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Joy in the Morning

Chapter 7: THIRD ACT
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About This Book

A thematically linked collection of short stories and dramatic sketches examining wartime experience from the front lines to the home front. Several pieces place readers inside a battlefield trench and follow dying soldiers' memories and dreams, while others shift to postwar or civilian scenes to explore grief, duty, and the moral weight of sacrifice. Narratives alternate intimate personal moments with broader reflections on courage, patriotism, and the costs of conflict, often using juxtaposition, domestic detail, and symbolic objects to probe loss, memory, and communal recovery. The book combines vignettes, framed tales, and character studies rather than a single continuous plot.


THE DITCH

Persons
THE BOYan American soldier
THE BOY'S DREAM OF HIS MOTHER
ANGÉLIQUEFrench children
JEAN-BAPTISTEFrench children
THE TEACHER
THE ONE SCHOOLGIRL WITH IMAGINATION
THE THREE SCHOOLGIRLS WITHOUT IMAGINATION
HE
SHE
THE AMERICAN GENERAL
THE ENGLISH STATESMAN

The Time.—A summer day in 1918 and a summer day in 2018


[pg 003]

FIRST ACT

The time is a summer day in 1918. The scene is the first-line trench of the Germans—held lately by the Prussian Imperial Guard—half an hour after it had been taken by a charge of men from the Blankth Regiment, United States Army. There has been a mistake and the charge was not preceded by artillery preparation as usual. However, the Americans have taken the trench by the unexpectedness of their attack, and the Prussian Guard has been routed in confusion. But the German artillery has at once opened fire on the Americans, and also a German machine gun has enfiladed the trench. Ninety-nine Americans have been killed in the trench. One is alive, but dying. He speaks, being part of the time delirious.

The Boy

Why can't I stand? What—is it? I'm wounded. The sand-bags roll when I try—to hold to them. I'm—badly wounded. (Sinks down. Silence.) How still it is! We—we took the trench. Glory be! We took it! (Shouts weakly as he lies in the trench.) (Sits up and stares, shading his eyes.) It's horrid still. Why—they're here! Jack—you! What makes you—lie [pg 004] there? You beggar—oh, my God! They're dead. Jack Arnold, and Martin and—Cram and Bennett and Emmet and—Dragamore—Oh—God, God! All the boys! Good American boys. The whole blamed bunch—dead in a ditch. Only me. Dying, in a ditch filled with dead men. What's the sense? (Silence.) This damned silly war. This devilish—killing. When we ought to be home, doing man's work—and play. Getting some tennis, maybe, this hot afternoon; coming in sweaty and dirty—and happy—to a tub—and dinner—with mother. (Groans.) It begins to hurt—oh, it hurts confoundedly. (Becomes delirious.) Canoeing on the river. With little Jim. See that trout jump, Jimmie? Cast now. Under the log at the edge of the trees. That's it! Good—oh! (Groans.) It hurts—badly. Why, how can I stand it? How can anybody? I'm badly wounded. Jimmie—tell mother. Oh—good boy—you've hooked him. Now play him; lead him away from the lily-pads. (Groans.) Oh, mother! Won't you come? I'm wounded. You never failed me before. I need you—if I die. You [pg 005] went away down—to the gate of life, to bring me inside. Now—it's the gate of death—you won't fail? You'll bring me through to that other life? You and I, mother—and I won't be scared. You're the first—and the last. (Puts out his arm searching and folds a hand, still warm, of a dead soldier.) Ah—mother, my dear. I knew—you'd come. Your hand is warm—comforting. You always—are there when I need you. All my life. Things are getting—hazy. (He laughs.) When I was a kid and came down in an elevator—I was all right, I didn't mind the drop if I might hang on to your hand. Remember? (Pats dead soldier's hand, then clutches it again tightly.) You come with me when I go across and let me—hang on—to your hand. And I won't be scared. (Silence.) This damned—damned—silly war! All the good American boys. We charged the Fritzes. How they ran! But—there was a mistake. No artillery preparation. There ought to be crosses and medals going for that charge, for the boys—(Laughs.) Why, they're all dead. And me—I'm dying, in a ditch. [pg 006] Twenty years old. Done out of sixty years by—by the silly war. What's it for? Mother, what's it about? I'm ill a bit. I can't think what good it is. Slaughtering boys—all the nations' boys—honest, hard-working boys mostly. Junk. Fine chaps an hour ago. What's the good? I'm dying—for the flag. But—what's the good? It'll go on—wars. Again. Peace sometimes, but nothing gained. And all of us—dead. Cheated out of our lives. Wouldn't the world have done as well if this long ditch of good fellows had been let live? Mother?


