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John Marchmont's Legacy, Volumes 1-3

Chapter 12: CHAPTER IV. GOING AWAY.
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About This Book

The narrative follows an elderly relative who entrusts his young daughter's future to a kinsman, setting in motion contests over inheritance, jealousies among cousins, and romantic entanglements. Secrets, misunderstandings, and apparent tragedies — including disappearances and presumed deaths — separate lovers and force sacrifices. Rival ambitions and moments of revenge are countered by protective allies and revealing disclosures. Reunions, exposed deceptions, legal and personal reckonings, and reconciliations bring about marriages and the settlement of the disputed estate, concluding with an epilogue that reflects on the costs and consolations of loyalty and legacy.

"P.S.––Then comes what the lawyers call a general devise to trustees, to preserve the contingent remainders before devised from being destroyed; but what that means, perhaps you can get somebody to tell you. I hope it may be some legal jargon to preserve my very contingent remainder."

* * * * *

The tone of Edward Arundel's answer to this letter was more characteristic of the writer than in harmony with poor John's solemn appeal.

"You dear, foolish old Marchmont," the lad wrote, "of course I shall take care of Miss Mary; and my mother shall adopt her, and she shall live at Dangerfield, and be educated with my sister Letitia, who has the jolliest French governess, and a German maid for conversation; and don't let Paul Marchmont try on any of his games with me, that's all! But what do you mean, you ridiculous old boy, by talking about dying, and drowning, and shipwrecked mariners, and catching at straws, and all that sort of humbug, when you know very well that you'll live to inherit the Lincolnshire property, and that I'm coming to you every year to shoot, and that you're going to build a tennis–court,––of course there is a billiard–room,––and that you're going to have a stud of hunters, and be master of the hounds, and no end of bricks to

"Your ever devoted Roman countryman and lover,

"EDWARD

"42, MONTAGUE SQUARE,

"December 3lst, 1838.

"P.S.––By–the–bye, don't you think a situation in a lawyer's office would suit you better than the T. R. D. L.? If you do, I think I could manage it. A happy new year to Miss Mary!"

* * * * *

It was thus that Mr. Edward Arundel accepted the solemn trust which his friend confided to him in all simplicity and good faith. Mary Marchmont herself was not more innocent in the ways of the world outside Oakley Street, the Waterloo Road, and the New Cut, than was the little girl's father; nothing seemed more natural to him than to intrust the doubtful future of his only child to the bright–faced handsome boy, whose early boyhood had been unblemished by a mean sentiment or a dishonourable action. John Marchmont had spent three years in the Berkshire Academy at which Edward and his cousin, Martin Mostyn, had been educated; and young Arundel, who was far behind his kinsman in the comprehension of a problem in algebra, had been wise enough to recognise that paradox which Martin Mostyn could not understand––a gentleman in a shabby coat. It was thus that a friendship had arisen between the teacher of mathematics and his handsome pupil; and it was thus that an unreasoning belief in Edward Arundel had sprung up in John's simple mind.

"If my little girl were certain of inheriting the fortune," Mr. Marchmont thought, "I might find many who would be glad to accept my trust, and to serve her well and faithfully. But the chance is such a remote one. I cannot forget how the Jews laughed at me two years ago, when I tried to borrow money upon my reversionary interest. No! I must trust this brave–hearted boy, for I have no one else to confide in; and who else is there who would not ridicule my fear of my cousin Paul?"

Indeed, Mr. Marchmont had some reason to be considerably ashamed of his antipathy to the young artist working for his bread, and for the bread of his invalid mother and unmarried sister, in that bitter winter of '38; working patiently and hopefully, in despite of all discouragement, and content to live a joyless and monotonous life in a dingy lodging near Fitzroy Square. I can find no excuse for John Marchmont's prejudice against an industrious and indefatigable young man, who was the sole support of two helpless women. Heaven knows, if to be adored by two women is any evidence of a man's virtue, Paul must have been the best of men; for Stephanie Marchmont, and her daughter Clarisse, regarded the artist with a reverential idolatry that was not without a tinge of romance. I can assign no reason, then, for John's dislike of his cousin. They had been schoolfellows at a wretched suburban school, where the children of poor people were boarded, lodged, and educated all the year round for a pitiful stipend of something under twenty pounds. One of the special points of the prospectus was the announcement that there were no holidays; for the jovial Christmas gatherings of merry faces, which are so delightful to the wealthy citizens of Bloomsbury or Tyburnia, take another complexion in poverty–stricken households, whose scantily–stocked larders can ill support the raids of rawboned lads clamorous for provender. The two boys had met at a school of this calibre, and had never met since. They may not have been the best friends, perhaps, at the classical academy; but their quarrels were by no means desperate. They may have rather freely discussed their several chances of the Lincolnshire property; but I have no romantic story to tell of a stirring scene in the humble schoolroom––no exciting record of deadly insult and deep vows of vengeance. No inkstand was ever flung by one boy into the face of the other; no savage blow from a horsewhip ever cut a fatal scar across the brow of either of the cousins. John Marchmont would have been almost as puzzled to account for his objection to his kinsman, as was the nameless gentleman who so naïvely confessed his dislike of Dr. Fell. I fear that a great many of our likings and dislikings are too apt to be upon the Dr. Fell principle. Mr. Wilkie Collins's Basil could not tell why he fell madly in love with the lady whom it was his evil fortune to meet in an omnibus; nor why he entertained an uncomfortable feeling about the gentleman who was to be her destroyer. David Copperfield disliked Uriah Heep even before he had any substantial reason for objecting to the evil genius of Agnes Wickfield's father. The boy disliked the snake–like schemer of Canterbury because his eyes were round and red, and his hands clammy and unpleasant to the touch. Perhaps John Marchmont's reasons for his aversion to his cousin were about as substantial as those of Master Copperfield. It may be that the schoolboy disliked his comrade because Paul Marchmont's handsome grey eyes were a little too near together; because his thin and delicately chiselled lips were a thought too tightly compressed; because his cheeks would fade to an awful corpse–like whiteness under circumstances which would have brought the rushing life–blood, hot and red, into another boy's face; because he was silent and suppressed when it would have been more natural to be loud and clamorous; because he could smile under provocations that would have made another frown; because, in short, there was that about him which, let it be found where it will, always gives birth to suspicion,––MYSTERY!

So the cousins had parted, neither friends nor foes, to tread their separate roads in the unknown country, which is apt to seem barren and desolate enough to travellers who foot it in hobnailed boots considerably the worse for wear; and as the iron hand of poverty held John Marchmont even further back than Paul upon the hard road which each had to tread, the quiet pride of the teacher of mathematics most effectually kept him out of his kinsman's way. He had only heard enough of Paul to know that he was living in London, and working hard for a living; working as hard as John himself, perhaps; but at least able to keep afloat in a higher social position than the law–stationer's hack and the banner–holder of Drury Lane.

But Edward Arundel did not forget his friends in Oakley Street. The boy made a morning call upon his father's solicitors, Messrs. Paulette, Paulette, and Mathewson, of Lincoln's Inn Fields, and was so extremely eloquent in his needy friend's cause, as to provoke the good–natured laughter of one of the junior partners, who declared that Mr. Edward Arundel ought to wear a silk gown before he was thirty. The result of this interview was, that before the first month of the new year was out, John Marchmont had abandoned the classic banner and the demoniac mask to a fortunate successor, and had taken possession of a hard–seated, slim–legged stool in one of the offices of Messrs. Paulette, Paulette, and Mathewson, as copying and out–door clerk, at a salary of thirty shillings a week.

