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John Marchmont's Legacy, Volume 2 (of 3)

Chapter 6: CHAPTER V.
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About This Book

A Victorian domestic melodrama follows the fallout from a young heiress's sudden flight after a scandalous evening, setting off local gossip, family maneuvering, and legal intrigue over her inheritance. Her husband suffers a catastrophic accident and prolonged unconsciousness, erasing past memories and complicating loyalties. The narrative moves between intimate household scenes, intercepted letters, and tense confrontations as relatives and acquaintances reveal ambition, manipulation, and reluctant sacrifices, bringing secrets and partial revelations to bear on personal relationships and the contested estate.

"What change?"

"My husband's purchase of poor old Mr. Dawnfield's practice. The dear old man died a month ago,—you heard of his death, of course,—and Mr. Weston negotiated the purchase with Mrs. Dawnfield in less than a fortnight. We came here early last week, and already we are making friends in the neighbourhood. How strange that you should not have heard of our coming!"

"I do not see much society," Olivia answered indifferently, "and I hear nothing of the Kemberling people."

"Indeed!" cried Mrs. Weston; "and we hear so much of Marchmont Towers at Kemberling."

She looked full in the widow's face as she spoke, her stereotyped smile subsiding into a look of greedy curiosity; a look whose intense eagerness could not be concealed.

That look, and the tone in which her last sentence had been spoken, said as plainly as the plainest words could have done, "I have heard of Mary Marchmont's flight."

Olivia understood this; but in the passionate depth of her own madness she had no power to fathom the meanings or the motives of other people. She revolted against this Mrs. Weston, and disliked her because the woman intruded upon her in her desolation; but she never once thought of Lavinia Weston's interest in Mary's movements; she never once remembered that the frail life of that orphan girl only stood between this woman's brother and the rich heritage of Marchmont Towers.

Blind and forgetful of everything in the hideous egotism of her despair, what was Olivia Marchmont but a fitting tool, a plastic and easily-moulded instrument, in the hands of unscrupulous people, whose hard intellects had never been beaten into confused shapelessness in the fiery furnace of passion?

Mrs. Weston had heard of Mary Marchmont's flight; but she had heard half a dozen different reports of that event, as widely diversified in their details as if half a dozen heiresses had fled from Marchmont Towers. Every gossip in the place had a separate story as to the circumstances which had led to the girl's running away from her home. The accounts vied with each other in graphic force and minute elaboration; the conversations that had taken place between Mary and her stepmother, between Edward Arundel and Mrs. Marchmont, between the Rector of Swampington and nobody in particular, would have filled a volume, as related by the gossips of Kemberling; but as everybody assigned a different cause for the terrible misunderstanding at the Towers, and a different direction for Mary's flight,—and as the railway official at the station, who could have thrown some light on the subject, was a stern and moody man, who had little sympathy with his kind, and held his tongue persistently,—it was not easy to get very near the truth. Under these circumstances, then, Mrs. Weston determined upon seeking information at the fountain-head, and approaching the cruel stepmother, who, according to some of the reports, had starved and beaten her dead husband's child.

"Yes, dear Mrs. Marchmont," said Lavinia Weston, seeing that it was necessary to come direct to the point if she wished to wring the truth from Olivia; "yes, we hear of everything at Kemberling; and I need scarcely tell you, that we heard of the sad trouble which you have had to endure since your ball—the ball that is spoken of as the most chy-arming entertainment remembered in the neighbourhood for a long time. We heard of this sad girl's flight."

Mrs. Marchmont looked up with a dark frown, but made no answer.

"Was she—it really is such a very painful question, that I almost shrink from—but was Miss Marchmont at all—eccentric—a little mentally deficient? Pray pardon me, if I have given you pain by such a question; but——"

Olivia started, and looked sharply at her visitor. "Mentally deficient? No!" she said. But as she spoke her eyes dilated, her pale cheeks grew paler, her upper lip quivered with a faint convulsive movement. It seemed as if some idea presented itself to her with a sudden force that almost took away her breath.

"Not mentally deficient!" repeated Lavinia Weston; "dee-ar me! It's a great comfort to hear that. Of course Paul saw very little of his cousin, and he was not therefore in a position to judge,—though his opinions, however rapidly arrived at, are generally so very accurate;—but he gave me to understand that he thought Miss Marchmont appeared a little—just a little—weak in her intellect. I am very glad to find he was mistaken."

Olivia made no reply to this speech. She had seated herself in her chair by the window; she looked straight before her into the flagged quadrangle, with her hands lying idle in her lap. It seemed as if she were actually unconscious of her visitor's presence, or as if, in her scornful indifference, she did not even care to affect any interest in that visitor's conversation.

Lavinia Weston returned again to the attack.

"Pray, Mrs. Marchmont, do not think me intrusive or impertinent," she said pleadingly, "if I ask you to favour me with the true particulars of this sad event. I am sure you will be good enough to remember that my brother Paul, my sister, and myself are Mary Marchmont's nearest relatives on her father's side, and that we have therefore some right to feel interested in her?"

By this very polite speech Lavinia Weston plainly reminded the widow of the insignificance of her own position at Marchmont Towers. In her ordinary frame of mind Olivia would have resented the ladylike slight, but to-day she neither heard nor heeded it; she was brooding with a stupid, unreasonable persistency over the words "mental deficiency," "weak intellect." She only roused herself by a great effort to answer Mrs. Weston's question, when that lady had repeated it in very plain words.

"I can tell you nothing about Miss Marchmont's flight," she said, coldly, "except that she chose to run away from her home. I found reason to object to her conduct upon the night of the ball; and the next morning she left the house, assigning no reason—to me, at any rate—for her absurd and improper behaviour."

"She assigned no reason to you, my dear Mrs. Marchmont; but she assigned a reason to somebody, I infer, from what you say?"

"Yes; she wrote a letter to my cousin, Captain Arundel."

"Telling him the reason of her departure?"

"I don't know—I forget. The letter told nothing clearly; it was wild and incoherent."

Mrs. Weston sighed,—a long-drawn, desponding sigh.

"Wild and incoherent!" she murmured, in a pensive tone. "How grieved Paul will be to hear of this! He took such an interest in his cousin—a delicate and fragile-looking young creature, he told me. Yes, he took a very great interest in her, Mrs. Marchmont, though you may perhaps scarcely believe me when I say so. He kept himself purposely aloof from this place; his sensitive nature led him to abstain from even revealing his interest in Miss Marchmont. His position, you must remember, with regard to this poor dear girl, is a very delicate—I may say a very painful—one."

Olivia remembered nothing of the kind. The value of the Marchmont estates; the sordid worth of those wide-stretching farms, spreading far-away into Yorkshire; the pitiful, closely-calculated revenue, which made Mary a wealthy heiress,—were so far from the dark thoughts of this woman's desperate heart, that she no more suspected Mrs. Weston of any mercenary design in coming to the Towers, than of burglarious intentions with regard to the silver spoons in the plate-room. She only thought that the surgeon's wife was a tiresome woman, against whose pertinacious civility her angry spirit chafed and rebelled, until she was almost driven to order her from the room.

In this cruel weariness of spirit Mrs. Marchmont gave a short impatient sigh, which afforded a sufficient hint to such an accomplished tactician as her visitor.

