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Kincaid's Battery

Chapter 23: X
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About This Book

The narrative follows a volunteer artillery battery and the network of officers, cousins, and local women who give it life, tracing pre-war pageantry through field manoeuvres to battlefield service. Personal rivalries and alliances among figures such as Anna, Flora, Hilary, Kincaid, Greenleaf, and Irby complicate courtship and social ambition even as military duties tighten. The battery moves from parade-ground demonstrations to pitched engagements and naval operations, encountering loss, wounds, and evacuation at scenes named Manassas, Shiloh, and Mobile. Alongside action, the story traces fundraising, domestic strain, private grief, and acts of courage, considering loyalty, honor, and the human cost of communal commitment during sustained conflict.

IV

MANOEUVRES

Captain Irby, strong, shapely, well clad, auburn-haired, left his halted command and came into the carriage group, while from the train approached his cousin and the lithe and picturesque Miss Valcour.

The tallish girl always looked her best beside some manly form of unusual stature, and because that form now was Hilary's Irby was aggrieved. All their days his cousin had been getting into his light, and this realization still shaded his brow as Kincaid yielded Flora to him and returned to Anna to talk of things too light for record.

Not so light were the thoughts Anna kept unuttered. Here again, she reflected, was he who (according to Greenleaf) had declined to command her guns in order to let Irby have them. Why? In kindness to his cousin, or in mild dislike of a woman's battery? If intuition was worth while, this man was soon to be a captain somewhere. Here was that rare find for which even maidens' eyes were alert those days--a born leader. No ladies' man this--"of all things on God's earth!" A men's man! And yet--nay, therefore--a man for some unparagoned woman some day to yield her heart and life to, and to have for her very own, herself his consummate adornment. She cast a glance at Flora.

But her next was to him as they talked on. How nearly black was the waving abundance of his hair. How placid his brow, above eyes whose long lashes would have made them meltingly tender had they not been so large with mirth: "A boy's eyes," thought she while he remembered what he had just called hers. She noted his mouth, how gently firm: "A man's mouth!"

Charlie Valcour broke in between them: "Is there not going to be any drill, after all?"

"Tell Captain Irby you can't wait any longer," replied Kincaid with a mock frown and gave Anna yet gayer attention a minute more. Then he walked beside his cousin toward the command, his horse close at his back. The group, by pairs, chose view points. Only Miss Valcour stayed in the carriage with the General, bent on effecting a change in his mind. In Mobile Flora had been easily first in any social set to which she condescended. In New Orleans, brought into the Callenders' circles by her cousin Mandeville, she had found herself quietly ranked second to Anna, and Anna now yet more pointedly outshining her through the brazen splendor of this patriotic gift of guns. For this reason and others yet to appear she had planned a strategy and begun a campaign, one of whose earliest manoeuvres must be to get Irby, not Kincaid, made their uncle's adjutant-general, and therefore to persuade the uncle that to give Kincaid the battery would endear him to Anna and so crown with victory the old man's perfectly obvious plan.

Greenleaf left his horse tied and walked apart with Anna. This, he murmured, was the last time they would be together for years.

"Yes," she replied with a disheartening composure, although from under the parasol with which he shaded her she met his eyes so kindly that his heart beat quicker. But before he could speak on she looked away to his fretting horse and then across to the battery, where a growing laugh was running through the whole undisciplined command. "What is it about?" she playfully inquired, but then saw. In response to the neigh of Greenleaf's steed Hilary's had paused an instant and turned his head, but now followed on again, while the laughter ended in the clapping of a hundred hands; for Kincaid's horse had the bridle free on his neck and was following his master as a dog follows. Irby scowled, the General set his jaws, and Hilary took his horse's bridle and led him on.

"That's what I want to do every time I look at him!" called Charlie to his sister.

"Then look the other way!" carolled back the slender beauty. To whom Anna smiled across in her belated way, and wondered if the impulse to follow Hilary Kincaid ever came to women.

But now out yonder the two cousins were in the saddle, Irby's sabre was out, and soon the manoeuvres were fully under way. Flora, at the General's side, missed nothing of them, yet her nimble eye kept her well aware that across here in this open seclusion the desperate Greenleaf's words to Anna were rarely explanatory of the drill.

"And now," proclaimed Mandeville, "you'll see them form into line fazed to the rear!" And Flora, seeing and applauding, saw also Anna turn to her suitor a glance, half pity for him, half pleading for his pity.

"I say unless--" Greenleaf persisted--

"There is no 'unless.' There can't ever be any."

"But may I not at least say--?"

"I'd so much rather you would not," she begged.

"At present, you mean?"

"Or in the future," said Anna, and, having done perfectly thus far, spoiled all by declaring she would "never marry!" Her gaze rested far across the field on the quietly clad figure of Kincaid riding to and fro and pointing hither and yon to his gold-laced cousin. Off here on the left she heard Mandeville announcing:

"Now they'll form batt'rie to the front by throwing caisson' to the rear--look--look!... Ah, ha! was not that a prettie?"