So little Mary entered now upon a golden age, in which her evenings were no longer desolate and lonely, but spent pleasantly with her father in the study of such learning as was suited to her years, or perhaps rather to her capacity, which was far beyond her years; and on certain delicious nights, to be remembered ever afterwards, John Marchmont took his little girl to the gallery of one or other of the transpontine theatres; and I am sorry to say that my heroine––for she is to be my heroine by–and–by––sucked oranges, ate Abernethy biscuits, and cooled her delicate nose against the iron railing of the gallery, after the manner of the masses when they enjoy the British Drama.

But all this time John Marchmont was utterly ignorant of one rather important fact in the history of those three lives which he was apt to speak of as standing between him and Marchmont Towers. Young Arthur Marchmont, the immediate heir of the estate, had been shot to death upon the 1st of September, 1838, without blame to anyone or anything but his own boyish carelessness, which had induced him to scramble through a hedge with his fowling–piece, the costly present of a doating father, loaded and on full–cock. This melancholy event, which had been briefly recorded in all the newspapers, had never reached the knowledge of poor John Marchmont, who had no friends to busy themselves about his interests, or to rush eagerly to carry him any intelligence affecting his prosperity. Nor had he read the obituary notice respecting Marmaduke Marchmont, the bachelor, who had breathed his last stertorous breath in a fit of apoplexy exactly one twelvemonth before the day upon which Edward Arundel breakfasted in Oakley Street.

CHAPTER IV.
GOING AWAY.

Edward Arundel went from Montague Square straight into the household of the private tutor of whom he had spoken, there to complete his education, and to be prepared for the onerous duties of a military life. From the household of this private tutor he went at once into a cavalry regiment; after sundry examinations, which were not nearly so stringent in the year one thousand eight hundred and forty, as they have since become. Indeed, I think the unfortunate young cadets who are educated upon the high–pressure system, and who are expected to give a synopsis of Portuguese political intrigue during the eighteenth century, a scientific account of the currents of the Red Sea, and a critical disquisition upon the comedies of Aristophanes as compared with those of Pedro Calderon de la Barca, not forgetting to glance at the effect of different ages and nationalities upon the respective minds of the two playwrights, within a given period of, say half–an–hour,––would have envied Mr. Arundel for the easy manner in which he obtained his commission in a distinguished cavalry regiment. Mr. Edward Arundel therefore inaugurated the commencement of the year 1840 by plunging very deeply into the books of a crack military–tailor in New Burlington Street, and by a visit to Dangerfield Park; where he went to make his adieux before sailing for India, whither his regiment had just been ordered.

I do not doubt that Mrs Arundel was very sorrowful at this sudden parting with her yellow–haired younger son. The boy and his mother walked together in the wintry sunset under the leafless beeches at Dangerfield, and talked of the dreary voyage that lay before the lad; the arid plains and cruel jungles far away; perils by sea and perils by land; but across them all, Fame waving her white beckoning arms to the young soldier, and crying, "Come, conqueror that shall be! come, through trial and danger, through fever and famine,––come to your rest upon my bloodstained lap!" Surely this boy, being only just eighteen years of age, may be forgiven if he is a little romantic, a little over eager and impressionable, a little too confident that the next thing to going out to India as a sea–sick subaltern in a great transport–ship is coming home with the reputation of a Clive. Perhaps he may be forgiven, too, if, in his fresh enthusiasm, he sometimes forgot the shabby friend whom he had helped little better than a twelvemonth before, and the earnest hazel eyes that had shone upon him in the pitiful Oakley Street chamber. I do not say that he was utterly unmindful of his old teacher of mathematics. It was not in his nature to forget anyone who had need of his services; for this boy, so eager to be a soldier, was of the chivalrous temperament, and would have gone out to die for his mistress, or his friend, if need had been. He had received two or three grateful letters from John Marchmont; and in these letters the lawyer's clerk had spoken pleasantly of his new life, and hopefully of his health, which had improved considerably, he said, since his resignation of the tragic banner and the pantomimic mask. Neither had Edward quite forgotten his promise of enlisting Mrs. Arundel's sympathies in aid of the motherless little girl. In one of these wintry walks beneath the black branches at Dangerfield, the lad had told the sorrowful story of his well–born tutor's poverty and humiliation.

"Only think, mother!" he cried at the end of the little history. "I saw the poor fellow carrying a great calico flag, and marching about at the heel of a procession, to be laughed at by the costermongers in the gallery; and I know that he belongs to a capital Lincolnshire family, and will come in for no end of money if he only lives long enough. But if he should die, mother, and leave his little girl destitute, you'll look after her, won't you?"

I don't know whether Mrs. Arundel quite entered into her son's ideas upon the subject of adopting Mary Marchmont, or whether she had any definite notion of bringing the little girl home to Dangerfield for the natural term of her life, in the event of the child being left an orphan. But she was a kind and charitable lady, and she scarcely cared to damp her boy's spirits by holding forth upon the doubtful wisdom of his adopting, or promising to adopt, any stray orphans who might cross his pathway.

"I hope the little girl may not lose her father, Edward," she said gently. "Besides, dear, you say that Mr. Marchmont tells you he has humble friends, who would take the child if anything happened to him. He does not wish us to adopt the little girl; he only asks us to interest ourselves in her fate."

"And you will do that, mother darling?" cried the boy. "You will take an interest in her, won't you? You couldn't help doing so, if you were to see her. She's not like a child, you know,––not a bit like Letitia. She's as grave and quiet as you are, mother,––or graver, I think; and she looks like a lady, in spite of her poor, shabby pinafore and frock."

"Does she wear shabby frocks?" said the mother. "I could help her in that matter, at all events, Ned. I might send her a great trunk–full of Letitia's things: she outgrows them before they have been worn long enough to be shabby."

The boy coloured, and shook his head.

"It's very kind of you to think of it, mother dear; but I don't think that would quite answer," he said.

"Why not?"

"Because, you see, John Marchmont is a gentleman; and, you know, though he's so dreadfully poor now, he is heir to Marchmont Towers. And though he didn't mind doing any thing in the world to earn a few shillings a week, he mightn't like to take cast–off clothes."

So nothing more was to be said or done upon the subject.

Edward Arundel wrote his humble friend a pleasant letter, in which he told John that he had enlisted his mother's sympathy in Mary's cause, and in which he spoke in very glowing terms of the Indian expedition that lay before him.

"I wish I could come to say good–bye to you and Miss Mary before I go," he wrote; "but that's impossible. I go straight from here to Southampton by coach at the end of this month, and the Auckland sails on the 2nd of February. Tell Miss Mary I shall bring her home all kinds of pretty presents from Affghanistan,––ivory fans, and Cashmere shawls, and Chinese puzzles, and embroidered slippers with turned–up toes, and diamonds, and attar–of–roses, and suchlike; and remember that I expect you to write to me, and to give me the earliest news of your coming into the Lincolnshire property."

John Marchmont received this letter in the middle of January. He gave a despondent sigh as he refolded the boyish epistle, after reading it to his little girl.

"We haven't so many friends, Polly," he said, "that we should be indifferent to the loss of this one."

Mary Marchmont's cheek grew paler at her father's sorrowful speech. That imaginative temperament, which was, as I have said, almost morbid in its intensity, presented every object to the little girl in a light in which things are looked at by very few children. Only these few words, and her fancy roamed far away to that cruel land whose perils her father had described to her. Only these few words, and she was away in the rocky Bolan Pass, under hurricanes of drifting snow; she saw the hungry soldiers fighting with savage dogs for the possession of foul carrion. She had heard all the perils and difficulties which had befallen the Army of the Indus in the year '39, and the womanly heart ached with the pain of those cruel memories.

"He will go to India and be killed, papa dear," she said. "Oh! why, why do they let him go? His mother can't love him, can she? She would never let him go, if she did."