"I know I have tired you, my dear Mrs. Marchmont," the doctor's wife said, rising and arranging her muslin scarf as she spoke, in token of her immediate departure. "I am so sorry to find you a sufferer from that nasty hacking cough; but of course you have the best advice,—Mr. Barlow from Swampington, I think you said?"—Olivia had said nothing of the kind;—"and I trust the warm weather will prevent the cough taking any hold of your chest. If I might venture to suggest flannels—so many young women quite ridicule the idea of flannels—but, as the wife of a humble provincial practitioner, I have learned their value. Good-bye, dear Mrs. Marchmont. I may come again, may I not, now that the ice is broken, and we are so well acquainted with each other? Good-bye."

Olivia could not refuse to take at least one of the two plump and tightly-gloved hands which were held out to her with an air of frank cordiality; but the widow's grasp was loose and nerveless, and, inasmuch as two consentient parties are required to the shaking of hands as well as to the getting up of a quarrel, the salutation was not a very hearty one.

The surgeon's pony must have been weary of standing before the flight of shallow steps leading to the western portico, when Mrs. Weston took her seat by her husband's side in the gig, which had been newly painted and varnished since the worthy couple's hegira from Stanfield.

The surgeon was not an ambitious man, nor a designing man; he was simply stupid and lazy—lazy although, in spite of himself, he led an active and hard-working life; but there are many square men whose sides are cruelly tortured by the pressure of the round holes into which they are ill-advisedly thrust, and if our destinies were meted out to us in strict accordance with our temperaments, Mr. Weston should have been a lotus-eater. As it was, he was content to drudge on, mildly complying with every desire of his wife; doing what she told him, because it was less trouble to do the hardest work at her bidding than to oppose her. It would have been surely less painful for Macbeth to have finished that ugly business of the murder than to have endured my lady's black contemptuous scowl, and the bitter scorn and contumely concentrated in those four words, "Give me the daggers."

Mr. Weston asked one or two commonplace questions about his wife's interview with John Marchmont's widow; but, slowly apprehending that Lavinia did not care to discuss the matter, he relapsed into meek silence, and devoted all his intellectual powers to the task of keeping the pony out of the deeper ruts in the rugged road between Marchmont Towers and Kemberling High Street.

"What is the secret of that woman's life?" thought Lavinia Weston during that homeward drive. "Has she ill-treated the girl, or is she plotting in some way or other to get hold of the Marchmont fortune? Pshaw! that's impossible. And yet she may be making a purse, somehow or other, out of the estate. Anyhow, there is bad blood between the two women."

CHAPTER IV.

A STOLEN HONEYMOON.

The village to which Edward Arundel took his bride was within a few miles of Winchester. The young soldier had become familiar with the place in his early boyhood, when he had gone to spend a part of one bright midsummer holiday at the house of a schoolfellow; and had ever since cherished a friendly remembrance of the winding trout-streams, the rich verdure of the valleys, and the sheltering hills that shut in the pleasant little cluster of thatched cottages, the pretty white-walled villas, and the grey old church.

But to Mary, whose experiences of town and country were limited to the dingy purlieus of Oakley Street and the fenny flats of Lincolnshire, this Hampshire village seemed a rustic paradise, which neither trouble nor sorrow could ever approach. She had trembled at the thought of Olivia's coming in Oakley Street; but here she seemed to lose all terror of her stern stepmother,—here, sheltered and protected by her young husband's love, she fancied that she might live her life out happy and secure.

She told Edward this one sunny morning, as they sat by the young man's favourite trout-stream. Captain Arundel's fishing-tackle lay idle on the turf at his side, for he had been beguiled into forgetfulness of a ponderous trout he had been watching and finessing with for upwards of an hour, and had flung himself at full length upon the mossy margin of the water, with his uncovered head lying in Mary's lap.

The childish bride would have been content to sit for ever thus in that rural solitude, with her fingers twisted in her husband's chestnut curls, and her soft eyes keeping timid watch upon his handsome face,—so candid and unclouded in its careless repose. The undulating meadow-land lay half-hidden in a golden haze, only broken here and there by the glitter of the brighter sunlight that lit up the waters of the wandering streams that intersected the low pastures. The massive towers of the cathedral, the grey walls of St. Cross, loomed dimly in the distance; the bubbling plash of a mill-stream sounded like some monotonous lullaby in the drowsy summer atmosphere. Mary looked from the face she loved to the fair landscape about her, and a tender solemnity crept into her mind—a reverent love and admiration for this beautiful earth, which was almost akin to awe.

"How pretty this place is, Edward!" she said. "I had no idea there were such places in all the wide world. Do you know, I think I would rather be a cottage-girl here than an heiress in Lincolnshire. Edward, if I ask you a favour, will you grant it?"

She spoke very earnestly, looking down at her husband's upturned face; but Captain Arundel only laughed at her question, without even caring to lift the drowsy eyelids that drooped over his blue eyes.

"Well, my pet, if you want anything short of the moon, I suppose your devoted husband is scarcely likely to refuse it. Our honeymoon is not a fortnight old yet, Polly dear; you wouldn't have me turn tyrant quite as soon as this. Speak out, Mrs. Arundel, and assert your dignity as a British matron. What is the favour I am to grant?"

"I want you to live here always, Edward darling," pleaded the girlish voice. "Not for a fortnight or a month, but for ever and ever. I have never been happy at Marchmont Towers. Papa died there, you know, and I cannot forget that. Perhaps that ought to have made the place sacred to me, and so it has; but it is sacred like papa's tomb in Kemberling Church, and it seems like profanation to be happy in it, or to forget my dead father even for a moment. Don't let us go back there, Edward. Let my stepmother live there all her life. It would seem selfish and cruel to turn her out of the house she has so long been mistress of. Mr. Gormby will go on collecting the rents, you know, and can send us as much money as we want; and we can take that pretty house we saw to let on the other side of Milldale,—the house with the rookery, and the dovecotes, and the sloping lawn leading down to the water. You know you don't like Lincolnshire, Edward, any more than I do, and there's scarcely any trout-fishing near the Towers."

Captain Arundel opened his eyes, and lifted himself out of his reclining position before he answered his wife.

"My own precious Polly," he said, smiling fondly at the gentle childish face turned in such earnestness towards his own; "my runaway little wife, rich people have their duties to perform as well as poor people; and I am afraid it would never do for you to hide in this out-of-the-way Hampshire village, and play absentee from stately Marchmont and all its dependencies. I love that pretty, infantine, unworldly spirit of yours, my darling; and I sometimes wish we were two grown-up babes in the wood, and could wander about gathering wild flowers, and eating blackberries and hazel-nuts, until the shades of evening closed in, and the friendly robins came to bury us. Don't fancy I am tired of our honeymoon, Polly, or that I care for Marchmont Towers any more than you do; but I fear the non-residence plan would never answer. The world would call my little wife eccentric, if she ran away from her grandeur; and Paul Marchmont the artist,—of whom your poor father had rather a bad opinion, by the way,—would be taking out a statute of lunacy against you."

"Paul Marchmont!" repeated Mary. "Did papa dislike Mr. Paul Marchmont?"