Pretty it was declared to be on all sides. Flora called it "a beautiful." Part of her charm was a Creole accent much too dainty for print. Anna and Greenleaf and the other couples regathered about the carriage, and Miss Valcour from her high seat smiled her enthusiasm down among them, exalting theirs. And now as a new movement of the battery followed, and now another, her glow heightened, and she called musically to Constance, Mrs. Callender and Anna, by turns, to behold and admire. For one telling moment she was, and felt herself, the focus of her group, the centre of its living picture. Out afield yet another manoeuvre was on, and while Anna and her suitor stood close below her helplessly becalmed each by each, Flora rose to her feet and caught a great breath of delight. Her gaze was on the glittering mass of men, horses, and brazen guns that came thundering across the plain in double column--Irby at its head, Kincaid alone on the flank--and sweeping right and left deployed into battery to the front with cannoneers springing to their posts for action.

"Pretties' of all!" she cried, and stood, a gentle air stirring her light draperies, until the boys at the empty guns were red-browed and short of breath in their fierce pretence of loading and firing. Suddenly the guns were limbered up and went bounding over the field, caissons in front. And now pieces passed their caissons, and now they were in line, then in double column, and presently were gleaming in battery again, faced to the rear. And now at command the tired lads dropped to the ground to rest, or sauntered from one lounging squad to another, to chat and chaff and puff cigarettes. Kincaid and Irby lent their horses to Mandeville and Charlie, who rode to the battery while the lenders joined the ladies.

Once more Hilary yielded Flora and sought Anna; but with kinder thought for Flora Anna pressed herself upon Irby, to the open chagrin of his uncle. So Kincaid cheerfully paired with Flora. But thus both he and Anna unwittingly put the finishing touch upon that change of heart in the General which Flora, by every subtlety of indirection, this hour and more in the carriage, had been bringing about.

A query: With Kincaid and Irby the chief figures in their social arena and Hilary so palpably his cousin's better in looks, in bearing, talents, and character, is it not strange that Flora, having conquest for her ruling passion, should strive so to relate Anna to Hilary as to give her, Anna, every advantage for the higher prize? Maybe it is, but she liked strangeness--and a stiff game.


V

HILARY?--YES, UNCLE?

Second half as well as first, the drill was ended. The low acacias and great live-oaks were casting their longest shadows. The great plain rested from the trample and whirl of hoofs, guns, and simulated battle. A whiff of dust showed where the battery ambled townward among roadside gardens, the Callender carriage spinning by it to hurry its three ladies and Mandeville far away to the city's lower end. At the column's head rode Irby in good spirits, having got large solace of Flora's society since we last saw her paired with Kincaid. Now beside the tiny railway station Hilary was with her once more as she and Charlie awaited the train from town. Out afield were left only General Brodnax and Greenleaf, dismounted between the Northerner's horse and Hilary's. Now Kincaid came across the turf.

"Greenleaf," said the old soldier, "why does Hilary forever walk as though he were bringing the best joke of the season? Can't you make him quit it?"

The nephew joined them: "Uncle, if you'd like to borrow my horse I can go by train."

That was a joke. "H-m-m! I see! No, Greenleaf's going by train. Would you like to ride with me?"

"Well, eh--ha! Why, uncle, I--why, of course, if Fred really--" They mounted and went.

"Hilary?"

"Yes, uncle?"

"How is it now? Like my girl any better?"

"Why--yes! Oh, she's fine! And yet I--"

"You must say? What must you say?"

"Nothing much; only that she's not the kind to seem like the owner of a field battery. My goodness! uncle, if she had half Miss Flora's tang--"

"She hasn't the least need of it! She's the quiet kind, sir, that fools who love 'tang' overlook!"

"Yes," laughed Hilary, "she's quiet; quiet as a fortification by moonlight! Poor Fred! I wish--"

"Well, thank God you wish in vain! That's just been settled. I asked him--oh, don't look surprised at me. Good Lord! hadn't I the right to know?"

The two rode some way in silence. "I wish," mused the nephew aloud, "it could be as he wants it."

The uncle's smile was satirical: "Did you ever, my boy, wish anything could be as I want it?"

"Now, uncle, there's a big difference--"

"DAMN THE DIFFERENCE! I'm going to try you. I'm going to make Adolphe my adjutant-general. Then if you hanker for this battery as it hankers for you--"

"Mary, Queen of Scots!" rejoiced Hilary. "That'll suit us both to the bone! And if it suits you too--"

"Well it doesn't! You know I've never wanted Adolphe about me. But you've got me all snarled up, the whole kit of you. What's more, I don't want him for my heir nor any girl with 'tang' for mistress of my lands and people. Hilary, I swear! if you've got the sand to want Anna and she's got the grace to take you, then, adjutant-general or not, I'll leave you my whole fortune! Well, what amuses you now?"

"Why, uncle, all the cotton in New Orleans couldn't tempt me to marry the girl I wouldn't take dry so without a continental cent."

"But your own present poverty might hold you back even from the girl you wanted, mightn't it?"

"No!" laughed the nephew, "nothing would!"

"Good God! Well, if you'll want Anna I'll make it easy for you to ask for her. If not, I'll make it as hard as I can for you to get any one else."

Still Hilary laughed: "H-oh, uncle, if I loved any girl, I'd rather have her without your estate than with it." Suddenly he sobered and glowed: "I wish you'd leave it to Adolphe! He's a heap-sight better business man than I. Besides, being older, he feels he has the better right to it. You know you always counted on leaving it to him."