John Marchmont was obliged to explain to his daughter that motherly love must not go so far as to deprive a nation of its defenders; and that the richest jewels which Cornelia can give to her country are those ruby life–drops which flow from the hearts of her bravest and brightest sons. Mary was no political economist; she could not reason upon the necessity of chastising Persian insolence, or checking Russian encroachments upon the far–away shores of the Indus. Was Edward Arundel's bright head, with its aureola of yellow hair, to be cloven asunder by an Affghan renegade's sabre, because the young Shah of Persia had been contumacious?

Mary Marchmont wept silently that day over a three–volume novel, while her father was away serving writs upon wretched insolvents, in his capacity of out–door clerk to Messrs. Paulette, Paulette, and Mathewson.

The young lady no longer spent her quiet days in the two–pair back. Mr. Marchmont and his daughter had remained faithful to Oakley Street and the proprietress of the ladies' wardrobe, who was a good, motherly creature; but they had descended to the grandeur of the first floor, whose gorgeous decorations Mary had glanced at furtively in the days gone by, when the splendid chambers were occupied by an elderly and reprobate commission–agent, who seemed utterly indifferent to the delights of a convex mirror, surmounted by a maimed eagle, whose dignity was somewhat impaired by the loss of a wing; but which bijou appeared, to Mary, to be a fitting adornment for the young Queen's palace in St. James's Park.

But neither the eagle nor the third volume of a thrilling romance could comfort Mary upon this bleak January day. She shut her book, and stood by the window, looking out into the dreary street, that seemed so blotted and dim under the falling snow.

"It snowed in the Pass of Bolan," she thought; "and the treacherous Indians harassed the brave soldiers, and killed their camels. What will become of him in that dreadful country? Shall we ever see him again?"

Yes, Mary, to your sorrow! Indian scimitars will let him go scatheless; famine and fever will pass him by; but the hand which points to that far–away day on which you and he are to meet, will never fail or falter in its purpose until the hour of your meeting comes.

* * * * *

We have no need to dwell upon the preparations which were made for the young soldier's departure from home, nor on the tender farewells between the mother and her son.

Mr. Arundel was a country gentleman pur et simple; a hearty, broad–shouldered squire, who had no thought above his farm and his dog–kennel, or the hunting of the red deer with which his neighbourhood abounded. He sent his younger son to India as coolly as he had sent the elder to Oxford. The boy had little to inherit, and must be provided for in a gentlemanly manner. Other younger sons of the House of Arundel had fought and conquered in the Honourable East India Company's service; and was Edward any better than they, that there should be sentimental whining because the lad was going away to fight his way to fortune, if he could? Mr. Arundel went even further than this, and declared that Master Edward was a lucky dog to be going out at such a time, when there was plenty of fighting, and a very fair chance of speedy promotion for a good soldier.

He gave the young cadet his blessing, reminded him of the limit of such supplies as he was to expect from home, bade him keep clear of the brandy–bottle and the dice–box; and having done this, believed that he had performed his duty as an Englishman and a father.

If Mrs. Arundel wept, she wept in secret, loth to discourage her son by the sight of those natural, womanly tears. If Miss Letitia Arundel was sorry to lose her brother, she mourned with most praiseworthy discretion, and did not forget to remind the young traveller that she expected to receive a muslin frock, embroidered with beetle–wings, by an early mail. And as Algernon Fairfax Dangerfield Arundel, the heir, was away at college, there was no one else to mourn. So Edward left the home of his forefathers by a branch–coach, which started from the "Arundel Arms" in time to meet the "Telegraph" at Exeter; and no noisy lamentations shook the sky above Dangerfield Park––no mourning voices echoed through the spacious rooms. The old servants were sorry to lose the younger–born, whose easy, genial temperament had made him an especial favourite; but there was a certain admixture of joviality with their sorrow, as there generally is with all mourning in the basement; and the strong ale, the famous Dangerfield October, went faster upon that 31st of January than on any day since Christmas.

I doubt if any one at Dangerfield Park sorrowed as bitterly for the departure of the boyish soldier as a romantic young lady, of nine years old, in Oakley Street, Lambeth; whose one sentimental day–dream––half–childish, half–womanly––owned Edward Arundel as its centre figure.

So the curtain falls on the picture of a brave ship sailing eastward, her white canvas strained against the cold grey February sky, and a little girl weeping over the tattered pages of a stupid novel in a shabby London lodging.

CHAPTER V.
MARCHMONT TOWERS.

There is a lapse of three years and a half between the acts; and the curtain rises to reveal a widely–different picture:––the picture of a noble mansion in the flat Lincolnshire country; a stately pile of building, standing proudly forth against a background of black woodland; a noble building, supported upon either side by an octagon tower, whose solid masonry is half–hidden by the ivy which clings about the stonework, trailing here and there, and flapping restlessly with every breath of wind against the narrow casements.

A broad stone terrace stretches the entire length of the grim façade, from tower to tower; and three flights of steps lead from the terrace to the broad lawn, which loses itself in a vast grassy flat, only broken by a few clumps of trees and a dismal pool of black water, but called by courtesy a park. Grim stone griffins surmount the terrace–steps, and griffins' heads and other architectural monstrosities, worn and moss–grown, keep watch and ward over every door and window, every archway and abutment––frowning threat and defiance upon the daring visitor who approaches the great house by this, the formidable chief entrance.

The mansion looks westward: but there is another approach, a low archway on the southern side, which leads into a quadrangle, where there is a quaint little door under a stone portico, ivy–covered like the rest; a comfortable little door of massive oak, studded with knobs of rusty iron,––a door generally affected by visitors familiar with the house.

This is Marchmont Towers,––a grand and stately mansion, which had been a monastery in the days when England and the Pope were friends and allies; and which had been bestowed upon Hugh Marchmont, gentleman, by his Sovereign Lord and Most Christian Majesty the King Henry VIII, of blessed memory, and by that gentleman–commoner extended and improved at considerable outlay. This is Marchmont Towers,––a splendid and a princely habitation truly, but perhaps scarcely the kind of dwelling one would choose for the holy resting–place we call home. The great mansion is a little too dismal in its lonely grandeur: it lacks shelter when the dreary winds come sweeping across the grassy flats in the bleak winter weather; it lacks shade when the western sun blazes on every window–pane in the stifling summer evening. It is at all times rather too stony in its aspect; and is apt to remind one almost painfully of every weird and sorrowful story treasured in the storehouse of memory. Ancient tales of enchantment, dark German legends, wild Scottish fancies, grim fragments of half–forgotten demonology, strange stories of murder, violence, mystery, and wrong, vaguely intermingle in the stranger's mind as he looks, for the first time, at Marchmont Towers.

But of course these feelings wear off in time. So invincible is the power of custom, that we might make ourselves comfortable in the Castle of Otranto, after a reasonable sojourn within its mysterious walls: familiarity would breed contempt for the giant helmet, and all the other grim apparitions of the haunted dwelling. The commonplace and ignoble wants of every–day life must surely bring disenchantment with them. The ghost and the butcher's boy cannot well exist contemporaneously; and the avenging shade can scarcely continue to lurk beneath the portal which is visited by the matutinal milkman. Indeed, this is doubtless the reason that the most restless and impatient spirit, bent on early vengeance and immediate retribution, will yet wait until the shades of night have fallen before he reveals himself, rather than run the risk of an ignominious encounter with the postman or the parlour–maid. Be it how it might, the phantoms of Marchmont Towers were not intrusive. They may have perambulated the long tapestried corridors, the tenantless chambers, the broad black staircase of shining oak; but, happily, no dweller in the mansion was ever scared by the sight of their pale faces. All the dead–and–gone beauties, and soldiers, and lawyers, and parsons, and simple country–squires of the Marchmont race may have descended from their picture–frames to hold a witches' sabbath in the old mansion; but as the Lincolnshire servants were hearty eaters and heavy sleepers, the ghosts had it all to themselves. I believe there was one dismal story attached to the house,––the story of a Marchmont of the time of Charles I, who had murdered his coachman in a fit of insensate rage; and it was even asserted, upon the authority of an old housekeeper, that John Marchmont's grandmother, when a young woman and lately come as a bride to the Towers, had beheld the murdered coachman stalk into her chamber, ghastly and blood–bedabbled, in the dim summer twilight. But as this story was not particularly romantic, and possessed none of the elements likely to insure popularity,––such as love, jealousy, revenge, mystery, youth, and beauty,––it had never been very widely disseminated.