"Well, poor John had a sort of a prejudice against the man, I believe; but it was only a prejudice, for he freely confessed that he could assign no reason for it. But whatever Mr. Paul Marchmont may be, you must live at the Towers, Mary, and be Lady Bountiful-in-chief in your neighbourhood, and look after your property, and have long interviews with Mr. Gormby, and become altogether a woman of business; so that when I go back to India——"

Mary interrupted him with a little cry:

"Go back to India!" she exclaimed. "What do you mean, Edward?"

"I mean, my darling, that my business in life is to fight for my Queen and country, and not to spunge upon my wife's fortune. You don't suppose I'm going to lay down my sword at seven-and-twenty years of age, and retire upon my pension? No, Polly; you remember what Lord Nelson said on the deck of the Victory at Trafalgar. That saying can never be so hackneyed as to lose its force. I must do my duty, Polly—I must do my duty, even if duty and love pull different ways, and I have to leave my darling, in the service of my country."

Mary clasped her hands in despair, and looked piteously at her lover-husband, with the tears streaming down her pale cheeks.

"O Edward," she cried, "how cruel you are; how very, very cruel you are to me! What is the use of my fortune if you won't share it with me, if you won't take it all; for it is yours, my dearest—it is all yours? I remember the words in the Marriage Service, 'with all my goods I thee endow.' I have given you Marchmont Towers, Edward; nobody in the world can take it away from you. You never, never, never could be so cruel as to leave me! I know how brave and good you are, and I am proud to think of your noble courage and all the brave deeds you did in India. But you have fought for your country, Edward; you have done your duty. Nobody can expect more of you; nobody shall take you from me. O my darling, my husband, you promised to shelter and defend me while our lives last! You won't leave me—you won't leave me, will you?"

Edward Arundel kissed the tears away from his wife's pale face, and drew her head upon his bosom.

"My love," he said tenderly, "you cannot tell how much pain it gives me to hear you talk like this. What can I do? To give up my profession would be to make myself next kin to a pauper. What would the world say of me, Mary? Think of that. This runaway marriage would be a dreadful dishonour to me, if it were followed by a life of lazy dependence on my wife's fortune. Nobody can dare to slander the soldier who spends the brightest years of his life in the service of his country. You would not surely have me be less than true to myself, Mary darling? For my honour's sake, I must leave you."

"O no, no, no!" cried the girl, in a low wailing voice. Unselfish and devoted as she had been in every other crisis of her young life, she could not be reasonable or self-denying here; she was seized with despair at the thought of parting with her husband. No, not even for his honour's sake could she let him go. Better that they should both die now, in this early noontide of their happiness.

"Edward, Edward," she sobbed, clinging convulsively about the young man's neck, "don't leave me—don't leave me!"

"Will you go with me to India, then, Mary?"

She lifted her head suddenly, and looked her husband in the face, with the gladness in her eyes shining through her tears, like an April sun through a watery sky.

"I would go to the end of the world with you, my own darling," she said; "the burning sands and the dreadful jungles would have no terrors for me, if I were with you, Edward."

Captain Arundel smiled at her earnestness.

"I won't take you into the jungle, my love," he answered, playfully; "or if I do, your palki shall be well guarded, and all ravenous beasts kept at a respectful distance from my little wife. A great many ladies go to India with their husbands, Polly, and come back very little the worse for the climate or the voyage; and except your money, there is no reason you should not go with me."

"Oh, never mind my money; let anybody have that."

"Polly," cried the soldier, very seriously, "we must consult Richard
Paulette as to the future. I don't think I did right in marrying you
during his absence; and I have delayed writing to him too long, Polly.
Those letters must be written this afternoon."

"The letter to Mr. Paulette and to your father?"

"Yes; and the letter to my cousin Olivia."

Mary's face grew sorrowful again, as Captain Arundel said this.

"Must you tell my stepmother of our marriage?" she said.

"Most assuredly, my dear. Why should we keep her in ignorance of it? Your father's will gave her the privilege of advising you, but not the power to interfere with your choice, whatever that choice might be. You were your own mistress, Mary, when you married me. What reason have you to fear my cousin Olivia?"

"No reason, perhaps," the girl answered, sadly; "but I do fear her. I know I am very foolish, Edward, and you have reason to despise me,—you who are so brave. But I could never tell you how I tremble at the thought of being once more in my stepmother's power. She said cruel things to me, Edward. Every word she spoke seemed to stab me to the heart; but it isn't that only. There's something more than that; something that I can't describe, that I can't understand; something which tells me that she hates me."

"Hates you, darling?"

"Yes, Edward; yes, she hates me. It wasn't always so, you know. She used to be only cold and reserved, but lately her manner has changed. I thought that she was ill, perhaps, and that my presence worried her. People often wish to be alone, I know, when they are ill. O Edward, I have seen her shrink from me, and shudder if her dress brushed against mine, as if I had been some horrible creature. What have I done, Edward, that she should hate me?"

Captain Arundel knitted his brows, and set himself to work out this womanly problem, but he could make nothing of it. Yes, what Mary had said was perfectly true: Olivia hated her. The young man had seen that upon the morning of the girl's flight from Marchmont Towers; he had seen vengeful fury and vindictive passion raging in the dark face of John Marchmont's widow. But what reason could the woman have for her hatred of this innocent girl? Again and again Olivia's cousin asked himself this question; and he was so far away from the truth at last, that he could only answer it by imagining the lowest motive for the widow's bad feeling. "She envies my poor little girl her fortune and position," he thought.

"But you won't leave me alone with my stepmother, will you, Edward?" Mary said, recurring to her old prayer. "I am not afraid of her, nor of anybody or anything in the world, while you are with me,—how should I be?—but I think if I were to be alone with her again, I should die. She would speak to me again as she spoke upon the night of the ball, and her bitter taunts would kill me. I could not bear to be in her power again, Edward."

"And you shall not, my darling," answered the young man, enfolding the slender, trembling figure in his strong arms. "My own childish pet, you shall never be exposed to any woman's insolence or tyranny. You shall be sheltered and protected, and hedged in on every side by your husband's love. And when I go to India, you shall sail with me, my pearl. Mary, look up and smile at me, and let's have no more talk of cruel stepmothers. How strange it seems to me, Polly dear, that you should have been so womanly when you were a child, and yet are so childlike now you are a woman!"

The mistress of Marchmont Towers looked doubtfully at her husband, as if she feared her childishness might be displeasing to him.

"You don't love me any the less because of that, do you, Edward?" she asked timidly.

"Because of what, my treasure?"

"Because I am so—childish?"

"Polly," cried the young man, "do you think Jupiter liked Hebe any the less because she was as fresh and innocent as the nectar she served out to him? If he had, my dear, he'd have sent for Clotho, or Atropos, or some one or other of the elderly maiden ladies of Hades, to wait upon him as cupbearer. I wouldn't have you otherwise than you are, Polly, by so much as one thought."

The girl looked up at her husband in a rapture of innocent affection.

"I am too happy, Edward," she said, in a low awe-stricken whisper—"I am too happy! So much happiness can never last."

Alas! the orphan girl's experience of this life had early taught her the lesson which some people learn so late. She had learnt to distrust the equal blue of a summer sky, the glorious splendour of the blazing sunlight. She was accustomed to sorrow; but these brief glimpses of perfect happiness filled her with a dim sense of terror. She felt like some earthly wanderer who had strayed across the threshold of Paradise. In the midst of her delight and admiration, she trembled for the moment in which the ruthless angels, bearing flaming swords, should drive her from the celestial gates.

