CHAPTER III
"THE CORNER"
1835-1839; aet. 16-20
But well I thank my father's sober house
Where shallow judgment had no leave to be,
And hurrying years, that, stripping much beside,
Turned as they fled, and left me charity.
J. W. H.
The house which Mr. Ward built on the corner of Bond Street and Broadway was still standing in the middle of the nineteenth century; a dignified mansion of brick, with columns and trimmings of white marble.
In her "Reminiscences," our mother recalls the spacious rooms, hung with red, blue, and yellow silk. The yellow drawing-room was reserved for high occasions, and for "Miss Ward's" desk and grand piano. This and the blue room were adorned by fine sculptured mantelpieces, the work of a young sculptor named Thomas Crawford, who was just coming into notice.
Behind the main house, stretching along Broadway, was the picture gallery, the first private one in New York, and Mr. Ward's special pride. The children might not mingle in frivolous gayety abroad, but they should have all that love, taste, and money could give them at home; he filled his gallery with the best pictures he could find. A friend (Mr. Prescott Hall), making a timely journey through Spain, bought for him many valuable pictures, among them a Snyders, a Nicolas Poussin, a reputed Velasquez and Rembrandt. It was for him that Thomas Cole painted the four pictures representing "The Voyage of Life," engravings from which may still be found in old-fashioned parlors.
Some years later, when the eldest son, Samuel, returned from Europe, bringing with him a fine collection of books, Mr. Ward built a library specially for them.
This was the house into which the family moved in 1835, Julia being then sixteen years of age; this was the house she loved, the memory of which was dear to her through all the years of her life.
The family was at that time patriarchal in its dimensions: Mr. Ward and his six children, Dr. and Mrs. Francis and their four; often, too, "Grandma Cutler" and other Cutlers, not to speak of Wards, Greenes, and McAllisters. (Louisa, youngest of the Cutler sisters, one of the most beautiful and enchanting women of her time, was married to Matthew Hall McAllister.) One and all were sure of a welcome at "The Corner"; one and all were received with cordial urbanity, first by Johnson, the colored butler, later by Mr. Ward, the soul of dignified hospitality.
Another inmate of the house during several years was Christy Evangelides, a Greek boy, orphaned in a Turkish massacre. Mr. Ward took the boy into his family, gave him his education and a start in life. Fifty years later Mr. Evangelides recalled those days in a letter to his "sister Julia," and paid beautiful tribute to his benefactor.
To all these should be added a host of servants and retainers; and masters of various kinds, coming to teach music, languages, even dancing, for the children were taught to dance even if they never (or very seldom) were allowed to go to dances. Many of these teachers were foreign patriots: those were the days when one French émigré of rank dressed the hair of fashionable New York, while another made its salads, the two going their rounds before every festivity.
Julia's musical education began early. Her first teacher was a French artist, so irritable that the terrified child could remember little that he taught her. He was succeeded in her tenth year by Mr. Boocock, a pupil of Cramer, to whom she always felt that she owed a great deal. Not only did he train her fingers so carefully that after eighty years they still retained their flexibility, but he also trained and developed her inborn taste for all that was best in music.
As she grew toward girlhood, the good master found that her voice promised to be a remarkable one, and recommended to her father Signor Cardini, formerly an intimate of the Garcia family, and thoroughly versed in the famous Garcia method. Under his care Julia's voice developed into a pure, clear mezzo-soprano, of uncommon range and exquisite quality. She felt all through her life the benefit of those early lessons.
When she was eighty years old she attended a meeting of the National Peace Society at Park Street Church, Boston. The church was packed with people. When her turn came to speak, the kindly chairman said:—
"Ladies and Gentlemen, we are now to have the great pleasure of listening to Mrs. Howe. I am going to ask you all to be very quiet, for though Mrs. Howe's voice is as sweet as ever, it is perhaps not quite so strong."
"But it carries!" said the pupil of old Cardini. The silver tone, though not loud, reached the farthest corner of the great building; the house "came down" in a thunder of applause. It was a beautiful moment for the proud daughter who sat beside her.
Music was one of the passions of her life. Indeed, she felt that it had sometimes influenced her even too much, and in recording the delight she took in the trios and quartets which Mr. Boocock arranged for her, she adds: "The reaction from this pleasure, however, was very painful, and induced at times a visitation of morbid melancholy, which threatened to upset my health."
She felt that "in the training of young persons, some regard should be had to the sensitiveness of youthful nerves, and to the overpowering response which they often make to the appeals of music....
"The power and sweep of great orchestral performances, or even the suggestive charm of some beautiful voice, will sometimes so disturb the mental equilibrium of the hearer as to induce in him a listless melancholy, or, worse still, an unreasoning and unreasonable discontent."[10]
In a later chapter of her "Reminiscences," she says: "I left school at the age of sixteen, and began thereafter to study in good earnest. Until that time a certain over-romantic and imaginative turn of mind had interfered much with the progress of my studies. I indulged in day-dreams which appeared to me far higher in tone than the humdrum of my school recitations. When these were at an end, I began to feel the necessity of more strenuous application, and at once arranged for myself hours of study, relieved by the practice of vocal and instrumental music."
These hours of study were not all passed at home. In 1836 she was taking certain courses at the boarding and day school of Mrs. E. Smith, then in Fifth Avenue, "first house from Washington Square."
The Italian master was a son of the venerable Lorenzo da Ponte, who in his youth had written for Mozart the librettos of "Don Giovanni" and "Le Nozze di Figaro."
Four languages, English, French, German, and Italian, Julia learned thoroughly; she spoke and wrote them throughout her life correctly as well as fluently, with singularly pure accent and inflection, and seldom or never was at a loss for a word; nor was she less proficient in history. For mathematics she had no gift, and was wont to say that her knowledge of the science was limited to the fact that four quarts made a gallon: yet the higher mathematics had a mysterious attraction for her, as an unexplored region of wonder and romance.
She was always a student. When she began the study of German, she set herself a task each day; lest anything should interfere to distract her mind, she had herself securely tied to her armchair, giving orders that she was on no account to be set free before the appointed hour.
This was characteristic of her through life. The chain of habit once formed was never broken, and study was meat and drink to her. Her "precious time" (which we children saucily abbreviated to "P.T.") was as real a thing to us as sunrise: we were not to break in upon it for anything short of a fire—or a cut finger!
Many years later, she laid down for the benefit of the younger generation these rules:—
"If you have at your command three hours per diem, you may study art, literature, and philosophy, not as they are studied professionally, but in the degree involved in general culture.
"If you have but one hour every day, read philosophy, or learn foreign languages, living or dead.
"If you can command only fifteen or twenty minutes, read the Bible with the best commentaries, and daily a verse or two of the best poetry."
In the days when Julia was going round the corner to Mrs. Smith's school, Sam was newly returned from a long course of study and travel abroad, while Henry and Marion were at Round Hill School under the care of Dr. Joseph Greene Cogswell and Mr. George Bancroft. The former was a beloved friend of the Ward family, and often visited them. We have pleasant glimpses of the household at this time, when the lines of paternal guidance, though still firmly, were somewhat less rigidly drawn.
