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Jonah

Chapter 21: PART 2
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About This Book

The narrative follows a rough-edged youth named Jonah as he moves through a crowded working-class district, joining a local larrikin push, quarrelling in streets and markets, and learning independence. Episodes trace his domestic ties and romantic attraction, the family's displacement, work at a shop marked by the sign of the Silver Shoe, and encounters with neighbours like Mrs Partridge and Ada. The tone juxtaposes street humor and small tragedies, culminating in bereavement and an accident that reshape relationships and responsibilities, offering a vivid, unsentimental portrait of communal life and coming of age amid hardship.




CHAPTER 10

JONAH DECLARES WAR

As it promised to be a slack week, Paasch had decided to dress the window himself, as he felt that the goods were not displayed to their proper advantage. This was a perquisite of Jonah's, for which he was paid eighteenpence extra once a fortnight; but Jonah had deserted him—a fact which he discovered by finding that Jonah's tools, his only property, were missing.

So he had spent a busy morning in renovating his entire stock with double coats of Peerless Gloss, the stock that the whole neighbourhood knew by sight—the watertight bluchers with soles an inch thick that a woolwasher from Botany had ordered and left on his hands; the pair of kangaroo tops that Pat Riley had ordered the week he was pinched for manslaughter; the pair of flash kid lace-ups, high in the leg, that Katey Brown had thrown at his head because they wouldn't meet round her thick calves; and half a dozen pairs of misfits into which half the neighbourhood had tried to coax their feet because they were dirt cheap.

But the pride of the collection was a monstrous abortion of a boot, made for a clubfoot, with a sole and heel six inches deep, that had cost Paasch weeks of endless contrivance, and had only one fault—it was as heavy as lead and unwearable. But Paasch clung to it with the affection of a mother for her deformed offspring, and gave it the pride of place in the window. And daily the urchins flattened their noses against the panes, fascinated by this monster of a boot, to see it again in dreams on the feet of horrid giants. This melancholy collection was flanked by odd bottles of polish and blacking, and cards of bootlaces of such unusual strength that elephants were shown vainly trying to break them.

The old man paused in his labours to admire the effect of his new arrangement, and suddenly noticed a group of children gathered about a man painting a sign on the window opposite. Paasch stared; but the words were a blur to his short sight, and he went inside to look for his spectacles, which he had pushed up on his forehead in order to dress the window. By the time he had looked everywhere without finding them, the painter had finished the lettering, and was outlining the figure of something on the window with rapid strokes.

Paasch itched with impatience. He would have crossed the street to look, but he made it a rule never to leave the shop, even for a minute, lest someone should steal the contents in his absence. As he fidgeted with impatience, it occurred to him to ask a small boy, who was passing, what was being painted on the window.

"Why, a boot of course," replied the child.

Paasch's amazement was so great that, forgetting the caution of a lifetime, he walked across until the words came into range. What he saw brought him to a standstill in the middle of Botany Road, heedless of the traffic, for the blur of words had resolved themselves into:

JOSEPH JONES, BOOTMAKER.
Repairs neatly executed.

And, underneath, the pattern of a shoe, which the painter was finishing with rapid strokes.

So, thought Paasch, another had come to share the trade and take the bread out of his mouth, and he choked with the egotistical dread of the shopkeeper at another rival in the struggle for existence. Who could this be? he thought, with the uneasy fear of a man threatened with danger. For the moment he had forgotten Jonah's real name, and he looked into the shop to size up his adversary with the angry curiosity of a soldier facing the enemy. Then, through the open door, he spied the familiar figure of the hunchback moving about the shop and placing things in order. He swallowed hastily, with the choking sensation of a parent whose child has at last revolted, for his rival was the misshapen boy that he had taken off the streets, and clothed and fed for years. Jonah came to the door for a moment, and, catching sight of the old man, stared at him fixedly without a sign of recognition.

And suddenly, with a contraction at his heart, a fear and dread of Jonah swept through Paasch, the vague, primeval distrust and suspicion of the deformed that lurks in the normal man, a survival of the ancient hostility that in olden times consigned them to the stake as servants of the Evil One.

He forgot where he was till the warning snort of a steam tram made him jump aside and miss the wheels of a bus from the opposite direction by the skin of his teeth.

And the whole street smiled at the sight of the bewildered old man, with his silvery hair and leather apron, standing in the middle of the Road to stare at a dingy shop opposite.

Paasch crossed the street and entered his door again with the air of a man who has been to a funeral. He had never made any friends, but, in his gruff, reserved way, he liked Jonah. He had taught him his trade, and here, with a sudden sinking in his heart, he remembered that the pupil had easily surpassed the master in dexterity. Then another fear assailed him. How would he get through his work? for most of it had passed through Jonah's nimble fingers. Ah well, it was no matter! He was a lonely old man with nothing but his fiddle to bring back the memories of the Fatherland.

The week ran to an end, and found Jonah out of pocket. He had planted himself like a footpad at the door of his old master to rob him of his trade and living; and day by day he counted the customers passing in and out of the old shop, but none came his way. As he stared across the street at his rival's shop, his face changed; it was like a hawk's, threatening and predatory, indifferent to the agony of the downy breast and fluttering wings that it is about to strike.

It maddened him to see the stream of people pass his shop with indifference, as if it were none of their business whether he lived or starved. The memory of his boyish days returned to him, when every man's hand was against him, and he took food and shelter with the craft of an old soldier in hostile country. Even the shop which he had furnished and laid out with such loving care, seemed a cunning trap to devour his precious sovereigns week by week.

True, he had drawn some custom, but it was of the worst sort—that of the unprincipled rogues who fatten upon tradesmen till the back of their credit is broken, and then transfer their sinister custom to another. Jonah recognized them with a grim smile, but he had taken their work, glad of something to do, although he would never see the colour of their money.

Meanwhile the weeks ran into a month, and Jonah had not paid expenses. He could hold out for three months according to his calculation, but he saw the end rapidly approaching, when he must retire covered with ignominious defeat. He would have thrown up the sponge there and then, but for the thought of the straight-limbed child in Cardigan Street, for whom he wanted money—money to feed and clothe him for the world to admire.

One Saturday night, weary of waiting for the custom that never came, he closed the shop, and joined Ada, who was waiting on the footpath. They sauntered along, Ada stopping every minute to look into the shop windows, while Jonah, gloomy and taciturn, turned his back on the lighted windows with impatience. Presently Ada gave a cry of delight before the draper's.

"I say, Joe, that bonnet would suit the kid all to pieces. An' look at the price! Only last week they was seven an' a kick."