I should think that the new owner of Marchmont Towers––new within the last six months––was about the last person in Christendom to be hypercritical, or to raise fanciful objections to his dwelling; for inasmuch as he had come straight from a wretched transpontine lodging to this splendid Lincolnshire mansion, and had at the same time exchanged a stipend of thirty shillings a week for an income of eleven thousand a year (derivable from lands that spread far away, over fenny flats and low–lying farms, to the solitary seashore), he had ample reason to be grateful to Providence, and well pleased with his new abode.

Yes; Philip Marchmont, the childless widower, had died six months before, at the close of the year '43, of a broken heart,––his old servants said, broken by the loss of his only and idolised son; after which loss he had never been known to smile. He was one of those undemonstrative men who can take a great sorrow quietly, and only––die of it. Philip Marchmont lay in a velvet–covered coffin, above his son's, in the stone recess set apart for them in the Marchmont vault beneath Kemberling Church, three miles from the Towers; and John reigned in his stead. John Marchmont, the supernumerary, the banner–holder of Drury Lane, the patient, conscientious copying and outdoor clerk of Lincoln's Inn, was now sole owner of the Lincolnshire estate, sole master of a household of well–trained old servants, sole proprietor of a very decent country–gentleman's stud, and of chariots, barouches, chaises, phaetons, and other vehicles––a little shabby and out of date it may be, but very comfortable to a man for whom an omnibus ride had long been a treat and a rarity. Nothing had been touched or disturbed since Philip Marchmont's death. The rooms he had used were still the occupied apartments; the chambers he had chosen to shut up were still kept with locked doors; the servants who had served him waited upon his successor, whom they declared to be a quiet, easy gentleman, far too wise to interfere with old servants, every one of whom knew the ways of the house a great deal better than he did, though he was the master of it.

There was, therefore, no shadow of change in the stately mansion. The dinner–bell still rang at the same hour; the same tradespeople left the same species of wares at the low oaken door; the old housekeeper, arranging her simple menu, planned her narrow round of soups and roasts, sweets and made–dishes, exactly as she had been wont to do, and had no new tastes to consult. A grey–haired bachelor, who had been own–man to Philip, was now own–man to John. The carriage which had conveyed the late lord every Sunday to morning and afternoon service at Kemberling conveyed the new lord, who sat in the same seat that his predecessor had occupied in the great family–pew, and read his prayers out of the same book,––a noble crimson, morocco–covered volume, in which George, our most gracious King and Governor, and all manner of dead–and–gone princes and princesses were prayed for.

The presence of Mary Marchmont made the only change in the old house; and even that change was a very trifling one. Mary and her father were as closely united at Marchmont Towers as they had been in Oakley Street. The little girl clung to her father as tenderly as ever––more tenderly than ever perhaps; for she knew something of that which the physicians had said, and she knew that John Marchmont's lease of life was not a long one. Perhaps it would be better to say that he had no lease at all. His soul was a tenant on sufferance in its frail earthly habitation, receiving a respite now and again, when the flicker of the lamp was very low––every chance breath of wind threatening to extinguish it for ever. It was only those who knew John Marchmont very intimately who were fully acquainted with the extent of his danger. He no longer bore any of those fatal outward signs of consumption, which fatigue and deprivation had once made painfully conspicuous. The hectic flush and the unnatural brightness of the eyes had subsided; indeed, John seemed much stronger and heartier than of old; and it is only great medical practitioners who can tell to a nicety what is going on inside a man, when he presents a very fair exterior to the unprofessional eye. But John was decidedly better than he had been. He might live three years, five, seven, possibly even ten years; but he must live the life of a man who holds himself perpetually upon his defence against death; and he must recognise in every bleak current of wind, in every chilling damp, or perilous heat, or over–exertion, or ill–chosen morsel of food, or hasty emotion, or sudden passion, an insidious ally of his dismal enemy.

Mary Marchmont knew all this,––or divined it, perhaps, rather than knew it, with the child–woman's subtle power of divination, which is even stronger than the actual woman's; for her father had done his best to keep all sorrowful knowledge from her. She knew that he was in danger; and she loved him all the more dearly, as the one precious thing which was in constant peril of being snatched away. The child's love for her father has not grown any less morbid in its intensity since Edward Arundel's departure for India; nor has Mary become more childlike since her coming to Marchmont Towers, and her abandonment of all those sordid cares, those pitiful every–day duties, which had made her womanly.

It may be that the last lingering glamour of childhood had for ever faded away with the realisation of the day–dream which she had carried about with her so often in the dingy transpontine thoroughfares around Oakley Street. Marchmont Towers, that fairy palace, whose lighted windows had shone upon her far away across a cruel forest of poverty and trouble, like the enchanted castle which appears to the lost wanderer of the child's story, was now the home of the father she loved. The grim enchanter Death, the only magician of our modern histories, had waved his skeleton hand, more powerful than the star–gemmed wand of any fairy godmother, and the obstacles which had stood between John Marchmont and his inheritance had one by one been swept away.

But was Marchmont Towers quite as beautiful as that fairy palace of Mary's day–dream? No, not quite––not quite. The rooms were handsome,––handsomer and larger, even, than the rooms she had dreamed of; but perhaps none the better for that. They were grand and gloomy and magnificent; but they were not the sunlit chambers which her fancy had built up, and decorated with such shreds and patches of splendour as her narrow experience enabled her to devise. Perhaps it was rather a disappointment to Miss Marchmont to discover that the mansion was completely furnished, and that there was no room in it for any of those splendours which she had so often contemplated in the New Cut. The parrot at the greengrocer's was a vulgar bird, and not by any means admissible in Lincolnshire. The carrying away and providing for Mary's favourite tradespeople was not practicable; and John Marchmont had demurred to her proposal of adopting the butcher's daughter.

There is always something to be given up even when our brightest visions are realised; there is always some one figure (a low one perhaps) missing in the fullest sum of earthly happiness. I dare say if Alnaschar had married the Vizier's daughter, he would have found her a shrew, and would have looked back yearningly to the humble days in which he had been an itinerant vendor of crockery–ware.

If, therefore, Mary Marchmont found her sunlit fancies not quite realised by the great stony mansion that frowned upon the fenny countryside, the wide grassy flat, the black pool, with its dismal shelter of weird pollard–willows, whose ugly reflections, distorted on the bosom of the quiet water, looked like the shadows of hump–backed men;––if these things did not compose as beautiful a picture as that which the little girl had carried so long in her mind, she had no more reason to be sorry than the rest of us, and had been no more foolish than other dreamers. I think she had built her airy castle too much after the model of a last scene in a pantomime, and that she expected to find spangled waters twinkling in perpetual sunshine, revolving fountains, ever–expanding sunflowers, and gilded clouds of rose–coloured gauze,––every thing except the fairies, in short,––at Marchmont Towers. Well, the dream was over: and she was quite a woman now, and very grateful to Providence when she remembered that her father had no longer need to toil for his daily bread, and that he was luxuriously lodged, and could have the first physicians in the land at his beck and call.

"Oh, papa, it is so nice to be rich!" the young lady would exclaim now and then, in a fleeting transport of enthusiasm. "How good we ought to be to the poor people, when we remember how poor we once were!"

