FOOTNOTES:
[29] Philip the Fair of France, who put down the Templar in Paris, and first secured the liberties of the Gallican Church.—Trans.
[30] The devils trouble the world all through the Middle Ages; but not before the thirteenth century does Satan put on a settled shape. “Compacts,” says M. Maury, “are very rare before that epoch;” and I believe him. How could they treat with one who as yet had no real existence? Neither of the treating parties was yet ripe for the contract. Before the will could be reduced to the dreadful pass of selling itself for ever, it must be made thoroughly desperate. It is not the unhappy who falls into despair, but the truly wretched, who being quite conscious of his misery, and having yet more to suffer, can find no escape therefrom. The wretched in this way are the men of the fourteenth century, from whom they ask a thing so impossible as payments in gold. In this and the following chapter I have touched on the circumstances, the feelings, the growing despair, which brought about the enormity of compacts, and, worse still than these, the dreadful character of the Witch. If the name was freely used, the thing itself was then rare, being no less than a marriage and a kind of priesthood. For ease of illustration, I have joined together the details of so delicate a scrutiny by a thread of fiction. The outward body of it matters little. The essential point is to remember that such things were not caused, as they try to persuade us, by human fickleness, by the inconstancy of our fallen nature, by the chance persuasions of desire. There was needed the deadly pressure of an age of iron, of cruel needs: it was needful that Hell itself should seem a shelter, an asylum, by contrast with the hell below.
[31] This was a common way of extracting help from the Jews. King John Lackland often tried it.
[32] Toledo seems to have been the holy city of Wizards, who in Spain were numberless. These relations with the civilized Moors, with the Jews so learned and paramount in Spain, as managers of the royal revenues, had given them a very high degree of culture, and in Toledo they formed a kind of University. In the sixteenth century, it was christianised, remodelled, reduced to mere white magic. See the Deposition of the Wizard Achard, Lord of Beaumont, a Physician of Poitou. Lancre, Incredulité, p. 781.
[33] The absurd head-dress of the women, with its one and often two horns sloping back from the head, in the fourteenth century.—Trans.
[34] Such cruel outrages were common in those days. By the French and Anglo-Saxon laws, lewdness was thus punished. Grimm, 679, 711. Sternhook, 19, 326. Ducange, iii. 52. Michelet, Origines, 386, 389. By and by, the same rough usage is dealt out to honest women, to citizen’s wives, whose pride the nobles seek to abase. We know the kind of ambush into which the tyrant Hagenbach drew the honourable ladies of the chief burghers in Alsace, probably in scorn of their rich and royal costume, all silks and gold. In my Origines I have also related the strange claim made by the Lord of Pacé, in Anjou, on the pretty (and honest) women of the neighbourhood. They were to bring to the castle fourpence and a chaplet of flowers, and to dance with his officers: a dangerous trip, in which they might well fear some such affronts as those offered by Hagenbach. They were forced to obey by the threat of being stripped and pricked with a goad bearing the impress of the lord’s arms.
CHAPTER VI.
THE COVENANT.
Nothing was wanting but the victim. They knew that to bring this woman before her was the most charming present she could receive. Tenderly would she have acknowledged the devotion of anyone who would have given her so great a token of his love, by delivering that poor bleeding body into her hands.
But the prey was aware of the hunters. A few minutes later and she would have been carried off, to be for ever sealed up beneath the stone. Wrapping herself in some rags found by chance in the stable, she took to herself wings of some kind, and before midnight gained some out-of-the-way spot on a lonely moor all covered with briars and thistles. It was on the skirts of a wood, where by the uncertain light she might gather a few acorns, to swallow them like a beast. Ages had elapsed since evening; she was utterly changed. Beauty and queen of the village no more, she seemed with the change in her spirit to have changed her postures also. Among her acorns she squatted like a boar or a monkey. Thoughts far from human circled within her as she heard, or seemed to hear the hooting of an owl, followed by a burst of shrill laughter. She felt afraid, but perhaps it was the merry mockbird mimicking all those sounds, according to its wonted fashion.
But the laughter begins again: whence comes it? She can see nothing. Apparently it comes from an old oak. Distinctly, however, she hears these words: “So, here you are at last! You have come with an ill grace; nor would you have come now, if you had not tried the full depth of your last need. You were fain first to run the gauntlet of whips; to cry out and plead for mercy, haughty as you were; to be mocked, undone, forsaken, unsheltered even by your husband. Where would you have been this night, if I had not been charitable enough to show you the in pace getting ready for you in the tower? Late, very late, you are in coming to me, and only after they have called you the old woman. In your youth you did not treat me well, when I was your wee goblin, so eager to serve you. Now take your turn, if so I wish it, to serve me and kiss my feet.
“You were mine from birth through your inborn wickedness, through those devilish charms of yours. I was your lover, your husband. Your own has shut his door against you: I will not shut mine. I welcome you to my domains, my free prairies, my woods. How am I the gainer, you may say? Could I not long since have had you at any hour? Were you not invaded, possessed, filled with my flame? I changed your blood and renewed it: not a vein in your body where I do not flow. You know not yourself how utterly you are mine. But our wedding has yet to be celebrated with all the forms. I have some manners, and feel rather scrupulous. Let us be one for everlasting.”
“Oh! sir, in my present state, what should I say? For a long, long while back have I felt, too truly felt, that you were all my fate. With evil intent you caressed me, loaded me with favours, and made me rich, in order at length to cast me down. Yesterday, when the black greyhound bit my poor naked flesh, its teeth scorched me, and I said, ‘’Tis he!’ At night when that daughter of Herodias with her foul language scared the company, somebody put them up to the promising her my blood; and that was you!”
“True; but ’twas I who saved you and brought you hither. I did everything, as you have guessed. I ruined you, and why? That I might have you all to myself. To speak frankly, I was tired of your husband. You took to haggling and pettifogging: far otherwise do I go to work; I want all or none. This is why I have moulded and drilled you, polished and ripened you, for my own behoof. Such, you see, is my delicacy of taste. I don’t take, as people imagine, those foolish souls who would give themselves up at once. I prefer the choicer spirits, who have reached a certain dainty stage of fury and despair. Stop: I must let you know how pleasant you look at this moment. You are a great beauty, a most desirable soul. I have loved you ever so long, but now I am hungering for you.