"It can't last, Edward," she murmured.

"Can't last, Polly!" cried the young man; "why, my dove is transformed all at once into a raven. We have outlived our troubles, Polly, like the hero and heroine in one of your novels; and what is to prevent our living happy ever afterwards, like them? If you remember, my dear, no sorrows or trials ever fall to the lot of people after marriage. The persecutions, the separations, the estrangements, are all ante-nuptial. When once your true novelist gets his hero and heroine up to the altar-rails in real earnest,—he gets them into the church sometimes, and then forbids the banns, or brings a former wife, or a rightful husband, pale and denouncing, from behind a pillar, and drives the wretched pair out again, to persecute them through three hundred pages more before he lets them get back again,—but when once the important words are spoken and the knot tied, the story's done, and the happy couple get forty or fifty years' wedded bliss, as a set-off against the miseries they have endured in the troubled course of a twelvemonth's courtship. That's the sort of thing, isn't it, Polly?"

The clock of St. Cross, sounding faintly athwart the meadows, struck three as the young man finished speaking.

"Three o'clock, Polly!" he cried; "we must go home, my pet. I mean to be businesslike to-day."

Upon each day in that happy honeymoon holiday Captain Arundel had made some such declaration with regard to his intention of being businesslike; that is to say, setting himself deliberately to the task of writing those letters which should announce and explain his marriage to the people who had a right to hear of it. But the soldier had a dislike to all letter-writing, and a special horror of any epistolary communication which could come under the denomination of a business-letter; so the easy summer days slipped by,—the delicious drowsy noontides, the soft and dreamy twilight, the tender moonlit nights,—and the Captain put off the task for which he had no fancy, from after breakfast until after dinner, and from after dinner until after breakfast; always beguiled away from his open travelling-desk by a word from Mary, who called him to the window to look at a pretty child on the village green before the inn, or at the blacksmith's dog, or the tinker's donkey, or a tired Italian organ-boy who had strayed into that out-of-the-way nook, or at the smart butcher from Winchester, who rattled over in a pony-cart twice a week to take orders from the gentry round about, and to insult and defy the local purveyor, whose stock-in-trade generally seemed to consist of one leg of mutton and a dish of pig's fry.

The young couple walked slowly through the meadows, crossing rustic wooden bridges that spanned the winding stream, loitering to look down into the clear water at the fish which Captain Arundel pointed out, but which Mary could never see;—that young lady always fixing her eyes upon some long trailing weed afloat in the transparent water, while the silvery trout indicated by her husband glided quietly away to the sedgy bottom of the stream. They lingered by the water-mill, beneath whose shadow some children were fishing; they seized upon every pretext for lengthening that sunny homeward walk, and only reached the inn as the village clocks were striking four, at which hour Captain Arundel had ordered dinner.

But after the simple little repast, mild and artless in its nature as the fair young spirit of the bride herself; after the landlord, sympathetic yet respectful, had in his own person attended upon his two guests; after the pretty rustic chamber had been cleared of all evidence of the meal that had been eaten, Edward Arundel began seriously to consider the business in hand.

"The letters must be written, Polly," he said, seating himself at a table near the open window. Trailing branches of jasmine and honeysuckle made a framework round the diamond-paned casement; the perfumed blossoms blew into the room with every breath of the warm August breeze, and hung trembling in the folds of the chintz curtains. Mr. Arundel's gaze wandered dreamily away through this open window to the primitive picture without,—the scattered cottages upon the other side of the green, the cattle standing in the pond, the cackling geese hurrying homeward across the purple ridge of common, the village gossips loitering beneath the faded sign that hung before the low white tavern at the angle of the road. He looked at all these things as he flung his leathern desk upon the table, and made a great parade of unlocking and opening it.

"The letters must be written," he repeated, with a smothered sigh. "Did you ever notice a peculiar property in stationery, Polly?"

Mrs. Edward Arundel only opened her brown eyes to their widest extent, and stared at her husband.

"No, I see you haven't," said the young man. "How should you, you fortunate Polly? You've never had to write any business-letters yet, though you are an heiress. The peculiarity of all stationery, my dear, is, that it is possessed of an intuitive knowledge of the object for which it is to be used. If one has to write an unpleasant letter, Polly, it might go a little smoother, you know; one might round one's paragraphs, and spell the difficult words—the 'believes' and 'receives,' the 'tills' and 'untils,' and all that sort of thing—better with a pleasant pen, an easy-going, jolly, soft-nibbed quill, that would seem to say, 'Cheer up, old fellow! I'll carry you through it; we'll get to "your very obedient servant" before you know where you are,' and so on. But, bless your heart, Polly! let a poor unbusinesslike fellow try to write a business-letter, and everything goes against him. The pen knows what he's at, and jibs, and stumbles, and shies about the paper, like a broken-down screw; the ink turns thick and lumpy; the paper gets as greasy as a London pavement after a fall of snow, till a poor fellow gives up, and knocks under to the force of circumstances. You see if my pen doesn't splutter, Polly, the moment I address Richard Paulette."

Captain Arundel was very careful in the adjustment of his sheet of paper, and began his letter with an air of resolution.

"White Hart Inn, Milldale, near Winchester,
"August 14th.

"MY DEAR SIR,"

He wrote as much as this with great promptitude, and then, with his elbow on the table, fell to staring at his pretty young wife and drumming his fingers on his chin. Mary was sitting opposite her husband at the open window, working, or making a pretence of being occupied with some impossible fragment of Berlin wool-work, while she watched her husband.

"How pretty you look in that white frock, Polly!" said the soldier; "you call those things frocks, don't you? And that blue sash, too,—you ought always to wear white, Mary, like your namesakes abroad who are vouée au blanc by their faithful mothers, and who are a blessing to the laundresses for the first seven or fourteen years of their lives. What shall I say to Paulette? He's such a jolly fellow, there oughtn't to be much difficulty about the matter. 'My dear sir,' seems absurdly stiff; 'my dear Paulette,'—that's better,—'I write this to inform you that your client, Miss Mary March——' What's that, Polly?"

It was the postman, a youth upon a pony, with the afternoon letters from London. Captain Arundel flung down his pen and went to the window. He had some interest in this young man's arrival, as he had left orders that such letters as were addressed to him at the hotel in Covent Garden should be forwarded to him at Milldale.

"I daresay there's a letter from Germany, Polly," he said eagerly. "My mother and Letitia are capital correspondents; I'll wager anything there's a letter, and I can answer it in the one I'm going to write this evening, and that'll be killing two birds with one stone. I'll run down to the postman, Polly."

Captain Arundel had good reason to go after his letters, for there seemed little chance of those missives being brought to him. The youthful postman was standing in the porch drinking ale out of a ponderous earthenware mug, and talking to the landlord, when Edward went down.

"Any letters for me, Dick?" the Captain asked. He knew the Christian name of almost every visitor or hanger-on at the little inn, though he had not stayed there an entire fortnight, and was as popular and admired as if he had been some free-spoken young squire to whom all the land round about belonged.

"'Ees, sir," the young man answered, shuffling off his cap; "there be two letters for ye."