And the little girl did not forget to be good to the poor about Kemberling and Marchmont Towers. There were plenty of poor, of course––free–and–easy pensioners, who came to the Towers for brandy, and wine, and milk, and woollen stuffs, and grocery, precisely as they would have gone to a shop, except that there was to be no bill. The housekeeper doled out her bounties with many short homilies upon the depravity and ingratitude of the recipients, and gave tracts of an awful and denunciatory nature to the pitiful petitioners––tracts interrogatory, and tracts fiercely imperative; tracts that asked, "Where are you going?" "Why are you wicked?" "What will become of you?" and other tracts which cried, "Stop, and think!" "Pause, while there is time!" "Sinner, consider!" "Evil–doer, beware!" Perhaps it may not be the wisest possible plan to begin the work of reformation by frightening, threatening, and otherwise disheartening the wretched sinner to be reformed. There is a certain sermon in the New Testament, containing sacred and comforting words which were spoken upon a mountain near at hand to Jerusalem, and spoken to an auditory amongst which there must have been many sinful creatures; but there is more of blessing than cursing in that sublime discourse, and it might be rather a tender father pleading gently with his wayward children than an offended Deity dealing out denunciation upon a stubborn and refractory race. But the authors of the tracts may have never read this sermon, perhaps; and they may take their ideas of composition from that comforting service which we read on Ash–Wednesday, cowering in fear and trembling in our pews, and calling down curses upon ourselves and our neighbours. Be it as it might, the tracts were not popular amongst the pensioners of Marchmont Towers. They infinitely preferred to hear Mary read a chapter in the New Testament, or some pretty patriarchal story of primitive obedience and faith. The little girl would discourse upon the Scripture histories in her simple, old–fashioned manner; and many a stout Lincolnshire farm–labourer was content to sit over his hearth, with a pipe of shag–tobacco and a mug of fettled beer, while Miss Marchmont read and expounded the history of Abraham and Isaac, or Joseph and his brethren.

"It's joost loike a story–book to hear her," the man would say to his wife; "and yet she brings it all hoame, too, loike. If she reads about Abraham, she'll say, maybe, 'That's joost how you gave your only son to be a soldier, you know, Muster Moggins;'––she allus says Muster Moggins;––'you gave un into God's hands, and you troosted God would take care of un; and whatever cam' to un would be the best, even if it was death.' That's what she'll say, bless her little heart! so gentle and tender loike. The wust o' chaps couldn't but listen to her."

Mary Marchmont's morbidly sensitive nature adapted her to all charitable offices. No chance word in her simple talk ever inflicted a wound upon the listener. She had a subtle and intuitive comprehension of other people's feelings, derived from the extreme susceptibility of her own. She had never been vulgarised by the associations of poverty; for her self–contained nature took no colour from the things that surrounded her, and she was only at Marchmont Towers that which she had been from the age of six––a little lady, grave and gentle, dignified, discreet, and wise.

There was one bright figure missing out of the picture which Mary had been wont of late years to make of the Lincolnshire mansion, and that was the figure of the yellow–haired boy who had breakfasted upon haddocks and hot rolls in Oakley Street. She had imagined Edward Arundel an inhabitant of that fair Utopia. He would live with them; or, if he could not live with them, he would be with them as a visitor,––often––almost always. He would leave off being a soldier, for of course her papa could give him more money than he could get by being a soldier––(you see that Mary's experience of poverty had taught her to take a mercantile and sordid view of military life)––and he would come to Marchmont Towers, and ride, and drive, and play tennis (what was tennis? she wondered), and read three–volume novels all day long. But that part of the dream was at least broken. Marchmont Towers was Mary's home, but the young soldier was far away; in the Pass of Bolan, perhaps,––Mary had a picture of that cruel rocky pass almost always in her mind,––or cutting his way through a black jungle, with the yellow eyes of hungry tigers glaring out at him through the rank tropical foliage; or dying of thirst and fever under a scorching sun, with no better pillow than the neck of a dead camel, with no more tender watcher than the impatient vulture flapping her wings above his head, and waiting till he, too, should be carrion. What was the good of wealth, if it could not bring this young soldier home to a safe shelter in his native land? John Marchmont smiled when his daughter asked this question, and implored her father to write to Edward Arundel, recalling him to England.

"God knows how glad I should be to have the boy here, Polly!" John said, as he drew his little girl closer to his breast,––she sat on his knee still, though she was thirteen years of age. "But Edward has a career before him, my dear, and could not give it up for an inglorious life in this rambling old house. It isn't as if I could hold out any inducement to him: you know, Polly, I can't; for I mustn't leave any money away from my little girl."

"But he might have half my money, papa, or all of it," Mary added piteously. "What could I do with money, if––––"

She didn't finish the sentence; she never could complete any such sentence as this; but her father knew what she meant.

So six months had passed since a dreary January day upon which John Marchmont had read, in the second column of the "Times," that he could hear of something greatly to his advantage by applying to a certain solicitor, whose offices were next door but one to those of Messrs. Paulette, Paulette, and Mathewson's. His heart began to beat very violently when he read that advertisement in the supplement, which it was one of his duties to air before the fire in the clerks' office; but he showed no other sign of emotion. He waited until he took the papers to his employer; and as he laid them at Mr. Mathewson's elbow, murmured a respectful request to be allowed to go out for half–an–hour, upon his own business.

"Good gracious me, Marchmont!" cried the lawyer; "what can you want to go out for at this time in the morning? You've only just come; and there's that agreement between Higgs and Sandyman must be copied before––––"

"Yes, I know, sir. I'll be back in time to attend to it; but I––I think I've come into a fortune, sir; and I should like to go and see about it."

The solicitor turned in his revolving library–chair, and looked aghast at his clerk. Had this Marchmont––always rather unnaturally reserved and eccentric––gone suddenly mad? No; the copying–clerk stood by his employer's side, grave, self–possessed as ever, with his forefinger upon the advertisement.

"Marchmont––John––call––Messrs. Tindal and Trollam––" gasped Mr. Mathewson. "Do you mean to tell me it's you?"

"Yes, sir."

"Egad, I'll go with you!" cried the solicitor, hooking his arm through that of his clerk, snatching his hat from an adjacent stand, and dashing through the outer office, down the great staircase, and into the next door but one before John Marchmont knew where he was.

John had not deceived his employer. Marchmont Towers was his, with all its appurtenances. Messrs. Paulette, Paulette, and Mathewson took him in hand, much to the chagrin of Messrs. Tindal and Trollam, and proved his identity in less than a week. On a shelf above the high wooden desk at which John had sat, copying law–papers, with a weary hand and an aching spine, appeared two bran–new deed–boxes, inscribed, in white letters, with the name and address of JOHN MARCHMONT, ESQ., MARCHMONT TOWERS. The copying–clerk's sudden accession to fortune was the talk of all the employés in "The Fields." Marchmont Towers was exaggerated into half Lincolnshire, and a tidy slice of Yorkshire; eleven thousand a year was expanded into an annual million. Everybody expected largesse from the legatee. How fond people had been of the quiet clerk, and how magnanimously they had concealed their sentiments during his poverty, lest they should wound him, as they urged, "which" they knew he was sensitive; and how expansively they now dilated on their long–suppressed emotions! Of course, under these circumstances, it is hardly likely that everybody could be satisfied; so it is a small thing to say that the dinner which John gave––by his late employers' suggestion (he was about the last man to think of giving a dinner)––at the "Albion Tavern," to the legal staff of Messrs. Paulette, Paulette, and Mathewson, and such acquaintance of the legal profession as they should choose to invite, was a failure; and that gentlemen who were pretty well used to dine upon liver and bacon, or beefsteak and onions, or the joint, vegetables, bread, cheese, and celery for a shilling, turned up their noses at the turbot, murmured at the paucity of green fat in the soup, made light of red mullet and ortolans, objected to the flavour of the truffles, and were contemptuous about the wines.

