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An illustrated collection of drawings, etchings, and lithographs made worldwide between 1881 and 1915, accompanied by the artist's impressions and descriptive notes. The introductory essay argues for treating industrial and manual labor as a legitimate pictorial subject, surveying earlier artists who found beauty in mills, harbors, and urban works. The plates reproduce scenes of engineering, construction, maritime and urban labor, with captions and commentary that emphasize technique, composition, and the human element in work. The volume balances visual reproductions with reflective commentary on the aesthetics of labor and the practical processes behind the subjects depicted.
High in the air the iron gate hangs—the entrance to the great works. When there is a strike it comes down, and not only is it topped with sharp spikes, but, I was told, it could be charged with electricity and is pierced with holes through which to shoot. On either side are guard-houses on the wall, fitted with guns—all these preparations made for strikers, for industrial war. Now that real war has come, I wonder what part the iron gate plays.