He handed the two packets to Captain Arundel, who looked doubtfully at the address of the uppermost, which, like the other, had been re-directed by the people at the London hotel. The original address of this letter was in a handwriting that was strange to him; but it bore the postmark of the village from which the Dangerfield letters were sent.

The back of the inn looked into an orchard, and through an open door opposite to the porch Edward Arundel saw the low branches of the trees, and the ripening fruit red and golden in the afternoon sunlight. He went out into this orchard to read his letters, his mind a little disturbed by the strange handwriting upon the Dangerfield epistle.

The letter was from his father's housekeeper, imploring him most earnestly to go down to the Park without delay. Squire Arundel had been stricken with paralysis, and was declared to be in imminent danger. Mrs. and Miss Arundel and Mr. Reginald were away in Germany. The faithful old servant implored the younger son to lose no time in hurrying home, if he wished to see his father alive.

The soldier leaned against the gnarled grey trunk of an old apple-tree, and stared at this letter with a white awe-stricken face.

What was he to do? He must go to his father, of course. He must go without a moment's delay. He must catch the first train that would carry him westward from Southampton. There could be no question as to his duty. He must go; he must leave his young wife.

His heart sank with a sharp thrill of pain, and with perhaps some faint shuddering sense of an unknown terror, as he thought of this.

"It was lucky I didn't write the letters," he reflected; "no one will guess the secret of my darling's retreat. She can stay here till I come back to her. God knows I shall hurry back the moment my duty sets me free. These people will take care of her. No one will know where to look for her. I'm very glad I didn't write to Olivia. We were so happy this morning! Who could think that sorrow would come between us so soon?"

Captain Arundel looked at his watch. It was a quarter to six o'clock, and he knew that an express left Southampton for the west at eight. There would be time for him to catch that train with the help of a sturdy pony belonging to the landlord of the White Hart, which would rattle him over to the station in an hour and a half. There would be time for him to catch the train; but, oh! how little time to comfort his darling—how little time to reconcile his young wife to the temporary separation!

He hurried back to the porch, briefly explained to the landlord what had happened, ordered the pony and gig to be got ready immediately, and then went very, very slowly upstairs, to the room in which his young wife sat by the open window waiting for his return.

Mary looked up at his face as he entered the room, and that one glance told her of some new sorrow.

"Edward," she cried, starting up from her chair with a look of terror, "my stepmother has come."

Even in his trouble the young man smiled at his foolish wife's all-absorbing fear of Olivia Marchmont.

"No, my darling," he said; "I wish to heaven our worst trouble were the chance of your father's widow breaking in upon us. Something has happened, Mary; something very sorrowful, very serious for me. My father is ill, Polly dear, dangerously ill, and I must go to him."

Mary Arundel drew a long breath. Her face had grown very white, and the hands that were linked tightly round her husband's arm trembled a little.

"I will try to bear it," she said; "I will try to bear it."

"God bless you, my darling!" the soldier answered fervently, clasping his young wife to his breast. "I know you will. It will be a very short parting, Mary dearest. I will come back to you directly I have seen my father. If he is worse, there will be little need for me to stop at Dangerfield; if he is better, I can take you back there with me. My own darling love, it is very bitter for us to be parted thus; but I know that you will bear it like a heroine. Won't you, Polly?"

"I will try to bear it, dear."

She said very little more than this, but clung about her husband, not with any desperate force, not with any clamorous and tumultuous grief, but with a half-despondent resignation; as a drowning man, whose strength is well-nigh exhausted, may cling, in his hopelessness, to a spar, which he knows he must presently abandon.

Mary Arundel followed her husband hither and thither while he made his brief and hurried preparations for the sudden journey; but although she was powerless to assist him,—for her trembling hands let fall everything she tried to hold, and there was a mist before her eyes, which distorted and blotted the outline of every object she looked at,—she hindered him by no noisy lamentations, she distressed him by no tears. She suffered, as it was her habit to suffer, quietly and uncomplainingly.

The sun was sinking when she went with Edward downstairs to the porch, before which the landlord's pony and gig were in waiting, in custody of a smart lad who was to accompany Mr. Arundel to Southampton. There was no time for any protracted farewell. It was better so, perhaps, Edward thought. He would be back so soon, that the grief he felt in this parting—and it may be that his suffering was scarcely less than Mary's—seemed wasted anguish, to which it would have been sheer cowardice to give way. But for all this the soldier very nearly broke down when he saw his childish wife's piteous face, white in the evening sunlight, turned to him in mute appeal, as if the quivering lips would fain have entreated him to abandon all and to remain. He lifted the fragile figure in his arms,—alas! it had never seemed so fragile as now,—and covered the pale face with passionate kisses and fast-dropping tears.

"God bless and defend you, Mary! God keep——"

He was ashamed of the huskiness of his voice, and putting his wife suddenly away from him, he sprang into the gig, snatched the reins from the boy's hand, and drove away at the pony's best speed. The old-fashioned vehicle disappeared in a cloud of dust; and Mary, looking after her husband with eyes that were as yet tearless, saw nothing but glaring light and confusion, and a pastoral landscape that reeled and heaved like a stormy sea.

It seemed to her, as she went slowly back to her room, and sat down amidst the disorder of open portmanteaus and overturned hatboxes, which the young man had thrown here and there in his hurried selection of the few things necessary for him to take on his hasty journey—it seemed as if the greatest calamity of her life had now befallen her. As hopelessly as she had thought of her father's death, she now thought of Edward Arundel's departure. She could not see beyond the acute anguish of this separation. She could not realise to herself that there was no cause for all this terrible sorrow; that the parting was only a temporary one; and that her husband would return to her in a few days at the furthest. Now that she was alone, now that the necessity for heroism was past, she abandoned herself utterly to the despair that had held possession of her soul from the moment in which Captain Arundel had told her of his father's illness.

The sun went down behind the purple hills that sheltered the western side of the little village. The tree-tops in the orchard below the open window of Mrs. Arundel's bedroom grew dim in the grey twilight. Little by little the sound of voices in the rooms below died away into stillness. The fresh rosy-cheeked country girl who had waited upon the young husband and wife, came into the sitting-room with a pair of wax-candles in old-fashioned silver candlesticks, and lingered in the room for a little time, expecting to receive some order from the lonely watcher. But Mary had locked the door of her bedchamber, and sat with her head upon the sill of the open window, looking out into the dim orchard. It was only when the stars glimmered in the tranquil sky that the girl's blank despair gave way before a sudden burst of tears, and she flung herself down beside the white-curtained bed to pray for her young husband. She prayed for him in an ecstatic fervour of love and faith, carried away by the new hopefulness that arose out of her ardent supplications, and picturing him going triumphant on his course, to find his father out of danger,—restored to health, perhaps,—and to return to her before the stars glimmered through the darkness of another summer's night. She prayed for him, hoping and believing everything; though at the hour in which she knelt, with the faint starlight shimmering upon her upturned face and clasped hands, Edward Arundel was lying, maimed and senseless, in the wretched waiting-room of a little railway-station in Dorsetshire, watched over by an obscure country surgeon, while the frightened officials scudded here and there in search of some vehicle in which the young man might be conveyed to the nearest town.

There had been one of those accidents which seem terribly common on every line of railway, however well managed. A signalman had mistaken one train for another; a flag had been dropped too soon; and the down-express had run into a heavy luggage-train blundering up from Exeter with farm-produce for the London markets. Two men had been killed, and a great many passengers hurt; some very seriously. Edward Arundel's case was perhaps one of the most serious amongst these.