Breakfast at "The Corner" was at eight in winter, and at half past seven in summer, Mr. Ward reading prayers before the meal, and again at bedtime. He would often wake his daughters in the morning by pelting them with stockings, crying, "Come, my rosebuds!"
The young people were apt to linger over the breakfast table in talk. If this were unduly prolonged, Mr. Ward would appear, "hatted and booted for the day," and say, "Young gentlemen, I am glad that you can afford to take life so easily. I am old, and must work for my living!"
Dinner was at four o'clock, supper at half past seven.
At table, Julia sat beside her father; he would often take her right hand in his left, half unconsciously, and hold it for some time, continuing the while to eat his dinner. Julia, her right hand imprisoned, would sit dinnerless, but never dreamed of remonstrating.
She had a habit of dropping her slippers off while at the table. Mr. Ward one day quietly secured an empty slipper with his foot, and then said: "My daughter, I have left my seals in my room. Will you be so good as to fetch them for me?" A moment's agonized search, and Julia went, "one shoe off and one shoe on," and brought the seals. Nothing was said on either side, but the habit was abandoned.
Mr. Ward's anxious care for his children's welfare extended to every branch of their conduct. One evening, walking with Julia, he met his sons, Henry and Marion, each with a cigar in his mouth. He was much troubled, and said: "Boys, you must give this up, and I will give it up too. From this time I forbid you to smoke, and I will join you in relinquishing the habit."
He never smoked again; nor did the boys—in his presence!
Three lads, young, handsome, brilliant, and eminently social as were the Wards, could not be kept out of society. They were popular, and would fain have had Julia, the only one of the three girls who was old enough, share in their pleasures; but this might not be. Mr. Ward had money and sympathy to spare for every benevolent enterprise, but he disliked and distrusted "society"; he would neither entertain it nor be entertained by it. Our mother quotes an argument between him and his eldest son on this point:—
"'Sir,' said my brother, 'you do not keep in view the importance of the social tie.'
"'The social what?' asked my father.
"'The social tie, sir.'
"'I make small account of that,' said the elder gentleman.
"'I will die in defence of it!' impetuously rejoined the younger.
"My father was so amused at this sally that he spoke of it to an intimate friend: 'He will die in defence of the social tie, indeed!'"
Julia's girlhood evenings were mostly spent at home, with books, needlework, and music, varied by an occasional lecture or concert, or a visit to some one of the uncles' houses in the street, which ought, one would think, to have been called "Ward Street," since at this time almost the whole family connection lived there.
Much as Julia loved her home, her books and music, she longed for some of the gayety which her brothers were enjoying. "I seemed to myself," she says, "like a young damsel of olden times, shut up within an enchanted castle. And I must say, that my dear father, with all his noble generosity and overweening affection, sometimes appeared to me as my jailer."
Once she expostulated with him, begging to be allowed more freedom in going out, and in receiving visits from the friends of her brothers. It may have been on the occasion when he refused to allow the late Louis Rutherford, of venerated memory, to be invited to the house, "because he belonged to the fashionable world."
Her father told her that he had early recognized in her a temperament and imagination over-sensitive to impressions from without, and that his wish had been to guard her from exciting influences until she should appear to him fully able to guard and guide herself.
Alas! the tender father meant to cherish a vestal flame in a vase of alabaster; in reality, he was trying to imprison the lightning in the cloud. When our mother wrote the words above quoted, on the power of music over sensitive natures, she was recalling these days, and perhaps remembering how, denied the society of her natural mates, her sixteen-year-old heart went out in sympathy and compassion to the young harper who came to take part in the trios and quartets, and who fell desperately in love with her and was summarily dismissed in consequence.
Yet who shall say that the father's austere régime did not after all meet a need of her nature deeper than she could possibly have realized at the time; that the long, lonely hours, the study often to weariness,—though never to satiety,—the very fires of longing and of regret, were not necessary to give her mind that temper which was to make it an instrument as strong as it was keen?
The result of this system was not precisely what Mr. Ward had expected. One evening (it was probably after the marriage of his eldest son to Emily Astor, when he joined perforce in the festivities of the time) he did actually take Julia to an evening party. She did not dance, but she was surrounded by eager youths all the evening, and when her father summoned her to go home, she was deep in talk with one of them. There was no disobeying the summons; as she turned to take her father's arm, Miss Julia made a little gesture of farewell, fluttering the fingers of her right hand over her shoulder, to cheer the disconsolate swain. Mr. Ward appeared unconscious of this, but a day or two later, on leaving the room where Julia was sitting, he said: "My daughter,—" and fluttered his fingers over his shoulder in precise mimicry of her gesture.
Another anecdote describes an occasion singularly characteristic of both father and daughter.
Julia was nineteen years old, a woman grown, feeling her womanhood in every vein. She had never been allowed to choose the persons who should be invited to the house: she had never had a party of her own. The different strains in her blood were singularly diverse. All through her life Saxon and Gaul kept house together as peaceably as they might, but sometimes the French blood boiled over.
Calling her brothers in council, she told them that she was going to give a party; that she desired their help in making out lists, etc., but that the occasion and the responsibility were to be all her own. The brothers demurred, even Sam being somewhat appalled by the prospect; but finding her firm, they made out a list of desirable guests, of all ages. It was characteristic of her that the plan once made, the resolve taken, it became an obsession, a thing that must be done at whatever cost.
She asked her father if she might invite a few friends for a certain evening: he assented. She engaged the best caterer in New York; the most fashionable musicians; she even hired a splendid cut-glass chandelier to supplement the sober lighting of the yellow drawing-room.
The evening came: Mr. Ward, coming downstairs, found assembled as brilliant a gathering as could have been found in any other of the great houses of New York. He betrayed no surprise, but welcomed his guests with charming courtesy, as if they had come at his special desire; the music sounded, the young people danced, the evening passed off delightfully, to all save the young hostess. She, from the moment when the thing was inevitable, became as possessed with terror as she had been with desire. She could think of nothing but her father's displeasure, of the words he might speak, the glances he might cast upon her. During the whole evening, the cup of trembling was at her lips.
The moment the last guest had departed, the three brothers gathered round her. "We will speak to him!" they cried. "Let us speak to him for you!"
"No!" said Julia, "I must go myself."
She went at once to the room where her father sat alone. For a moment she could find no words; but none were needed. Gravely but kindly Mr. Ward said he was surprised to find that her idea of "a few friends" differed so widely from his own; he was sorry she had not consulted him more freely, and begged that in the future she would do so. Then he kissed her good-night with his usual tenderness, and it was over. The matter was never mentioned again.
The Wards continued to pass the summers at Newport, but no longer at good Jacob Bailey's farmhouse. Mr. Ward had bought a house in town, which a later generation was to know as "The Ashurst Cottage," on the corner of Bellevue Avenue and Catherine Street.