The General looked black: "You actually decline the gift?"

"No. No, I don't. I want to please you. But of my own free choice I wouldn't have it. I'm no abolitionist, but I don't want that kind of property. I don't want the life that has to go with it. I know other sorts that are so much better. I'm not thinking only of the moral responsibility--"

"By--! sir, I am!"

"I know you are, and I honor you for it."

"Bah!... Hilary, I--I'm much obliged to you for your company, but--"

"You've had enough," laughed the good-natured young man. "Good-evening, sir." He took a cross-street.

"Good-evening, my boy." The tone was so kind that Hilary cast a look back. But the General's eyes were straight before him.

Greenleaf accompanied the Valcours to their door. Charlie, who disliked him, and whose admiration for his own sister was privately cynical, had left them to themselves in the train. There, wholly undetected by the very man who had said some women were too feminine and she was one, she had played her sex against his with an energy veiled only by its intellectual nimbleness and its utterly dispassionate design. Charlie detected achievement in her voice as she twittered good-by to the departing soldier from their street door.


VI

MESSRS. SMELLEMOUT AND KETCHEM

Night came, all stars. The old St. Charles Theatre filled to overflowing with the city's best, the hours melted away while Maggie Mitchell played
Fanchon
, and now, in the bright gas-light of the narrow thoroughfare, here were Adolphe and Hilary helping their three ladies into a carriage. All about them the feasted audience was pouring forth into the mild February night.

The smallest of the three women was aged. That the other two were young and beautiful we know already. At eighteen the old lady, the Bohemian-glass one, had been one of those royalist refugees of the French Revolution whose butterfly endeavors to colonize in Alabama and become bees make so pathetic a chapter in history. When one knew that, he could hardly resent her being heavily enamelled. Irby pressed into the coach after the three and shut the door, Kincaid uncovered, and the carriage sped off.

Hilary turned, glanced easily over the heads of the throng, and espied Greenleaf beckoning with a slender cane. Together they crossed the way and entered the office of a public stable.

"Our nags again," said Kincaid to one of a seated group, and passed into a room beyond. Thence he re-issued with his dress modified for the saddle, and the two friends awaited their mounts under an arch. "Dost perceive, Frederic," said the facetious Hilary, "yon modestly arrayed pair of palpable gents hieing hitherward yet pretending not to descry us? They be detectives. Oh--eh--gentlemen!"

The strangers halted inquiringly and then came forward. The hair of one was black, of the other gray. Hilary brightened upon them: "I was just telling my friend who you are. You know me, don't you?" A challenging glint came into his eye.

But the gray man showed a twinkle to match it: "Why--by sight--yes--what there is of you."

Hilary smiled again: "I saw you this morning in the office of the Committee of Public Safety, where I was giving my word that this friend of mine should leave the city within twenty-four hours." He introduced him: "Lieutenant Greenleaf, gentleman, United States Army. Fred, these are Messrs. Smellemout and Ketchem, a leading firm in the bottling business."

Greenleaf and the firm expressed their pleasure. "We hang out at the corner of Poet and Good-Children Streets," said the black-haired man, but made his eyes big to imply that this was romance.

Greenleaf lifted his brows: "Streets named for yourselves, I judge."

"Aye. Poet for each, Good-Children for both."

Kincaid laughed out. "The Lieutenant and I," he said as he moved toward their approaching horses, "live on Love street exactly half-way between Piety and Desire." His eyes widened, too. Suddenly he stepped between Greenleaf and the others: "See here, let's begin to tell the truth! You know Kincaid's Foundry? It was my father's--"

"And his father's before him," said the gray man.

"And I've come home to go into this war," Hilary went on.

"And just at present," said Gray, "you're casting shot and shell and now and then a cannon; good for you! You want to give us your guarantee--?"

"That my friend and I will be together every moment till he leaves to-morrow morning on the Jackson Railroad, bound for the North without a stop."

"To go into this war on the other side!"

"Why, of course!" said the smiling Kincaid. "Now, that's all, isn't it? I fear we're keeping you."

"Oh, no." The gray man's crow's-feet deepened playfully. "If you think you need us we'll stick by you all night."

"No," laughed Kincaid, "there's no call for you to be so sticky as all that." The horsemen mounted.

"Better us than the Patriots' League," said the younger detective to Hilary as Greenleaf moved off. "They've got your friend down in their Send-'em-to-hell book and are after him now. That's how come we to be--"

"I perceive," replied Hilary, and smiled in meditation. "Why--thank you, both!"

"Oh, you go right along, Mr. Kincaid. We'll be at the depot to-morrow ourselves, and to-night we'll see that they don't touch neither one of you."

Hilary's smile grew: "Why--thank you again! That will make it more comfortable for them. Good-night."

The two friends rode to a corner, turned into Poydras Street, crossed Magazine and Tchoupitoulas and presently, out from among the echoing fronts of unlighted warehouses, issued upon the wide, white Levee.