CHAPTER V.

SOUNDING THE DEPTHS.

Lavinia Weston spent the evening after her visit to Marchmont Towers at her writing-desk, which, like everything else appertaining to her, was a model of neatness and propriety; perfect in its way, although it was no marvellous specimen of walnut-wood and burnished gold, no elegant structure of papier-mâché and mother-of-pearl, but simply a schoolgirl's homely rosewood desk, bought for fifteen shillings or a guinea.

Mrs. Weston had administered the evening refreshment of weak tea, stale bread, and strong butter to her meek husband, and had dismissed him to the surgery, a sunken and rather cellar-like apartment opening out of the prim second-best parlour, and approached from the village street by a side-door. The surgeon was very well content to employ himself with the preparation of such draughts and boluses as were required by the ailing inhabitants of Kemberling, while his wife sat at her desk in the room above him. He left his gallipots and pestle and mortar once or twice in the course of the evening, to clamber ponderously up the three or four stairs leading to the sitting-room, and stare through the keyhole of the door at Mrs. Weston's thoughtful face, and busy hand gliding softly over the smooth note-paper. He did this in no prying or suspicious spirit, but out of sheer admiration for his wife.

"What a mind she has!" he murmured rapturously, as he went back to his work; "what a mind!"

The letter which Lavinia Weston wrote that evening was a very long one. She was one of those women who write long letters upon every convenient occasion. To-night she covered two sheets of note-paper with her small neat handwriting. Those two sheets contained a detailed account of the interview that had taken place that day between the surgeon's wife and Olivia; and the letter was addressed to the artist, Paul Marchmont.

Perhaps it was in consequence of the receipt of this letter that Paul Marchmont arrived at his sister's house at Kemberling two days after Mrs. Weston's visit to Marchmont Towers. He told the surgeon that he came to Lincolnshire for a few days' change of air, after a long spell of very hard work; and George Weston, who looked upon his brother-in-law as an intellectual demigod, was very well content to accept any explanation of Mr. Marchmont's visit.

"Kemberling isn't a very lively place for you, Mr. Paul," he said apologetically,—he always called his wife's brother Mr. Paul,—"but I dare say Lavinia will contrive to make you comfortable. She persuaded me to come here when old Dawnfield died; but I can't say she acted with her usual tact, for the business ain't as good as my Stanfield practice; but I don't tell Lavinia so."

Paul Marchmont smiled.

"The business will pick up by-and-by, I daresay," he said. "You'll have the Marchmont Towers family to attend to in good time, I suppose."

"That's what Lavinia said," answered the surgeon. "'Mrs. John Marchmont can't refuse to employ a relation,' she says; 'and, as first-cousin to Mary Marchmont's father, I ought'—meaning herself, you know—'to have some influence in that quarter.' But then, you see, the very week we come here the gal goes and runs away; which rather, as one may say, puts a spoke in our wheel, you know."

Mr. George Weston rubbed his chin reflectively as he concluded thus. He was a man given to spending his leisure-hours—when he had any leisure, which was not very often—in tavern parlours, where the affairs of the nation were settled and unsettled every evening over sixpenny glasses of hollands and water; and he regretted his removal from Stanfield, which had been as the uprooting of all his dearest associations. He was a solemn man, who never hazarded an opinion lightly,—perhaps because he never had an opinion to hazard,—and his stolidity won him a good deal of respect from strangers; but in the hands of his wife he was meeker than the doves that cooed in the pigeon-house behind his dwelling, and more plastic than the knob of white wax upon which industrious Mrs. Weston was wont to rub her thread when engaged in the mysteries of that elaborate and terrible science which women paradoxically call plain needlework.

Paul Marchmont presented himself at the Towers upon the day after his arrival at Kemberling. His interview with the widow was a very long one. He had studied every line of his sister's letter; he had weighed every word that had fallen from Olivia's lips and had been recorded by Lavinia Weston; and taking the knowledge thus obtained as his starting-point, he took his dissecting-knife and went to work at an intellectual autopsy. He anatomised the wretched woman's soul. He made her tell her secret, and bare her tortured breast before him; now wringing some hasty word from her impatience, now entrapping her into some admission,—if only so much as a defiant look, a sudden lowering of the dark brows, an involuntary compression of the lips. He made her reveal herself to him. Poor Rosencranz and Guildenstern were sorry blunderers in that art which is vulgarly called pumping, and were easily put out by a few quips and quaint retorts from the mad Danish prince; but Paul Marchmont would have played upon Hamlet more deftly than ever mortal musician played upon pipe or recorder, and would have fathomed the remotest depths of that sorrowful and erratic soul. Olivia writhed under the torture of that polite inquisition, for she knew that her secrets were being extorted from her; that her pitiful folly—that folly which she would have denied even to herself, if possible—was being laid bare in all its weak foolishness. She knew this; but she was compelled to smile in the face of her bland inquisitor, to respond to his commonplace expressions of concern about the protracted absence of the missing girl, and meekly to receive his suggestions respecting the course it was her duty to take. He had the air of responding to her suggestions, rather than of himself dictating any particular line of conduct. He affected to believe that he was only agreeing with some understood ideas of hers, while he urged his own views upon her.

"Then we are quite of one mind in this, my dear Mrs. Marchmont," he said at last; "this unfortunate girl must not be suffered to remain away from her legitimate home any longer than we can help. It is our duty to find and bring her back. I need scarcely say that you, being bound to her by every tie of affection, and having, beyond this, the strongest claim upon her gratitude for your devoted fulfilment of the trust confided in you,—one hears of these things, Mrs. Marchmont, in a country village like Kemberling,—I need scarcely say that you are the most fitting person to win the poor child back to a sense of her duty—if she can be won to such a sense." Paul Marchmont added, after a sudden pause and a thoughtful sigh, "I sometimes fear——"

He stopped abruptly, waiting until Olivia should question him.

"You sometimes fear——?"

"That—that the error into which Miss Marchmont has fallen is the result of a mental rather than of a moral deficiency."

"What do you mean?"

"I mean this, my dear Mrs. Marchmont," answered the artist, gravely; "one of the most powerful evidences of the soundness of a man's brain is his capability of assigning a reasonable motive for every action of his life. No matter how unreasonable the action in itself may seem, if the motive for that action can be demonstrated. But the moment a man acts without motive, we begin to take alarm and to watch him. He is eccentric; his conduct is no longer amenable to ordinary rule; and we begin to trace his eccentricities to some weakness or deficiency in his judgment or intellect. Now, I ask you what motive Mary Marchmont can have had for running away from this house?"

Olivia quailed under the piercing scrutiny of the artist's cold grey eyes, but she did not attempt to reply to his question.

"The answer is very simple," he continued, after that long scrutiny; "the girl could have had no cause for flight; while, on the other hand, every reasonable motive that can be supposed to actuate a woman's conduct was arrayed against her. She had a happy home, a kind stepmother. She was within a few years of becoming undisputed mistress of a very large estate. And yet, immediately after having assisted at a festive entertainment, to all appearance as gay and happy as the gayest and happiest there, this girl runs away in the dead of the night, abandoning the mansion which is her own property, and assigning no reason whatever for what she does. Can you wonder, then, if I feel confirmed in an opinion that I formed upon the day on which I heard the reading of my cousin's will?"

