Kakemono

We sat still on the deck, with our backs propped against portions of the ship’s cargo, and watched.

It was necessary to sit still, for a rise of only a few inches would have sent the awning over our heads into the blue waters of the lagoon; and each newcomer, as he stepped from the wharf on to this Kensington Garden craft, doubled himself in two and stayed so. First-class passengers lay flat, for a square hole in the side of the boat opened into a three-feet-high saloon elegantly carpeted; we had matting. When the first half of the passenger was inside, a big-headed boy removed his gheta and piled them up on the deck, reshoeing him in the same way when he emerged. The difficulty of extracting foreign boots in this manner would alone have deterred us from using our first-class tickets; and then the deck passengers under the awning had at least six inches more room, besides ventilation. So we sat on the matting and watched.

Anything out of a toy-shop so tiny as this absurd little steamer was never seen. She might with generosity have been fifteen feet long; yet she carried some twenty passengers besides cargo down the lagoon and up the river, from Matsué to Shobara, with safety and Oriental speed; and did it twice a day too.

The carpeted saloon was reasonably filled with half a dozen passengers; the deck overflowed with the rest. The brown-skinned, bullet-headed, ugly, good-natured Japanese peasant, sitting on his heels with his dark blue kimono tucked up above his brown legs, and his fan in his hand; or his little wife, wrinkled and meek, her white cotton towel, with its bamboo design in blue, folded round her head and tucked up under her hair behind in something between a night-cap and a sun-bonnet; quiet and sweet, but never abject, and always respected. Here and there a shopkeeper or a clerk, or some one from the town in a grey kimono, with a face pale yellow against the other’s brown. We all sat bare-footed on the matting to keep it clean, with our gheta in our hands, fanning ourselves with rice-paper fans decorated with storks flying across the moon, or sprays of plum-blossom or pine-trees, each man of us showing his well-turned leg and thigh, with all the muscles brought into strong relief by the weight of the body on the toes. All polite, all amused, all conversational.

After a great deal of snorting on the part of our very small steamer, we casually left the wharf and shot into the lagoon. Matsué, hidden by the sunlight, disappeared; and even the wide sweep of waters wavered indistinct beneath the hard glitter of the morning light. It was not yet nine o’clock, and already the distant blue shore was blurred with the shimmering heat, and the near green one fitful with the scissor-grinding of the semmi. The heat was dropping down on the world with the swiftness of a tropical night and the glitter of it hurt.

Away over the surface of the waters a red-brown head floated, lazy, the nimbus of straw hat against the light glowing yellow as a halo. Slowly, idly, the head moved over the water, suspended between blue and blue. Too hot to doubt or question or deny, I accepted the head and shut my eyes, only to find on opening them again two, three, a dozen heads strolling slowly over the lagoon.

“Honourably please to understand, dredging for mussels,” said a voice at my elbow. And the passengers repeated the information in a sort of Greek chorus with many bows.

Matsué’s only representative of the vast world of the Ijin San is one missionary; but these peasants, with the refinement of true breeding, accepted our outlandish dress and faces, our boots on their matting too, without a stare of curiosity, although when our attention was apparently absorbed elsewhere, the whiteness of our skins, the aristocratic bridge of our noses (it is only the noblesse in Japan, and not all of them, who possess an aquiline nose), were commented on with interest and admiration.

The near green shore ran in and out, and in and out, wooded thick with the slim green fingers of the bamboo, until it opened into a tiny green bay, with a thin bamboo landing-stage running out into the silent water. Here we stopped with such an amount of “ay-aying” on the part of the captain—a short man in a grey kimono, who sat in a hole in the deck the other side of the funnel reading Chinese poetry—and the crew, a tall youth in “foreign” trousers, who greased wheels, that we might have been an Atlantic liner approaching an unknown shore. There were no passengers for the invisible village behind the landing-stage but the captain, who climbed over the side of the boat up on to the landing-stage, and disappeared.