Jonah turned and looked at the window. The bonnet, fluffy and absurd, was marked with a ticket bearing an enormous figure 4 in red ink, and beside it, faintly marked in pencil, the number 11.

"W'y don't yer say five bob, an' be done with it?" said Jonah.

"But it ain't five bob; it's only four an' eleven," insisted Ada, annoyed at his stupidity.

"An' I suppose it 'ud be dear at five bob?" sneered Jonah.

"Any fool could tell yer that," snapped Ada.

Jonah included the whole feminine world in a shrug of the shoulders, and turned impatiently on his heel. But Ada was not to be torn away. She ran her eye over the stock, marvelling at the cheapness of everything. Jonah, finding nothing better to do, lit a cigarette, and turned a contemptuous eye on the bales of calico, cheap prints, and flimsy lace displayed. Presently he began to study the tickets with extraordinary interest. They were all alike. The shillings in gigantic figures of red or black, and across the dividing line elevenpence three-farthings pencilled in strokes as modest as the shy violet. When Jonah reached Cardigan Street, he was preoccupied and silent, and sat on the veranda, smoking in the dark, long after Ada and her mother had gone to bed.

About one o'clock Mrs Yabsley, who was peacefully ironing shirts in her sleep, was awakened by a loud hammering on the door. She woke up, and instantly recognized what had happened. Ada had left the candle burning and had set the house on fire, as her mother had daily predicted for the last ten years. Then the hammering ceased.

"Are yez awake, Mum?" cried Jonah's voice.

"No," said Mrs Yabsley firmly. "'Ow did it 'appen?"

"'Appen wot?" cried Jonah roughly.

"'Ow did the 'ouse ketch fire?" said Mrs Yabsley, listening for the crackling.

"The 'ouse ain't a-fire, an' ye're talkin' in yer sleep."

"Wot!" cried Mrs Yabsley, furiously, "yer wake me up out o' me sleep to tell me the 'ouse ain't a-fire. I'll land yer on the 'ead wi' me slipper, if yer don't go to bed."

"I say, Mum," entreated Jonah, "will yer gimme five quid on Monday, an ask no questions?"

Mrs Yabsley's only answer was a snore.

But a week later the morning procession that trudged along Botany Road towards the city was astonished at the sight of a small shop, covered with huge calico signs displaying in staring red letters on a white ground the legend:

WHILE U WAIT.
Boots and Shoes Soled and Heeled.
GENTS, 2/11; LADIES, 1/11; CHILDS, 1/6.

The huge red letters, thrown out like a defiance and a challenge, caused a sensation in the Road. The pedestrians stopped to read the signs, looked curiously at the shop, and went on their way. The passengers in the trams and buses craned their necks, anxious to read the gigantic advertisement before they were carried out of sight. A group of urchins, stationed at the door, distributed handbills to the curious, containing the same announcement in bold type.

Across the street hung Paasch's dingy sign from which the paint was peeling:

Repairs neatly executed
GENTS, 3/6; LADIES, 2/6; CHILDS, 1/9

—the old prices sanctioned by usage, unchangeable and immovable as the laws of nature to Paasch and the trade on Botany Road.

The shop itself was transformed. On one side were half a dozen new chairs standing in a row on a strip of bright red carpet. Gay festoons of coloured tissue paper, the work of Mrs Yabsley's hands, stretched in ropes across the ceiling. The window had been cleared and at a bench facing the street Jonah and an assistant pegged and hammered as if for dear life. Another, who bore a curious likeness to Chook, with his back to the street and a last on his knees, hammered with enthusiasm. A tremendous heap of old boots, waiting to be repaired, was thrown carelessly in front of the workers, who seemed too busy to notice the sensation they were creating.

The excitement increased when a customer, Waxy Collins by name, entered the shop, and, taking off his boots, sat down while they were repaired, reading the morning paper as coolly as if he were taking his turn at the barber's. The thing spread like the news of a murder, and through the day a group of idlers gathered, watching with intense relish the rapid movements of the workmen. Jonah had declared war.

Six weeks after he had opened the shop, Jonah found twelve of Mrs Yabsley's sovereigns between him and ignominious defeat. Then the tickets in the draper's window had given him an idea, and, like a general who throws his last battalion at the enemy, he had resolved to stake the remaining coins on the hazard. The calico signs, then a novelty, the fittings of the shop, and the wages for a skilful assistant, had swallowed six of his precious twelve pounds. With the remaining six he hoped to hold out for a fortnight. Then, unless the tide turned, he would throw up the sponge. Chook, amazed and delighted with the idea, had volunteered to disguise himself as a snob, and help to give the shop a busy look; and Waxy Collins jumped at the chance of getting his boots mended for the bare trouble of walking in and pretending to read the newspaper.

The other shopkeepers were staggered. They stared in helpless anger at the small shop, which had suddenly become the most important in their ken. Already they saw their families brought to the gutter by this hunchback ruffian, who hit them below the belt in the most ungentlemanly fashion in preference to starving. But the simple manoeuvre of cutting down the prices of his rivals was only a taste of the unerring instinct for business that was later to make him as much feared as respected in the trade. By a single stroke he had shown his ability to play on the weakness as well as the needs of the public, coupled with a pitiless disregard for other interests than his own, which constitutes business talent.

The public looked on, surprised and curious, drawn by the novelty of the idea and the amazing prices, but hesitating like an animal that fears a tempting bait. The ceaseless activity of the shop reassured them. One by one the customers arrived. Numbers bred numbers, and in a week a rush had set in. It became the fashion on the Road to loll in the shop, carelessly reading the papers for all the world to see, while your boots were being mended. On Saturday for the first time Jonah turned a profit, and the battle was won.

Among the later arrivals Jonah noticed with satisfaction some of Paasch's best customers, and every week, with an apologetic smile, another handed in his boots for repair. Soon there was little for Paasch to do but stand at his door, staring with frightened, short-sighted eyes across the Road at the octopus that was slowly squeezing the life out of his shop. But he obstinately refused to lower his prices, though his customers carried the work from his counter across the street. It seemed to him that the prices were something fixed by natural laws, like the return of the seasons or the multiplication table.

"I haf always charge tree an' six for men's, an' it cannot be done cheaper without taking de bread out of mine mouth," he repeated obstinately.

In three months Jonah hired another workman, and the landlord came down to see if the shop could be enlarged to meet Jonah's requirements. Then a traveller called with an armful of samples. He was travelling for his brother, he explained, who had a small factory. Jonah looked longingly, and confessed that he wanted to stock his shop, but had no money to buy. Then the traveller smiled, and explained to Jonah, alert and attentive, the credit system by which his firm would deliver fifty pounds' worth of boots at three months. Jonah was quick to learn, but cautious.