VII

BY STARLIGHT

"Wait," murmured Greenleaf, as they halted to view the scene. From their far right came the vast, brimming river, turbid, swift, silent, its billows every now and then rising and looking back as if they fled from implacable pursuers; sweeping by long, slumbering ranks of ships and steamboats; swinging in majestic breadth around the bend a mile or more below; and at the city's end, still beyond, gliding into mystic oblivion. Overhead swarmed the stars and across the flood came faintly the breath of orange-groves, sea-marshes and prairies.

Greenleaf faced across the wide bend at his left. In that quarter, quite hidden in live-oaks and magnolias, as both well knew, were the low, red towers of Jackson Barracks. But it was not for them the evicted young soldier claimed this last gaze. It was for a large dwelling hard by them, a fine old plantation house with wide verandas, though it also was shut from view, in its ancient grove.

"Fred," said Hilary, "didn't she tell you why?"

"No," replied the lover when they had turned away and were moving up the harbor front, "except that it isn't because I'm for the Union."

Hilary's eyes went wide: "That's wonderful, old man! But I don't believe she likes a soldier of any sort. If I were a woman I'd be doggoned if I'd ever marry a soldier!"

"Yet the man who gets her," said Greenleaf, "ought to be a soldier in every drop of his blood. You don't know her yet; but you soon will, and I'm glad."

"Now, why so? I can't ever please her enough to be pleased with her. I'm too confounded frivolous! I love nonsense, doggon it, for its own sake! I love to get out under a sky like this and just reel and whoop in the pure joy of standing on a world that's whirling round!"

"But you do please her. She's told me so."

"Don't you believe her! I don't. I can't. I tell you, Fred, I could never trust a girl that forever looks so trustworthy! S'pose I should fall in love with her! Would you--begrudge her to me?"

"I bequeath her to you."

"Ah! you know I haven't the ghost of a chance! She's not for po' little Hil'ry. I never did like small women, anyhow!"

"My boy! If ever you like this one she'll no more seem small than the open sea."

"I suppose," mused Hilary, "that's what makes it all the harder to let go. If a girl has a soul so petty that she can sit and hear you through to the last word your heart can bleed, you can turn away from her with some comfort of resentment, as if you still had a remnant of your own stature."

"Precisely!" said the lover. "But when she's too large-hearted to let you speak, and yet answers your unspoken word, once for all, with a compassion so modest that it seems as if it were you having compassion on her, she's harder to give up than--"

"Doggon her, Fred, I wouldn't give her up!"

"Ah, this war, Hilary! I may never see her again. There's just one man in this world whom--"

"Oh, get out!"

"I mean what I say. To you I leave her."

"Ha, ha! No, you don't! It's only to her you leave me. Old boy, promise me! If you ever come back and she's still in the ring, you'll go for her again no matter who else is bidding, your humble servant not excepted."

"Why--yes--I--I promise that. Now, will you promise me?"

"What! let myself--?"

"Yes."

"Ho-o, not by a jug-full! If ever I feel her harpoon in me I'll fight like a whale! But I promise you this, and warn you, too: That when it comes to that, a whole platoon of Fred Greenleafs between her and me won't make a pinch of difference."

To that Greenleaf agreed, and the subject was changed. With shipping ever on their left and cotton-yards and warehouses for tobacco and for salt on their right their horses' feet clinked leisurely over the cobble pavements, between thousands of cotton-bales headed upon the unsheltered wharves and only fewer thousands on the narrow sidewalks.

So passed the better part of an hour before they were made aware, by unmistakable odors, that they were nearing the Stock-Landing. There, while they were yet just a trifle too far away to catch its echoes, had occurred an incident--a fracas, in fact--some of whose results belong with this narrative to its end. While they amble toward the spot let us reconnoitre it. Happily it has long been wiped out, this blot on the city's scutcheon. Its half-dozen streets were unspeakable mud, its air was stenches, its buildings were incredibly foul slaughter-houses and shedded pens of swine, sheep, beeves, cows, calves, and mustang ponies. The plank footways were enclosed by stout rails to guard against the chargings of long-horned cattle chased through the thoroughfares by lasso-whirling "bull-drivers" as wild as they. In the middle of the river-front was a ferry, whence Louisiana Avenue, broad, treeless, grassy, and thinly lined with slaughter-houses, led across the plain. Down this untidy plaisance a grimy little street-car, every half-hour, jogged out to the Carrollton railway and returned. This street and the water-front were lighted--twilighted--with lard-oil lamps; the rest of the place was dark. At each of the two corners facing the ferry was a "coffee-house"--dram-shop, that is to say.

Messrs. Sam Gibbs and Maxime Lafontaine were president and vice-president of that Patriots' League against whose machinations our two young men had been warned by the detectives in St. Charles Street. They had just now arrived at the Stock-Landing. Naturally, on so important an occasion they were far from sober; yet on reaching the spot they had lost no time in levying on a Gascon butcher for a bucket of tar and a pillow of feathers, on an Italian luggerman for a hurried supper of raw oysters, and on the keeper of one of the "coffee-houses" for drinks for the four.

"Us four and no more!" sang the gleeful Gibbs; right number to manage a delicate case. The four glasses emptied, he had explained that all charges must be collected, of course, from the alien gentleman for whom the plumage and fixative were destined. Hence a loud war of words, which the barkeeper had almost smoothed out when the light-hearted Gibbs suddenly decreed that the four should sing, march, pat and "cut the pigeon-wing" to the new song (given nightly by Christy's Minstrels) entitled "Dixie's Land."