John knew nothing of this. He had lived a separate and secluded existence; and his only thought now was of getting away to Marchmont Towers, which had been familiar to him in his boyhood, when he had been wont to go there on occasional visits to his grandfather. He wanted to get away from the turmoil and confusion of the big, heartless city, in which he had endured so much; he wanted to carry away his little girl to a quiet country home, and live and die there in peace. He liberally rewarded all the good people about Oakley Street who had been kind to little Mary; and there was weeping in the regions of the Ladies' Wardrobe when Mr. Marchmont and his daughter went away one bitter winter's morning in a cab, which was to carry them to the hostelry whence the coach started for Lincoln.

It is strange to think how far those Oakley–street days of privation and endurance seem to have receded in the memories of both father and daughter. The impalpable past fades away, and it is difficult for John and his little girl to believe that they were once so poor and desolate. It is Oakley Street now that is visionary and unreal. The stately county families bear down upon Marchmont Towers in great lumbering chariots, with brazen crests upon the hammer–cloths, and sulky coachmen in Brown–George wigs. The county mammas patronise and caress Miss Marchmont––what a match she will be for one of the county sons by–and–by!––the county daughters discourse with Mary about her poor, and her fancy–work, and her piano. She is getting on slowly enough with her piano, poor little girl! under the tuition of the organist of Swampington, who gives lessons to that part of the county. And there are solemn dinners now and then at Marchmont Towers––dinners at which Miss Mary appears when the cloth has been removed, and reflects in silent wonder upon the change that has come to her father and herself. Can it be true that she has ever lived in Oakley Street, whither came no more aristocratic visitors than her Aunt Sophia, who was the wife of a Berkshire farmer, and always brought hogs' puddings, and butter, and home–made bread, and other rustic delicacies to her brother–in–law; or Mrs. Brigsome, the washer–woman, who made a morning–call every Monday, to fetch John Marchmont's shabby shirts? The shirts were not shabby now; and it was no longer Mary's duty to watch them day by day, and manipulate them tenderly when the linen grew frayed at the sharp edges of the folds, or the buttonholes gave signs of weakness. Corson, Mr. Marchmont's own–man, had care of the shirts now: and John wore diamond–studs and a black–satin waistcoat, when he gave a dinner–party. They were not very lively, those Lincolnshire dinner–parties; though the dessert was a sight to look upon, in Mary's eyes. The long shining table, the red and gold and purple Indian china, the fluffy woollen d'oyleys, the sparkling cut–glass, the sticky preserved ginger and guava–jelly, and dried orange rings and chips, and all the stereotyped sweetmeats, were very grand and beautiful, no doubt; but Mary had seen livelier desserts in Oakley Street, though there had been nothing better than a brown–paper bag of oranges from the Westminster Road, and a bottle of two–and–twopenny Marsala from a licensed victualler's in the Borough, to promote conviviality.

CHAPTER VI.
THE YOUNG SOLDIER'S RETURN.

The rain beats down upon the battlemented roof of Marchmont Towers this July day, as if it had a mind to flood the old mansion. The flat waste of grass, and the lonely clumps of trees, are almost blotted out by the falling rain. The low grey sky shuts out the distance. This part of Lincolnshire––fenny, misty, and flat always––seems flatter and mistier than usual to–day. The rain beats hopelessly upon the leaves in the wood behind Marchmont Towers, and splashes into great pools beneath the trees, until the ground is almost hidden by the fallen water, and the trees seem to be growing out of a black lake. The land is lower behind Marchmont Towers, and slopes down gradually to the bank of a dismal river, which straggles through the Marchmont property at a snail's pace, to gain an impetus farther on, until it hurries into the sea somewhere northward of Grimsby. The wood is not held in any great favour by the household at the Towers; and it has been a pet project of several Marchmonts to level and drain it, but a project not very easily to be carried out. Marchmont Towers is said to be unhealthy, as a dwelling–house, by reason of this wood, from which miasmas rise in certain states of the weather; and it is on this account that the back of the house––the eastern front, at least, as it is called––looking to the wood is very little used.

Mary Marchmont sits at a window in the western drawing–room, watching the ceaseless falling of the rain upon this dreary summer afternoon. She is little changed since the day upon which Edward Arundel saw her in Oakley Street. She is taller, of course, but her figure is as slender and childish as ever: it is only her face in which the earnestness of premature womanhood reveals itself in a grave and sweet serenity very beautiful to contemplate. Her soft brown eyes have a pensive shadow in their gentle light; her mouth is even more pensive. It has been said of Jane Grey, of Mary Stuart, of Marie Antoinette, Charlotte Corday, and other fated women, that in the gayest hours of their youth they bore upon some feature, or in some expression, the shadow of the End––an impalpable, indescribable presage of an awful future, vaguely felt by those who looked upon them.

Is it thus with Mary Marchmont? Has the solemn hand of Destiny set that shadowy brand upon the face of this child, that even in her prosperity, as in her adversity, she should be so utterly different from all other children? Is she already marked out for some womanly martyrdom––already set apart for more than common suffering?

She sits alone this afternoon, for her father is busy with his agent. Wealth does not mean immunity from all care and trouble; and Mr. Marchmont has plenty of work to get through, in conjunction with his land–steward, a hard–headed Yorkshireman, who lives at Kemberling, and insists on doing his duty with pertinacious honesty.

The large brown eyes looked wistfully out at the dismal waste and the falling rain. There was a wretched equestrian making his way along the carriage–drive.

"Who can come to see us on such a day?" Mary thought. "It must be Mr. Gormby, I suppose;"––the agent's name was Gormby. "Mr. Gormby never cares about the wet; but then I thought he was with papa. Oh, I hope it isn't anybody coming to call."

But Mary forgot all about the struggling equestrian the next moment. She had some morsel of fancy–work upon her lap, and picked it up and went on with it, setting slow stitches, and letting her thoughts wander far away from Marchmont Towers––to India, I am afraid; or to that imaginary India which she had created for herself out of such images as were to be picked up in the "Arabian Nights." She was roused suddenly by the opening of a door at the farther end of the room, and by the voice of a servant, who mumbled a name which sounded something like Mr. Armenger.

She rose, blushing a little, to do honour to one of her father's county acquaintance, as she thought; when a fair–haired gentleman dashed in, very much excited and very wet, and made his way towards her.

"I would come, Miss Marchmont," he said,––"I would come, though the day was so wet. Everybody vowed I was mad to think of it, and it was as much as my poor brute of a horse could do to get over the ten miles of swamp between this and my uncle's house; but I would come! Where's John? I want to see John. Didn't I always tell him he'd come into the Lincolnshire property? Didn't I always say so, now? You should have seen Martin Mostyn's face––he's got a capital berth in the War Office, and he's such a snob!––when I told him the news: it was as long as my arm! But I must see John, dear old fellow! I long to congratulate him."

Mary stood with her hands clasped, and her breath coming quickly. The blush had quite faded out, and left her unusually pale. But Edward Arundel did not see this: young gentlemen of four–and–twenty are not very attentive to every change of expression in little girls of thirteen.

"Oh, is it you, Mr. Arundel? Is it really you?"

She spoke in a low voice, and it was almost difficult to keep the rushing tears back while she did so. She had pictured him so often in peril, in famine, in sickness, in death, that to see him here, well, happy, light–hearted, cordial, handsome, and brave, as she had seen him four–and–a–half years before in the two–pair back in Oakley Street, was almost too much for her to bear without the relief of tears. But she controlled her emotion as bravely as if she had been a woman of twenty.