"D'ye mean yer'd gimme the boots, an' not want the money for three months?"

The traveller explained that was the usual practice.

"An' can I sell 'em at any price I like?"

The man said he could give them away if he chose. Jonah spent a pound on brass rods and glass stands, and sold the lot in a month at sixpence a pair profit. His next order ran into a hundred pounds, and Jonah had established a cash retail trade. Meanwhile, he worked in a way to stagger the busy bee. Morning and night the sound of his hammer never ceased, except the three nights a week he spent at a night school, where he discovered a remarkable talent for mental arithmetic and figures. Jonah the hunchback had found his vocation.

And in the still night, when he stopped to light a cigarette, Jonah could hear the mournful wail of a violin in Paasch's bedroom across the street. In his distress the old man had turned to his beloved instrument as one turns to an old friend. But now the tunes were never merry, only scraps and fragments of songs of love and despair, the melancholy folk-songs of his native land, long since forgotten, and now returning to his memory as its hold on the present grew feebler.




CHAPTER 11

THE COURTING OF PINKEY

It was Monday morning, and, according to their habit, the Partridges were moving. Every stick of their furniture was piled on the van, and Pinkey, who was carrying the kerosene lamp for fear of breakage, watched the load anxiously as the cart lurched over a rut. A cracked mirror, swinging loosely in its frame, followed every movement of the cart, one minute reflecting Pinkey's red hair and dingy skirt, the next swinging vacantly to the sky.

The cart stopped outside a small weatherboard cottage, and the vanman backed the wheels against the kerbstone, cracking his whip and swearing at the horse, which remained calm and obstinate, refusing to move except of its own accord. The noise brought the neighbours to their doors. And they stood with prying eyes, ready to judge the social standing of the newcomers from their furniture.

It was the old battered furniture of a poor family, dragged from the friendly shelter of dark corners into the naked light of day, the back, white and rough as a packing-case, betraying the front, varnished and stained to imitate walnut and cedar. Every scratch and stain showed plainly on the tables and chairs fastened to their companions in misery, odd, nameless contrivances made of boxes and cretonne, that took the place of the sofas, wardrobes, and toilet-tables of the rich. Every mark and every dint was noted with satisfaction by the furtive eyes. The new arrivals had nothing to boast about.

Mrs Partridge, who collected gossip and scandal as some people collect stamps, generally tired of a neighbourhood in three months, after she had learned the principal facts—how much of the Brown's money went in drink, how much the Joneses owed at the corner shop, and who was really the father of the child that the Smiths treated as a poor relation. When she had sucked the neighbourhood dry like an orange, she took a house in another street, and Pinkey lost a day at the factory to move the furniture.

Pinkey's father was a silent, characterless man, taking the lead from his wife with admirable docility, and asking nothing from fortune but regular work and time to read the newspaper. He had worked for the same firm since he was a boy, disliking change; but since his second marriage he had been dragged from one house to another. Sometimes he went home to the wrong place, forgetting that they had moved. Every week he planned another short cut to Grimshaw's works, which landed him there half an hour late.

Her mother had died of consumption when Pinkey was eleven, and two years later her father had married his housekeeper. She proved to be a shiftless slattern, never dressed, never tidy, and selfish to the core under the cloak of a good-natured smile. She was always resting from the fatigue of imaginary labours, and her house was a pigsty. Nothing was in its place, and nothing could be found when it was wanted. This, she always explained with a placid smile, was owing to the fact that they were busy looking for a house where they could settle down.

The burden of moving fell on Pinkey, for her father had never lost a day at Grimshaw's in his life; and after Mrs Partridge had hindered for half an hour by getting in the way and mislaying everything, Pinkey usually begged her in desperation to go and wait for the furniture in the new house.

Meanwhile, lower down the street, Chook was slowly working his way from house to house, hawking a load of vegetables. In the distance he remarked the load of furniture, and resolved to call before a rival could step in and get their custom. As he praised the quality of the peas to a customer, he found time to observe that the unloading went on very slowly. The vanman stood on the cart and slid the articles on to the shoulders of a girl, who staggered across the pavement under a load twice her size. It looked like an ant carrying a beetle. Five minutes later Chook stood at the door and rapped with his knuckles.

"Any vegetables to-day, lydy?" he inquired, in his nasal, professional sing-song.

The answer to his question was Pinkey, dishevelled, sweating in beads, covered with dust, her sleeves tucked up to the elbows, showing two arms as thick as pipe-stems. She flushed pink under the sweat and grime, feeling for her apron to wipe her face. They had not seen each other since the fight, for in a sudden revulsion of feeling Pinkey had decided that Chook was too handy with his fists to make a desirable bloke, and a change of address on the following Monday had enabled her to give him the slip easily. And after waiting at street corners till he was tired, Chook had returned to his old love, the two-up school. Pinkey broke the silence with a question that was furthest from her thoughts.

"'Ow are yez sellin' yer peas?"

Chook dropped his basket and roared with laughter.

"If yer only come ter poke borak, yer better go," cried Pinkey, with an angry flush.

Chook sobered instantly.

"No 'arm meant," he said, quite humbly, "but yer gimme the knock-out every time I see yer. But wot are yez doin'?" he asked.

"We're movin'," said Pinkey, with an important air.

"Oh, are yez?" said Chook, looking round with interest. "Yous an' old Jimmy there?" He nodded familiarly to the vanman, who was filling his pipe. "Well, yer must excuse me, but I'm on in this act."

"Wotcher mean?" said Pinkey, looking innocent, but she flushed with pleasure.

"Nuthin'," said Chook, seizing the leg of a table; "but wait till I put the nosebag on the moke."

"Whose cart is it?" inquired Pinkey.

"Jack Ryan's," answered Chook; "'e's bin shickered since last We'n'sday, an' I'm takin' it round fer 'is missis an' the kids."

Mrs Partridge received Chook very graciously when she learned that he was a friend of Pinkey's and had offered to help in passing. She had been reading a penny novelette under great difficulties, and furtively eating some slices of bread-and-butter which she had thoughtfully put in her pocket. But now she perked up under the eyes of this vigorous young man, and even attempted to help by carrying small objects round the room and then putting them back where she found them. In an hour the van was empty, and Jimmy was told to call next week for his money. It was well into the afternoon when Chook resumed his hawking with the cart and then only because Pinkey resolutely pushed him out of the door.

