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John Sherman; and, Dhoya

Chapter 2: GANCONAGH’S APOLOGY.
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About This Book

The narrative follows John Sherman’s departures from and returns to the small western town of Ballah, interweaving episodes focused on Margaret Leland, the Reverend William Howard, and Dhoya. Scenes alternate between social observation and intimate moments, juxtaposing an outsider’s reflective sensibility against local routines and customs. Lyrical descriptions of landscape and village life accompany conversations, misunderstandings, and personal choices, producing a quiet blend of satire and melancholy that examines the tensions between desire, duty, and habitual belonging.


GANCONAGH’S APOLOGY.

The maker of these stories has been told that he must not bring them to you himself. He has asked me to pretend that I am the author. I am an old little Irish spirit, and I sit in the hedges and watch the world go by. I see the boys going to market driving donkeys with creels of turf, and the girls carrying baskets of apples. Sometimes I call to some pretty face, and we chat a little in the shadow, the apple basket before us, for, as my faithful historian O’Kearney has put it in his now yellow manuscript, I care for nothing in the world but love and idleness. Will not you, too, sit down under the shade of the bushes while I read you the stories? The first I do not care for because it deals with dull persons and the world’s affairs, but the second has to do with my own people. If my voice at whiles grows distant and dreamy when I talk of the world’s affairs, remember that I have seen all from my hole in the hedge. I hear continually the songs of my own people who dance upon the hill-side, and am content. I have never carried apples or driven turf myself, or if I did it was only in a dream. Nor do my kind use any of man’s belongings except the little black pipes which the farmers find now and then when they are turning the sods over with a plough.

GANCONAGH.