SECOND ACT

The scene it the same trench one hundred years later, in the year 2018. It is ten o'clock of a summer morning. Two French children have come to the trench to pick flowers. The little girl of seven is gentle and soft-hearted; her older brother is a man of nearly ten years, and feels his patriotism and his responsibilities.

Angélique

(The little French girl.) Here's where they grow, Jean-B'tiste.

Jean-Baptiste

(The little French boy.) I know. They bloom bigger blooms in the American ditch.

Angélique

(Climbs into the ditch and picks flowers busily.) Why do people call it the 'Merican ditch, Jean-B'tiste? What's 'Merican?

Jean-Baptiste

(Ripples laughter.) One's little sister doesn't know much! Never mind. One is so young—three years younger than I am. I'm ten, you know.

Angélique

Tiens, Jean-B'tiste. Not ten till next month.

[pg 009]
Jean-Baptiste

Oh, but—but—next month!

Angélique

What's 'Merican?

Jean-Baptiste

Droll p'tite. Why, everybody in all France knows that name. Of American.

Angélique

(Unashamed.) Do they? What is it?

Jean-Baptiste

It's the people that live in the so large country across the ocean. They came over and saved all our lives, and France.

Angélique

(Surprised.) Did they save my life, Jean-B'tiste?

Jean-Baptiste

Little drôle. You weren't born.

Angélique

Oh! Whose life did they then save? Maman's?

Jean-Baptiste

But no. She was not born either.

Angélique

Whose life, then—the grandfather's?

Angélique

(Lips trembling.) Died—in ditches?

Jean-Baptiste

(Grimly.) Yes, it is true.

Angélique

(Breaks into sobs.) I can't bear you to tell me that. I can't bear the soldiers to—die—in ditches.

Jean-Baptiste

(Pats her shoulder.) I'm sorry I told you if it makes you cry. You are so little. But it was one hundred years ago. They're dead now.

Jean-Baptiste

But I don't want to make you cry more, p'tite. You're so little.

Angélique

I'm not very little. I'm bigger than Anne-Marie Dupont, and she's eight.

Jean-Baptiste

But no. She's not eight till next month. She told me.

Angélique

Oh, well—next month. Me, I want to hear about the brave 'Mericans. Did they make this ditch to stand in and shoot the wicked Germans?

Jean-Baptiste

They didn't make it, but they fought the wicked Germans in a brave, wonderful charge, the bravest sort, the grandfather said. And they took the ditch away from the wicked Germans, and then—maybe you'll cry.

Angélique

I won't. I promise you I won't.

Angélique

(Bursts into tears again; buries her face in her skirt.) I—I'm sorry I cry, but the 'Mericans were so brave and fought—for France—and it was cruel of the wicked Germans to—to shoot them.

Jean-Baptiste

The wicked Germans were always cruel. But the grandfather says it's quite right now, and as it should be, for they are now a small and weak nation, and scorned and watched by other nations, so that they shall never be strong again. For the grandfather says they are not such as can be trusted—no, never the wicked Germans. The world will not believe their word again. They speak not the truth. Once they nearly smashed the world, when they had power. So it is looked to by all nations that never again shall Germany be powerful. For they are sly, and cruel as wolves, and only intelligent to be wicked. That is what the grandfather says.

Jean-Baptiste

(Sternly.) It is the truth. One is always punished. As long as the world lasts it will be a punishment to be a German. But as long as France lasts there will be a nation to love the name of America, one sees. For the Americans were generous and brave. They left their dear land and came and died for us, to keep us free in France from the wicked Germans.

Angélique

(Lip trembles.) I'm sorry—they died.