Chook's previous love-affairs had all been conducted in the open air. Following the law of Cardigan Street, he met the girl at the street corner and spent the night in the park or the dance-room. Rarely, if she forgot the appointment, he would saunter past the house, and whistle till she came out. What passed within the house was no concern of his. Parents were his natural enemies, who regarded him with the eyes of a butcher watching a hungry dog. But his affair with Pinkey had been full of surprises, and this was not the least, that chance had given him an informal introduction to Pinkey's stepmother and the furniture.

He had called again with vegetables, and when he adroitly remarked that no one would have taken Mrs Partridge to be old enough to be the mother of Pinkey, she had spent a delightful hour leaning against the doorpost telling him how she came to marry Partridge, and the incredible number of offers she had refused in her time. Charmed with his wit and sympathy, she forgot what she was saying, and invited him to tea on the following Sunday. Chook was staggered. He knew this was the custom of the law-abiding, who nodded to the police and went to church on Sunday. But here was the fox receiving a pressing invitation from the lamb. He decided to talk the matter over with Pinkey. But when he told her of the invitation, she flushed crimson.

"She asked yous to tea, did she? The old devil!"

"W'y," said Chook mortified.

"W'y? 'Cause she knows father 'ud kill yer, if yer put yer nose inside the door."

"Oh! would 'e?" cried Chook, bristling.

"My word, yes! A bloke once came after Lil, an' 'e run 'im out so quick 'e forgot 'is 'at, an' waited at the corner till I brought it."

"Well, 'e won't bustle me," cried Chook.

"But y'ain't goin'?" said Pinkey, anxiously.

"My oath, I am!" cried Chook. "I'm doin' the square thing this time, don't yous fergit, an' no old finger's goin' ter bustle me, even if 'e's your father."

"Yous stop at 'ome while yer lucky," said Pinkey. "Ever since Lil cleared out wi' Marsden, 'e swears 'e'll knife the first bloke that comes after me."

"Ye're only kiddin'," said Chook, cheerfully; "an' wot'll 'e do ter yous?"

"Me! 'E niver rouses on me. W'en 'e gits shirty, I just laugh, an' 'e can't keep it up."

"Right-oh!" said Chook. "Look out fer a song an' dance nex' Sunday."

About five o'clock on the following Sunday afternoon, Chook, beautifully attired in the larrikin fashion, sauntered up to the door and tried the knocker. It was too stiff to move, and he used his knuckles. Then he heard footsteps and a rapid whispering, and Pinkey, white with anxiety, opened the door. Mrs Partridge, half dressed, slipped into the bedroom and called out in a loud voice:

"Good afternoon, Mr Fowles! 'Ave yer come to take Elizabeth for a walk?"

Ignoring Pinkey's whispered advice, he pushed in and looked round. He was in the parlour, and a large china dog welcomed him with a fixed grin.

"W'ere's the old bloke?" muttered Chook.

Pinkey pointed to the dining-room, and Chook walked briskly in. He found Partridge in his arm-chair, scowling at him over the newspaper.

"Might I ask 'oo you are?" he growled.

"Me name's Fowles—Arthur Fowles," replied Chook, picking a seat near the door and smoothing a crease in his hat.

"Ah! that's all I wanted to know," growled Partridge. "Now yer can go."

"Me? No fear!" cried Chook, affecting surprise. "Yer missis gave me an invite ter tea, an' 'ere I am. Besides, I ain't such a stranger as I look; I 'elped move yer furniture in."

"An' yer shove yer way into my 'ouse on the strength of wot a pack o' silly women said ter yer?"

"I did," admitted Chook.

"Now you take my advice, an' git out before I break every bone in yer body."

Chook stared at him with an unnatural stolidity for fear he should spoil everything by grinning.

"Well, wot are yer starin' at?" inquired Partridge, with irritation.

"I was wonderin' 'ow yer'd look on the end of a rope," replied Chook, quietly.

"Me on the end of a rope?" cried Partridge in amazement.

"Yes. They said yous 'ud stiffen me if I cum in, an' 'ere I am."

"An' yet you 'ad the cheek?"

"Yes," said Chook; "I niver take no notice o' wot women say."

Partridge glared at him as if meditating a spring, and then, with a rapid jerk, turned his back on Chook and buried his nose in the newspaper. Pinkey and her stepmother, who were listening to this dialogue at the door, ready for flight at the first sound of breaking glass or splintered wood, now ventured to step into the room. Chook, secure of victory, criticized the weather, but Partridge remained silent as a graven image. Mrs Partridge set the table for tea with nervous haste.

"Tea's ready, William," she cried at last.

William took his place, and, without lifting his eyes, began to serve the meat. Mrs Partridge had made a special effort. She had bought a pig's cheek, some German sausage, and a dozen scones at seven for threepence. This was flanked by bread-and-butter, and a newly opened tin of jam with the jagged lid of the tin standing upright. She thought, with pride, that the young man would see he was in a house where no expense was spared. She requested Chook to sit next to Pinkey, and talked with feverish haste.

"Which do yer like, Mr Fowles? Lean or fat? The fat sometimes melts in yer mouth. Give 'im that bit yer cut for me, William."

"If 'e don't like it, 'e can leave it," growled Partridge.

"Now, that'll do, William. I always said yer bark was worse than yer bite. You'll be all right w'en yer've 'ad yer beer. 'E's got the temper of an angel w'en 'e's 'ad 'is beer," she explained to Chook, as if her husband were out of hearing.

Partridge sat with his eyes fixed on his plate with the face of a sulky schoolboy. His long features reminded Chook of a horse he had once driven. When he had finished eating, he pulled his chair back and buried his silly, obstinate face in the newspaper. He had evidently determined to ignore Chook's existence. Mrs Partridge broke the silence by describing his character to the visitor as if he were a naughty child.

"William always sulks w'en 'e can't get 'is own way. Not another word will we 'ear from 'im tonight. 'E knows 'e ought to be civil to people as eat at 'is own table, an' that only makes 'im worse. But for all 'is sulks, 'e's got the temper of an angel w'en 'e's 'ad 'is beer. I've met all sorts—them as smashes the furniture for spite, an' them as bashes their wives 'cause it's cheaper, but gimme William every time."

Partridge took no notice, except to bury his nose deeper in the paper. He had reached the advertisements, and a careful study of these would carry him safely to bed. After tea, Pinkey set to work and washed up the dishes, while Mrs Partridge entertained the guest. Chook took out his cigarettes, and asked if Mr Partridge objected to smoke. There was no answer.

"You must speak louder, Mr Fowles," said Mrs Partridge. "William's 'earing ain't wot it used to be."

William resented this remark by twisting his chair farther away and emitting a grunt.