“I will do things on a large scale, not being one of those husbands who reckon with their betrothed. If you wanted only riches, you should have them in a trice. If you wanted to be queen in the stead of Joan of Navarre, that too, though difficult, should be done, and the King would not lose much thereby in the matter of pride and haughtiness. My wife is greater than a queen. But, come, tell me what you wish.”
“Sir, I ask only for the power of doing evil.”
“A delightful answer, very delightful! Have I not cause to love you? In reality those words contain all the law and all the prophets. Since you have made so good a choice, all the rest shall be thrown in, over and above. You shall learn all my secrets. You shall see into the depths of the earth. The whole world shall come and pour out gold at thy feet. See here, my bride, I give you the true diamond, Vengeance. I know you, rogue; I know your most hidden desires. Ay, our hearts on that point understand each other well! Therein at least shall I have full possession of you. You shall behold your enemy on her knees at your feet, begging and praying for mercy, and only too happy to earn her release by doing whatever she has made you do. She will burst into tears; and you will graciously say, No: whereon she will cry, ‘Death and damnation!’ ... Come, I will make this my special business.”
“Sir, I am at your service. I was thankless indeed, for you have always heaped favours on me. I am yours, my master, my god! None other do I desire. Sweet are your endearments, and very mild your service.”
And so she worships him, tumbling on all-fours. At first she pays him, after the forms of the Temple, such homage as betokens the utter abandonment of the will. Her master, the Prince of this World, the Prince of the Winds, breathes upon her in his turn, like an eager spirit. She receives at once the three sacraments, in reverse order—baptism, priesthood, and marriage. In this new Church, the exact opposite of the other, everything must be done the wrong way. Meekly, patiently, she endures the cruel initiation,[35] borne up by that one word, “Vengeance!”
Far from being crushed or weakened by the infernal thunderbolt, she arose with an awful vigour and flashing eyes. The moon, which for a moment had chastely covered herself, took flight on seeing her again. Blown out to an amazing degree by the hellish vapour, filled with fire, with fury, and with some new ineffable desire, she grew for a while enormous with excess of fulness, and displayed a terrible beauty. She looked around her, and all nature was changed. The trees had gotten a tongue, and told of things gone by. The herbs became simples. The plants which yesterday she trod upon as so much hay, were now as people discoursing on the art of medicine.
She awoke on the morrow far, very far, from her enemies, in a state of thorough security. She had been sought after, but they had only found some scattered shreds of her unlucky green gown. Had she in her despair flung herself headlong into the torrent? Or had she been carried off alive by the Devil? No one could tell. Either way she was certainly damned, which greatly consoled the lady for having failed to find her.
Had they seen her they would hardly have known her again, she was so changed. Only the eyes remained, not brilliant, but armed with a very strange and a rather deterring glimmer. She herself was afraid of frightening: she never lowered them, but looked sideways, so that the full force of their beams might be lost by slanting them. From the sudden browning of her hue people would have said that she had passed through the flame. But the more watchful felt that the flame was rather in herself, that she bore about her an impure and scorching heat. The fiery dart with which Satan had pierced her was still there, and, as through a baleful lamp, shot forth a wild, but fearfully witching sheen. Shrinking from her, you would yet stand still, with a strange trouble filling your every sense.
She saw herself at the mouth of one of those troglodyte caves, such as you find without number in the hills of the Centre and the West of France. It was in the borderland, then wild, between the country of Merlin and the country of Melusina. Some moors stretching out of sight still bear witness to the ancient wars, the unceasing havoc, the many horrors, which prevented the country being peopled again. There the Devil was in his home. Of the few inhabitants most were his zealous worshippers. Whatever attractions he might have found in the rough brakes of Lorraine, the black pine-forests of the Jura, or the briny deserts of Burgos, his preferences lay, perhaps, in our western marches. There might be found not only the visionary shepherd, that Satanic union of the goat and the goatherd, but also a closer conspiracy with nature, a deeper insight into remedies and poisons, a mysterious connection, whose links we know not, with Toledo the learned, the University of the Devil.
The winter was setting in: its breath having first stripped the trees, had heaped together the leaves and small boughs of dead wood. All this she found prepared for her at the mouth of her gloomy den. By a wood and moor, half a mile across, you came down within reach of some villages, which had grown up beside a watercourse. “Behold your kingdom!” said the voice within her. “To-day a beggar, to-morrow you shall be queen of the whole land.”
FOOTNOTES:
[35] This will be explained further on. We must guard against the pedantic additions of the sixteenth century writers.
CHAPTER VII.
THE KING OF THE DEAD.
At first she was not much affected by promises like these. A lonely hermitage without God, amidst the great monotonous breezes of the West, amidst memories all the more ruthless for that mighty solitude, of such heavy losses, such sharp affronts; a widowhood so hard and sudden, away from the husband who had left her to her shame—all this was enough to bow her down. Plaything of fate, she seemed like the wretched weed upon the moor, having no root, but tossed to and fro, lashed and cruelly cut by the north-east winds; or rather, perhaps, like the grey, many-cornered coral, which only sticks fast to get more easily broken. The children trampled on her; the people said, with a laugh, “She is the bride of the winds.”
Wildly she laughed at herself when she thought on the comparison. But, from the depth of her dark cave, she heard,—
“Ignorant and witless, you know not what you say. The plant thus tossing to and fro may well look down upon the rank and vulgar herbs. If it tosses, it is, at least, all self-contained—itself both flower and seed. Do thou be like it; be thine own root, and even in the whirlwind thou wilt still bear thy blossom: our own flowers for ourselves, as they come forth from the dust of tombs and the ashes of volcanoes.
“To thee, first flower of Satan, do I this day grant the knowledge of my former name, my olden power. I was, I am, the King of the Dead. Ay, have I not been sadly slandered? ’Tis I who alone can make them reappear; a boon untold, for which I surely deserved an altar.”