Jean-Baptiste

But, p'tite! That was one hundred years ago. It is necessary that they would have been dead by now in every case. It was more glorious to die fighting for freedom and France than just to die—fifty years later. Me, I'd enjoy very much to die fighting. But look! You pulled up the roots. And what is that thing hanging to the roots—not a rock?

Angélique

No, I think not a rock. (She takes the object in her hands and knocks dirt from it.) But what is it, Jean-B'tiste?

[pg 014]
Jean-Baptiste

It's—but never mind. I can't always know everything, don't you see, Angélique? It's just something of one of the Americans who died in the ditch. One is always finding something in these old battle-fields.

Angélique

(Rubs the object with her dress. Takes a handful of sand and rubs it on the object. Spits on it and rubs the sand.) V'là, Jean-B'tiste—it shines.

Jean-Baptiste

(Loftily.) Yes. It is nothing, that. One finds such things.

Angélique

(Rubbing more.) And there are letters on it.

Jean-Baptiste

Yes. It is nothing, that. One has flowers en masse now, and it is time to go home. Come then, p'tite, drop the dirty bit of brass and pick up your pretty flowers. Tiens! Give me your hand. I'll pull you up the side of the ditch. (Jean-Baptiste turns as they start.) I forgot the thing which the grandfather told me I must do always. (He stands at attention.) Au revoir, brave Americans. One salutes your immortal glory. (Exit Jean-Baptiste and Angélique.)


[pg 015]

THIRD ACT

The scene is the same trench in the year 2018. It is eleven o'clock of the same summer morning. Four American schoolgirls, of from fifteen to seventeen years, have been brought to see the trench, a relic of the Great War, in charge of their teacher. The teacher, a worn and elderly person, has imagination, and is stirred, as far as her tired nerves may be, by the heroic story of the old ditch. One of the schoolgirls also has imagination and is also stirred. The other three are "young barbarians at play." Two out of five is possibly a large proportion to be blessed with imagination, but the American race has improved in a hundred years.

First Schoolgirl

Wouldn't those poppies be lovely on a yellow hat?

Second Schoolgirl

Ssh! The Eye is on you. How awful, Miss Hadley! And were they all killed? Quite a tragedy!

Third Schoolgirl

Not a yellow hat! Stupid! A corn-colored one—just the shade of the grain with the sun on it. Wouldn't it be lovely! When we get back to Paris—

Fourth Schoolgirl (the one with imagination)

You idiots! You poor kittens!

[pg 017]
First Schoolgirl

If we ever do get back to Paris!

Teacher

(Wearily.) Please pay attention. This is one of the world's most sacred spots. It is the scene of a great heroism. It is the place where many of our fellow countrymen laid down their lives. How can you stand on this solemn ground and chatter about hats?

Third Schoolgirl

Well, you see, Miss Hadley, we're fed up with solemn grounds. You can't expect us to go into raptures at this stage over an old ditch. And, to be serious, wouldn't some of those field flowers make a lovely combination for hats? With the French touch, don't you know? You'd be darling in one—so ingénue!

Second Schoolgirl

Ssh! She'll kill you. (Three girls turn their backs and stifle a giggle.)

Teacher

Girls, you may be past your youth yourselves one day.

First Schoolgirl

(Airily.) But we're well preserved so far, Miss Hadley.

Teacher

(Calls). Child, come! We must catch the train.


[pg 019]

FOURTH ACT

The scene is the same trench in the year 2018. It is three o'clock of the afternoon, of the same summer day. A newly married couple have come to see the trench. He is journeying as to a shrine; she has allowed impersonal interests, such as history, to lapse under the influence of love and a trousseau. She is, however, amenable to patriotism, and, her husband applying the match, she takes fire—she also, from the story of the trench.

He

This must be the place.

She

It is nothing but a ditch filled with flowers.

He

The old trench. (Takes off his hat.)

She

Was it—it was—in the Great War?

He

My dear!

She

You're horrified. But I really—don't know.

He

Don't know? You must.

She

You've gone and married a person who hasn't a glimmer of history. What will you do about it?

[pg 020]
He

I'll be brave and stick to my bargain. Do you mean that you've forgotten the charge of the Blankth Americans against the Prussian Guard? The charge that practically ended the war?