Pinkey, conscious of Chook's eyes, was bustling in and out with the airs of a busy housewife, her arms, thin as a broomstick, bared to the elbow. His other love-affairs had belonged to the open-air, with the street for a stage and the park for scenery, and this domestic setting struck Chook as a novelty. Pinkey, then, was not merely a plaything for an hour, but a woman of serious uses, like the old mother who suckled him and would hear no ill word of him. And as he watched with greedy eyes the animal died within him, and a sweeter emotion than he had ever known filled his ignorant, passionate heart For the first time in his life he understood why men gave up their pals and the freedom of the streets for a woman. Mrs Partridge saw the look in his eyes, and wished she were twenty years younger. When Pinkey got her hat and proposed a walk, Chook, softened by his novel emotions, called out "Good night, boss!"

For a wonder, Partridge looked up from his paper and grunted "Night!"

"There now," cried Mrs Partridge, delighted, "William wouldn't say that to everybody, would you, William? Call again any time you like, an' 'e'll be in a better temper."

When they reached the park, they sat on a seat facing the asphalt path. Near them was another pair, the donah, with a hat like a tea-tray, nursing her bloke's head in her lap as he lay full length along the seat. And they exchanged caresses with a royal indifference to the people who were sauntering along the paths. But, without knowing why, Chook and Pinkey sat as far apart as if they had freshly studied a book on etiquette. For to Chook this frail girl with the bronze hair and shabby clothes was no longer a mere donah, but a laborious housewife and a potential mother of children; and to Pinkey this was a new Chook, who kept his hands to himself, and looked at her with eyes that made her forget she was a poor factory girl.

Chook looked idly at the stars, remote and lofty, strewn like sand across the sky, and wondered at one that gleamed and glowed as he watched. A song of the music-hall about eyes and stars came into his head. He looked steadily into Pinkey's eyes, darkened by the broad brim of her hat, and could see no resemblance, for he was no poet. And as he looked, he forgot the stars in an intense desire to know the intimate details of her life—the mechanical, monotonous habits that fill the day from morning till night, and yet are too trivial to tell. He asked some questions about Packard's factory where she worked, and Pinkey's tongue ran on wheels when she found a sympathetic listener. Apart from the boot factory, the great events of her life had been the death of her mother, her father's second marriage, and the night of her elder sister, Lil, who had gone to the bad. She blamed her stepmother for that. Lil had acted like a fool, and Mrs Partridge, with her insatiable greed for gossip, had gathered hints and rumours from the four corners of Sydney, and Lil had bolted rather than argue it out with her father. That and the death of Pinkey's mother had soured his temper, and his wits, never very powerful, had grown childish under the blow.

"So don't yous go pokin' borak at 'im," she cried, flushing pink. "'E's a good father to me, if she lets 'im alone. But she's got 'im under 'er thumb with 'er nasty tongue."

Chook thought Mrs Partridge was an agreeable woman. Instantly Pinkey's eyes blazed with anger.

"Is she? You ought ter 'ear 'er talk. She's got a tongue like a dog's tail; it's always waggin'. An' niver a good word for anybody. I wish she'd mind 'er own business, an' clean up the 'ouse. W'en my mother was alive, you could eat yer dinner off the floor, but Sarah's too delicate for 'ousework. She'd 'ave married the greengrocer, but she was too delicate to wait in the shop. We niver see a bit o' fresh meat in the 'ouse, an' if yer say anythin' she bursts into tears, an' sez somethin' nasty about Lil. She makes believe she's got no more appetite than a canary, but she lives on the pick of the 'am shop w'en nobody's lookin'. Look 'ow fat she is. W'en she married Dad, you could 'ear 'er bones rattle. I wouldn't mind if she did the washin'. But she puts the things in soak on Monday, an' then on Saturday I 'ave ter turn to an' do the lot, 'cause she's delicate. I ain't delicate. I'm only skin an' bone."

Her face was flushed and eager; her eyes sparkled. Chook remembered the song about eyes and stars, and agreed with the words. And as suddenly the sparkle died out of her eyes, her mouth drooped, and the colour left her face, pale as ivory in the faint gleam of the stars.

"Yous don't think any worse o' me 'cause Lil's crook, do yer?" she asked piteously.

Chook swore a denial.

"P'raps yer think it runs in the family; but Lil 'ud 'a' gone straight if she 'adn't been driven out o' the 'ouse by Sarah's nasty tongue."

Chook declared that Lil was spotless.

"No, she ain't," said Pinkey; "she's as bad as they make 'em now; but...wot makes yer tail up after me?" she inquired suddenly.

Chook answered that she had sent him fair off his dot.

"Oh yes, that's wot yer said to Poll Corcoran, an' then went skitin' that she'd do anythin' yer liked, if yer lifted yer finger. I've 'eard all about yous."

Chook swore that he would never harm a hair of her head.

"The worst 'arm is done without meanin' it," said Pinkey wisely, "an' that's w'y I'm frightened of yer."

"Wotcher got ter be frightened o' me?" asked Chook, softly.

"I'm frightened o' yer...'cause I like yer," said Pinkey, bursting into tears.

Mrs Partridge was disappointed in Chook. He was too much taken up with that red-headed cat, and he ate nothing when he came to tea on Sunday, although she ransacked the ham-and-beef shop for dainties—black pudding, ham-and-chicken sausage, and brawn set in a mould of appetizing jelly. She flattered herself she knew her position as hostess and made up for William's sulks by loading the table with her favourite delicacies. And Chook's healthy stomach recoiled in dismay before these doubtful triumphs of the cookshop. His mother had been a cook before she married, and, as a shoemaker believes in nothing but leather, she pinned her faith to good cooking. The family might go without clothes or boots, but they always had enough to eat. Chook's powerful frame, she asserted, was due entirely to careful nourishment in his youth. "Good meals keep people out of jail," was her favourite remark. Chook had learned this instead of the catechism, and the sight of Pinkey's starved body stirred his anger. What she wanted was proper nourishment to cover her bones.

The next Sunday, while Pinkey was frying some odds and ends in the pan to freshen them up for breakfast, Mrs Partridge, who was finishing a novelette in bed, heard a determined knock on the door. It was only eight o'clock. She called Pinkey, and ran to the window in surprise. It was Chook, blushing as nearly as his face would permit, and carrying two plates wrapped in a towel. He pushed through to the kitchen with the remark "I'll just 'ot this up agin on the stove."

"But wot is it?" cried Pinkey, in astonishment.

Chook removed the upper plate, and showed a dish of sheep's brains, fried with eggs and breadcrumbs—a thing to make the mouth water.

"Mother sent these; she thought yer might like somethin' tasty fer yer breakfast," he muttered gruffly, in fear of ridicule.

Pinkey tried to laugh, but the tears welled into her eyes.