To pierce the future and to call up the past, to forestal and to live again the swift-flying moments, to enlarge the present with that which has been and that which will be—these are the two things forbidden to the Middle Ages; but forbidden in vain. Nature is invincible; nothing can be gained in such a quarter. He who thus errs is a man. It is not for him to be rooted to his furrow, with eyes cast down, looking nowhere beyond the steps he takes behind his oxen. No: we will go forward with head upraised, looking further and looking deeper! This earth that we measure out with so much care, we kick our feet upon withal, and keep ever saying to it, “What dost thou hold in thy bowels? What secrets lie therein? Thou givest us back the grain we entrust to thee; but not that human seed, those beloved dead, we have lent into thy charge. Our friends, our loves, that lie there, will they never bud again? Oh, that we might see them, if only for one hour, if only for one moment!
“Some day we ourselves shall reach the unknown land, whither they have already gone. But shall we see them again there? Shall we dwell with them? Where are they, and what are they doing? They must be kept very close prisoners, these dear dead of mine, to give me not one token! And how can I make them hear me? My father, too, whose only hope I was, who loved me with so mighty a love, why comes he never to me? Ah, me! on either side is bondage, imprisonment, mutual ignorance; a dismal night, where we look in vain for one glimmer!”[36]
These everlasting thoughts of Nature, from having in olden times been simply mournful, became in the Middle Ages painful, bitter, weakening, and the heart thereby grew smaller. It seems as if they had reckoned on flattening the soul, on pressing and squeezing it down to the compass of a bier. The burial of the serf between four deal boards was well suited to such an end: it haunted one with the notion of being smothered. A person thus enclosed, if ever he returned in one’s dreams, would no longer appear as a thin luminous shadow encircled by a halo of Elysium, but only as the wretched sport of some hellish griffin-cat. What a hateful and impious idea, that my good, kind father, my mother so revered by all, should become the plaything of such a beast! You may laugh now, but for a thousand years it was no laughing matter: they wept bitterly. And even now the heart swells with wrath, the very pen grates angrily upon the paper, as one writes down these blasphemous doings.
Moreover, it was surely a cruel device to transfer the Festival of the Dead from the Spring, where antiquity had placed it, to November. In May, where it fell at first, they were buried among the flowers. In March, wherein it was afterwards placed, it became the signal for labour and the lark. The dead and the seed of corn entered the earth together with the same hope. But in November, when all the work is done, the weather close and gloomy for many days to come; when the folk return to their homes; when a man, re-seating himself by the hearth, looks across on that place for evermore empty—ah, me! at such a time how great the sorrow grows! Clearly, in choosing a moment already in itself so funereal, for the obsequies of Nature, they feared that a man would not find cause enough of sorrow in himself!
The coolest, the busiest of men, however taken up they be with life’s distracting cares, have, at least, their sadder moments. In the dark wintry morning, in the night that comes on so swift to swallow us up in its shadow, ten years, nay, twenty years hence, strange feeble voices will rise up in your heart: “Good morning, dear friend, ’tis we! You are alive, are working as hard as ever. So much the better! You do not feel our loss so heavily, and you have learned to do without us; but we cannot, we never can, do without you. The ranks are closed, the gap is all but filled. The house that was ours is full, and we have blessed it. All is well, is better than when your father carried you about; better than when your little girl said, in her turn, to you, ‘Papa, carry me.’ But, lo! you are in tears. Enough, till we meet again!”
Alas, and are they gone? That wail was sweet and piercing: but was it just? No. Let me forget myself a thousand times rather than I should forget them! And yet, cost what it will to say so, say it we must, that certain traces are fading off, are already less clear to see; that certain features are not indeed effaced, but grown paler and more dim. A hard, a bitter, a humbling thought it is, to find oneself so weak and fleeting, wavering as unremembered water; to feel that in time one loses that treasure of grief which one had hoped to preserve for ever. Give it me back, I pray: I am too much bounden to so rich a fountain of tears. Trace me again, I implore you, those features I love so well. Could you not help me at least to dream of them by night?
More than one such prayer is spoken in the month of November. And amidst the striking of the bells and the dropping of the leaves, they clear out of church, saying one to another in low tones: “I say, neighbour; up there lives a woman of whom folk speak well and ill. For myself, I dare say nothing; but she has power over the world below. She calls up the dead, and they come. Oh, if she might—without sin, you know, without angering God—make my friends come to me! I am alone, as you must know, and have lost everything in this world. But who knows what this woman is, whether of hell or heaven? I won’t go (he is dying of curiosity all the while); I won’t. I have no wish to endanger my soul: besides, the wood yonder is haunted. Many’s the time that things unfit to see have been found on the moor. Haven’t you heard about Jacqueline, who was there one evening looking for one of her sheep? Well, when she returned, she was crazy. I won’t go.”
Thus unknown to each other, many of the men at least went thither. For as yet the women hardly dared so great a risk. They remark the dangers of the road, ask many questions of those who return therefrom. The new Pythoness is not like her of Endor, who raised up Samuel at the prayer of Saul. Instead of showing you the ghosts, she gives you cabalistic words and powerful potions to bring them back in your dreams. Ah, how many a sorrow has recourse to these! The grandmother herself, tottering with her eighty years, would behold her grandson again. By an unwonted effort, yet not without a pang of shame at sinning on the edge of the grave, she drags herself to the spot. She is troubled by the savage look of a place all rough with yews and thorns, by the rude, dark beauty of that relentless Proserpine. Prostrate, trembling, grovelling on the ground, the poor old woman weeps and prays. Answer there is none. But when she dares to lift herself up a little, she sees that Hell itself has been a-weeping.
It is simply Nature recovering herself. Proserpine blushes self-indignantly thereat. “Degenerate soul!” she calls herself, “why this weakness? You came hither with the firm desire of doing nought but evil. Is this your master’s lesson? How he will laugh at you for this!”