She

Ended the war? How could one charge end the war?

He

There was fighting after. But the last critical battle was here (looks about) in these meadows, and for miles along. And it was just here that the Blankth United States Regiment made its historic dash. In that ditch—filled with flowers—a hundred of our lads were mown down in three minutes. About two thousand more followed them to death.

She

Oh—I do know. It was that charge. I learned about it in school; it thrilled me always.

He

Certainly. Every American child knows the story. I memorized the list of the one hundred soldiers' names of my own free will when I was ten. I can say them now. "Arnold—Ashe—Bennett—Emmet—Dragmore—"

He

(Puts his arm around her.) We will. We'll make a little memorial service and I'll preach a sermon about how gloriously they fell and how, unknowingly, they won the war—and so much more!

She

Tell me.

He

It was a hundred years ago about now—summer. A critical battle raged along a stretch of many miles. About the centre of the line—here—the Prussian Imperial Guards, the crack soldiers of the German army, held the first trench—this ditch. American forces faced them, but in weeks of fighting had not been able to make much impression. Then, on a day, the order came down the lines that the Blankth United States Regiment, opposed to the Guard, was to charge and take the German front trench. Of course the artillery was to prepare for their charge as usual, but there was some mistake. There was no curtain [pg 022] of fire before them, no artillery preparation to help them. And the order to charge came. So, right into the German guns, in the face of those terrible Prussian Guards, our lads went "over the top" with a great shout, and poured like a flame, like a catapult, across the space between them—No-Man's Land, they called it then—it was only thirty-five yards—to the German trench. So fast they rushed, and so unexpected was their coming, with no curtain of artillery to shield them, that the Germans were for a moment taken aback. Not a shot was fired for a space of time almost long enough to let the Americans reach the trench, and then the rifles broke out and the brown uniforms fell like leaves in autumn. But not all. They rushed on pell-mell, cutting wire, pouring irresistibly into the German trench. And the Guards, such as were not mown down, lost courage at the astounding impetus of the dash, and scrambled and ran from their trench. They took it—our boys took that trench—this old ditch. But then the big German guns opened a fire like hail and a machine gun at the end—down there it must have [pg 023] been—enfiladed the trench, and every man in it was killed. But the charge ended the war. Other Americans, mad with the glory of it, poured in a sea after their comrades and held the trench, and poured on and on, and wiped out that day the Prussian Guard. The German morale was broken from then; within four months the war was over.

She

(Turns and hides her face on his shoulder and shakes with sobs.) I'm not—crying for sorrow—for them. I'm crying—for the glory of it. Because—I'm so proud and glad—that it's too much for me. To belong to such a nation—to such men. I'm crying for knowing, it was my nation—my men. And America is—the same today. I know it. If she needed you today, Ted, you would fight like that. You would go over the top with the charging Blank th, with a shout, if the order came—wouldn't you, my own man?

He

(Looking into the old ditch with his head bent reverently.) I hope so.

She

And I hope I would send you with all my heart. Death like that is more than life.

He

I've made you cry.

[pg 024]
She

Not you. What they did—those boys.

He

It's fitting that Americans should come here, as they do come, as to a Mecca, a holy place. For it was here that America was saved. That's what they did, the boys who made that charge. They saved America from the most savage and barbarous enemy of all time. As sure as France and England were at the end of their rope—and they were—so surely Germany, the victor, would have invaded America, and Belgium would have happened in our country. A hundred years wouldn't have been enough to free us again, if that had happened. You and I, dearest, owe it to those soldiers that we are here together, free, prosperous citizens of an ever greater country.

She

(Drops on her knees by the ditch.) It's a shrine. Men of my land, I own my debt. I thank you for all I have and am. God bless you in your heaven. (Silence.)

He

(Tears in his eyes. His arm around her neck as he bends to her.) You'll not forget the story of the Charging Blank th?


[pg 026]

FIFTH ACT

The scene it the same trench in the year 2018. It is five o'clock of the same summer afternoon. An officer of the American Army and an English cabinet member come, together, to visit the old trench. The American has a particular reason for his interest; the Englishman accompanies the distinguished American. The two review the story of the trench and speak of other things connected, and it is hoped that they set forth the far-reaching work of the soldiers who died, not realizing their work, in the great fight of the Charging Blank th.