"Oh, Sarah will be pleased!" she cried.

"No, she won't," said Chook, grimly. "Wot yer can't eat goes back fer the fowls."

While Mrs Partridge was dressing, they quarrelled fiercely, because Chook swore she must eat the lot. Sarah ended the dispute by eating half, but Chook watched jealously till Pinkey declared she could eat no more.

The next Sunday it was a plate of fish fried in the Jewish fashion—a revelation to Pinkey after the rancid fat of the fish shop—then a prime cut off the roast for dinner, or the breast and wing of a fowl; and he made Pinkey eat it in his presence, so that he could take the plates home to wash. One Sunday he was so late that Mrs Partridge fell back on pig's cheek; but he arrived, with a suspicious swelling under his eye. He explained briefly that there had been an accident. They learned afterwards than an ill-advised wag in the street had asked him if he were feeding Pinkey up for the show. During the two rounds that followed, Chook had accidentally stepped on the plates.

Whenever Ada met Pinkey, she wanted to know how things were progressing; but Pinkey could turn like a hare from undesirable questions.

"Are you an' 'im goin' to git spliced?" she inquired, for the hundredth time.

"I dunno," said Pinkey, turning scarlet; "'e sez we are."




END OF PART I.




PART 2


THE SIGN OF THE "SILVER SHOE"



CHAPTER 12

THE SIGN OF THE "SILVER SHOE"

The suburban trains slid into the darkness of the tunnel at Cleveland Street, and, as they emerged into daylight on the other side, paused for a moment like intelligent animals before the spider's web of shining rails that curved into the terminus, as if to choose the pair that would carry them in safety to the platform. It was in this pause that the passengers on the left looked out with an upward jerk of the head, and saw that the sun had found a new plaything in Regent Street.

It was the model of a shoe, fifteen feet long, the hugest thing within sight, covered with silver leaf that glittered like metal in the morning sun. A gang of men had hoisted it into position last night by the flare of naphtha lamps, and now it trod securely on air above the new bootshop whose advertisement sprawled across half a page of the morning paper.

In Regent Street a week of painting and hammering had prepared them for surprises; two shops had been knocked into one, with two plate-glass windows framed in brass, and now the shop with its triumphant sign caught the eye like a check suit or a red umbrella. Every inch of the walls was covered with lettering in silver leaf, and across the front in huge characters ran the sign:

JONAH'S SILVER SHOE EMPORIUM

Meanwhile, the shop was closed, the windows obscured by blinds; but the children, attracted by the noise of hammering, flattened their noses against the plate glass, trying to spy out the busy privacy within. Evening fell, and the hammering ceased. Then, precisely on the stroke of seven, the electric lights flashed out, the curtains were withdrawn, and the shop stood smiling like a coquette at her first ball.

Everything was new. The fittings glistened with varnish, mirrors and brass rods reflected the light at every angle, and the building was packed from roof to floor with boots. The shelves were loaded with white cardboard boxes containing the better sort of boot. But there was not room enough on the shelves, and boots and shoes hung from the ceiling like bunches of fruit; they clung to brass rods like swarming bees. The strong, peculiar odour of leather clogged the air. The shopmen stood about, whispering to one another or changing the position of a pair of boots as they waited for the customers.

A crowd had gathered round the window on the left, which was fitted out like a workshop. On one side a clicker was cutting uppers from the skin; beside him a girl sat at a machine stitching the uppers together at racing speed. On the other side a man stood at a bench lasting the uppers to the insoles, and then pegging for dear life; near him sat a finisher, who shaved and blackened the rough edges, handing the finished article to a boy, who gave it a coat of gloss and placed it in the front of the window for inspection. A placard invited the public to watch the process of making Jonah's Famous Silver Shoes. The people crowded about as if it were a play, delighted with the novelty, following the stages in the growth of a boot with the pleasure of a boy examining the inside of a watch.

At eight o'clock another surprise was ready. A brass band began to play popular airs on the balcony, hung about with Chinese lanterns, and a row of electric bulbs flashed out, marking the outline of the wonderful silver shoe, glittering and gigantic in the white light.

The crowd looked up, and made bets on the length of the shoe, and recalled the time, barely five years ago, when the same man—Jonah the hunchback—had astonished Botany Road with his flaring signs in red and white. True, his shop was still on the Road, for Regent Street is but the fag end of a long, dusty road where it saunters into town, snobbishly conscious of larger buildings and higher rents. Since then his progress had been marked by removals, and each step had carried him nearer to the great city. He had outgrown his shops as a boy outgrows his trousers.

It was reported that everything turned to gold that he touched. It was certain that he had captured the trade of the Road, and this move meant that he had fastened his teeth in the trade of the roaring city. And not so long ago people could remember when he was a common larrikin, reputed leader of the Cardigan Street Push, and working for old Paasch, whose shop was now empty, his business absorbed by Jonah with the ease one swallows a lozenge. And they say he began life as a street-arab, selling papers and sleeping in the gutter. Well, some people's luck was marvellous!

The crowd became so dense that the police cleared a passage through it, and the carts and buses slackened to a walk as they passed the shop, where the electric lights glittered, the Chinese lanterns swung gaily in the breeze, and the band struck noisily into the airs from a comic opera.

Meanwhile the shop was crowded with customers, impatient to be served, each carrying a coupon cut from the morning paper, which entitled the holder to a pair of Jonah's Famous Silver Shoes at cost price. And near the door, in an interval of business, stood the proprietor, a hunchback, his grey eyes glittering with excitement at seeing his dream realized, the huge shop, spick and span as paint could make it, the customers jostling one another as they passed in and out, and the coin clinking merrily in the till.

Yes, they were quite right. Everything that he touched turned to gold. Outsiders confused his fortune with the luck of the man who draws the first prize in a sweep, enriched without effort by a chance turn of Fortune's wrist. They were blind to the unresting labour, the ruthless devices that left his rivals gaping, and the fixed idea that shaped everything to its needs. In five years he had fought his way down the Road, his line of march dotted with disabled rivals.

Old Paasch, the German, had been his first victim. Bewildered and protesting, he had succumbed to Jonah's novel methods of attack as a savage goes down under the fire of machine-guns. His shop was closed years ago, and he lived in a stuffy room, smelling vilely of tobacco-smoke, where he taught the violin to hazardous pupils for little more than a crust. He always spoke of Jonah with a vague terror in his blue eyes, convinced that he had once employed Satan as an errand-boy.

People were surprised to find that Jonah meant to live in the rooms over the new shop, when he could well afford to take a private house in the suburbs. It was said he treated his wife like dirt; that they lived like cat and dog; that he grudged her bare living and clothing. Jonah set his lips grimly on a hint of these rumours.