“Nay! Am I not the great shepherd of the shades, making them come and go, opening unto them the gate of dreams? Your Dante, when he drew my likeness, forgot my attributes. When he gave me that useless tail, he did not see that I held the shepherd’s staff of Osiris; that from Mercury I had inherited his caduceus. In vain have they thought to build up an insurmountable wall between the two worlds; I have wings to my heels, I have flown over. By a kindly rebellion of that slandered Spirit, of that ruthless monster, succour has been given to those who mourned; mothers, lovers, have found comfort. He has taken pity on them in defiance of their new god.”
The scribes of the Middle Ages, being all of the priestly class, never cared to acknowledge the deep but silent changes of the popular mind. It is clear that from thenceforth compassion goes over to Satan’s side. The Virgin herself, ideal as she is of grace, makes no answer to such a want of the heart. Neither does the Church, who expressly forbids the calling up of the dead. While all books delight in keeping up either the swinish demon of earlier times, or the griffin butcher of the second period, Satan has changed his shape for those who cannot write. He retains somewhat of the ancient Pluto; but his pale nor wholly ruthless majesty, that permitted the dead to come back, the living once more to see the dead, passes ever more and more into the nature of his father, or his grandfather, Osiris, the shepherd of souls.
Through this one change come many others. Men with their mouths acknowledge the hell official and the boiling caldrons; but in their hearts do they truly believe therein? Would it be so easy to win these infernal favours for hearts beset with hateful traditions of a hell of torments? The one idea neutralizes without wholly effacing the other, and between them grows up a vague mixed image, resembling more and more nearly the hell of Virgil. A mighty solace was here offered to the human heart. Blessed above all was the relief thus given to the poor women, whom that dreadful dogma about the punishment of their loved dead had kept drowned in tears and inconsolable. The whole of their lifetime had been but one long sigh.
The Sibyl was musing over her master’s words, when a very light step became audible. The day has scarcely dawned: it is after Christmas, about the first day of the new year. Over the crisp and rimy grass approaches a small, fair woman, all a-trembling, who has no sooner reached the spot, than she swoons and loses her breath. Her black gown tells plainly of her widowhood. To the piercing gaze of Medea, without moving or speaking, she reveals all: there is no mystery about her shrinking figure. The other says to her with a loud voice: “You need not tell me, little dumb creature, for you would never get to the end of it. I will speak for you. Well, you are dying of love!” Recovering a little, she clasps her hands together, and sinking almost on her knees, tells everything, making a full confession. She had suffered, wept, prayed, and would have silently suffered on. But these winter feasts, these family re-unions, the ill-concealed happiness of other women who, without pity for her, showed off their lawful loves, had driven the burning arrow again into her heart. Alas, what could she do? If he might but return and comfort her for one moment! “Be it even at the cost of my life; let me die, but only let me see him once more!”
“Go back to your house: shut the door carefully: put up the shutter even against any curious neighbour. Throw off your mourning, and put on your wedding-clothes; place a cover for him on the table; but yet he will not come. You will sing the song he made for you, and sang to you so often, but yet he will not come. Then you shall draw out of your box the last dress he wore, and, kissing it, say, ‘So much the worse for thee if thou wilt not come!’ And presently when you have drunk this wine, bitter, but very sleepful, you will lie down as a wedded bride. Then assuredly he will come to you.”
The little creature would have been no woman, if next morning she had not shown her joy and tenderness by owning the miracle in whispers to her best friend. “Say nought of it, I beg. But he himself told me, that if I wore this gown and slept a deep sleep every Sunday, he would return.”
A happiness not without some danger. Where would the rash woman be, if the Church learned that she was no longer a widow; that re-awakened by her love, the spirit came to console her?
But strange to tell, the secret is kept. There is an understanding among them all, to hide so sweet a mystery. For who has no concern therein? Who has not lost and mourned? Who would not gladly see this bridge created between two worlds? “O thou beneficent Witch! Blessed be thou, spirit of the nether world!”
FOOTNOTES:
[36] The glimmer shines forth in Dumesnil’s Immortalité, and La Foi Nouvelle, in the Ciel et Terre of Reynaud, Henry Martin, &c.
CHAPTER VIII.
THE PRINCE OF NATURE.
Hard is the long sad winter of the North-west. Even after its departure it renews its visits, like a drowsy sorrow which ever and again comes back and rages afresh. One morning everything wakes up decked with bright needles. In this cruel mocking splendour that makes one shiver through and through, the whole vegetable world seems turned mineral, loses its sweet diversity, and freezes into a mass of rough crystals.
The poor Sibyl, as she sits benumbed by her hearth of leaves, scourged by the flaying north-east winds, feels at her heart a cruel pang, for she feels herself all alone. But that very thought again brings her relief. With returning pride returns a vigour that warms her heart and lights up her soul. Intent, quick, and sharp, her sight becomes as piercing as those needles; and the world, the cruel world that caused her suffering, is to her transparent as glass. Anon she rejoices over it, as over a conquest of her making.
For is she not a queen, a queen with courtiers of her own? The crows have clearly some connection with her. In grave, dignified body they come like ancient augurs, to talk to her of passing things. The wolves passing by salute her timidly with sidelong glances. The bear, then oftener seen than now, would sometimes, in his heavily good-natured way, seat himself awkwardly at the threshold of her den, like a hermit calling on a fellow-hermit, just as we often see him in the Lives of the Desert Fathers.
All those birds and beasts with whom men only made acquaintance in hunting or slaying them, were outlawed as much as she. With all these she comes to an understanding; for Satan as the chief outlaw, imparts to his own the pleasures of natural freedom, the wild delight of living in a world sufficient unto itself.
Rough freedom of loneliness, all hail! The whole earth seems still clothed in a white shroud, held in bondage by a load of ice, of pitiless crystals, so uniform, sharp, and agonizing. After the year 1200 especially, the world is shut in like a transparent tomb, wherein all things look terribly motionless, hard, and stiff.
The Gothic Church has been called a “crystallization;” and so it truly is. About 1300, architecture gave up all its old variety of form and living fancies, to repeat itself for evermore, to vie with the monotonous prisms of Spitzbergen, to become the true and awful likeness of that hard crystal city, in which a dreadful dogma thought to bury all life away.