Here the severity of his rule relaxed somewhat, and the pretty house became the centre of a sober hospitality. Indeed, Newport was a sober place in those days. There were one or two houses where dancing was allowed, but these were viewed askance by many people.
One evening, a dancing party was given by a couple on Bellevue Avenue. They had a manservant named Salathiel, a person of rigid piety. When supper-time came, Salathiel was not to be found. The other servants, being questioned, said that he had rushed suddenly out of the house, crying, "I won't stay to see those people dancing themselves to hell!"
Though Julia might not dance, except at home, she might and did ride; first, with great contentment, on a Narragansett pacer, "Jeanie Deans," later on a thoroughbred mare, a golden bay named Cora. Cora was beautiful but "very pranky." After being several times run away with and once thrown off, it was observed by her sisters that Julia generally read her Bible and said her prayers before her ride: she has herself told us how, after being thrown off and obliged to make her way home on foot, she would creep in at the back door so that no one might see her.
She calls the "cottage" a "delightful house," and speaks with special pleasure of its garden planted with roses and gooseberry bushes by Billy Bottomore, a quaint old Newport sportsman, who took the boys shooting, and showed them where to find plover, woodcock, and snipe. Billy Bottomore passed for an adopted son of old Father Corné, another Newport "character" of those days. This gentleman had come from Naples to Boston, toward the end of the eighteenth century, as a decorative artist, and had made a modest fortune by painting the walls of the fine houses of Summer Street, Temple Place, and Beacon Hill. He chose Newport as his final home, because, as he told Mr. Ward, he had found that the climate was favorable to the growth of the tomato, "that most wholesome of vegetables." The Ward boys delighted in visiting Father Corné, and in hearing him sing his old songs, French and Italian, some of which are sung to-day by our grandchildren.
Father Corné lived to a great age. When past his ninetieth year, a friend asked him if he would not like to revisit Naples. "Ah, sir," replied the old man, "my father is dead!"
Our mother loved to linger over these old-time figures. The name of Billy Bottomore always brought a twinkle to her eye, and we never tired of hearing how he told her, "There is a single sister in Newport, a sempstress, to whom I have offered matrimony, but she says, 'No.'" The single sister finally yielded (perhaps when Billy inherited old Corné's money) and he became a proud and happy husband. "She keeps my house as neat as a nunnery!" he said. "When Miss E., the housekeeper, died, she nursed her and laid her out, and when Father Corné died, she nursed him and laid him out—"
"Yes, Billy," broke in our Aunt Annie, "and she'll lay you out too!"—which in due time she did.
He congratulated Julia on having girl-children only.
"Give me daughters!" he cried. "As my good old Spanish grandfather used to say, give me daughters!"
"Of this Spanish ancestor," our mother says, "no one ever heard before. His descendant died, without daughter or son, of cholera in 185-."
We forget the name of another quaint personage, a retired sea-captain, who once gave a party to which she was allowed to go; but she remembered the party, and the unction with which the kindly host, rubbing his hands over the supper table, exclaimed: "Now, ladies and gentlemen, help yourselves sang froidy!"
The roses and gooseberry bushes of the Newport garden once witnessed a serio-comic scene. There was another sea-captain, Glover by name, who had business connections with Prime, Ward & King, and who came to the house sometimes on business, sometimes for a friendly call. He was a worthy man of middle age and unromantic appearance; probably the eighteen-year-old Julia, dreamy and poetic, took no more notice of him than civility required; but he took notice of her, and one day asked her to walk out in the garden with him. Wondering much, she went. After some desultory remarks, the Captain drew a visiting-card from his pocket, wrote a few words upon it, and handed it to his young hostess. She read:—
"Russell E. Glover's
heart is yours!"
CHAPTER IV
GIRLHOOD
1839-1843; aet. 20-23
The torch that lit these silent halls,
Has now extinguished been;
The windows of the soul are dark,
And all is gloom within.
But lo! it shines, a star in heav'n,
And through death's murky night,
The ruins of the stately pile
Gleam softly in its light.
And it shall be a beacon star
To cheer us, and to guide;
For we would live as thou hast lived,
And die as thou hast died.
Julia Ward, on her father's death, 1839.
In Julia's childhood her brother Sam was her ideal and her idol. She describes him as a "handsome youth, quick of wit and tender of heart, brilliant in promise, and with a great and versatile power of work in him." He had early shown special proficiency in mathematics, and to the end of his life rejoiced in being one of the few persons who clearly understood the function called "Gamma." His masters expected great things from him; but his brilliant and effervescent spirit was forced into the Wall Street mould, with kindly intent but disastrous effect. His life was checkered, sun and shadow; but from first to last, he remained the delight of all who knew him. Sam Ward; Uncle Sam to three generations, his was a name to conjure with: the soul of generosity, the essence of wit, the spirit of kindliness. No one ever looked in his face, ever met the kindling glance of his dark eyes, ever saw the sunshine break in his smile, without forgetting all else in love and admiration of one of the most enchanting personalities that ever brightened the world.
Sam Ward returned from Europe in 1835, and took up his residence under his father's roof. In 1838 he married Emily, daughter of William B. Astor. The wedding was a grand one. Julia was first bridesmaid, and wore a dress of white moiré, then a material of the newest fashion. Those were the days of the ferronière, an ornament then so popular that "evening dress was scarcely considered complete without it."[11] Julia begged for one, and her father gave her a charming string of pearls, which she wore with great contentment at the wedding.
The young couple took up their residence with the family at "The Corner," the Francises having by this time moved to a house of their own.
With all these changes, little by little, the discipline relaxed, the doors opened wider. The bridal pair, fêted everywhere, must, in their turn, entertain their friends; and in these entertainments the daughters of the house must have their share.
Julia Ward was now nineteen, in the fulness of her early bloom. Her red-gold hair was no longer regarded as a misfortune; her gray eyes were large and well opened; her complexion of dazzling purity. Her finely chiselled features, and the beauty of her hands and arms, made an ensemble which could not fail to impress all who saw her. Add to this her singing, her wit, and the charm which was all and always her own, and we have the Diva Julia, as she was called by some who loved her. Her sisters, also, were growing up, each exquisitely attractive in her way: they became known as the "Three Graces of Bond Street." Louisa was like a damask rose, Annie like a dark lily; dark, too, of eyes and hair were Sam and Marion, while Henry was fair and blue-eyed.
At this distance of time, it may not be unpardonable to touch briefly on another aspect of our mother's youth; indeed, it would hardly be candid to avoid it. From the first she seems to have stirred the hearts of men. Her masters, old and young, fell in love with her almost as a matter of course. Gilded youth and sober middle-age fared no better; her girlhood passed to the sound of sighing.
"My dear," said an intimate friend of the three, speaking of these days, "Louisa had her admirers, and Annie had hers; but when the men saw your mother, they just flopped!"