"What opinion?"

"That Mary Marchmont is as feeble in mind as she is fragile in body."

He launched this sentence boldly, and waited for Olivia's reply. He had discovered the widow's secret. He had fathomed the cause of her jealous hatred of Mary Marchmont; but even he did not yet understand the nature of the conflict in the desperate woman's breast. She could not be wicked all at once. Against every fresh sin she made a fresh struggle, and she would not accept the lie which the artist tried to force upon her.

"I do not think that there is any deficiency in my stepdaughter's intellect," she said, resolutely.

She was beginning to understand that Paul Marchmont wanted to ally himself with her against the orphan heiress, but as yet she did not understand why he should do so. She was slow to comprehend feelings that were utterly foreign to her own nature. There was so little of mercenary baseness in this strange woman's soul, that had the flame of a candle alone stood between her and the possession of Marchmont Towers, I doubt if she would have cared to waste a breath upon its extinction. She had lived away from the world, and out of the world; and it was difficult for her to comprehend the mean and paltry wickedness which arise out of the worship of Baal.

Paul Marchmont recoiled a little before the straight answer which the widow had given him.

"You think Miss Marchmont strong-minded, then, perhaps?" he said.

"No; not strong minded."

"My dear Mrs. Marchmont, you deal in paradoxes," exclaimed the artist. "You say that your stepdaughter is neither weak-minded nor strong-minded?"

"Weak enough, perhaps, to be easily influenced by other people; weak enough to believe anything my cousin Edward Arundel might choose to tell her; but not what is generally called deficient in intellect."

"You think her perfectly able to take care of herself?"

"Yes; I think so."

"And yet this running away looks almost as if——. But I have no wish to force any unpleasant belief upon you, my dear madam. I think—as you yourself appear to suggest—that the best thing we can do is to get this poor girl home again as quickly as possible. It will never do for the mistress of Marchmont Towers to be wandering about the world with Mr. Edward Arundel. Pray pardon me, Mrs. Marchmont, if I speak rather disrespectfully of your cousin; but I really cannot think that the gentleman has acted very honourably in this business."

Olivia was silent. She remembered the passionate indignation of the young soldier, the angry defiance hurled at her, as Edward Arundel galloped away from the gaunt western façade. She remembered these things, and involuntarily contrasted them with the smooth blandness of Paul Marchmont's talk, and the deadly purpose lurking beneath it—of which deadly purpose some faint suspicion was beginning to dawn upon her.

If she could have thought Mary Marchmont mad,—if she could have thought Edward Arundel base, she would have been glad; for then there would have been some excuse for her own wickedness. But she could not think so. She slipped little by little down into the black gulf; now dragged by her own mad passion; now lured yet further downward by Paul Marchmont.

Between this man and eleven thousand a year the life of a fragile girl was the solitary obstacle. For three years it had been so, and for three years Paul Marchmont had waited—patiently, as it was his habit to wait—the hour and the opportunity for action. The hour and opportunity had come, and this woman, Olivia Marchmont, only stood in his way. She must become either his enemy or his tool, to be baffled or to be made useful. He had now sounded the depths of her nature, and he determined to make her his tool.

"It shall be my business to discover this poor child's hiding-place," he said; "when that is found I will communicate with you, and I know you will not refuse to fulfil the trust confided to you by your late husband. You will bring your stepdaughter back to this house, and henceforward protect her from the dangerous influence of Edward Arundel."

Olivia looked at the speaker with an expression which seemed like terror. It was as if she said,—

"Are you the devil, that you hold out this temptation to me, and twist my own passions to serve your purpose?"

And then she paltered with her conscience.

"Do you consider that it is my duty to do this?" she asked.

"My dear Mrs. Marchmont, most decidedly."

"I will do it, then. I—I—wish to do my duty."

"And you can perform no greater act of charity than by bringing this unhappy girl back to a sense of her duty. Remember, that her reputation, her future happiness, may fall a sacrifice to this foolish conduct, which, I regret to say, is very generally known in the neighbourhood. Forgive me if I express my opinion too freely; but I cannot help thinking, that if Mr. Arundel's intentions had been strictly honourable, he would have written to you before this, to tell you that his search for the missing girl had failed; or, in the event of his finding her, he would have taken the earliest opportunity of bringing her back to her own home. My poor cousin's somewhat unprotected position, her wealth, and her inexperience of the world, place her at the mercy of a fortune-hunter; and Mr. Arundel has himself to thank if his conduct gives rise to the belief that he wishes to compromise this girl in the eyes of the scandalous, and thus make sure of your consent to a marriage which would give him command of my cousin's fortune."

Olivia Marchmont's bosom heaved with the stormy beating of her heart. Was she to sit calmly by and hold her peace while this man slandered the brave young soldier, the bold, reckless, generous-hearted lad, who had shone upon her out of the darkness of her life, as the very incarnation of all that is noble and admirable in mankind? Was she to sit quietly by and hear a stranger lie away her kinsman's honour, truth, and manhood?

Yes, she must do so. This man had offered her a price for her truth and her soul. He was ready to help her to the revenge she longed for. He was ready to give her his aid in separating the innocent young lovers, whose pure affection had poisoned her life, whose happiness was worse than the worst death to her. She kept silent, therefore, and waited for Paul to speak again.

"I will go up to Town to-morrow, and set to work about this business," the artist said, as he rose to take leave of Mrs. Marchmont. "I do not believe that I shall have much difficulty in finding the young lady's hiding-place. My first task shall be to look for Mr. Arundel. You can perhaps give me the address of some place in London where your cousin is in the habit of staying?"

"I can."

"Thank you; that will very much simplify matters. I shall write you immediate word of any discovery I make, and will then leave all the rest to you. My influence over Mary Marchmont as an entire stranger could be nothing. Yours, on the contrary, must be unbounded. It will be for you to act upon my letter."

* * * * *

Olivia Marchmont waited for two days and nights for the promised letter. Upon the third morning it came. The artist's epistle was very brief:

"MY DEAR MRS. MARCHMONT,—I have made the necessary discovery. Miss
Marchmont is to be found at the White Hart Inn, Milldale, near
Winchester. May I venture to urge your proceeding there in search of
her without delay?

"Yours very faithfully,

"PAUL MARCHMONT.

"Charlotte Street, Fitzroy Square, "Aug. 15_th_."

CHAPTER VI.

RISEN FROM THE GRAVE.

The rain dripped ceaselessly upon the dreary earth under a grey November sky,—a dull and lowering sky, that seemed to brood over this lower world with some menace of coming down to blot out and destroy it. The express-train, rushing headlong across the wet flats of Lincolnshire, glared like a meteor in the gray fog; the dismal shriek of the engine was like the cry of a bird of prey. The few passengers who had chosen that dreary winter's day for their travels looked despondently out at the monotonous prospect, seeking in vain to descry some spot of hope in the joyless prospect; or made futile attempts to read their newspapers by the dim light of the lamp in the roof of the carriage. Sulky passengers shuddered savagely as they wrapped themselves in huge woollen rugs or ponderous coverings made from the skins of wild beasts. Melancholy passengers drew grotesque and hideous travelling-caps over their brows, and, coiling themselves in the corner of their seats, essayed to sleep away the weary hours. Everything upon this earth seemed dismal and damp, cold and desolate, incongruous and uncomfortable.