But for all the props, buttresses, flying-buttresses, that keep the monument up, one thing there is that makes it totter. There is no loud battering from without, but a certain softness in the very foundations, which attacks the crystal with an imperceptible thaw. What thing do I mean? The humble stream of warm tears shed by a whole world, until they have become a very sea of wailings. What do I call it? A breath of the future, a stirring of the natural life, which shall presently rise again in irresistible might. The fantastic building of which more than one side is already sinking, says, not without terror, to itself, “It is the breath of Satan.”
Beneath this Hecla-glacier lies a volcano which has no need of bursting out; a mild, slow, gentle heat, which caresses it from below, and, calling it nearer, says in a whisper, “Come down.”
The Witch has something to laugh at, if from the gloom she can see how utterly Dante and St. Thomas,[37] in the bright light yonder, ignore the true position of things. They fancy that the Devil wins his way by cunning or by terror. They make him grotesque and coarse, as in his childhood, when Jesus could still send him into the herd of swine. Or else they make him subtle as a logician of the schools, or a fault-finding lawyer. If he had been no better than this compound of beast and disputant,—if he had only lived in the mire or on fine-drawn quibbles about nothing, he would very soon have died of hunger.
People were too ready to crow over him, when he was shewn by Bartolus[38] pleading against the woman—that is, the Virgin—who gets him nonsuited and condemned with costs. At that time, indeed, the very contrary was happening on earth. By a master-stroke of his he had won over the plaintiff herself, his fair antagonist, the Woman; had seduced her, not indeed by verbal pleadings, but by arguments not less real than they were charming and irresistible. He put into her hands the fruits of science and of nature.
No need for controversies, for pleas of any kind: he simply shows himself. In the East, the new-found Paradise, he begins to work. From that Asian world, which men had thought to destroy, there springs forth a peerless day-dawn, whose beams travel afar until they pierce the deep winter of the West. There dawns on us a world of nature and of art, accursed of the ignorant indeed, but now at length come forward to vanquish its late victors in a pleasant war of love and motherly endearments. All are conquered, all rave about it; they will have nothing but Asia herself. With her hands full she comes to meet us. Her tissues, shawls, her carpets so agreeably soft, so wondrously harmonized, her bright and well-wrought blades, her richly damascened arms, make us aware of our own barbarism. Moreover, little as that may seem, these accursed lands of the “miscreant,” ruled by Satan, are visibly blessed with the fairest fruits of nature, that elixir of the powers of God; with the first of vegetables, coffee; with the first of beasts, the Arab horse. What am I saying?—with a whole world of treasures, silk, sugar, and a host of herbs all-powerful to relieve the heart, to soothe and lighten our sufferings.
All this breaks upon our view about the year 1300. Spain herself, whose brain is wholly fashioned out of Moors and Jews, for all that she is again subdued by the barbarous children of the Goth, bears witness in behalf of those miscreants. Wherever the Mussulman children of the Devil are at work, all is prosperous, the springs well forth, the ground is covered with flowers. A right worthy and harmless travail decks it with those wondrous vineyards, through which men recruit themselves, drowning all care, and seeming to drink in draughts of very goodness and heavenly compassion.
To whom does Satan bring the foaming cup of life? In this fasting world, which has so long been fasting from reason, what man was there strong enough to take all this in without growing giddy, without getting drunken and risking the loss of his wits?
Is there yet a brain so far from being petrified or crystallized by the teaching of St. Thomas, as to remain open to the living world, to its vegetative forces? Three magicians, Albert the Great, Roger Bacon, Arnaud of Villeneuve,[39] by strong efforts make their way to Nature’s secrets; but those lusty intellects lack flexibility and popular power. Satan falls back on his own Eve. The woman is still the most natural thing in the world; still keeps her hold on those traits of roguish innocence one sees in a kitten or a child of very high spirit. Besides, she figures much better in that world-comedy, that mighty game wherewith the universal Proteus disports himself.
But being light and changeful, she is all the less liable to be carked and hardened by pain! This woman, whom we have seen outlawed from the world, and rooted on her wild moor, affords a case in point. Have we yet to learn whether, bruised and soured as she is, with her heart full of hate, she will re-enter the natural world and the pleasant paths of life? Assuredly her return thither will not find her in good tune, will happen mainly through a round of ill. In the coming and going of the storm she is all the more scared and violent for being so very weak.
When in the mild warmth of spring, from the air, the depths of the earth, from the flowers and their languages, a new revelation rises round her on every side, she is taken dizzy at the first. Her swelling bosom overflows. The Sibyl of science has her tortures, like her of Cumæ or of Delphi. The schoolmen find their fun in saying, “It is the wind and nought else that blows her out. Her lover, the Prince of the Air, fills her with dreams and delusions, with wind, with smoke, with emptiness.” Foolish irony! So far from this being the true cause of her drunkenness, it is nothing empty, it is a real, a substantial thing, which has loaded her bosom all too quickly.
Have you ever seen the agave, that hard wild African shrub, so sharp, bitter, and tearing, with huge bristles instead of leaves? Ten years through it loves and dies. At length one day the amorous shoot, which has so long been gathering in the rough thing, goes off with a noise like gunfire, and darts skyward. And this shoot becomes a whole tree, not less than thirty feet high, and bristling with sad flowers.
Some such analogy does the gloomy Sibyl feel, when one morning of a spring-time, late in coming, and therefore impetuous at the last, there takes place all around her a vast explosion of life.
And all things look at her, and all things bloom for her. For every thing that has life says softly, “Whoso understands me, I am his.”
What a contrast! Here is the wife of the desert and of despair, bred up in hate and vengeance, and lo! all these innocent things agree to smile upon her! The trees, soothed by the south wind, pay her gentle homage. Each herb of the field, with its own special virtue of scent, or remedy, or poison—very often the three things are one—offers itself to her, saying, “Gather me.”
