Dimensions:
6¾ × 4⅝ inches.
Blocks, 3:
Tones of brown.
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The monograph reconstructs the life and artistic practice of a little-known eighteenth-century color woodcut artist, reassessing his technical innovations and place within the woodcut and chiaroscuro traditions. It surveys historical attitudes and criticism, contrasts competing approaches to the medium, and analyzes methods, workshop practice, and patronage. A substantial illustrated catalog documents the full corpus of chiaroscuro and polychrome prints, accompanied by commentary on individual works, inscriptions, and attributions, followed by a bibliography and indexes. The tone balances close visual analysis with archival research while acknowledging gaps in biographical evidence.
77.
The Annunciation, after Parmigianino
Dimensions:
6¾ × 4⅝ inches.
Blocks, 3:
Tones of brown.
This is listed as Jackson’s in Gutekunst & Klipstein’s catalogue 40, 1938. It is described as having “the initials and an engraved letter border,” but whether the initials are Jackson’s or Parmigianino’s is uncertain.
78.
St. Peter and St. Paul Surprised by the Executioner, after Titian [Le Bl. 17, N. 16]
Le Blanc and Nagler list this print in addition to St. Peter Martyr, but most likely it is the same subject. The title might have been taken from a museum catalogue which listed the identical print under a different title.
79.
The Entombment, after Titian [Le Bl. 11]
This is included in Le Blanc (J. C. mis au tombeau) but it seems likely that it was confused with Bassano’s identically titled subject.
80.
Giovanni Gastro I De Medici
This is listed as a Jackson print in Berlin-Dahlem but has not been located.
81.
Elisabeth, Duchess of Hamilton, as a Shepherdess
This is catalogued as a Jackson print in the Dresden Kunstsammlungen but was lost in the war.
As noted at the beginning of the text, all Plates are shown here in numerical order, with the color plates grouped together.
1.
Christ Giving the Keys to St. Peter,
after Raphael
(See also color plate)
2.
Venus and Cupid With a Bow, after
Parmigianino
(See also color plate)
3. Woman Standing Holding Jar on Her Head, after Parmigianino
5.
Woman Meditating (St. Thais?), after etching by Parmigianino
(See also color plate)
6. Ulysses and Polyphemus, after Primaticcio
7. Bookplate
8. Judgment of Solomon, after Rubens
9. The Visitation, after Annibale Carracci
10. Julius Caesar, after Titian
11. St. Rocco, after Cherubino Alberti
12. Statuette of Neptune, after Giovanni da Bologna
13.
Descent From the Cross, after
Rembrandt
(See also color plate)
14. Christ and the Woman of Samaria
15. Romulus and Remus, Wolf, and Sea God
16. The Death of St. Peter Martyr, after Titian
17. The Presentation in the Temple (The Circumcision), after Veronese
18. The Massacre of the Innocents, after Tintoretto
19. The Entombment, after Jacopo Bassano
20. Holy Family and Four Saints, after Veronese
21. The Mystic Marriage of St. Catherine, after Veronese
22.
The Crucifixion, after Tintoretto, left
sheet
(See also color plates)
22.
The Crucifixion, after Tintoretto,
center sheet
(See also color plates)
22.
The Crucifixion, after Tintoretto,
right sheet
(See also color plates)
23. Miracle of St. Mark, after Tintoretto, left sheet
23. Miracle of St. Mark, after Tintoretto, right sheet
Miracle of St. Mark, combined view.
Merged view,
using shading in original.
24. The Marriage at Cana, after Veronese, left sheet
24. The Marriage at Cana, after Veronese, right sheet
The Marriage at Cana, combined
view.
The identification of Plates 24 (left) and 24 (right) is as in the
original text. They have been reversed for the combined version.
25. Presentation of the Virgin in the Temple, after Titian, left sheet
25. Presentation of the Virgin in the Temple, after Titian, center sheet
25. Presentation of the Virgin in the Temple, after Titian, right sheet
Presentation of the Virgin in the Temple, combined view.
26. The Virgin in the Clouds and Six Saints, after Titian
27. The Descent of the Holy Spirit, after Titian
28. The Finding of Moses, after Veronese
29. The Raising of Lazarus, after Leandro Bassano
30. Christ on the Mount of Olives, after Jacopo Bassano
31. Melchisedech Blessing Abraham, after Francesco Bassano
32. Dives and Lazarus (The Rich Man and Lazarus), after Jacopo Bassano, left sheet
32. Dives and Lazarus (The Rich Man and Lazarus), after Jacopo Bassano, right sheet
Dives and Lazarus, combined view.
33. Algernon Sidney, after Justus Verus
34. Antique Bust of Woman
35. Lovers (facing right), perhaps after Piazzetta
36. Lovers (woman full face), perhaps after Piazzetta
37. Lamentation Over the Body of Christ
38. Heroic Landscape With Dedication and Classical Ruins, after Marco Ricci
39. Heroic Landscape With Sheep, Statues, and Gentlemen, after Marco Ricci
40.
Heroic Landscape With Fisherman, Cows, and
Horsemen, after Marco Ricci
(See also color plates)
41. Heroic Landscape With Cart and Goatherd, and With S. Giorgio Maggiore in Background, after Marco Ricci
42. Heroic Landscape With Women at Brook, Child Fishing and Herdsmen, after Marco Ricci
43.
Heroic Landscape With Watering Place, Riders
and Obelisk, after Marco Ricci
(See also color plate)
44. Battle Near Parma, after Francesco Simonini
44. Battle Near Parma, after Francesco Simonini, detail
45. Ornamental Border With Fruit, Flowers and Purple Grapes
46. Ornamental Border With Fruit, Flowers, and Green Grapes
47. Ornamental Frame With Flowers and Fruit
48. Ornamental Frame With Fruit
49.
Ornamental Frame With Flowers and Girl’s
Head
(See also color plate)
59. Woman Standing Holding Apron, after S. Le Clerc
50. Dancing Nymph With Bow and Arrows
51. Bust of Democritus
52. The Lion
53.
Building and Vegetable
(See also color plate)
54. Statue of Apollo
55. The Farnese Hercules
56. Antique Bust of a Man
57. Pheasant and Garden Urn