Englishman

It's a peaceful scene.

American

(Advances to the side of the ditch. Looks down. Takes off his cap.) I came across the ocean to see it. (He looks over the fields.) It's quiet.

American

It doesn't look warlike. What a lot of flowers!

Englishman

Yes. The folk about here have a tradition, don't you know, that poppies mark the places where blood flowed most.

American

Ah! (Gazes into the ditch.) Poppies there. A hundred of our soldiers died at once down there. Mere lads mostly. Their names and ages are on a tablet in the capitol at Washington, and underneath is a sentence from Lincoln's Gettysburg speech: "These dead shall not have died in vain, and government of the people, by the people, for the people shall not perish from the earth."

Englishman

Those are undying words.

American

And undying names—the lads' names.

American

(Smiles.) England is our well-beloved elder sister for all time now.

Englishman

The soldiers who died there (gestures to the ditch) and their like did that also. They tied the nations together with a bond of common gratitude, common suffering, common glory.

American

You say well that there was common gratitude. England and France had fought our battle for three years at the time we entered the war. We had nestled behind the English fleet. Those grim gray ships of yours stood between us and the barbarians very literally.

American

The Great War made revolutionary changes. That condition of unpreparedness was one. That there will never be another war is the belief of all governments. But if all governments should be mistaken, not again would my country, or yours, be caught unprepared. A general staff built of soldiers and free of civilians hampering is one advantage we have drawn from our ordeal of 1917.

Englishman

Your army is magnificently efficient.

American

And yours. Heaven grant neither may ever be needed! Our military efficiency is the pride of an unmilitary nation. One Congress, since the Great War and its lessons, has vied with another to keep our high place.

Englishman

Ah! Your Congress. That has changed since the old days—since La Follette.

Englishman

Their ignominy served America; it roused the country to clean its Augean stables.

American

The war purified with fire the legislative soul.

Englishman

Exactly. Men are human still, certainly, yet genuine patriotism appears to be a sine qua non now, where bombast answered in the old day. Corruption is no longer accepted. Public men then were surprisingly simple, surprisingly cheap and limited in their methods. There were two rules for public and private life. It was thought quixotic, I gather from studying the documents of the time, to expect anything different. And how easily the change came!

Englishman

The stress of the war affected more than internal politics. You and I, General, are used to a standard of conduct between responsible nations as high as that taken for granted between responsible persons. But, if one considers, that was far from the case a hundred years ago. It was in 1914, that von Bethmann-Hollweg spoke of "a scrap of paper."

American

Ah—Germans!

America

(Musingly.) It's odd how long it took the world—governments—human beings—to find the truth of the very old phrase that "he who findeth his life must lose it."

Englishman

The simple fact of that phrase before the Great War was not commonly grasped. People thought it purely religious and reserved for saints and church services. As a working hypothesis it was not generally known. The every-day ideals of our generation, the friendships and brotherhoods of nations as we know them would have been thought Utopian.

Englishman

Certainly the race has emerged from an epoch of intellect to an epoch of spirituality—which comprehends and extends intellect. There have never been inventions such as those of our era. And the inventors have been, as it were, men inspired. Something beyond themselves has worked through them for the world. A force like that was known only sporadically before our time.

American

(Looks into old ditch.) It would be strange to the lads who charged through horror across this flowery field to hear our talk and to know that to them and their deeds we owe the happiness and the greatness of the world we now live in.

American

Do you see something shining among the flowers at the bottom of the ditch?

Englishman

Why, yes. Is it—a leaf which catches the light?

American

(Stepping down.) I'll see. (He picks up a metal identification disk worn by a soldier. Angélique has rubbed it so that the letters may mostly be read.) This is rather wonderful. (He reads aloud.) "R.V.H. Randolph—Blankth Regiment—U.S." I can't make out the rest.

[pg 035]
Englishman

(Takes the disk.) Extraordinary! The name and regiment are plain. The identification disk, evidently, of a soldier who died in the trench here. Your own man, General.

American

(Much stirred.) And—my own regiment. Two years ago I was the colonel of "The Charging Blankth."