Among her papers we have found many relics of these days, from the faded epistle addressed, "à Julie, la respectée, la choisie, l'aimée, la chérie," to the stern letter in which Mr. Ward "desires not to conceal from the Rev. Mr. —— the deliberate and dispassionate opinion, that a gentleman whose sacred office commanded ready access to his roof, might well have earlier ascertained the views of a widow'd Father on a subject so involving the happiness of his child."
The unhappy suitor's note to Miss Julia is enclosed, and Mr. Ward trusts that "the return will be considered by the Rev. Mr. —— as finally terminating the matter therein referred to."
Julia had for her suitors a tender and compassionate sympathy. She could not love them, she would not marry them, but she was very sorry for them, and—it must be admitted—she liked to be adored. So she sang duets with one, read German with another, Anglo-Saxon with a third; for all, perhaps, she may have had something the feeling of her "Coquette et Tendre" in "Passion Flowers."
Ere I knew life's sober meaning,
Nature taught me simple wiles,
Gave this color, rising, waning,
Gave these shadows, deepening smiles.
More she taught me, sighing, singing,
Taught me free to think and move,
Taught this fond instinctive clinging
To the helpful arm of love.
The suitors called her "Diva," but in the family circle she was "Jules," or "Jolie Julie." The family letters of this period are full of affectionate cheerfulness.
When "Jolie Julie" is away on a visit, the others send her a composite letter. Louisa threatens to shut her up on her return with nothing to read but her Anglo-Saxon grammar and "Beowulf." ("If that does not give you a distaste for all wolves," she says, "not excepting those Long fellows,[12] I do not know what will!")
Annie tells of opening the window in Julia's room and of all the poetical ideas flying out and away.
Emily, her brother's wife, describes Mr. Ward sighing, "Where is my beauty?" as he sits at the table; and the letter closes with a lively picture of the books in the library "heaving their dusty sides in sorrow for her absence."
In describing life at "The Corner," we must not forget the evenings at No. 23, Colonel Henry Ward's house. Uncle Henry and his namesake son (the boy who was to "see death approaching with joy"!) were musical. When Mr. Ward permitted (in his later and more lenient days) an informal dance at "The Corner," the three girls sent for Uncle Henry as naturally as they sent for the hair-dressing and salad-making émigrés; and the stately, handsome gentleman came, and played waltzes and polkas with cheerful patience all the evening.
On Sunday the whole family from "The Corner" took tea with Uncle Henry, and music was the order of the evening. Mr. Ward delighted in these occasions, and was never ready to go home. When Uncle Henry thought it was bedtime, he would go to the piano and play the "Rogue's March."
(Twice flogged for stealing a sheep,
Thrice flogged for desartion!
If ever I go for a soldier again,
The devil may be my portion!
We hear the fife shrill through the lively air!)
"No! no, Colonel!" Mr. Ward would cry. "We won't march yet; give us half an hour more!" And in affectionate mischief he would stay the half-hour through before marshalling his flock back to "The Corner."
A stern period was put to all this innocent gayety by the death of Mr. Ward, at the age of fifty-three. His life, always laborious, had been doubly so since the death of his wife. Stunned at first by the blow, his strong sense of duty soon roused him to resume his daily responsibilities—with a difference, however. Religion had always been a powerful factor in his life; henceforth it was to be his main inspiration, and he found his chief comfort in works of public and private beneficence.
An earnest patriot, he was no politician; but when his services were needed by city, state, or country, they were always forthcoming. Throughout the series of financial disasters beginning with Andrew Jackson's refusal to renew the charter of the Bank of the United States, and culminating in the panic of 1837, Mr. Ward acted with vigor, decision, and sagacity. His denunciation of the removal of the public deposits from the Bank of the United States by the famous Specie Circular as "an act so lawless, violent, and fraught with disaster, that it would and must eventually overthrow the men and the party that resorted to it," was justified, literally and entirely.
The crisis of 1836-37 called for all the strength, wisdom, and public spirit that the men of the country could show. Mr. Ward labored day and night to prevent the dishonor of the banks of New York.
"Individual effort, however, was vain, and the 10th of May saw all the banks reduced to suspend specie payments; and upon no man did that disastrous day close with deeper mortification than upon him. Personally, and in his business relations, this event affected Mr. Ward as little possibly as any one at all connected with affairs; but, in his estimation, it vitally wounded the commercial honor and character of the city. He was not, however, a man to waste, in unavailing regrets, hours that might be more advantageously employed to repair the evil, and he therefore at once set about the arrangement of measures for inducing and enabling the banks to resume at the earliest possible moment."[13]
This was accomplished within the year. About the same time the Bank of England sent to Prime, Ward & King a loan of nearly five million dollars in gold. Mr. King says, "This extraordinary mark of confidence, this well-earned tribute to the prudence and integrity of the house, Mr. Ward did not affect to undervalue, and confirming, as it did, the sagacity of his own views, and the results which he had so confidently foretold, it was not lost upon the community in the midst of which he lived."
Our mother never forgot the afternoon when Brother Sam came into her study on his return from Wall Street and cried out to her:—
"Julia, men have been going up and down the office stairs all day long, carrying little wooden kegs of gold on their backs, marked 'Prime, Ward & King' and filled with English gold!"
That English gold saved the honor of the Empire State, and the fact that her father procured the loan was the greatest asset in her inheritance from the old firm.
Mr. Ward did not see the kegs, for he was in bed, prostrated by a severe fit of sickness brought on by his labors for the public honor. The few years that remained to him were a very martyrdom, his old enemy, rheumatic gout, attacking him more and more fiercely; but his spirit was indomitable. He labored almost single-handed to establish the Bank of Commerce, and became its first president, stipulating that he should receive no compensation. What he did receive was his death-warrant. The dampness of the freshly plastered walls of the new building brought on in the spring of 1839 two successive attacks so severe that he could not rally from them. Still he toiled on, giving all his energies to perfect and consolidate the enterprise which he believed would be of lasting benefit to his beloved city.
In October of the same year came another financial crisis. The banks of Philadelphia and the Southern States suspended specie payments, and every effort was made to induce the New York banks to follow suit. Mr. Ward was ill at Newport, but hearing the news he hurried back and threw himself into the conflict, exhorting, sustaining, encouraging.
A friend protested, warning him of the peril to his enfeebled health of such exertions. "I should esteem life itself not unworthily sacrificed," said Mr. Ward, "if by word or deed, I could aid the banks in adhering faithfully to their duty."
For nearly two weeks he labored, till the work was done, his city's honor and fair fame secure; then he went home literally to die, departing this life, November 27, 1839.
Julia was with him when he died, his hand in hers. The beauty of his countenance in death was such that Anne Hall, the well-known miniature painter, begged permission to paint it, and his descendants may still gaze on the majestic features in their serene repose.
Our mother writes of this time: "I cannot, even now, bear to dwell upon the desolate hush which fell upon our house when its stately head lay, silent and cold, in the midst of weeping friends and children."[14]
Her love for her father was to cease only with her life. She never failed to record his birthday in her diary, with some word of tender remembrance.