By-and-by from out of the green there came a charming little figure in a sea-blue kimono, lined with lacquer-red, followed by a maid bearing neatly matted parcels. The crew wiped its hands and moved forward, while the sea-blue kimono, kneeling on the landing-stage, handed down the parcels on to the boat for safe carriage to Shobara. They seemed to require quantities of explanation those parcels, accompanied by irrepressible giggles, principal giggles on the part of the mistress, and secondary giggles on the part of the maid; while the crew listened, replied, grew eloquent. It was one of the most effective flirtations I ever saw, but alas! conducted in that Izumo dialect so hard for the Tokyo-taught foreigner to understand. And it went on like the hum of the semmi, while the water, the world, and the boat drowsed in the heat.

Suddenly, from out of the nowhere, appeared our captain, who swung himself down from the landing-stage on to the boat as imperturbably as a stone Buddha. The sea-blue kimono, still on its knees at the edge of the water, swayed in one last enchanting giggle that showed all the lacquer-red linings in a quiver of flame, while the supplementary giggles of the stout little maid followed us regretfully out of the bay.

With more “ay-aying” we shot back into the hard glitter of the lagoon. The captain retired to his hole and his Chinese poetry, the crew had completely disappeared, but the big-headed boy, emerging from some unknown region behind the captain, carried out a hibachi and a kettle. He set the kettle on the brass tripod over the hibachi and blew up the charcoal fire with a large fan; and we all watched him with interest as he made Japanese tea in a green china teapot, rather larger than the kettle, with a black handle and with dividing lines of black separating the green into leaf-like petals. At this we all sat up, thirstier with anticipation, and the little china bowls filled from the green kettle-teapot vanished from the tray. Then the big-headed boy handed round manju cakes (like boiled chestnuts in a white coat of sweet rice-paste), and collected payment, one sen (a farthing). We all promptly demanded more tea, and the little bowls were filled and refilled until the green kettle-teapot ran dry; and we all subsided again. Only the tink, tink, of the metal pipes, knocking out the glowing wad of tobacco on to the deck in order to light a fresh pipeful from the burning remains of the old one, broke the drowsy silence. Three little whiffs and the acorn bowl of a Japanese pipe is empty, so the tink, tink, of the metal on the deck was rhythmic as the vee-um of the semmi. They were all smoking, men and women, and the scent of the bright brown tobacco, fine-cut as hair, lay under the awning.

The near green shore ran in and out, and in and out, until all the wide sheet of glittering light, spread over the blue waters, lay behind us; in front a bright green bank of rushes hemmed in the light. The lagoon was ended, and still we went on, seemingly with the intention of stranding ourselves among the bulrushes. But the bulrushes stood back as we came on, and ranging themselves on either hand, left a water pathway down which we went, until the bank of rushes following the lagoon lay far behind, and we found ourselves in a narrow river that seemed half natural stream and half artificial canal.

Our unnautical captain, who, ever since we had entered the rushes, had been intoning directions to the invisible crew as though he were reading poetry aloud, got up out of his hole. The tink, tink, of the metal pipes on the wooden deck died gradually away as each smoker knocked out his last wad of tobacco and put away his pipe. Then with a sudden and terrific snort the absurd little steamer, an end in either bank, stood still. The big-headed boy, hanging over the side of the boat, kicked violently with his heels, while the unexpected apparition of the crew’s head rose up at our feet. The head took a look round and sank again, and the engines rattled. Still with an end in either bank, and with the big-headed boy clasping the gunwale in his arms, we proceeded to turn slowly round, and then, assisted by several ropes and several haulers, to back majestically into the main street of Shobara.

Our journey was ended. The big-headed boy, leaving the gunwale, rushed to reshoe the first-class passengers as they wriggled from the saloon on to the roadway. The bullet-headed peasants and their little brown wives bowing low bows to each other, the captain and to the Ijin San, took up their bundles and trudged off, while we, like a Royal arrival, were received by the authorities of Shobara, in the person of a fierce little policeman in a new white suit, and duly escorted the three-and-a-half paces from the ship’s side to the tea-house door in a procession, the people lining up the way.

And the last we saw of that absurd little steamer, as we turned into the tea-house, was a glimpse of the crew looking down the funnel, while the big-headed boy, standing amidships, handed out the cargo to its owners on either bank.