzen. |
| " | 44. Sie werden euch in den Bann thun. |
| " | 45. Es ist dir gesagt, Mensch, was gut ist. |
| " | 46. Schauet doch und sehet, ob irgend ein Schmerz sei. |
| " | 47. Wer sich selbst erhöhet, der soll erniedriget werden. |
| " | 48. Ich elender Mensch, wer wird mich erlösen. |
| " | 49. Ich geh' und suche mit Verlangen. |
| " | 50. Nun ist das Heil und die Kraft. |
ELEVENTH YEAR.
First Issue:
Magnificat in D major.
Four Sanctus, in C major, D major, D minor and G major. Appendix.
Second Issue:
Vocal Chamber-music. Vol. I.
TWELFTH YEAR.
First Issue:
Passion-music according to St. John the Evangelist.
Second Issue:
Church Cantatas. Vol. VI.
THIRTEENTH YEAR.
First Issue:
Marriage Cantatas.
Dem Gerechten muss das Licht.
Der Herr denket an uns.
Gott ist unsere Zuversicht.
Three Chorales.
Second Issue:
Pianoforte Works. Vol. II.
Six greater Suites, known as the "English."
Six lesser Suites, known as the "French."
Third Issue:
Funeral Ode upon the death of the wife of August the Strong, "Christiane Eberhardine," Queen of Poland and Electress of Saxony.
FOURTEENTH YEAR.
Pianoforte Works. Vol. III.
The Well-tempered Clavichord.
First Part, 1722.
Second Part, 1744.
Appendix. Supplementary Readings and Explanations.
FIFTEENTH YEAR.
Organ Works. Vol. I.
Six Sonatas for 2 manuals and pedal.
Six Preludes and Fugues. First Series.
Six Preludes and Fugues. Second Series.
Six Preludes and Fugues. Third Series.
Three Toccatas.
Passacaglia.
SIXTEENTH YEAR.
Church Cantatas. Vol. VII.
| No. | 61. Nun komm, der Heiden Heiland. (First Setting.) |
| " | 62. Nun komm, der Heiden Heiland. (Second Setting.) |
| " | 63. Christen, ätzet diesen Tag. |
| " | 64. Sehet, welch' eine Liebe hat uns der Vater erzeiget. |
| " | 65. Sie werden aus Saba Alle kommen. |
| " | 66. Erfreut euch, ihr Herzen. |
| " | 67. Halt' im Gedächtniss Jesum Christ. |
| " | 68. Also hat Gott die Welt geliebt. |
| " | 69. Lobe den Herrn, meine Seele. |
| " | 70. Wachet, betet, seid bereit allezeit. |
SEVENTEENTH YEAR.
Chamber Music. Vol. II.
Seven Concertos for Pianoforte with orchestral accompaniment:
No. 1, D minor; No. 2, E major; No. 3, D major; No. 4, A major; No.
5, F minor; No. 6, F major; No. 7, G minor.
Triple Concerto for Pianoforte, flute and violin, with orchestral accompaniment.
Appendix.
EIGHTEENTH YEAR.
Church Cantatas. Vol. VIII.
| No. | 71. Gott ist mein König. |
| " | 72. Alles nur nach Gottes Willen. |
| " | 73. Herr, wie du willst, so schick's mit mir. |
| " | 74. Wer mich liebet, der wird mein Wort halten. (Second and more elaborate Setting.) |
| " | 75. Die Elenden sollen essen. |
| " | 76. Die Himmel erzählen die Ehre Gottes. |
| " | 77. Du sollst Gott, deinen Herrn, lieben. |
| " | 78. Jesu, der du meine Seele. |
| " | 79. Gott der Herr ist Sonn' und Schild. |
| " | 80. Ein' feste Burg ist unser Gott. |
NINETEENTH YEAR.
Chamber Music. Vol. III.
1. Concerto in F major for two horns, three oboes, bassoon, obbligato Quart-Geige,[205] two violins, viola, violoncello, and continuo.
2. Concerto in F major for obbligato trumpet, flute, oboe and violin, with accompaniment of two violins, viola and continuo.
3. Concerto in G major for three violins, three violas, three violoncellos and continuo.
4. Concerto in G major for obbligato violin with accompaniment of two flutes (flûtes à bec), two violins, viola, violoncello and continuo.