Three years ago he had planted Ada in a house of her own, and had gone home daily to rooms choked with dirt, for with years of ease she had grown more slovenly. Servants were a failure, for she made a friend of them, and their families lived in luxury at her expense. And when Ada was left alone, the meals were never ready, the house was like a pigsty, and she sat complacently amidst the dirt, reading penny novelettes in a gaudy dressing-jacket, or entertaining her old pals from the factory.

These would sit through an afternoon with envy in their hearts, and cries of wonder on their lips at the sight of some useless and costly article, which Ada, with the instinct of the parvenu, had bought to dazzle their eyes. For she remained on the level where she was born, and the gaping admiration of her poorer friends was the only profit she drew from Jonah's success. If Jonah arrived without warning, they tumbled over one another to get out unseen by the back door, but never forgot to carry away some memento of their visit—a tin of salmon, a canister of tea, a piece of bacon, a bottle whose label puzzled them—for Ada bestowed gifts like Royalty, with the invariable formula "Oh! take it; there's plenty more where that comes from."

But the worst was her neglect of Ray, now seven years old, and the apple of Jonah's eye. She certainly spent part of the morning in dressing him up in his clothes, which were always new, for they were discarded by Jonah when the creases wore off; but when this duty, which she was afraid to neglect, was ended, she sent him out into the street to play in the gutter. His meals were the result of hazard, starving one day, and over-eating the next. And then, one day, some stains which Ada had been unable to sponge out elicited a stammering tale of a cart-wheel that had stopped three inches from the prostrate child.

This had finished Jonah, and with an oath he had told Ada to pack up, and move into the rooms over the shop, when they could be got ready. Ada made a scene, grumbled and sulked, but Jonah would take no more risks. His son and his shop, he had fathered both, and they should be brought together under his watchful eye, and Ada's parasites could sponge elsewhere.

It had happened in time for him to have the living-rooms fitted up over the shop, for the part which was required as a store-room left ample space for a family of three. Ada gave in with a sullen anger, refusing to notice the splendours of the new establishment. But she had a real terror, besides her objection to being for ever under Jonah's sharp eyes.

Born and bred in a cottage, she had a natural horror of staircases, looking on them as dangerous contrivances on which people daily risked their lives. She climbed them slowly, feeling for safety with her feet, and descended with her heart in her mouth. The sight of others tripping lightly up and down impressed her like a dangerous performance on the tight-rope in a circus. And the new rooms could only be reached by two staircases, one at the far end of the shop, winding like a corkscrew to the upper floor, and another, sickening to the eye, dropping from the rear balcony in the open air to the kitchen and the yard.

Mrs Yabsley continued to live in the old cottage in Cardigan Street. Jonah made her an allowance, but she still worked at the laundry, not for a living, as she carefully explained to every new customer, but for the sake of exercise. And she had obstinately refused to be pensioned off.

"I've seen too many of them pensioners, creepin' an' coughin' along the street, because they thought they was too old fer work, an' one fine mornin' they fergit ter come down ter breakfust, an' the neighbours are invited to the funeral. An' but for that they might 'ave lived fer years, drawin' their money an' standin' in the way of younger men. No pensions fer me, thank yer!"

When Jonah had pointed out that she could not live alone in the cottage, she had listened with a mysterious smile. With Jonah's allowance and her earnings, she was the rich woman, the lady chatelaine of the street, and she chose a companion from the swarm of houseless women that found a precarious footing in the houses of their relations—women with raucous voices, whose husbands had grown tired of life and fled; ladies who were vaguely supposed to be widows; comely young women cast on a cold world with a pitiful tale and a handbag. And she fed them till they were plump and vicious again, when they invariably disappeared, taking everything of value they could lay hands on. When Jonah, exasperated by these petty thefts, begged her to come and live with them, she shook her head, with a humorous twinkle in her eyes.

"No, yer'd 'ave ter pull me up by the roots like that old tree if yer took me out of this street. I remember w'en 'arf this street was open paddicks, an' now yer can't stick a pin between the 'ouses. I was a young gell then, an' a lot better lookin' than yer'd think. Ada's father thought a lot o' me, I tell yer. That was afore 'e took ter drink. I was 'is first love, as the sayin' is, but beer was 'is second. 'E was a good 'usbind ter me wot time 'e could spare from the drink, an' I buried 'im out of this very 'ouse, w'en Ada could just walk. I often think life's a bloomin' fraud, Joe, w'ichever way yer look at it. W'en ye're young, it promises yer everythin' yer want, if yer only wait. An' w'en ye're done waitin', yer've lost yer teeth an' yer appetite, or forgot wot yer were waitin' for. Yes, Joe, the street an' me's old pals. We've seen one another in sickness an' sorrer an' joy an' jollification, an' it 'ud be a poor job ter part us now. Funny, ain't it? This street is more like a 'uman bein' ter me than plenty I know. Yer see, I can't read the paper, an' see 'oo's bin married and murdered through the week, bein' no scholar, but I can read Cardigan Street like a book. An' I've found that wot 'appens in this street 'appens everywhere else, if yer change the names an' addresses."

About a week after the triumphant opening of the Silver Shoe, Jonah was running his eye down some price-lists, when he was disturbed by a loud noise. He looked round, and was surprised to see Miss Giltinan, head of the ladies' department, her lips tight with anger, replacing a heap of cardboard boxes with jerks of suppressed fury.

She was his best saleswoman, gathered in from the pavement a week after she had been ejected from Packard's factory for cheeking the boss. She had spent a few weeks dusting shoes and tying up parcels, and then, brushing the old hands aside, had taken her place as a born saleswoman. Sharp as a needle, the customers were like clay in her hands. She recognized two classes of buyers—those who didn't know what they wanted, and always, under her guidance, spent more than they intended, and those who knew quite well what they wanted, the best quality at an impossible price. Both went away satisfied, for she took them into her confidence, and, with covert glances for fear she should be overheard, gave them her private opinion of the articles in a whisper. And they went away satisfied that they had saved money, and made a friend who would always look after their interests. But this morning she was blazing.

"Save the pieces, Mary," said Jonah, "wot's the matter?"

"A woman in there's got me beat," replied the girl savagely—"says she must 'ave Kling & Wessel's, an' we 'aven't got a pair in the place. Not likely either, when the firm's gone bung; but I wasn't goin' to tell 'er that. Better come an' try 'er yourself, or she'll get away with 'er money."

As Jonah entered, the troublesome customer looked up with an air of great composure. She was a young woman of five-and-twenty, tall, dark, and slight, with features more uncommon than beautiful. Her face seemed quite familiar to Jonah.