"I am so glad to see you," she said quietly; "and papa will be so glad too! It is the only thing we want, now we are rich; to have you with us. We have talked of you so often; and I––we––have been so unhappy sometimes, thinking that––––"

"That I should be killed, I suppose?"

"Yes; or wounded very, very badly. The battles in India have been dreadful, have they not?"

Mr. Arundel smiled at her earnestness.

"They have not been exactly child's play," he said, shaking back his chesnut hair and smoothing his thick moustache. He was a man now, and a very handsome one; something of that type which is known in this year of grace as "swell"; but brave and chivalrous withal, and not afflicted with any impediment in his speech. "The men who talk of the Affghans as a chicken–hearted set of fellows are rather out of their reckoning. The Indians can fight, Miss Mary, and fight like the devil; but we can lick 'em!"

He walked over to the fireplace, where––upon this chilly wet day, there was a fire burning––and began to shake himself dry. Mary, following him with her eyes, wondered if there was such another soldier in all Her Majesty's dominions, and how soon he would be made General–in–Chief of the Army of the Indus.

"Then you've not been wounded at all, Mr. Arundel?" she said, after a pause.

"Oh, yes, I've been wounded; I got a bullet in my shoulder from an Affghan musket, and I'm home on sick–leave."

This time he saw the expression of her face, and interpreted her look of alarm.

"But I'm not ill, you know, Miss Marchmont," he said, laughing. "Our fellows are very glad of a wound when they feel home–sick. The 8th come home before long, all of 'em; and I've a twelvemonth's leave of absence; and we're pretty sure to be ordered out again by the end of that time, as I don't believe there's much chance of quiet over there."

"You will go out again!––––"

Edward Arundel smiled at her mournful tone.

"To be sure, Miss Mary. I have my captaincy to win, you know; I'm only a lieutenant, as yet."

It was only a twelvemonth's reprieve, after all, then, Mary thought. He would go back again––to suffer, and to be wounded, and to die, perhaps. But then, on the other hand, there was a twelvemonth's respite; and her father might in that time prevail upon the young soldier to stay at Marchmont Towers. It was such inexpressible happiness to see him once more, to know that he was safe and well, that Mary could scarcely do otherwise than see all things in a sunny light just now.

She ran to John Marchmont's study to tell him of the coming of this welcome visitor; but she wept upon her father's shoulder before she could explain who it was whose coming had made her so glad. Very few friendships had broken the monotony of her solitary existence; and Edward Arundel was the only chivalrous image she had ever known, out of her books.

John Marchmont was scarcely less pleased than his child to see the man who had befriended him in his poverty. Never has more heartfelt welcome been given than that which greeted Edward Arundel at Marchmont Towers.

"You will stay with us, of course, my dear Arundel," John said; "you will stop for September and the shooting. You know you promised you'd make this your shooting–box; and we'll build the tennis–court. Heaven knows, there's room enough for it in the great quadrangle; and there's a billiard–room over this, though I'm afraid the table is out of order. But we can soon set that right, can't we, Polly?"

"Yes, yes, papa; out of my pocket–money, if you like."

Mary Marchmont said this in all good faith. It was sometimes difficult for her to remember that her father was really rich, and had no need of help out of her pocket–money. The slender savings in her little purse had often given him some luxury that he would not otherwise have had, in the time gone by.

"You got my letter, then?" John said; "the letter in which I told you––––"

"That Marchmont Towers was yours. Yes, my dear old boy. That letter was amongst a packet my agent brought me half–an–hour before I left Calcutta. God bless you, dear old fellow; how glad I was to hear of it! I've only been in England a fortnight. I went straight from Southampton to Dangerfield to see my father and mother, stayed there little over ten days, and then offended them all by running away. I reached Swampington yesterday, slept at my uncle Hubert's, paid my respects to my cousin Olivia, who is,––well, I've told you what she is,––and rode over here this morning, much to the annoyance of the inhabitants of the Rectory. So, you see, I've been doing nothing but offending people for your sake, John; and for yours, Miss Mary. By–the–by, I've brought you such a doll!"

A doll! Mary's pale face flushed a faint crimson. Did he think her still a child, then, this soldier; did he think her only a silly child, with no thought above a doll, when she would have gone out to India, and braved every peril of that cruel country, to be his nurse and comfort in fever and sickness, like the brave Sisters of Mercy she had read of in some of her novels?

Edward Arundel saw that faint crimson glow lighting up in her face.

"I beg your pardon, Miss Marchmont," he said. "I was only joking; of course you are a young lady now, almost grown up, you know. Can you play chess?"

"No, Mr. Arundel."

"I am sorry for that; for I have brought you a set of chessmen that once belonged to Dost Mahommed Khan. But I'll teach you the game, if you like?"

"Oh, yes, Mr. Arundel; I should like it very, very much."

The young soldier could not help being amused by the little girl's earnestness. She was about the same age as his sister Letitia; but, oh, how widely different to that bouncing and rather wayward young lady, who tore the pillow–lace upon her muslin frocks, rumpled her long ringlets, rasped the skin off the sharp points of her elbows, by repeated falls upon the gravel–paths at Dangerfield, and tormented a long–suffering Swiss attendant, half–lady's–maid, half–governess, from morning till night. No fold was awry in Mary Marchmont's simple black–silk frock; no plait disarranged in the neat cambric tucker that encircled the slender white throat. Intellect here reigned supreme. Instead of the animal spirits of a thoughtless child, there was a woman's loving carefulness for others, a woman's unselfishness and devotion.

Edward Arundel did not understand all this, but I think he had a dim comprehension of the greater part of it.

"She is a dear little thing," he thought, as he watched her clinging to her father's arm; and then he began to talk about Marchmont Towers, and insisted upon being shown over the house; and, perhaps for the first time since the young heir had shot himself to death upon a bright September morning in a stubble–field within earshot of the park, the sound of merry laughter echoed through the long corridors, and resounded in the unoccupied rooms.

Edward Arundel was in raptures with everything. "There never was such a dear old place," he said. "'Gloomy?' 'dreary?' 'draughty?' pshaw! Cut a few logs out of that wood at the back there, pile 'em up in the wide chimneys, and set a light to 'em, and Marchmont Towers would be like a baronial mansion at Christmas–time." He declared that every dingy portrait he looked at was a Rubens or a Velasquez, or a Vandyke, a Holbein, or a Lely.

"Look at that fur border to the old woman's black–velvet gown, John; look at the colouring of the hands! Do you think anybody but Peter Paul could have painted that? Do you see that girl with the blue–satin stomacher and the flaxen ringlets?––one of your ancestresses, Miss Mary, and very like you. If that isn't in Sir Peter Lely's best style,––his earlier style, you know, before he was spoiled by royal patronage, and got lazy,––I know nothing of painting."

The young soldier ran on in this manner, as he hurried his host from room to room; now throwing open windows to look out at the wet prospect; now rapping against the wainscot to find secret hiding–places behind sliding panels; now stamping on the oak–flooring in the hope of discovering a trap–door. He pointed out at least ten eligible sites for the building of the tennis–court; he suggested more alterations and improvements than a builder could have completed in a lifetime. The place brightened under the influence of his presence, as a landscape lights up under a burst of sudden sunshine breaking through a dull grey sky.

Mary Marchmont did not wait for the removal of the table–cloth that evening, but dined with her father and his friend in a snug oak–panelled chamber, half–breakfast–room, half–library, which opened out of the western drawing–room. How different Edward Arundel was to all the rest of the world, Miss Marchmont thought; how gay, how bright, how genial, how happy! The county families, mustered in their fullest force, couldn't make such mirth amongst them as this young soldier created in his single person.

The evening was an evening in fairy–land. Life was sometimes like the last scene in a pantomime, after all, with rose–coloured cloud and golden sunlight.

