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Kakemono

Chapter 15: XIII THE ALTAR OF FIRE
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About This Book

A collection of travel sketches and essays portraying Japan's sacred sites, rituals, artistic crafts, seasonal landscapes, and domestic customs. The author moves among Buddhist and Shinto shrines, mausoleums, and village altars, describing temple architecture, ceremonies, and the atmosphere of pilgrimage; travels around a famous volcanic peak and coastal bays; and observes crafts such as cloisonné and flower arranging. Interwoven are portraits of festivals, theatrical performance, and private moments that reveal popular beliefs, everyday piety, and aesthetic sensibilities, with lyrical scene-setting and reflective passages about continuity, impermanence, and the visual arts.

XIII
THE ALTAR OF FIRE

It all happened in a suburban temple in the town of Tokyo, at the time of the blossoming cherry-trees; and the prosaic din of a modern city full of trains and tramcars hemmed us round. We had been conscious of it dimly throughout the long ceremonial within the temple, where Shintō priests in brocaded robes chanted in twos and threes, in solo and in chorus; where the old High Priest had blessed with long strange rites the four elements, earth, which is the mother of all things, fire, water, air; had blessed the rice by which the people live, salt, and saké; but now that we were all assembled in the outer courtyard the noise of a busy city came distinctly to the ear. Tokyo was working hard this April afternoon, and the cries of the newspaper boys pierced up shrilly from the street below.

In the courtyard the ancient vestments of the priests showed strangely beside the modern frocks of American visitors, the tweed suits of a party of Cook’s tourists, even beside the kimono of the Japanese crowd, so markedly Tokyo and Meiji (age of enlightenment), in their felt hats, cloth caps, and “bowlers.”

The courtyard was big, the native crowd railed in at one end left a large space bare, and here in the centre of the stamped brown earth a great pile of burning charcoal was heaped. Twenty feet long, and nearly as many broad, it glowed a solid mass of quivering heat, while priests at each corner stood fanning the sullen red to an ever fiercer flame. It was not hot enough yet, and in the sunshine of that April afternoon we waited.

At the further end of the courtyard a broad band of salt lay on the brown earth like a white step to the altar. The great fans of the fanning priests sent puffs of heat across the court that made the distinguished guests shrink back. And yet the glowing charcoal pyre was not hot enough.

Behind us, in a corner of the courtyard, stood a bamboo ladder, whose every rung was made of the razor-blade of a Japanese sword, set edge upwards. As we all stood waiting, watching the solid altar of red flame grow redder, a young man came out of the temple and crossed the court. He was dressed in the short white tunic of religious festivals, and his legs and feet were bare. He bowed to the party of distinguished guests, to the priests, to the old High Priest, and from his manner I judged him not a priest, but a temple attendant.

Among the crowd there was a murmur, a sway of intense excitement, and then a dead stillness. In the stillness the young man put his bare foot upon the lowest rung of the ladder, and an involuntary shudder went through us all. A large-checked tourist, pushing every one aside, rushed up to the ladder, and felt a sword-rung with his hand. Then he came back, and across his open palm a ruled red line of blood rose up swiftly.

There was a whispering among the priests, a commotion in the crowd, but the polite expressions of regret from the old High Priest were courtly with honorifics. The large-checked tourist tied his hand up clumsily in his own pocket-handkerchief, and looked annoyed. The fanning priests, with rhythmic movements of their hands and bodies, chased the living heat across the court, and did not pause.

Again there was a murmur in the crowd, a stretching of necks to see, and a dead silence.

The white-tuniced attendant, who had stood quite still beside the ladder, placed his bare foot upon the lowest rung, and I saw the large-checked tourist wince as though his injured hand were there instead. Lightly as a sailor climbs, the young man ran up the ladder rung by rung, and neither hands nor feet grew red. On the top he stayed, looking down, and a shudder like a cry of pain went through the courtyard. Then he turned, hanging for one brief moment by his knees on the topmost rung—turned, and came down again.

In the April sunshine the sword-blades, from top to bottom of the ladder, glittered spotless.

Firmly on his bare, brown feet the young man walked across the court, bowed to the party of distinguished visitors, to the priests, to the old High Priest, and disappeared within the temple.