Hot threats recurring, Gascony had turned to go, Maxime had headed him off, Italy's hand had started into his flannel shirt, and "bing! bang! pop!" rang Gibbs's repeater and one of Maxime's little derringers--shot off from inside his sack-coat pocket. A whirlwind of epithets filled the place. Out into the stinking dark leaped Naples and Gascony, and after them darted their whooping assailants. The shutters of both barrooms clapped to, over the way a pair of bull-drivers rushed to their mustangs, there was a patter of hoofs there and of boots here and all inner lights vanished. A watchman's rattle buzzed remotely. Then silence reigned.

Now Sam and Maxime, deeming the incident closed, were walking up the levee road beyond the stock-pens, in the new and more sympathetic company of the two mounted bull-drivers, to whose love of patriotic adventure they had appealed successfully. A few yards beyond a roadside pool backed by willow bushes they set down tar-bucket and pillow, and under a low, vast live-oak bough turned and waited. A gibbous moon had set, and presently a fog rolled down the river, blotting out landscape and stars and making even these willows dim and unreal. Ideal conditions! Now if their guest of honor, with or without his friend, would but stop at this pool to wash the Stock-Landing muck from his horse's shins--but even luck has its limits.

Nevertheless, that is what occurred. A hum of voices--a tread of hoofs--and the very man hoped for--he and Hilary Kincaid--recognized by their voices--d at the pool's margin. Sam and Maxime stole forward.


VIII

ONE KILLED

The newcomers' talk, as they crouched busily over their horses' feet, was on random themes: Dan Rice, John Owens, Adelina and Carlotta Patti, the comparative merits of Victor's and Moreau's restaur'--hah! Greenleaf snatched up his light cane, sprang erect, and gazed close into the mild eyes of Maxime. Gibbs's more wanton regard had no such encounter; Hilary gave him a mere upward glance while his hands continued their task.

"Good-evening," remarked Gibbs.

"Good-morning," chirped Hilary, and scrubbed on. "Do you happen to be Mr. Samuel Gibbs?--Don't stop, Fred, Maxime won't object to your working on."

"Yes, he will!" swore Gibbs, "and so will I!"

Still Hilary scrubbed: "Why so, Mr. Gibbs?"

"Bic-ause," put in Maxime, "he's got to go back through the same mud he came!"

"Why, then," laughed Hilary, "I may as well knock off, too," and began to wash his hands.

"No," growled Gibbs, "you'll ride on; we're not here for you."

"You can't have either of us without the other, Mr. Gibbs," playfully remarked Kincaid. The bull-drivers loomed out of the fog. Hilary leisurely rose and moved to draw a handkerchief.

"None o' that!" cried Gibbs, whipping his repeater into Kincaid's face. Yet the handkerchief came forth, its owner smiling playfully and drying his fingers while Mr. Gibbs went on blasphemously to declare himself "no chicken."

"Oh, no," laughed Hilary, "none of us is quite that. But did you ever really study--boxing?" At the last word Gibbs reeled under a blow in the face; his revolver, going off harmlessly, was snatched from him, Maxime's derringer missed also, and Gibbs swayed, bleeding and sightless, from Hilary's blows with the butt of the revolver. Presently down he lurched insensible, Hilary going half-way with him but recovering and turning to the aid of his friend. Maxime tore loose from his opponent, beseeching the bull-drivers to attack, but beseeching in vain. Squawking and chattering like parrot and monkey, they spurred forward, whirled back, gathered lassos, cursed frantically as Sam fell, sped off into the fog, spurred back again, and now reined their ponies to their haunches, while Kincaid halted Maxime with Gibbs's revolver, and Greenleaf sprang to the bits of his own and Hilary's terrified horses. For two other men, the Gascon and the Italian, had glided into the scene from the willows, and the Gascon was showing Greenleaf two big knives, one of which he fiercely begged him to accept.

"Take it, Fred!" cried Hilary while he advanced on the defiantly retreating Maxime; but as he spoke a new cry of the drovers turned his glance another way. Gibbs had risen to his knees unaware that the Italian, with yet another knife, was close behind him. At a bound Hilary arrested the lifted blade and hurled its wielder aside, who in the next breath seemed to spring past him head first, fell prone across the prostrate Gibbs, turned face upward, and slid on and away--lassoed. Both bull-drivers clattered off up the road.

"Hang to the nags, Fred!" cried Hilary, and let Maxime leap to Gibbs's side, but seized the Gascon as with murderous intent he sprang after him. It took Kincaid's strength to hold him, and Gibbs and his partner would have edged away, but--"Stand!" called Hilary, and they stood, Gibbs weak and dazed, yet still spouting curses. The Gascon begged in vain to be allowed to follow the bull-drivers.

"Stay here!" said Hilary in French, and the butcher tarried. Hilary passed the revolver to his friend, mounted and dashed up the highway.

The Gascon stayed with a lively purpose which the enfeebled Gibbs was the first to see. "Stand back, you hell-hound!" cried the latter, and with fresh oaths bade Greenleaf "keep him off!"