One of the Marchmont servants went over to Swampington early the next day to fetch Mr. Arundel's portmanteaus from the Rectory; and after dinner upon that second evening, Mary Marchmont took her seat opposite Edward, and listened reverently while he explained to her the moves upon the chessboard.

"So you don't know my cousin Olivia?" the young soldier said by–and–by. "That's odd! I should have thought she would have called upon you long before this."

Mary Marchmont shook her head.

"No," she said; "Miss Arundel has never been to see us; and I should so like to have seen her, because she would have told me about you. Mr. Arundel has called one or twice upon papa; but I have never seen him. He is not our clergyman, you know; Marchmont Towers belongs to Kemberling parish."

"To be sure; and Swampington is ten miles off. But, for all that, I should have thought Olivia would have called upon you. I'll drive you over to–morrow, if John thinks me whip enough to trust you with me, and you shall see Livy. The Rectory's such a queer old place!"

Perhaps Mr. Marchmont was rather doubtful as to the propriety of committing his little girl to Edward Arundel's charioteership for a ten–mile drive upon a wretched road. Be it as it might, a lumbering barouche, with a pair of over–fed horses, was ordered next morning, instead of the high, old–fashioned gig which the soldier had proposed driving; and the safety of the two young people was confided to a sober old coachman, rather sulky at the prospect of a drive to Swampington so soon after the rainy weather.

It does not rain always, even in this part of Lincolnshire; and the July morning was bright and pleasant, the low hedges fragrant with starry opal–tinted wild roses and waxen honeysuckle, the yellowing corn waving in the light summer breeze. Mary assured her companion that she had no objection whatever to the odour of cigar–smoke; so Mr. Arundel lolled upon the comfortable cushions of the barouche, with his back to the horses, smoking cheroots, and talking gaily, while Miss Marchmont sat in the place of state opposite to him. A happy drive; a drive in a fairy chariot through regions of fairyland, for ever and for ever to be remembered by Mary Marchmont.

They left the straggling hedges and the yellowing corn behind them by–and–by, as they drew near the outskirts of Swampington. The town lies lower even than the surrounding country, flat and low as that country is. A narrow river crawls at the base of a half–ruined wall, which once formed part of the defences of the place. Black barges lie at anchor here; and a stone bridge, guarded by a toll–house, spans the river. Mr. Marchmont's carriage lumbered across this bridge, and under an archway, low, dark, stony, and grim, into a narrow street of solid, well–built houses, low, dark, stony, and grim, like the archway, but bearing the stamp of reputable occupation. I believe the grass grew, and still grows, in this street, as it does in all the other streets and in the market–place of Swampington. They are all pretty much in the same style, these streets,––all stony, narrow, dark, and grim; and they wind and twist hither and thither, and in and out, in a manner utterly bewildering to the luckless stranger, who, seeing that they are all alike, has no landmarks for his guidance.

There are two handsome churches, both bearing an early date in the history of Norman supremacy: one crowded into an inconvenient corner of a back street, and choked by the houses built up round about it; the other lying a little out of the town, upon a swampy waste looking towards the sea, which flows within a mile of Swampington. Indeed, there is no lack of water in that Lincolnshire borough. The river winds about the outskirts of the town; unexpected creeks and inlets meet you at every angle; shallow pools lie here and there about the marshy suburbs; and in the dim distance the low line of the grey sea meets the horizon.

But perhaps the positive ugliness of the town is something redeemed by a vague air of romance and old–world mystery which pervades it. It is an exceptional place, and somewhat interesting thereby. The great Norman church upon the swampy waste, the scattered tombstones, bordered by the low and moss–grown walls, make a picture which is apt to dwell in the minds of those who look upon it, although it is by no means a pretty picture. The Rectory lies close to the churchyard; and a wicket–gate opens from Mr. Arundel's garden into a narrow pathway, leading across a patch of tangled grass and through a lane of sunken and lopsided tombstones, to the low vestry door. The Rectory itself is a long irregular building, to which one incumbent after another has built the additional chamber, or chimney, or porch, or bow–window, necessary for his accommodation. There is very little garden in front of the house, but a patch of lawn and shrubbery and a clump of old trees at the back.

"It's not a pretty house, is it, Miss Marchmont?" asked Edward, as he lifted his companion out of the carriage.

"No, not very pretty," Mary answered; "but I don't think any thing is pretty in Lincolnshire. Oh, there's the sea!" she cried, looking suddenly across the marshes to the low grey line in the distance. "How I wish we were as near the sea at Marchmont Towers!"

The young lady had something of a romantic passion for the wide–spreading ocean. It was an unknown region, that stretched far away, and was wonderful and beautiful by reason of its solemn mystery. All her Corsair stories were allied to that far, fathomless deep. The white sail in the distance was Conrad's, perhaps; and he was speeding homeward to find Medora dead in her lonely watch–tower, with fading flowers upon her breast. The black hull yonder, with dirty canvas spread to the faint breeze, was the bark of some terrible pirate bound on rapine and ravage. (She was a coal–barge, I have no doubt, sailing Londonward with her black burden.) Nymphs and Lurleis, Mermaids and Mermen, and tiny water–babies with silvery tails, for ever splashing in the sunshine, were all more or less associated with the long grey line towards which Mary Marchmont looked with solemn, yearning eyes.

"We'll drive down to the seashore some morning, Polly," said Mr. Arundel. He was beginning to call her Polly, now and then, in the easy familiarity of their intercourse. "We'll spend a long day on the sands, and I'll smoke cheroots while you pick up shells and seaweed."

Miss Marchmont clasped her hands in silent rapture. Her face was irradiated by the new light of happiness. How good he was to her, this brave soldier, who must undoubtedly be made Commander–in–Chief of the Army of the Indus in a year or so!

Edward Arundel led his companion across the flagged way between the iron gate of the Rectory garden and a half–glass door leading into the hall. Out of this simple hall, only furnished with a couple of chairs, a barometer, and an umbrella–stand, they went, without announcement, into a low, old–fashioned room, half–study, half–parlour, where a young lady was sitting at a table writing.

She rose as Edward opened the door, and came to meet him.

"At last!" she said; "I thought your rich friends engrossed all your attention."

She paused, seeing Mary.

"This is Miss Marchmont, Olivia," said Edward; "the only daughter of my old friend. You must be very fond of her, please; for she is a dear little girl, and I know she means to love you."

Mary lifted her soft brown eyes to the face of the young lady, and then dropped her eyelids suddenly, as if half–frightened by what she had seen there.

What was it? What was it in Olivia Arundel's handsome face from which those who looked at her so often shrank, repelled and disappointed? Every line in those perfectly–modelled features was beautiful to look at; but, as a whole, the face was not beautiful. Perhaps it was too much like a marble mask, exquisitely chiselled, but wanting in variety of expression. The handsome mouth was rigid; the dark grey eyes had a cold light in them. The thick bands of raven–black hair were drawn tightly off a square forehead, which was the brow of an intellectual and determined man rather than of a woman. Yes; womanhood was the something wanted in Olivia Arundel's face. Intellect, resolution, courage, are rare gifts; but they are not the gifts whose tokens we look for most anxiously in a woman's face. If Miss Arundel had been a queen, her diadem would have become her nobly; and she might have been a very great queen: but Heaven help the wretched creature who had appealed from minor tribunals to her mercy! Heaven help delinquents of every kind whose last lingering hope had been in her compassion!

Perhaps Mary Marchmont vaguely felt something of all this. At any rate, the enthusiasm with which she had been ready to regard Edward Arundel's cousin cooled suddenly beneath the winter in that pale, quiet face.

Miss Arundel said a few words to her guest; kindly enough; but rather too much as if she had been addressing a child of six. Mary, who was accustomed to be treated as a woman, was wounded by her manner.

"How different she is from Edward!" thought Miss Marchmont. "I shall never like her as I like him."