Shortly before Mr. Ward's death, Sam and his wife had moved to a house of their own. The five unmarried children would have been desolate, indeed, if left to themselves in the great house: but to the joy and comfort of all, their bachelor uncle, John Ward, left his own house and came to live with them. From this time until his death in 1866, he was a second father to them.
Uncle John! The words call up memories of our own childhood. We see a tall, stalwart figure, clad in loose-fitting garments; a noble head crowned by a small brown scratch wig; a countenance beaming with kindliness and humor. A Manila cheroot is between his lips—the fragrance of one never fails to call up his image—and he caresses an unamiable little dog which he fondly loves. He offers a grand-niece a silk dress if she will make it up herself. This was the "Uncle John" of No. 8 Bond Street, one of the worthies of Wall Street, and uncle, by courtesy, to half New York.
In his youth he had received an injury which deprived him of speech for more than a year. It was feared that he would never speak again; one day his mother, trying to help him in some small matter, and not succeeding to her mind, cried, "I am a poor, awkward, old woman!"
"No, you are not!" exclaimed John Ward; and the trouble was over.
His devotion to his orphan nieces and nephews was constant and beautiful. He desired ardently that the three girls should be good housekeepers, and grudged the amount of time which one of them at least devoted to books and music. To them also he was fond of giving dress-materials, with the proviso that they should make them up for themselves. This they managed to do, "with a good deal of help from the family seamstress."
When Julia published her first literary venture, a translation of Lamartine's "Jocelyne," Uncle John showed her a favorable notice of it in a newspaper, saying: "This is my little girl who knows about books, and writes an article and has it printed, but I wish she knew more about housekeeping."
"A sentiment," she adds, "which in after years I had occasion to echo with fervor."
While Sam was her ideal of youthful manhood, Henry was her mate, the nearest to her in age and in sympathy. The bond between them was close and tender; and when in October, 1840, he died of typhoid fever, the blow fell on her with crushing severity.
"When he closed his eyes," she says, "I would gladly, oh, so gladly have died with him!" And again, "I remember the time as one without light or comfort."
She turned to seek consolation in religion, and—naturally—in that aspect of religion which had been presented to her childish mind as the true and only one. At this time a great Calvinistic revival was going on in New York, and a zealous friend persuaded Julia to attend some of the meetings. In her anguish of grief, the gloomy doctrines of natural depravity, of an angry and vengeful Deity, of a salvation possible only through certain strictly defined channels, came home to her with terrible force. Her deeply religious nature sought the Divine under however portentous an aspect it was presented; her poet's imagination clung to the uplifted Cross; these were days of emotion, of fervor, of exaltation alternating with abasement; thought was to come later.
While under these influences, Julia, now at the head of the household, enforced her Calvinistic principles with rigor. The family were allowed only cold meat on Sunday, to their great discomfort; the rather uninviting midday dinner was named by Uncle John "Sentiment"; but at six o'clock they were given hot tea, and this he called "Bliss." Pious exhortations, sisterly admonitions, were the order of the day. "The Old Bird"—this nom de tendresse had now superseded "Jolie Julie," and was to be hers while her sisters and brothers lived—hovered over the younger ones with maternal anxiety. In the poems and letters of this period, she adopts unconsciously the phraseology of the day.
Being away on a visit, she writes to her sisters: "Believe me, it is better to set aside, untasted, the cup of human enjoyment, than to drink it to the bitter dregs, and then seek for something better, which may not be granted to us. The manna fell from heaven early in the morning, those who then neglected to gather it were left without nourishment; it is early in life's morning that we must gather the heavenly food, which can alone support us through the burden and heat of the day."
The emotional fervor of this time was heightened by a complication which arose from it. A young clergyman of brilliant powers and passionate nature fell deeply in love with Julia, and pressed his suit with such ardor that she consented to a semi-engagement. Fortunately, a visit to Boston gave her time to examine her feelings. Relieved from the pressure of a twofold excitement, breathing a calmer and a freer air, she realized that there could be no true union between her and the Rev. Mr. ——, and the connection was broken off.
The course of Julia's studies had for some years been leading her into wider fields of thought.
In her brother's library she found George Sand and Balzac, and read such books as he selected for her. In German she became familiar with Goethe, Jean Paul, and Matthias Claudius. She describes the sense of intellectual freedom derived from these studies as "half delightful, half alarming."
Mr. Ward one day had undertaken to read an English translation of "Faust" and came to her in great alarm. "My daughter," he said, "I hope that you have not read this wicked book!" She had read it, and "Wilhelm Meister," too (though in later life she thought the latter "not altogether good reading for the youth of our country"). Shelley was forbidden, and Byron allowed only in small and carefully selected doses.
The twofold bereavement which weighed so heavily upon her checked for a time the development of her thought, throwing her back on the ideas which her childhood had received without question; but her buoyant spirit could not remain long submerged, and as the poignancy of grief abated, her mind sought eagerly for clearer vision.
In the quiet of her own room, the bounds of thought and of faith stretched wide and wider. Vision often came in a flash: witness the moment when the question of Matthias Claudius, "And is He not also the God of the Japanese?" changed from a shocking suggestion to an eternal truth. Witness also the moment when, after reading "Paradise Lost," she saw "the picture of an eternal evil, of Satan and his ministers subjugated, indeed, by God, but not conquered, and able to maintain against Him an opposition as eternal as his goodness. This appeared to me impossible, and I threw away, once and forever, the thought of the terrible hell which till then had always formed part of my belief. In its place I cherished the persuasion that the victory of goodness must consist in making everything good, and that Satan himself could have no shield strong enough to resist permanently the divine power of the divine spirit."
New vistas were opening everywhere before her. She made acquaintance with Margaret Fuller, who read her poems, and urged her to publish them. Of one of these poems, Miss Fuller writes:—
"It is the record of days of genuine inspiration,—of days when the soul lay in the light, when the spiritual harmonies were clearly apprehended and great religious symbols reanimated with their original meaning. Its numbers have the fulness and sweetness of young love, young life. Its gifts were great and demand the service of a long day's work to requite and to interpret them. I can hardly realize that the Julia Ward I have seen has lived this life. It has not yet pervaded her whole being, though I can recall something of it in the steady light of her eye. May she become all attempered and ennobled by this music. I saw in her taste, the capacity for genius, and the utmost delicacy of passionate feeling, but caught no glimpse at the time of this higher mood.... If she publishes, I would not have her omit the lines about the 'lonely room.' The personal interest with which they stamp that part is slight and delicate....
"S. Margaret Fuller.