Maxime put Gibbs on Greenleaf's horse (as bidden), and was about to lead him, when Kincaid galloped back.

"Fred," exclaimed Hilary, "they've killed the poor chap." He wheeled. "Come, all hands," he continued, and to Greenleaf added as they went, "He's lying up here in the road with--"

Greenleaf picked up something. "Humph!" said Hilary, receiving it, "knives by the great gross. He must have used this trying to cut the lasso; the one he had back yonder flew into the pond." He reined in: "Here's where they--Why, Fred--why, I'll swear! They've come back and--Stop! there was a skiff"--he moved to the levee and peered over--"It's gone!"

The case was plain, and while from Greenleaf's saddle Gibbs broke into frantic revilings of the fugitives for deserting him and Maxime to sink their dead in the mid-current of the fog-bound river, Kincaid and his friend held soft counsel. Evidently the drovers had turned their horses loose, knowing they would go to their stable. No despatch to stop Greenleaf could be sent by anyone up the railroad till the Committee of Public Safety had authorized it, so Hilary would drop them a line out of his pocket note-book, and by daybreak these prisoners could go free.

"Mr. Gibbs"--he said as he wrote--"I have the sprout of a notion that you and Mr. Lafontaine would be an ornament to a field-battery I'm about to take command of. I'd like to talk with you about that presently." He tore out the page he had written and beckoned the Gascon aside:

"Mon ami"--he showed a roll of "city money" and continued in French--"do you want to make a hundred dollars--fifty now and fifty when you bring me an answer to this?"

The man nodded and took the missive.

The old "Jackson Railroad" avoided Carrollton and touched the river for a moment only, a short way beyond, at a small bunch of flimsy clapboard houses called Kennerville. Here was the first stop of its early morning outbound train, and here a dozen or so passengers always poked their heads out of the windows. This morning they saw an oldish black man step off, doff his hat delightedly to two young men waiting at the platform's edge, pass them a ticket, and move across to a pair of saddled horses. The smaller of the pair stepped upon the last coach, but kept his companion's hand till the train had again started.

"Good-by, Tony," cried the one left behind.

"Good-by, Jake," called the other, and waved. His friend watched the train vanish into the forest. Then, as his horse was brought, he mounted and moved back toward the city.

Presently the negro, on the other horse, came up almost abreast of him. "Mahs' Hil'ry?" he ventured.

"Well, uncle Jerry?"

"Dat's a pow'ful good-lookin' suit o' clo'es what L'tenant Greenfeel got awn."

"Jerry! you cut me to the heart!"

The negro tittered: "Oh, as to dat, I don't 'spute but yone is betteh."

The master heaved a comforted sigh. The servant tittered again, but suddenly again was grave. "I on'y wish to Gawd," he slowly said, "dat de next time you an' him meet--"

"Well--next time we meet--what then?"

"Dat you bofe be in de same sawt o' clo'es like you got on now."


IX

HER HARPOON STRIKES

The home of the Callenders was an old Creole colonial plantation-house, large, square, strong, of two stories over a stoutly piered basement, and surrounded by two broad verandas, one at each story, beneath a great hip roof gracefully upheld on Doric columns. It bore that air of uncostly refinement which is one of the most pleasing outward features of the aloof civilization to which it, though not the Callenders, belonged.

Inside, its aspect was exceptional. There the inornate beauty of its finish, the quiet abundance of its delicate woodwork, and the high spaciousness and continuity of its rooms for entertainment won admiration and fame. A worthy setting, it was called, for the gentle manners with which the Callenders made it alluring.

They, of course, had not built it. The late Judge had acquired it from the descendants of a planter of indigo and coffee who in the oldest Creole days had here made his home and lived his life as thoroughly in the ancient baronial spirit as if the Mississippi had been the mediaeval Rhine. Only its perfect repair was the Judge's touch, a touch so modestly true as to give it a charm of age and story which the youth and beauty of the Callender ladies only enhanced, enhancing it the more through their lack of a male protector--because of which they were always going to move into town, but never moved.

Here, some nine or ten days after Greenleaf's flight, Hilary Kincaid, in uniform at last, was one of two evening visitors, the other being Mandeville. In the meantime our lover of nonsense had received a "hard jolt." So he admitted in a letter to his friend, boasting, however, that it was unattended by any "internal injury." In the circuit of a single week, happening to be thrown daily and busily into "her" society, "the harpoon had struck."

He chose the phrase as an honest yet delicate reminder of the compact made when last the two chums had ridden together.

All three of the Callenders were in the evening group, and the five talked about an illumination of the city, set for the following night. In the business centre the front of every building was already being hung with fittings from sidewalk to cornice. So was to be celebrated the glorious fact (Constance and Mandeville's adjective) that in the previous month Louisiana had seized all the forts and lighthouses in her borders and withdrawn from the federal union by a solemn ordinance signed in tears. This great lighting up, said Hilary, was to be the smile of fortitude after the tears. Over the city hall now floated daily the new flag of the state, with the colors of its stripes--

"Reverted to those of old Spain," murmured Anna, mainly to herself yet somewhat to Hilary. Judge Callender had died a Whig, and politics interested the merest girls those days.