The crowd behind the railings exclaimed in admiration, but the distinguished visitors were above surprise. The party of Cook’s tourists who had just “done” India were full of explanations. It was “mere jugglery,” they said, though each man differed in his theory. One was eloquent on hypnotic suggestion, and though the damaged tourist, his hand still bound up, “couldn’t go so far as that, sir,” was not to be persuaded. The injured tourist had apparently only been hypnotised a little more effectually than the rest of us. The American guests favoured “acrobatic training from infancy,” which “made the bones just like jelly.” Somebody said he had heard it was “done with oil,” but was quite vague as to the how, and all the more insistent in consequence. And so we explained and argued while the level rays of sunshine fell on the spotless sword-rungs of the ladder, and on the vestments of the Shintō priests. They had watched and were impassive. The climbing of the ladder was not a sacred ceremony, not a rite, rather an amusement allowed the multitude, as the Catholic Church offered jongleries in the Middle Ages.

But as the sun fell lower and lower in the April sky, a hush came among the little group of priests, and growing, travelled slowly over the courtyard. Even the damaged tourist stopped his explanations. The great red altar of heat that lay a fallen pillar of fire across the courtyard was glowing now white-hot with life. The fanning priests at each corner had moved further back to escape the scorch of the flames, but still they fanned. In waves and gusts the heat was borne across the court, to flicker, as it were, upon the air, steady itself and then drive solidly forward. The Cook’s tourists who had seized upon the front row of seats, twisted uneasily on their chairs, unwilling to give up their “best places,” unable to endure the burning. But the fierce scorch of the heat came steadily onwards, and before it the tourists ran, dragging their chairs after them.

Still the fanning priests fanned on, chasing the quivering flames on the red altar of heat, till it pulsed with a white-hot breath like a thing alive.

In the pale April sky the swift sun was dropping golden through the last arcs of heaven to a grey band of clouds upon the horizon. In half an hour it would be night.

There was a stir in the crowd beyond the barriers; the fanning priests beat out their rhythm slowly, and with the shadows the gathering sense of awe deepened. Only the altar of heat burned brighter, gathering to itself all the colour from the world.

Apart from the crowd the High Priest stood, the gold on his vestment gleaming, and he watched the sun. The peace upon his face was like an unsaid prayer. Did his soul go out to Amaterasu, the great Sun-Goddess?

Swiftly the sun dropped through the bank of clouds leaving them golden, showed a red circle on the horizon, and passed beneath. The faintest flicker of emotion stirred for a moment the grave reverence of the old man’s face. Then he turned. The rhythmic beating of the fanning priests died into silence. The red altar stood a burning fiery furnace in the courtyard, where already twilight was. He spoke no word, but the religious calm of a perfect trust was in all his being. It touched the straining multitude behind the barriers, even the tourists in their chairs. Breathless we stayed gripped by the powers of an awed suspense, of a great belief, as he came on. There was no hurry, no tremor in his movements, on through the hot scorched air he came, on, over the threshold of strewn salt, and on, over the altar of heat. With naked feet he trod from end to end the white-hot pathway, and the burning charcoal snapped beneath his tread. With naked feet he walked, unscathed, over that fiery furnace; and the breath of a passionate prayer passed like a sob through the courtyard.

Then one by one the priests in their embroidered vestments stepped from the threshold of salt on to the fire. From end to end of the altar they too trod that white-hot pathway slowly, unhurt, and the living charcoal glowed like a thousand suns in the twilight.

Slowly behind their distant barriers the crowd stirred irresolute. An old man whose face showed rapt in the circle of firelight approached the priests. Hesitating he was led up to the altar, over the white salt step, and faltering, he too trod the white-hot pathway. Then a coolie came through the shadows, he too stepped up to the altar, passed over the threshold of salt on to the living charcoal.

In twos and threes the crowd was coming now. Some of them hesitated on the white salt step, some hurried along the fiery pathway. A few, a very few, walked away as though their feet were singed. But all came, even the children. The big children who went resolutely alone, the little children whom the priests led.

And the twilight in the courtyard deepened into night. The broad altar of heat glowed ruddy, a deep sun-red as its life pulsed slower. The tourists were all quiet on their chairs, not one of them would venture, though the little children went before. The Faith was not in them, nor the power of that great Belief. But those behind the barriers, this Tokyo crowd in kimono and “bowler,” they believed. With the sounds of a modern city humming in their ears, fresh from the western education of their Board Schools, they, as their forefathers for two thousand years, passed over the fire. This burning symbol of a spiritual purification had meaning for them. They had faith and were not afraid.

Unto such is the Dominion of the Earth; unto such is the Kingdom of Heaven.