All things are clearly in love. “Are they not mocking me? I had been readier for hell than for this strange festival. O spirit, art thou indeed that spirit of dread whom once I knew, the traces of whose cruelty I bear about me—what am I saying, and where are my senses?—the wound of whose dealing scorches me still?
“Ah, no! ’Tis not the spirit whom I hoped for in my rage; ‘he who always says, No!’ This other one utters a yes of love, of drunken dizziness. What ails him? Is he the mad, the dazed soul of life?
“They spoke of the great Pan as dead. But here he is in the guise of Bacchus, of Priapus, eager with long-delayed desire, threatening, scorching, teeming. No, no! Be this cup far from me! Trouble only should I drink from it,—who knows? A despair yet sharper than my past despairs.”
Meanwhile wherever the woman appears, she becomes the one great object of love. She is followed by all, and for her sake all despise their own proper kind. What they say about the black he-goat, her pretended favourite, may be applied to all. The horse neighs for her, breaking everything and putting her in danger. The awful king of the prairie, the black bull, bellows with grief, should she pass him by at a distance. And, behold, yon bird despondingly turns away from his hen, and with whirring wings hastes to convince the woman of his love!
Such is the new tyranny of her master, who, by the funniest hap of all, foregoes the part accredited to him as king of the dead, to burst forth a very king of life.
“No!” she says; “leave me to my hatred: I ask for nothing more. Let me be feared and fearful! The beauty I would have, is only that which dwells in these black serpents of my hair, in this countenance furrowed with grief, and the scars of thy thunderbolt.” But the Lord of Evil replies with cunning softness: “Oh, but you are only the more beautiful, the more impressible, for this fiery rage of yours! Ay, call out and curse on, beneath one and the same goad! ’Tis but one storm calling another. Swift and smooth is the passage from wrath to pleasure.”
Neither her fury nor her pride would have saved her from such allurements. But she is saved by the boundlessness of her desire. There is nought will satisfy her. Each kind of life for her is all too bounded, wanting in power. Away from her, steed and bull and loving bird! Away, ye creatures all! for one who desires the Infinite, how weak ye are!
She has a woman’s longing; but for what? Even for the whole, the great all-containing whole. Satan did not foresee that no one creature would content her.
That which he could not do, is done for her in some ineffable way. Overcome by a desire so wide and deep, a longing boundless as the sea, she falls asleep. At such a moment, all else forgot, no touch of hate, no thought of vengeance left in her, she slumbers on the plain, innocent in her own despite, stretched out in easy luxuriance like a sheep or a dove.
She sleeps, she dreams; a delightful dream! It seemed as if the wondrous might of universal life had been swallowed up within her; as if life and death and all things thenceforth lay fast in her bowels; as if in return for all her suffering, she was teeming at last with Nature herself.
FOOTNOTES:
[37] St. Thomas Aquinas, the “Angelic Doctor,” who died in 1274.—Trans.
[38] Bartolus or Bartoli, a lawyer and law-writer of the fourteenth century.—Trans.
[39] Three eminent schoolmen of the thirteenth century, whose scientific researches pointed the way to future discoveries.—Trans.
CHAPTER IX.
THE DEVIL A PHYSICIAN.
That still and dismal scene of the Bride of Corinth, is repeated literally from the thirteenth to the fifteenth century. While it was yet night, just before the daybreak, the two lovers, Man and Nature, meet again, embrace with rapture, and, at that same moment—horrible to tell!—behold themselves attacked by fearful plagues. We seem still to hear the loved one saying to her lover, “It is all over: thy hair will be white to-morrow. I am dead, and thou too wilt die.”
Three dreadful blows happen in these three centuries. In the first we have a loathsome changing of the outer man, diseases of the skin, above all, leprosy. In the second, the evil turns inwards, becomes a grotesque excitement of the nerves, a fit of epileptic dancing. Then all grows calm, but the blood is changed, and ulcers prepare the way for syphilis, the scourge of the fifteenth century.
Among the chief diseases of the Middle Ages, so far as one can look therein, to speak generally, had been hunger, weakness, poverty of blood, that kind of consumption which is visible in the sculptures of that time. The blood was like clear water, and scrofulous ailments were rife everywhere. Barring the well-paid doctors, Jew or Arab, of the kings, the art of medicine was practised only with, holy water at the church door. Thither on Sundays, after the service, would come a crowd of sick, to whom words like these were spoken: “You have sinned and God has afflicted you. Be thankful: so much the less will you suffer in the next world. Resign yourselves to suffer and to die. The Church has prayers for the dead.” Weak, languishing, hopeless, with no desire to live, they followed this counsel faithfully, and let life go its way.
A fatal discouragement, a wretched state of things, that would have prolonged without end these ages of lead, and debarred them from all progress! Worst of all things is it to resign oneself so readily, to welcome death with so much docility, to have strength for nothing, to desire nothing. Of more worth was that new era, that close of the Middle Ages, which at the cost of cruel sufferings first enabled us to regain our former energy; namely, the resurrection of desire.
Some Arab writers have asserted that the widespread eruption of skin-diseases which marks the thirteenth century, was caused by the taking of certain stimulants to re-awaken and renew the defaults of passion. Undoubtedly the burning spices brought over from the East, tended somewhat to such an issue. The invention of distilling and of divers fermented drinks may also have worked in the same direction.
But a greater and far more general fermentation was going on. During the sharp inward struggle between two worlds and two spirits, a third surviving silenced both. As the fading faith and the newborn reason were disputing together, somebody stepping between them caught hold of man. You ask who? A spirit unclean and raging, the spirit of sour desires, bubbling painfully within.
Debarred from all outlet, whether of bodily enjoyment, or the free flow of soul, the sap of life thus closely rammed together, was sure to corrupt itself. Bereft of light, of sound, of speech, it spoke through pains and ominous excrescences. Then happened a new and dreadful thing. The desire put off without being diminished, finds itself stopped short by a cruel enchantment, a shocking metamorphosis.[40] Love was advancing blindly with open arms. It recoils groaning; but in vain would it flee: the fire of the blood keeps raging; the flesh eats itself away in sharp titillations, and sharper within rages the coal of fire, made fiercer by despair.