Even at the piano, where Anna played and Hilary hovered, in pauses between this of Mozart and that of Mendelssohn, there was much for her to ask and him to tell about; for instance, the new "Confederate States," a bare fortnight old! Would Virginia come into them? Eventually, yes.

"Oh, yes, yes, yes!" cried Constance, overhearing. (Whatever did not begin with oh, those times, began with ah.)

"And must war follow?" The question was Anna's again, and Hilary sat down closer to answer confidentially:

"Yes, the war was already a fact."

"And might not the Abolitionists send their ships and soldiers against New Orleans?"

"Yes, the case was supposable."

"And might not Jackson's battlefield of 1815, in close view from these windows, become a new one?"

To avoid confessing that old battlefields have that tendency the Captain rose and took up a guitar; but when he would have laid it on her knee she pushed it away and asked the song of him; asked with something intimate in her smiling undertone that thrilled him, yet on the next instant seemed pure dream stuff. The others broke in and Constance begged a song of the new patriotism; but Miranda, the pretty stepmother, spoke rather for something a thousand miles and months away from the troubles and heroics of the hour; and when Anna seconded this motion by one fugitive glance worth all their beseechings Hilary, as he stood, gayly threw open his smart jacket lest his brass buttons mar the instrument, and sang with a sudden fervor that startled and delighted all the group:

"Drink to me only with thine eyes."

In the midst of which Constance lifted a knowing look across to Miranda, and Miranda sent it back.

There was never an evening that did not have to end, and at last the gentlemen began to make a show of leaving. But then came a lively chat, all standing in a bunch. To-morrow's procession, the visitors said, would form in Canal Street, move up St. Charles, return down Camp Street into Canal, pass through it into Rampart, take the Bayou Road and march to a grand review away out in the new camp of instruction at the Creole Race-Course. Intermediately, from a certain Canal Street balcony, Flora would present the flag! the gorgeous golden, silken, satin battle standard which the Callenders and others had helped her to make. So--good-night--good-night.

The last parting was with Mandeville, at the levee-road gate, just below which he lived in what, during the indigo-planter's life, had been the overseer's cottage. At a fine stride our artillerist started townward, his horse being stabled near by in that direction. But presently he halted, harkened after the Creole's receding step, thought long, softly called himself names, and then did a small thing which, although it resulted in nothing tragic at the time, marked a turning point in his life. He leapt the grove fence, returned to the shadows of the garden, and silently made his way to its eastern, down-river side. Already the dwelling's lower lights were going out while none yet shone above, and he paused in deep shade far enough away to see, over its upper veranda's edge, the tops of its chamber windows.


X

SYLVIA SIGHS

The house was of brick. So being, in a land where most dwellings are of wood, it had gathered beauty from time and dignity from tried strength, and with satisfying grace joined itself to its grounds, whose abundance and variety of flowering, broad-leaved evergreens lent, in turn, a poetic authenticity to its Greek columns and to the Roman arches of its doors and windows. Especially in these mild, fragrant, blue nights was this charm potent, and the fair home seemed to its hidden beholder forever set apart from the discords and distresses of a turbulent world. And now an upper window brightened, its sash went up, and at the veranda's balustrade Anna stood outlined against the inner glow.

She may have intended but one look at the stars, but they and the spiced air were enchanting, and in confidence that no earthly eye was on her she tarried, gazing out to the farthest gleam of the river where it swung southward round the English Turn.

Down in the garden a mirthful ecstasy ran through all the blood of her culprit observer and he drank to her only with his eyes. Against the window's brightness her dark outline showed true, and every smallest strand of her hair that played along the contours of brow and head changed his merriment to reverence and bade his heart recognize how infinitely distant from his was her thought. Hilary Kincaid! can you read no better than that?

Her thought was of him. Her mind's eye saw him on his homeward ride. It marked the erectness of his frame, the gayety of his mien, the dance of his locks. By her inner ear she heard his horse's tread passing up the narrow round-stone pavements of the Creole Quarter, presently to echo in old St. Peter Street under the windows of Pontalba Row--one of which was Flora's. Would it ring straight on, or would it pause between that window and the orange and myrtle shades of Jackson Square? Constance had said that day to Miranda--for this star-gazer to overhear--that she did not believe Kincaid loved Flora, and the hearer had longed to ask her why, but knew she could not tell. Why is a man's word. "They're as helpless without it," the muser recalled having very lately written on a secret page, "as women are before it. And yet a girl can be very hungry, at times, for a why. They say he's as brave as a lion--why is he never brave to me?"

So futilely ended the strain on the remembered page, but while his unsuspected gaze abode on her lifted eyes her thought prolonged the note: "If he meant love to-night, why did he not stand to his meaning when I laughed it away? Was that for his friend's sake, or is he only not brave enough to make one wild guess at me? Ah, I bless Heaven he's the kind that cannot! And still--oh, Hilary Kincaid, if you were the girl and I the man! I shouldn't be on my way home; I'd be down in this garden--." She slowly withdrew.

Hilary, stepping back to keep her in sight, was suddenly aware of the family coachman close at his side. Together they moved warily a few steps farther.