5. Concerto in D major for pianoforte, flute and violin, with accompaniment of violin, viola, violoncello and continuo.
6. Concerto in B flat major for two violas, two gambas, violoncello and continuo.
TWENTIETH YEAR.
First Issue:
Church Cantatas. Vol. IX.
| No. | 81. Jesus schläft, was soll ich hoffen? |
| " | 82. Ich habe genug. |
| " | 83. Erfreute Zeit im neuen Bunde. |
| " | 84. Ich bin vergnügt in meinem Glücke. |
| " | 85. Ich bin ein guter Hirt. |
| " | 86. Wahrlich, ich sage euch. |
| " | 87. Bisher habt ihr nichts gebeten in meinem Namen. |
| " | 88. Siehe, ich will viel Fischer aussenden, spricht der Herr. |
| " | 89. Was soll ich aus dir machen, Ephraim? |
| " | 90. Es reifet euch ein schrecklich Ende. |
Second Issue:
Vocal Chamber Music. Vol. II.
Drama for the birthday of August III, king of Poland, etc.
Drama for a university festival, upon which Dr. Gottlieb Kortte received the appointment of professor.
Drama for the name-day of King Augustus.
TWENTY-FIRST YEAR.
First Issue:
Chamber Music. Vol. IV.
Concertos for violin with orchestral accompaniment.
| No. 1, in A minor, | } | for one violin. |
| No. 2, in E major, | } | |
| No. 3, in D minor, for two violins. | ||
| No. 4, in D major. Symphonic movement for obbligato violin. | ||
Second Issue:
Chamber Music. Vol. V.
Three Concertos for two pianofortes, with orchestral accompaniment.
No. 1, in C minor.
" 2, in C major.
" 3, in C minor.
Third Issue:
Easter Oratorio: "Kommt, eilet und laufet."
TWENTY-SECOND YEAR.
Church Cantatas. Vol. X.
| No. | 91. | Gelobet seist du, Jesu Christ. |
| " | 92. | Ich hab' in Gottes Herz und Sinn. |
| " | 93. | Wer nur den lieben Gott lässt walten. |
| " | 94. | Was frag' ich nach der Welt. |
| " | 95. | Christus der ist mein Leben. |
| " | 96. | Herr Christ, der ein'ge Gottessohn. |
| " | 97. | In allen meinen Thaten. |
| " | 98. | Was Gott thut, das ist wohlgethan. (First Setting. B flat major.) |
| " | 99. | Was Gott thut, das ist wohlgethan. (Second Setting. G major.) |
| " | 100. | Was Gott thut, das ist wohlgethan. (Third Setting. G major.) |
| Appendix. | ||
TWENTY-THIRD YEAR.
Church Cantatas. Vol. XI.
| No. | 101. Nimm von uns, Herr, du treuer Gott. |
| " | 102. Herr, deine Augen sehen nach dem Glauben. |
| " | 103. Ihr werdet weinen und heulen. |
| " | 104. Du Hirte Israel, höre. |
| " | 105. Herr, gehe nicht in's Gericht. |
| " | 106. Gottes Zeit ist die allerbeste Zeit. |
| " | 107. Was willst du dich betrüben. |
| " | 108. Es ist euch gut, dass ich hingehe. |
| " | 109. Ich glaube, lieber Herr. |
| " | 110. Unser Mund sei voll Lachens. |
TWENTY-FOURTH YEAR.
Church Cantatas. Vol. XII.
| No. | 111. Was mein Gott will, das g'scheh' allzeit. |
| " | 112. Der Herr ist mein getreuer Hirt. |
| " | 113. Herr Jesu Christ, du höchstes Gut. |
| " | 114. Ach, lieben Christen, seid getrost. |
| " | 115. Mache dich, mein Geist, bereit. |
| " | 116. Du Friedensfürst, Herr Jesu Christ. |
| " | 117. Sei Lob und Ehr'dem höchsten Gut. |
| " | 118. O Jesu Christ, mein's Lebens Licht. |
| " | 119. Preise, Jerusalem, den Herrn. |
| " | 120. Gott, man lobt dich in der Stille. |
TWENTY-FIFTH YEAR.