What remedy does Christian Europe find for this twofold ill? Death and captivity; nothing more. When the bitter celibacy, the hopeless love, the passion irritable and ever-goading, bring you into a morbid state; when your blood is decomposing, then you shall go down into an In pace, or build your hut in the desert. You must live with the handbell in your hand, that all may flee before you. “No human being must see you: no consolation may be yours. If you come near, ’tis death.”
Leprosy is the last stage, the apogee of this scourge; but a thousand other ills, less hideous but still cruel, raged everywhere. The purest and the most fair were stricken with sad eruptions, which men regarded as sin made visible, or the chastisement of God. Then people did what the love of life had never made them do: they forsook the old sacred medicine, the bootless holy water, and went off to the Witch. From habit and fear as well, they still repaired to church; but thenceforth their true church was with her, on the moor, in the forest, in the desert. To her they carried their vows.
Prayers for healing, prayers for pleasure. On the first effervescing of their heated blood, folk went to the Sibyl, in great secrecy, at uncertain hours. “What shall I do? and what is this I feel within me? I burn: give me some lenitive. I burn: grant me that which causes my intolerable desire.”
A bold, a blamable journey, for which they reproach themselves at night. Let this new fatality be never so urgent, this fire be never so torturing, the Saints themselves never so powerless; still, have not the indictment of the Templars and the proceedings of Pope Boniface unveiled the Sodom lying hid beneath the altar? But a wizard Pope, a friend of the Devil, who also carried him away, effects a change in all their ideas. Was it not with the Demon’s help that John XXII., the son of a shoemaker, a Pope no more of Rome, succeeded in amassing in his town of Avignon more gold than the Emperor and all the kings? As the Pope is, so is the bishop. Did not Guichard, Bishop of Troyes, procure from the Devil the death of the King’s daughters? No death we ask for—we; but pleasant things—for life, for health, for beauty, and for pleasure: the things of God which God refuses. What shall we do? Might we but win them through the grace of the Prince of this World!
When the great and mighty doctor of the Renaissance, Paracelsus, cast all the wise books of ancient medicine into the fire, Latin, and Jewish, and Arabic, all at once, he declared that he had learned none but the popular medicine, that of the good women,[41] the shepherds, and the headsmen, the latter of whom made often good horse-doctors and clever surgeons, resetting bones broken or put out of joint.
I make no doubt but that his admirable and masterly work on The Diseases of Women—the first then written on a theme so large, so deep, so tender—came forth from his special experience of those women to whom others went for aid; of the witches, namely, who always acted as the midwives: for never in those days was a male physician admitted to the woman’s side, to win her trust in him, to listen to her secrets. The witches alone attended her, and became, especially for women, the chief and only physician.
What we know for surest with regard to their medicinal practice is, that for ends the most different, alike to stimulate and to soothe, they made use of one large family of doubtful and very dangerous plants, called, by reason of the services they rendered, The Comforters, or Solaneæ.[42]
A vast and popular family, many kinds of which abound to excess under our feet, in the hedges, everywhere—a family so numerous that of one kind alone we have eight hundred varieties.[43] There is nothing easier, nothing more common, to find. But these plants are mostly dangerous in the using. It needs some boldness to measure out a dose, the boldness, perhaps, of genius.
Let us, step by step, mount the ladder of their powers.[44] The first are simply pot-herbs, good for food, such as the mad-apples and the tomatoes, miscalled “love-apples.” Other, of the harmless kinds, are sweetness and tranquillity itself, as the white mullens, or lady’s fox-gloves, so good for fomentations.
Going higher up, you come on a plant already suspicious, which many think a poison, a plant which at first seems like honey and afterwards tastes bitter, reminding one of Jonathan’s saying, “I have eaten a little honey, and therefore shall I die.” But this death is serviceable, a dying away of pain. The “bittersweet” should have been the first experiment of that bold homœopathy which rose, little by little, up to the most dangerous poisons. The slight irritation and the tingling which it causes might point it out as a remedy for the prevalent diseases of that time, those, namely, of the skin.
The pretty maiden who found herself woefully adorned with uncouth red patches, with pimples, or with ringworm, would come crying for such relief. In the case of an elder woman the hurt would be yet more painful. The bosom, most delicate thing in nature, with its innermost vessels forming a matchless flower, becomes, through its injective and congestive tendencies, the most perfect instrument for causing pain. Sharp, ruthless, restless are the pains she suffers. Gladly would she accept all kinds of poison. Instead of bargaining with the Witch, she only puts her poor hard breast between her hands.
From the bittersweet, too weak for such, we rise to the dark nightshades, which have rather more effect. For a few days the woman is soothed. Anon she comes back weeping. “Very well, to-night you may come again. I will fetch you something, as you wish me; but it will be a strong poison.”
It was a heavy risk for the Witch. At that time they never thought that poisons could act as remedies, if applied outwardly or taken in very weak doses. The plants they compounded together under the name of witches’ herbs, seemed to be but ministers of death. Such as were found in her hands would have proved her, in their opinion, a poisoner or a dealer in accursed charms. A blind crowd, all the more cruel for its growing fears, might fell her with a shower of stones, or make her undergo the trial by water—the noyade. Or even—most dreadful doom of all!—they might drag her with a rope round her neck to the churchyard, where a pious festival was held and the people edified by seeing her thrown to the flames.
However, she runs the risk, and fetches home the dreadful plant. The other woman comes back to her abode by night or morning, whenever she is least afraid of being met. But a young shepherd, who saw her there, told the village, “If you had seen her as I did, gliding among the rubbish of the ruined hut, looking about her on all sides, muttering I know not what! Oh, but she has frightened me very much! If she had seen me, I was a lost man. She would have changed me into a lizard, a toad, or a bat. She took a paltry herb—the paltriest I ever saw—of a pale sickly yellow, with red and black marks, like the flames, as they say, of hell. The horror of the thing is, that the whole stalk was hairy like a man, with long, black, sticky hairs. She plucked it roughly, with a grunt, and suddenly I saw her no more. She could not have run away so quick; she must have flown. What a dreadful thing that woman is! How dangerous to the whole country!”