"I know of many persons in my own circle to whom I think the poem would be especially grateful."[15]
On every hand she met people, who like herself were pressing forward, seeking new light. She heard Channing preach, heard him say that God loves bad men as well as good; another window opened in her soul. Again, on a journey to Boston, she met Ralph Waldo Emerson. The train being delayed at a wayside station, she saw the Transcendentalist, whom she had pictured as hardly human, carrying on his shoulder the child of a poor and weary woman; her heart warmed to him, and they soon made acquaintance. She, with the ardor of youth, gave him at some length the religious views which she still held in the main, and with which she felt he would not agree. She enlarged upon the personal presence of Satan on this earth, on his power over man. Mr. Emerson replied with gentle courtesy, "Surely the Angel must be stronger than the Demon!" She never forgot these words; another window opened, and a wide one.
Julia Ward had come a long way from old Ascension Church, where Peter Stuyvesant, in a full brown wig, carried round the plate, and the Reverend Manton (afterwards Bishop) Eastburn preached sermons "remarked for their good English"; and where communicants were not expected to go to balls or theatres.
The years of mourning over, the Ward sisters took up the pursuits natural to their age and position. Louisa was now eighteen, very beautiful, already showing the rare social gift which distinguished her through life. The two sisters began a season of visiting, dancing, and all manner of gayeties.
The following letter illustrates this period of her girlhood:—
Boston (1842).
Friday, that's all I know about to-day.
My dearest Chicks,—
Though I have a right to be tired, having talked and danced for the two last nights, yet my enjoyment is most imperfect until I have shared it with you, so I must needs write to you, and tell you what a very nice time I am having. Last night I went to a party at Miss Shaw's, given to Boz and me, at least, I was invited before he came here, so think that I will only give him an equal share of the honor. I danced a good deal, with some very agreeable partners, and talked as usual with Sumner, Hillard,[16] Longo,[17] etc. I was quite pleased that Boz recognized Fanny Appleton and myself, and gave us a smile and bow en passant. He could do no more, being almost torn to pieces by the crowd which throngs his footsteps, wherever he goes. I like to look at him, he has a bright and most speaking countenance, and his face is all wrinkled with the lines, not of care, but of laughter. His manners are very free and cordial, and he seems to be as capital a fellow as one would suppose from his writings. He circulates as universally as small change, and understands the art of gratifying others without troubling himself, of letting himself be seen without displaying himself—now this speaks for his real good taste, and shows that if not a gentleman born and bred, he is at least a man, every inch of him.
... I have had hardly the least dash of Transcendentalism, and that of the very best description, a lecture and a visit from Emerson, in both of which he said beautiful things, and to-morrow (don't be shocked!) a conversation at Miss Fuller's, which I shall treasure up for your amusement and instruction. I have also heard (don't go into hysterics!) Dr. Channing once. It was a rare chance, as he does not now preach once in a year. His discourse was very beautiful—and oh, such a sermon as I heard from Father Taylor! I was almost disposed to say, "surely never man spake like this man." And now good-bye. I must shut up the budget, and keep some for a rainy day. God bless my darling sisters. Love to dear Sam and Uncle. Your
Dudie.
In these days also she first met her future husband.
Samuel Gridley Howe was at this time (1842) forty-one years of age; his life had been a stirring and adventurous one. After passing through Brown University, and the Harvard Medical School, in 1824 he threw in his lot with the people of Greece, then engaged in their War of Independence, and for six years shared their labor and hardships in the field, and on shipboard, being surgeon-in-chief first to the Greek army, then to the fleet. It was noted by a companion in arms, that "the only fault found with him was that he always would be in the fight, and was only a surgeon when the battle was over." He eventually found, however, that his work was to be constructive, not destructive.
The people were perishing for lack of food; he returned to America, preached a crusade, and took back to Greece a shipload of food and clothing for the starving women and children. Having fed them, he set them to work; built a hospital and a mole (which stands to this day in Ægina), founded a colony, and turned the half-naked peasants into farmers. These matters have been fully related elsewhere.[18]
Returning to this country in 1831, he took up the education of the blind, which was to be chief among the multifarious labors of his life.
When Julia Ward first met him, he had been for nine years Director of the Perkins Institution for the Blind, and was known throughout the civilized world as the man who had first taught language to a blind deaf mute (Laura Bridgman).
Up to this time a person thus afflicted was classed with idiots, "because," as Blackstone says, "his mind cannot be reached." This dictum had been recently reaffirmed by a body of learned men. Dr. Howe thought otherwise. Briefly, he invented a new science. "He carefully reasoned out every step of the way, and made a full and clear record of the methods which he invented, not for his pupils alone, but for the whole afflicted class for which he opened the way to human fellowship.... His methods have been employed in all subsequent cases, and after seventy years of trial remain the standard."[19]
Hand in hand with Dorothea Dix, he was beginning the great fight for helping and uplifting the insane; was already, with Horace Mann, considering the condition of the common schools, and forging the weapons for other fights which laid the foundations of the school system of Massachusetts. Later, he was to take up the cause of the feeble-minded, the deaf mute, the prisoner, the slave; throughout his life, no one in "trouble, sorrow, need, sickness, or any other adversity" was ever to call on him in vain.
His friends called him the "Chevalier"; partly because the King of Greece had made him a Knight of St. George, but more because they saw in him a good knight without fear and without reproach. Charles Sumner was his alter ego, the brother of his heart; others of his intimates at that time were Longfellow, George Hillard, Cornelius Felton, Henry Cleveland. This little knot of friends called themselves "The Five of Clubs," and met often to make merry and to discuss the things of life.
The summer of 1842 was spent by Julia Ward and her sisters at a cottage in the neighborhood of Boston, in company with their friend Mary Ward.[20] Here Longfellow and Sumner often visited them, and here Julia first heard of the Chevalier and his wonderful achievement in educating Laura Bridgman. Deeply interested, she gladly accepted the offer of the two friends to drive her and her sisters over to the Perkins Institution. She has described how "Mr. Sumner, looking out of a window, said, 'Oh! here comes Howe on his black horse.' I looked out also, and beheld a noble rider on a noble steed."
The slender, military figure, the jet-black hair, keen blue eyes, and brilliant complexion, above all the vivid presence, like the flash of a sword—all these could not fail to impress the young girl deeply; the Chevalier, on his part, saw and recognized the Diva Julia of his friends' description. She has told us "how acquaintance ripened into good-will" between the two.
The Chevalier, eager to push the acquaintance further, went to New York to call on the Diva and her family. In a private journal of the time we find the following glimpse of the pair:—
"Walked down Broadway with all the fashion and met the pretty blue-stocking, Miss Julia Ward, with her admirer, Dr. Howe, just home from Europe. She had on a blue satin cloak and a white muslin dress. I looked to see if she had on blue stockings, but I think not. I suspect that her stockings were pink, and she wore low slippers, as Grandmamma does. They say she dreams in Italian and quotes French verses. She sang very prettily at a party last evening, and accompanied herself on the piano. I noticed how white her hands were."
During a subsequent visit to Boston in the winter of 1842-43, Julia Ward and Dr. Howe became engaged. The engagement was warmly welcomed by the friends of both.