First Issue:
Die Kunst der Fuge. (The Art of Fugue.)
Appendix. The Berlin autograph systematically arranged, and supplementary readings.
Second Issue: (Organ works.)
No. 1. Orgelbüchlein (Little Organ-book).
No. 2. Six Chorales (the so-called Schübler chorales).
No. 3. Eighteen Chorales (the so-called great ones with the Swan-song "Vor deinen Thron tret' ich").
Appendix A. Two older readings from Collection I.
Appendix B. Fifteen older readings from Collection III.
TWENTY-SIXTH YEAR.
Church Cantatas. Vol. XIII.
| No. | 121. Christum wir sollen loben schon. |
| " | 122. Das neugebor'ne Kindelein. |
| " | 123. Liebster Immanuel, Herzog der Frommen. |
| " | 124. Meinen Jesum lass' ich nicht. |
| " | 125. Mit Fried' und Freud' ich fahr' dahin. |
| " | 126. Erhalt' uns, Herr, bei deinem Wort. |
| " | 127. Herr Jesu Christ, wahr'r Mensch und Gott. |
| " | 128. Auf Christi Himmelfahrt allein. |
| " | 129. Gelobet sei der Herr, mein Gott. |
| " | 130. Herr Gott, dich loben alle wir. |
TWENTY-SEVENTH YEAR.
Chamber Music. Vol. VI.
First Issue:
Six Sonatas for violin.
Six Suites for violoncello.
Second Issue:
Thematic Catalogue of the Church Cantatas, Nos. 1-120.
TWENTY-EIGHTH YEAR.
Church Cantatas. Vol. XIV.
| No. | 131. Aus der Tiefe rufe ich, Herr, zu dir. |
| " | 132. Bereitet die Wege, bereitet die Bahn. |
| " | 133. Ich freue mich in dir. |
| " | 134. Ein Herz, das seinen Jesum lebend weiss. |
| " | 135. Ach Herr, mich armen Sünder. |
| " | 136. Erforsche mich, Gott, und erfahre mein Herz. |
| " | 137. Lobe den Herren, den mächtigen König der Ehren. |
| " | 138. Warum betrübst du dich, mein Herz. |
| " | 139. Wohl dem, der sich auf seinen Gott. |
| " | 140. Wachet auf, ruft uns die Stimme. |
Appendix. Two older arrangements of the Cantata No. 134:
(a) Mit Gnaden bekröne der Himmel die Zeiten.
(b) Ein Herz, das seinen Jesum lebend weiss.
TWENTY-NINTH YEAR.
Vocal Chamber Music. Vol. III.
Cantata. "Was mir behagt, ist nur die muntre Jagd."
Cantata. "Non sa che sia dolore."
Marriage Cantata. "O holder Tag, erwünschte Zeit."
Cantata. "Höchsterwünschtes Freudenfest."
Coffee Cantata. "Schweigt stille, plaudert nicht."
Cantata. "Mer hahn en neue Oberkeet."
Appendix I. Gratulations-Kantate (Thanksgiving Cantata). "Mit Gnaden bekröne der Himmel die Zeiten."
II. Cantata. "O angenehme Melodei."
III. Instrumental movement for violin, flute and continuo.
THIRTIETH YEAR.
Church Cantatas. Vol. XV.
| No. | 141. Das ist ja gewisslich wahr. |
| " | 142. Uns ist ein Kind geboren. |
| " | 143. Lobe den Herrn, meine Seele. |
| " | 144. Nimm, was dein ist. |
| " | 145. So du mit deinem Munde. |
| " | 146. Wir müssen durch viel Trübsal. |
| " | 147. Herz und Mund und That und Leben. |
| " | 148. Bringet dem Herrn Ehre seines Namens. |
| " | 149. Man singet mit Freuden von Sieg. |
| " | 150. Nach dir, Herr, verlanget mich. |
THIRTY-FIRST YEAR.
First Issue:
Works for Orchestra.
Overtures in C major, B minor, D major, D major; Sinfonia in F major. (With a Supplement to Year XXIX.)
Second Issue:
Das musikalische Opfer (Musical Sacrifice), 1747.