"You mus' escuse me, Cap'n," the negro amiably whispered. "You all right, o' co'se! Yit dese days, wid no white gen'leman apputtainin' onto de place--"

"Old man!" panted Hilary, "you've saved my life!"

"Oh, my Lawd, no! Cap'n, I--"

"Yes, you have! I was just going into fits! Now step in and fetch me out here--" He shaped his arms fantastically and twiddled his fingers.

Bending with noiseless laughter the negro nodded and went.

Just within her window, Anna, still in reverie, sat down at a slender desk, unlocked a drawer, then a second one inside it, and drew forth--no mere secret page but--a whole diary! "To Anna, from Miranda, Christmas, 1860." Slowly she took up a pen, as gradually laid it by again, and opposite various dates let her eyes rest on--not this, though it was still true:

"The more we see of Flora, the more we like her."

Nor this: "Heard a great, but awful, sermon on the duty of resisting Northern oppression."

But this: "Connie thinks he 'inclines' to me. Ho! all he's ever said has been for his far-away friend. I wish he would incline, or else go ten times as far away! Only not to the war--God forbid! Ah, me, how I long for his inclining! And while I long he laughs, and the more he laughs the more I long, for I never, never so doted on any one's laugh. Oh, shame! to love before--"

What sound was that below? No mocking-bird note, no south wind in the foliage, but the kiss of fingers on strings! Warily it stole in at the window, while softly as an acacia the diary closed its leaves. The bent head stirred not, but a thrill answered through the hearer's frame as a second cadence ventured up and in and a voice followed it in song. Tremblingly the book slid into the drawer, inner and outer lock clicked whisperingly, and gliding to a door she harkened for any step of the household, while she drank the strains, her bosom heaving with equal alarm and rapture.

If any song is good which serves a lover's ends we need claim no more for the one that rose to Anna on the odors of the garden and drove her about the room, darting, clinging, fluttering, returning, like her own terrified bird above her in its cage.

When Sylvia sighs
And veils the worshipped wonder
Of her blue eyes
Their sacred curtains under,
Naught can so nigh please me as my tender anguish.
Only grief can ease me while those lashes languish.
Woe best beguiles;
Mirth, wait thou other whiles;
Thou shalt borrow all my sorrow
When Sylvia smiles.

But what a strange effect! Could this be that Anna. Callender who "would no more ever again seem small, than the ocean?" Is this that maiden of the "belated, gradual smile" whom the singer himself so lately named "a profound pause?" Your eyes, fair girl, could hardly be more dilated if they saw riot, fire, or shipwreck. Nor now could your brow show more exaltation responsive to angels singing in the sun; nor now your frame show more affright though soldiers were breaking in your door. Anna, Anna! your fingers are clenched in your palms, and in your heart one frenzy implores the singer to forbear, while another bids him sing on though the heavens fall. Anna Callender! do you not know this? You have dropped into a chair, you grip the corners of your desk. Now you are up again, trembling and putting out your lights. And now you seek to relight them, but cannot remember the place or direction of anything, and when you have found out what you were looking for, do not know how much time has flown, except that the song is still in its first stanza. Are you aware that your groping hand has seized and rumpled into its palm a long strand of slender ribbon lately unwound from your throat?

A coy tap sounds on her door and she glides to it. "Who--who?" But in spite of her it opens to the bearer of a lamp, her sister Constance.

"Who--who--?" she mocks in soft glee. "That's the question! 'Who is Sylvia?'"

"Don't try to come in! I--I--the floor is all strewn with matches!"

The sister's mirth vanishes: "Why, Nan! what is the matter?"

"Do-on't whisper so loud! He's right out there!"

"But, dearie! it's nothing but a serenade."

"It's an outrage, Con! How did he ever know--how did he dare to know--this was my window? Oh, put out that lamp or he'll think I lighted it--No! no! don't put it out, he'll think I did that, too!"

"Why, Nan! you never in your life--"

"Now, Connie, that isn't fair! I won't stay with you!" The speaker fled. Constance put out the light.

A few steps down and across a hall a soft sound broke, and Anna stood in Miranda's doorway wearing her most self-contained smile: "Dearie!" she quietly said, "isn't it too ridiculous!"

Miranda crinkled a smile so rife with love and insight that Anna's eyes suddenly ran full and she glided to her knees by the seated one and into her arms, murmuring, "You ought both of you to be ashamed of yourselves! You're totally mistaken!"

Presently, back in the dusk of her own room, an audible breathing betrayed her return, and Constance endeavoured to slip out, but Anna clung: "You sha'n't go! You sha'--" Yet the fugitive easily got away.

Down among the roses a stanza had just ended. Anna tiptoed out half across the dim veranda, tossed her crumpled ribbon over the rail, flitted back, bent an ear, and knew by a brief hush of the strings that the token had drifted home.

The die was cast. From brow and heart fled all perturbation and once more into her eyes came their wonted serenity--with a tinge of exultation--while the strings sounded again, and again rose the song:

When Sylvia smiles
Her eyes to mine inclining,
Like azure isles
In seas of lovelight shining,
With a merry madness find I endless pleasure--
Till she sighs--then sadness is my only treasure.
Woe best beguiles;
Mirth, wait thou other whiles,
Thou shalt borrow all my sorrow
When Sylvia smiles.