Charles Sumner writes to Julia:—
"Howe has told me, with eyes flashing with joy, that you have received his love. May God make you happy in his heart, as I know he will be happy in yours! A truer heart was never offered to woman. I know him well. I know the depth, strength, and constancy of his affections, as the whole world knows the beauty of his life and character. And oh! how I rejoice that these are all to mingle in loving harmony with your great gifts of heart and mind. God bless you! God bless you both! You will strengthen each other for the duties of life; and the most beautiful happiness shall be yours—that derived from inextinguishable mutual love, and from the consciousness of duty done.
"You have accepted my dear Howe as your lover; pray let me ever be
"Your most affectionate friend,
"Charles Sumner."P.S. Sir Huldbrand has subdued the restless Undine, and the soul has been inspired into her; and her 'wickedness' shall cease."
Longfellow's letter to Dr. Howe also has been preserved among the precious relics of the time.
My dearest Chevalier,—
From the deepest dungeons of my heart, all the imprisoned sympathies and affections of my nature cry aloud to you, saying "All hail!" On my return from Portland this afternoon, I found your note, and before reading it I read in Sumner's eyes your happiness. The great riddle of life is no longer a riddle to you; the great mystery is solved. I need not say to you how very deeply and devoutly I rejoice with you; and no one more so, I assure you. Among all your friends, I am the oldest friend of your fair young bride; she is a beautiful spirit, a truth, which friendship has learned by heart in a few years. Love has taught you in as many hours!
Of course you seem to be transfigured and glorified. You walk above in the June air, while Sumner and I, like the poor (sprites) in "Faust," who were struggling far down in the cracks and fissures of the rocks, cry out to you, "O take us with you! take us with you!"
In fine, my dear Doctor, God bless you and yours. You know already how much I approve your choice. I went to your office this afternoon to tell you with my own lips; but you were not there. Take, therefore, this brief expression of my happiness at knowing you are so happy; and believe me
Ever sincerely your friend,
Longfellow.Cambridge, Feb. 20, 1843.
At the same time Diva writes to her brother Sam:—
"The Chevalier says truly—I am the captive of his bow and spear. His true devotion has won me from the world, and from myself. The past is already fading from my sight; already, I begin to live with him in the future, which shall be as calmly bright as true love can make it. I am perfectly satisfied to sacrifice to one so noble and earnest the day dreams of my youth. He will make life more beautiful to me than a dream....
"The Chevalier is very presumptuous—says that he will not lose sight of me for one day, that I must stay here till he can return with me to New York. The Chevalier is very impertinent, speaks of two or three months, when I speak of two or three years, and seems determined to have his own way: but, dear Bunny, the Chevalier's way will be a very charming way, and is, henceforth, to be mine."
It was not to be supposed that the Chevalier would wait longer for his bride than was absolutely necessary. The wedding preparations were hurried on, most of them being made by Sisters Annie and Louisa, as Julia could not be brought down from the clouds sufficiently to give them much attention. It was hard even to make her choose her wedding dress; but this was finally decided upon, "a white embroidered muslin, exquisitely fine, to be worn over a satin 'slip.'"
The wedding, a quiet one, took place at Samuel Ward's house, on April 23, 1843, and four days later, Chevalier and Diva sailed together for Europe.
CHAPTER V
TRAVEL
1843-1844; aet. 24-25
... I have been
In dangers of the sea and land, unscared;
And from the narrow gates of childbed oft
Have issued, bearing high my perilous prize
(The germ of angel-hood, from chaos rescued),
With steadfast hope and courage....
J. W. H.
In the forties it was no uncommon thing for a sister or friend of the bride to form one of the wedding party when a journey was to be taken; accordingly Annie Ward went with the Howes and shared the pleasures of a notable year. She was at this time seventeen; it was said of her that "she looked so like a lily-of-the-valley that one expected to see two long green leaves spring up beside her as she walked."
Horace Mann and his bride (Mary Peabody, sister of Mrs. Nathaniel Hawthorne) sailed on the same steamer; the friends met afterward in London and elsewhere.
The first days at sea were rough and uncomfortable. Julia writes to her sister Louisa:—
"I have had two days of extreme suffering, and look like the Chevalier's grandmother. To-day I am on deck, able to eat soup and herring, with grog in small doses. Husband very kind, takes good care of me. I am good for nothing, but try to be courageous. Mr. and Mrs. Mann are very loving; she wears a monstrous sunbonnet; he lies down in his overcoat.... Brandy and water are consoling; Dr. won't give us much, though.... I could not get off my boots until last night, I was so ill; I slept all the time, and forgot that Annie was on board.... When you do get married, don't leave in four days for Europe.... Don't forget cake for my orphans.... Mrs. Mann wrote to me yesterday, and recommended lemonade. I wrote back to her, and recommended leeks and onions...."
And again, several days later:—
"Although the ship is very tipsy, and makes my head and hand unsteady, I am anxious to write to you that you may see what a brave sailor I am become, for to write at sea one must be quite well. I am ashamed to have written you so sea-sick a letter near Halifax, but I was then just out of my berth, and very miserable. Since that time, I have not once laid by—we have had some rough days, but I have always held up my head, and eaten my dinner, 'helping myself sang-froidy' to all manner of good things. At first, I could not do without brandy and water, but in a little while I ceased to require it; now I go tumbling about all over the ship, singing at the top of my voice, teasing Chevalier, and comforting the sea-sick.... I live on deck, rain or shine. Annie stays too much in the cabin, which is strewn with sick ladies, and grannies of the other sex, and which ever resounds with cries of 'Mrs. Bean! Mrs. Bean! soda water! Mrs. Bean, soup! Mrs. Bean, gruel with brandy in it! Mrs. Bean, hold my head! Mrs. Bean, wag my jaws!' Mrs. Bean is the stewardess, and an angel....
"Saturday morning. We are now in sight of land, and in smooth water.... Annie and I were getting very much used to the ship, and are just in fine trim for a long voyage. I even miss the rolling and pitching which we have had until to-day, and which made it necessary to walk with great circumspection. You would have laughed to have seen us, going about like tipsy witches. I have had various tumbles. I confess that when the ship rolled and I felt myself going, I generally made for the stoutest man in sight, and pitched into him, the result being various apologies on both sides, and great merriment on the part of the spectators—a little of the old mischief left, you see. The old cow began to smell the land yesterday, she reared and bellowed, and butted at the butcher when he went to milk her. This is her third voyage. I cannot tell you how good my husband is, how kind, how devoted...."
Arriving in London, they took lodgings in upper Baker Street.
This first visit to London was one which our mother always loved to recall. Not only had the pair brought letters to many notabilities, but Dr. Howe's reputation had preceded him, and every reader of Dickens's "American Notes" was eager to meet the man who had brought a soul out of prison.