Appendix. Resolution of the Canons in the Musical Sacrifice.
Third Issue:
Chamber Music. Vol. VII.
Two Concertos for three pianofortes, with orchestral accompaniment. No. 1 in D minor, No. 2 in C major.
THIRTY-SECOND YEAR.
Church Cantatas. Vol. XVI.
| No. | 151. | For the | second day after Christmas: "Mein süsser Trost." |
| " | 152. | " | Sunday after Christmas: "Tritt auf die Glaubensbahn." |
| " | 153. | " | Feast of the Circumcision: "Schau, lieber Gott." |
| " | 154. | " | first Sunday after the Epiphany: "Mein liebster Jesus." |
| " | 155. | " | second Sunday after the Epiphany: "Mein Gott, wie lange." |
| " | 156. | " | third Sunday after the Epiphany: "Ich steh' mit einem Fuss." |
| " | 157. | " | Feast of the Purification of the B.V.M.: "Der Friede sei mit Dir." |
| " | 158. | " | Feast of the Purification of the B.V.M.: "Ich lasse Dich nicht." |
| " | 159. | " | Quinquagesima: "Sehet, wir geh'n hinauf gen Jerusalem." |
| " | 160. | " | Monday in Easter-week: "Ich weiss, dass mein Erlöser lebt." |
THIRTY-THIRD YEAR.
Church Cantatas. Vol. XVII.
| No. | 161. Komm, du süsse Todesstunde. |
| " | 162. Ach, ich sehe, jetzt da ich zur Hochzeit gehe. |
| " | 163. Nur Jedem das Seine. |
| " | 164. Ihr, die ihr euch von Christo nennt. |
| " | 165. O heil'ges Geist- und Wasserbad. |
| " | 166. Wo gehest du hin. |
| " | 167. Ihr Menschen, rühmet Gottes Liebe. |
| " | 168. Thue Rechnung! Donnerwort. |
| " | 169. Gott soll allein mein Herze haben. |
| " | 170. Vergnügte Ruh', beliebte Seelenlust. |
THIRTY-FOURTH YEAR.
Vocal Chamber Music. Vol. IV.
Serenata. "Durchlaucht'ster Leopold."
Cantata. "Schwingt freudig euch empor." "Die Freude reget sich."
Dramma per musica. "Lasst uns sorgen, lasst uns wachen."
Dramma per musica. "Tönet, ihr Pauken! Erschallet, Trompeten!"
Cantata gratulatoria in adventum regis (Thanksgiving Cantata upon the Accession of the King).
"Preise dein Glücke, gesegnetes Sachsen."
Appendix. I. Dramma per musica. "Angenehmes Wiederau."
Appendix II. Dramma per musica. "Auf, schmetternde Töne der muntern Trompeten."
THIRTY-FIFTH YEAR.
Church Cantatas. Vol. XVIII.
| No. | 171. Gott, wie dein Name, so ist auch dein Ruhm. |
| " | 172. Erschallet, ihr Lieder. |
| " | 173. Erhöhtes Fleisch und Blut. |
| " | 174. Ich liebe den Höchsten von ganzem Gemüthe. |
| " | 175. Er rufet seinen Schafen mit Namen. |
| " | 176. Es ist ein trotzig und verzagt Ding. |
| " | 177. Ich ruf' zu dir, Herr Jesu Christ. |
| " | 178. Wo Gott der Herr nicht bei uns hält. |
| " | 179. Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei. |
| " | 180. Schmücke dich, o liebe Seele. |
THIRTY-SIXTH YEAR.
Pianoforte Works. Vol. IV.
Suites. Toccatas, Preludes, Fugues, Fantasies, and other pieces.
Appendix I: Additional versions of the foregoing pianoforte compositions, as well as of some pieces in Vol. III.
Appendix II: Fragments of Suites, various single movements and unfinished pieces.
THIRTY-SEVENTH YEAR.