But there was one first-class passenger in that Lincolnshire express who made himself especially obnoxious to his fellows by the display of an amount of restlessness and superabundant energy quite out of keeping with the lazy despondency of those about him.

This was a young man with a long tawny beard and a white face,—a very handsome face, though wan and attenuated, as if with some terrible sickness, and somewhat disfigured by certain strappings of plaister, which were bound about a patch of his skull a little above the left temple. This young man had one side of the carriage to himself; and a sort of bed had been made up for him with extra cushions, upon which he lay at full length, when he was still, which was never for very long together. He was enveloped almost to the chin in voluminous railway-rugs, but, in spite of these coverings, shuddered every now and then, as if with cold. He had a pocket-pistol amongst his travelling paraphernalia, which he applied occasionally to his dry lips. Sometimes drops of perspiration broke suddenly out upon his forehead, and were brushed away by a tremulous hand, that was scarcely strong enough to hold a cambric handkerchief. In short, it was sufficiently obvious to every one that this young man with the tawny beard had only lately risen from a sick-bed, and had risen therefrom considerably before the time at which any prudent medical practitioner would have given him licence to do so.

It was evident that he was very, very ill, but that he was, if anything, more ill at ease in mind than in body; and that some terrible gnawing anxiety, some restless care, some horrible uncertainty or perpetual foreboding of trouble, would not allow him to be at peace. It was as much as the three fellow-passengers who sat opposite to him could do to bear with his impatience, his restlessness, his short half-stifled moans, his long weary sighs; the horror of his fidgety feet shuffled incessantly upon the cushions; the suddenly convulsive jerks with which he would lift himself upon his elbow to stare fiercely into the dismal fog outside the carriage window; the groans that were wrung from him as he flung himself into new and painful positions; the frightful aspect of physical agony which came over his face as he looked at his watch,—and he drew out and consulted that ill-used chronometer, upon an average, once in a quarter of an hour; his impatient crumpling of the crisp leaves of a new "Bradshaw," which he turned over ever and anon, as if, by perpetual reference to that mysterious time-table, he might hasten the advent of the hour at which he was to reach his destination. He was, altogether, a most aggravating and exasperating travelling companion; and it was only out of Christian forbearance with the weakness of his physical state that his irritated fellow-passengers refrained from uniting themselves against him, and casting him bodily out of the window of the carriage; as a clown sometimes flings a venerable but tiresome pantaloon through a square trap or pitfall, lurking, undreamed of, in the façade of an honest tradesman's dwelling.

The three passengers had, in divers manners, expressed their sympathy with the invalid traveller; but their courtesies had not been responded to with any evidence of gratitude or heartiness. The young man had answered his companions in an absent fashion, scarcely deigning to look at them as he spoke;—speaking altogether with the air of some sleep-walker, who roams hither and thither absorbed in a dreadful dream, making a world for himself, and peopling it with horrible images unknown to those about him.

Had he been ill?—Yes, very ill. He had had a railway accident, and then brain-fever. He had been ill for a long time.

Somebody asked him how long.

He shuffled about upon the cushions, and groaned aloud at this question, to the alarm of the man who had asked it.

"How long?" he cried, in a fierce agony of mental or bodily uneasiness;—"how long? Two months,—three months,—ever since the 15th of August."

Then another passenger, looking at the young man's very evident sufferings from a commercial point of view, asked him whether he had had any compensation.

"Compensation!" cried the invalid. "What compensation?"

"Compensation from the Railway Company. I hope you've a strong case against them, for you've evidently been a terrible sufferer."

It was dreadful to see the way in which the sick man writhed under this question.

"Compensation!" he cried. "What compensation can they give me for an accident that shut me in a living grave for three months, that separated me from——? You don't know what you're talking about, sir," he added suddenly; "I can't think of this business patiently; I can't be reasonable. If they'd hacked me to pieces, I shouldn't have cared. I've been under a red-hot Indian sun, when we fellows couldn't see the sky above us for the smoke of the cannons and the flashing of the sabres about our heads, and I'm not afraid of a little cutting and smashing more or less; but when I think what others may have suffered through——I'm almost mad, and——!"

He couldn't say any more, for the intensity of his passion had shaken him as a leaf is shaken by a whirlwind; and he fell back upon the cushions, trembling in every limb, and groaning aloud. His fellow-passengers looked at each other rather nervously, and two out of the three entertained serious thoughts of changing carriages when the express stopped midway between London and Lincoln.

But they were reassured by-and-by; for the invalid, who was Captain Edward Arundel, or that pale shadow of the dashing young cavalry officer which had risen from a sick-bed, relapsed into silence, and displayed no more alarming symptoms than that perpetual restlessness and disquietude which is cruelly wearying even to the strongest nerves. He only spoke once more, and that was when the short day, in which there had been no actual daylight, was closing in, and the journey nearly finished, when he startled his companions by crying out suddenly,—

"O my God! will this journey never come to an end? Shall I never be put out of this horrible suspense?"

The journey, or at any rate Captain Arundel's share of it, came to an end almost immediately afterwards, for the train stopped at Swampington; and while the invalid was staggering feebly to his feet, eager to scramble out of the carriage, his servant came to the door to assist and support him.

"You seem to have borne the journey wonderful, sir," the man said respectfully, as he tried to rearrange his master's wrappings, and to do as much as circumstances, and the young man's restless impatience, would allow of being done for his comfort.

"I have suffered the tortures of the infernal regions, Morrison," Captain Arundel ejaculated, in answer to his attendant's congratulatory address. "Get me a fly directly; I must go to the Towers at once."

"Not to-night, sir, surely?" the servant remonstrated, in a tone of alarm. "Your Mar and the doctors said you must rest at Swampington for a night."

"I'll rest nowhere till I've been to Marchmont Towers," answered the young soldier passionately. "If I must walk there,—if I'm to drop down dead on the road,—I'll go. If the cornfields between this and the Towers were a blazing prairie or a raging sea, I'd go. Get me a fly, man; and don't talk to me of my mother or the doctors. I'm going to look for my wife. Get me a fly."

This demand for a commonplace hackney vehicle sounded rather like an anti-climax, after the young man's talk of blazing prairies and raging seas; but passionate reality has no ridiculous side, and Edward Arundel's most foolish words were sublime by reason of their earnestness.

"Get me a fly, Morrison," he said, grinding his heel upon the platform in the intensity of his impatience. "Or, stay; we should gain more in the end if you were to go to the George—it's not ten minutes' walk from here; one of the porters will take you—the people there know me, and they'll let you have some vehicle, with a pair of horses and a clever driver. Tell them it's for an errand of life and death, and that Captain Arundel will pay them three times their usual price, or six times, if they wish. Tell them anything, so long as you get what we want."

The valet, an old servant of Edward Arundel's father, was carried away by the young man's mad impetuosity. The vitality of this broken-down invalid, whose physical weakness contrasted strangely with his mental energy, bore down upon the grave man-servant like an avalanche, and carried him whither it would. He was fain to abandon all hope of being true to the promises which he had given to Mrs. Arundel and the medical men, and to yield himself to the will of the fiery young soldier.