Julia writes to her sister Louisa (June 17):—
"I have said something,—I can hardly say enough, of the kindness we have received here. London seems already a home to us, and one surrounded by dear friends. Morpeth and his family, Rogers, Basil Montagu, and Sir R. H. Inglis have been our best friends. Sydney Smith also has been kind to us; he calls Howe 'Prometheus,' and says that he gave a soul to an inanimate body. For four mornings, we have not once breakfasted at home. Milnes gave us one very nice breakfast; among the guests was Charles Buller, celebrated here for his wit and various endowments. The two handsomest women I have seen are Mrs. Norton and the Duchess of Sutherland—the former of these rather a haughty beauty, with flashing eye and swelling lip, and dress too low for our notions of propriety—this is common enough here...."
The Doctor was lame (the result of an accident on shipboard), and the Reverend Sydney Smith, one of their earliest visitors, insisted on lending him his own crutches. The Doctor demurred; he was tall, while Canon Smith was short and stout. The crutches were sent, nevertheless. They could not be used, and were returned with thanks; not so soon, however, but that the kind and witty Canon made of the incident a peg on which to hang a jest. He had lost money by American investments; in a letter published in a London paper, after reflecting severely upon the failure of some of the Western States to pay their debts, he added: "And now an American doctor has deprived me of my last means of support!"
Sydney Smith proved genuinely kind and solicitous. He writes to the Doctor:—
"You know as well as I do, or better, that nature charges one hundred per cent for a bad leg used before the proper time, and that if you use it a day sooner than you ought, it may molest you for a month longer than you expect. This being; [sic] if your ladies will trust themselves to me any day, I shall have great pleasure in escorting them in their sight-seeing, and will call upon them with my carriage, if that be possible."
He did take them about a great deal; they dined with him, and passed more than one delightful evening at his house.
Another of their early visitors was Charles Dickens. Not only did he invite them to dine, but he took them to all manner of places unfamiliar to the ordinary tourist: to prisons, workhouses, and asylums, more interesting to the Chevalier than theatre or picture-gallery.
There were even expeditions to darker places, when Julia and Annie must stay at home. Dr. Howe's affair was with all sorts and conditions of men, and the creator of Joe and Oliver Twist, the child of the Marshalsea, could show him things that no one else could. The following note, in Dickens's unmistakable handwriting, shows how these expeditions were managed, and how he enjoyed them:—
My dear Howe,—Drive to-night to St. Giles's Church. Be there at half-past 11—and wait. One of Tracey's people will put his head into the coach after a Venetian and mysterious fashion, and breathe your name. Follow that man. Trust him to the death.
So no more at present from
The Mask.Ninth June, 1843.
Horace Mann was of the party on most of these investigations.
Beside dinners and evening parties, there were breakfasts, with Richard Monckton Milnes (afterward Lord Houghton), with Samuel Rogers,—who gave them plovers' eggs,—and with jovial Sir Robert Harry Inglis, who cut the loaf at either end, giving the guests "a slice or a hunch" at their desire.
This meal, our mother notes, was not "a luncheon in disguise," but a genuine breakfast, at ten or even half-past nine o'clock.
She writes to her sister Louisa:—
"People have been very kind to us—we have one or two engagements for every day this week, and had three dinners for one day, two of which we were, of course, forced to decline. We had a pleasant dinner at Dickens's, on Saturday—a very handsome entertainment, consisting of all manner of good things. Dickens led me in to dinner—waxed quite genial over his wine, and was more natural than I ever saw him—after dinner we had coffee, conversation and music, to which I lent my little wee voice! We did not get home until half-past eleven.... Annie has doubtless told you how we went to see Carlyle, and Mrs. was out, and I poured tea for him, and he handed me the preserves with: 'I do not know what thae little things are, perhaps you can eat them—I never touch them mysel'.' This naturally made me laugh—we had a strange but pleasant evening with him—he is about forty, looks young for that, drinks powerful tea, and then goes it strong upon all subjects, but without extravagance—he has a fine head, an earnest face, a glowing eye.... Furthermore, we have walked into the affections of the Hon. Basil Montagu, and Mrs. Basil—furthermore, Annie and I did went alone to a rout at Mrs. Sydney Smith's, and were announced, 'Mrs. 'Owe hand Miss Vord'—did not know a soul, Annie frightened, I bored—got hold of some good people—made friends, drank execrable tea, finished the evening by a crack with Sir Sydney himself, and came off victorious, that is to say alive. Sir S. very like old Mrs. Prime, three chins, and such a corporosity!...
"Saturday, June 2nd. We have been too busy to write. We dined on Wednesday with Kenyon—present Dickens's wife, Fellows, Milnes and some others—Milnes a pert little prig, but pleasant. À propos, when he came to call upon us, our girl announced him as 'Mr. Miller'—our conversation ran upon literature, and I had the exquisite discrimination to tell him that except Wordsworth, there were no great poets in England now. Fortunately he soon took his departure, and thus prevented me from expressing the light estimation in which I hold his poetry. On Thursday Morpeth gave us a beautiful dinner—thirteen servants in the hall, powdered heads, Lady Carlisle very like Morpeth—Lady Mary Howard not pretty; Duchess of Sutherland, beautiful, but like Lizzie Hogg. They gave us strawberries, the first we have tasted, green peas, pines, peaches, apricots, grapes—all very expensive. We stayed until nearly twelve—they were very gracious—Annie and I are little people here—we are too young(?) to be noticed—we are very demure, and have learned humility. Chev receives a great deal of attention, ladies press forward to look at him, roll up their eyes, and exclaim, 'Oh! he is such a wonner!' I do not like that the pretty women should pay him so many compliments—it will turn his little head! He is now almost well, and so handsome! the wrinkles are almost gone—Yesterday, Sir Robert Inglis gin us a treat in the shape of a breakfast—it was very pleasant, albeit Sir R. is very pious, and a Tory to boot. We had afterward a charming visit from Carlyle—in the evening we went to Landsdowne House, to a concert given by the Marquis—heard Grisi, Lablache, Mario, Standigl, were much pleased—I was astonished, though, to find that our little trio at home was not bad, even in comparison with these stars. They have, of course, infinitely better voices, but hang me if they sing with half the enthusiasm and fire of our old Sam and Cousi, or even of poor Dudy. Grisi's voice is beautifully clear and flute-like—Mario sings si-be-mol and natural with perfect ease. I was most interested in the German Standigl, who sang the 'Wanderer' with wonderful pathos. Lablache thundered away—I must see them on the stage before I shall be able to judge of them. After music we had supper. Willie Wad[21] was indefatigable in our service. 'Go, and bring us a great deal more lemonade!' these were our oft-repeated orders, and the good Geneseo trotted to the table for us, till, as he expressed it, 'he was ashamed to go any more.' Lansdowne is a devilish good fellow! ho! ho! He wears a blue belt across his diaphragm, and a silver star on his left breast—he jigs up and down the room, and makes himself at home in his own house. He is about sixty, with Marchioness to match; side dishes, I presume, but did not inquire. I have just been breakfasting at the Duke of Sutherland's superb palace. I will tell you next time about it. Lady Carlisle says I am nice and pretty, oh! how I love her!..."