"Good mornin', Miss. Can I 'elp you in any way?" he said, trying to remember where he had seen her before.

"So sorry to trouble you, but my feet are rather a nuisance," she said, in a voice that broke like the sound of harps and flutes on Jonah's ear.

Jonah noted mechanically that her eyes were brown, peculiar, and luminous as if they glowed from within. They were marked by dark eyebrows that formed two curves of remarkable beauty. She showed her teeth in a smile; they were small and white and even, so perfect that they passed for false with strangers. She explained that she had an abnormally high instep, and could only be fitted by one brand of shoe. She showed her foot, cased in a black stocking, and the sight of it carried Jonah back to Cardigan Street and the push, for the high instep was a distinguished mark of beauty among the larrikins, adored by them with a Chinese reverence.

"I can only wear Kling & Wessel's, and your assistant tells me you are out of them at present," she continued, "so I am afraid I must give it up as a bad job." She picked up her shoe, and Jonah was seized with an imperious desire to keep her in the shop at any cost.

"I'm afraid yer've worn yer last pair of that make," said Jonah. "The Americans 'ave driven them off the market, and the agency's closed."

"How annoying! I must wear shoes. Whatever shall I do?" she replied, staring at the shelves as if lost in thought.

Jonah marked with an extraordinary pleasure every detail of her face and dress. The stuff was a cheap material, but it was cut and worn with a daintiness that marked her off from the shopgirls and others that Jonah was most familiar with. And as he looked, a soft glow swept through him like the first stage of intoxication. Sometimes at the barber's a similar hypnotic feeling had come over him, some electric current stirred by the brushing of his hair, when common sounds and movements struck on his nerves like music. Again his nerves vibrated tunefully, and he became aware that she was speaking.

"So sorry to have troubled you," she said, and prepared to go.

He felt he must keep her at any cost. "A foot like yours needs a special last shaped to the foot. I don't make to order now, as a rule, but I'll try wot I can do fer yer, if yer care to leave an order," he said. He spoke like one in a dream.

She looked at him with a peculiar, intense gaze. "I should prefer that, but I'm afraid they would be too expensive," she said.

"No, I can do them at the same price as Kling & Wessel's," said Jonah.

Miss Giltinan started and looked sharply from Jonah to his customer. She knew that was impossible. And she looked with a frown at this woman who could make Jonah forget his business instincts for a minute. For she worshipped him in secret, grateful to him for lifting her out of the gutter, and regarded him as the arbiter of her destiny.

He went to the desk and found the sliding rule and tape. As he passed the tape round the stranger's foot, he found that his hands were trembling. And as he knelt before her on one knee, the young woman studied, with a slight repugnance, the large head, wedged beneath the shoulders as if a giant's hand had pressed it down, and the hump projecting behind, monstrous and inhuman. Suddenly Jonah looked up and met her eyes. She coloured faintly.

"Wot sort of fit do yer like?" he asked. His voice, usually sharp and nasal, was rather hoarse.

All her life she remembered that moment. The huge shop, glittering with varnish, mirrors, and brass rods, the penetrating odour of leather, the saleswoman silently copying the figures into the book, and the misshapen hunchback kneeling before her and looking up into her face with his restless grey eyes, grown suddenly steady, that asked one question and sought another. She frowned slightly, conscious of some strange and disagreeable sensation.

"I prefer them as tight as possible without hurting me," she replied nervously; "but I'm afraid I'm giving you too much trouble."

"Not a bit," replied Jonah, clearing his throat.

As he finished measuring, a small boy, dressed in a Fauntleroy velvet suit, with an enormous collar and a flap cap, ran noisily into the shop, dragging a toy train at his heels.

"Get upstairs at once, Ray," said Jonah, without looking round.

The child, puffing and snorting like an engine, took no notice of the command.

"Did yez 'ear me speak?" cried Jonah, angrily.

The child laughed, and stopped with his train in front of the customer, staring at her with unabashed eyes.

"What a pretty boy!" said the young woman. "Won't you tell me your name?"

"My name's Ray Jones, and I'll make old bones," he cried, with the glibness of a parrot.

The young woman laughed, and Jonah's face changed instantly. It wore the adoring gaze of the fond parent, who thinks his child is a marvel and a prodigy.

"Tell the lady 'ow old yer are," he said.

"I'm seven and a bit old-fashioned," cried the child, looking into the customer's face for the amused look that always followed the words. The young woman smiled pleasantly as she laced her shoe.

"'E's as sharp as a needle," said Jonah, with a proud look, "but I 'aven't put 'im to school yet, 'cause 'e'll get enough schooling later on. But I'll 'ave ter do somethin' with 'im soon; 'e's up ter 'is neck in mischief. I wish 'e was old enough ter learn the piano. 'E's got a wonderful ear fer music."

"But he is old enough," said the young woman with a sudden interest. "I have two pupils the same age as he."

"Ah?" said Jonah, inquiringly.

"I am a teacher of music," continued the young woman, "and in my opinion, they can't start too early, if they have any gift."

"An' 'ow would yer judge that?" said Jonah, delighted at the turn of the conversation.

"I generally go by the width of the forehead at the temples. Phrenologists always look for that, and I have never found it fail. Come here," she said to the child, in a sharp, businesslike tone. She passed her hand over his forehead, and pointed out to Jonah a fullness over the corner of the eye. "That is the bump of music. You have it yourself," she said, suddenly looking at Jonah's face. "I'm sure you're fond of music. Do you sing or play?"

"I can do a bit with the mouth-organ," said Jonah, off his guard. He turned red with shame at this vulgar admission but the young woman only smiled.

"Well, about the boy," said Jonah, anxious to change the subject, "I'd like yer to take 'im in 'and, if yer could make anythin' of 'im."

"I should be very pleased," said the young woman.

"Very well, we'll talk it over on Thursday, when yer come fer yer shoes," said Jonah, feeling that he was making an appointment with this fascinating stranger.

As she left the shop she handed Jonah a card, on which was printed:

MISS CLARA GRIMES,
TEACHER OF MUSIC.
Terms: 1 pound 1 shilling per quarter.

"Well, I'm damned!" said Jonah. "Old Grimes's daughter, of course." And as he watched her crossing the street with a quick, alert step, an intense yearning and loneliness came over him. Something within him contracted till it hurt. And suddenly there flashed across his mind some half-forgotten words of Mrs Yabsley's:

"Don't think of marryin' till yer feel there's somethin' wrong wi' yer inside, for that's w'ere it ketches yer."

He sighed heavily, and went into the shop, preoccupied and silent for that day.