Church Cantatas. Vol. XIX.
| No. | 181. Leichtgesinnte Flattergeister. |
| " | 182. Himmelskönig, sei willkommen. |
| " | 183. Sie werden euch in den Bann thun. (Second Setting.) |
| " | 184. Erwünschtes Freudenlicht. |
| " | 185. Barmherziges Herze der ewigen Liebe. |
| " | 186. Ärg're dich, o Seele, nicht. |
| " | 187. Es wartet Alles auf dich. |
| " | 188. Ich habe meine Zuversicht. |
| " | 189. Meine Seele rühmt und preist. |
| " | 190. Singet dem Herrn ein neues Lied. (Lobe, Zion, deinen Gott.) |
THIRTY-EIGHTH YEAR.
Organ Works. Vol. III.
First Part:
Preludes, Fugues, Fantasies, and other pieces.
Second Part:
Concertos, from Antonio Vivaldi.
Appendix I. Supplementary reading of No. XIV, and unfinished pieces.
" II. Compositions whose authenticity is not fully established.
" III. The first movement of the second concerto in Vivaldi's original.
THIRTY-NINTH YEAR.
First Part:
Motets.
| No. | 1. "Singet dem Herrn ein neues Lied," for eight voices. |
| " | 2. "Der Geist hilft unsrer Schwachheit auf," for eight voices. |
| " | 3. "Jesu, meine Freude," for five voices. |
| " | 4. "Fürchte dich nicht, ich bin bei dir," for eight voices. |
| " | 5. "Komm, Jesu, komm," for eight voices. |
| " | 6. "Lobet den Herrn, alle Heiden." Psalm 117, for four voices and continuo. |
Appendix.
I. Instrumental accompaniment and figured organ part to the Motet "Der Geist hilft unsrer Schwachheit auf."
II. Motet: "Ich lasse dich nicht, du segnest mich denn," for eight voices.
III. Motet: "Sei Lob und Preis mit Ehren," for four voices.
Second Part:
Chorales and Songs.
Chorales for four voices from the collection of Carl Philipp Emanuel Bach.
Sacred songs and arias with figured or unfigured bass, from Schemell's Gesangbuch and from Anna Magdalena Bach's Notenbüchlein.
FORTIETH YEAR.
Organ Works. Vol. IV.
First Part:
Chorale-preludes in Kirnberger's collection.
Second Part:
Other Chorale-preludes.
Third Part:
Chorale-variations.
Appendix.
I. Supplementary readings and detached pieces.
II. Compositions and MSS. whose authenticity is not fully established.
FORTY-FIRST YEAR.
Church Music. Supplementary Volume.
Cantata No. 191. Gloria in Excelsis Deo.
Three incomplete church cantatas.
| No. | 1. Nun danket alle Gott. |
| " | 2. Ihr Pforten zu Zion. |
| " | 3. Ehre sei Gott in der Höhe. |
Two incomplete Marriage Cantatas.
| No. | 1. O ewiges Feuer, o Ursprung der Liebe. |
| " | 2. Herr Gott, Beherrscher aller Dinge. |
Single movements.
Appendix I.
Four Church Cantatas, whose authenticity as of Sebastian Bach's composition is not fully established.
| No. | 1. Gedenke, Herr, wie es uns gehet. |
| " | 2. Gott der Hoffnung erfülle euch. |
| " | 3. Siehe, es hat überwunden der Löwe. |
| " | 4. Lobt ihn mit Herz und Munde. |
Appendix II.
Catalogue of the Church Compositions of Johann Ludwig Bach in Meiningen.
Supplementary notes and comments.
FORTY-SECOND YEAR.
Pianoforte Works. Vol. V.
Transcriptions of works of Bach's own composition and of that of
others.
Various Preludes, Fugues, and other pieces whose authenticity is probable.
Appendix I.
Compositions whose authenticity is not fully established, and some supplementary readings.
Appendix II.
Concerto No. 2 of Vivaldi and Fugue of Erselius in their original form.
FORTY-THIRD YEAR.
First Issue:
Chamber Music. Vol. VIII.
Three sonatas for flute and figured bass.
Sonata and Fugue for violin and figured bass.
Sonata for two pianofortes.
Concerto for four pianofortes, from Antonio Vivaldi.
Appendix.
Concerto for four violins by Antonio Vivaldi in its original form.
Second Issue:
Musical pieces in Anna Magdalena Bach's Notenbüchlein.
FORTY-FOURTH YEAR.
Joh. Seb. Bach's handwriting, in facsimile and chronological order.