Certainly the plant inspires dread. It is the henbane, a cruel and dangerous poison, but a powerful emollient, a soft sedative poultice, which melts, unbends, lulls to sleep the pain, often taking it quite away.
Another of these poisons—the Belladonna, so called, undoubtedly, in thankful acknowledgment, had great power in laying the convulsions that sometimes supervened in childbirth, and added a new danger, a new fear, to the danger and the fear of that most trying moment. A motherly hand instilled the gentle poison, casting the mother herself into a sleep, and smoothing the infant’s passage, after the manner of the modern chloroform, into the world.[45]
Belladonna cures the dancing-fits while making you dance. A daring homœopathy this, which at first must frighten: it is medicine reversed, contrary in most things to that which alone the Christians studied, which alone they valued, after the example of the Jews and Arabs.
How did men come to this result? Undoubtedly by the simple effect of the great Satanic principle, that everything must be done the wrong way, the very opposite way to that followed by the holy people. These latter have a dread of poisons. Satan uses them and turns them into remedies. The Church thinks by spiritual means, by sacraments and prayers, to act even on the body. Satan, on the other hand, uses material means to act even upon the soul, making you drink of forgetfulness, love, reverie, and every passion. To the blessing of the priest he opposes the magnetic passes made by the soft hands of women, who cheat you of your pains.
By a change of system, and yet more of dress, as in the substitution of linen for wool, the skin-diseases lost their intensity. Leprosy abated, but seemed to go inwards and beget deeper ills. The fourteenth century wavered between three scourges—the epileptic dancings, the plague, and the sores which, according to Paracelsus, led the way to syphilis.
The first danger was not the least. About 1350 it broke out in a frightful manner with the dance of St. Guy, and was singular especially in this, that it did not act upon each person separately. As if carried on by one same galvanic current, the sick caught each other by the hand, formed immense chains, and spun and spun round till they died. The spectators, who laughed at first, presently catching the contagion, let themselves go, fell into the mighty current, increased the terrible choir.
What would have happened if the evil had held on as long as leprosy did even in its decline?
It was the first step, as it were, towards epilepsy. If that generation of sufferers had not been cured, it would have begotten another decidedly epileptic. What a frightful prospect! Think of Europe covered with fools, with idiots, with raging madmen! We are not told how the evil was treated and checked. The remedy prescribed by most, the falling upon these jumpers with kicks and cuffings, was entirely fitted to increase the frenzy and turn it into downright epilepsy.[46] Doubtless there was some other remedy, of which people were loth to speak. At the time when witchcraft took its first great flight, the widespread use of the Solaneæ, above all, of belladonna, vulgarized the medicine which really checked those affections. At the great popular gatherings of the Sabbath, of which we shall presently speak, the witches’ herb, mixed with mead, beer, cider,[47] or perry (the strong drinks of the West), set the multitude dancing a dance luxurious indeed, but far from epileptic.
But the greatest revolution caused by the witches, the greatest step the wrong way against the spirit of the Middle Ages, was what may be called the reënfeoffment of the stomach and the digestive organs. They had the boldness to say, “There is nothing foul or unclean.” Thenceforth the study of matter was free and boundless. Medicine became a possibility.
That this principle was greatly abused, we do not deny; but the principle is none the less clear. There is nothing foul but moral evil. In the natural world all things are pure: nothing may be withheld from our studious regard, nothing be forbidden by an idle spiritualism, still less by a silly disgust.
It was here especially that the Middle Ages showed themselves in their true light, as anti-natural, out of Nature’s oneness drawing distinctions of castes, of priestly orders. Not only do they count the spirit noble, and the body ignoble; but even parts of the body are called noble, while others are not, being evidently plebeian. In like manner heaven is noble, and hell is not; but why?—“Because heaven is high up.” But in truth it is neither high nor low, being above and beneath alike. And what is hell? Nothing at all. Equally foolish are they about the world at large and the smaller world of men.
This world is all one piece: each thing in it is attached to all the rest. If the stomach is servant of the brain and feeds it, the brain also works none the less for the stomach, perpetually helping to prepare for it the digestive sugar.[48]
There was no lack of injurious treatment. The witches were called filthy, indecent, shameless, immoral. Nevertheless, their first steps on that road may be accounted as a happy revolution in things most moral, in charity and kindness. With a monstrous perversion of ideas the Middle Ages viewed the flesh in its representative, woman,—accursed since the days of Eve—as a thing impure. The Virgin, exalted as Virgin more than as Our Lady, far from lifting up the real woman, had caused her abasement, by setting men on the track of a mere scholastic puritanism, where they kept rising higher and higher in subtlety and falsehood.
Woman herself ended by sharing in the hateful prejudice and deeming herself unclean. She hid herself at the hour of childbed. She blushed at loving and bestowing happiness on others. Sober as she mostly was in comparison with man, living as she mostly did on herbs and fruits, sharing through her diet of milk and vegetables the purity of the most innocent breeds, she almost besought forgiveness for being born, for living, for carrying out the conditions of her life.
The medical art of the Middle Ages busied itself peculiarly about the man, a being noble and pure, who alone could become a priest, alone could make God at the altar. It also paid some attention to the beasts, beginning indeed with them; but of children it thought seldom: of women not at all.
The romances, too, with their subtleties pourtray the converse of the world. Outside the courts and highborn adulterers, which form the chief topic of these romances, the woman is always a poor Griselda, born to drain the cup of suffering, to be often beaten, and never cared for.
In order to mind the woman, to trample these usages under foot, and to care for her in spite of herself, nothing less would serve than the Devil, woman’s old ally, her trusty friend in Paradise, and the Witch, that monster who deals with everything the wrong way, exactly contrariwise to that of the holier people. The poor creature set such little store by herself. She would shrink back, blushing, and loth to say a word. The Witch being clever and evil-hearted, read her to the inmost depths. Ere long she won her to speak out, drew from her her little secret, overcame her refusals, her modest, humble hesitations. Rather than undergo the remedy, she was willing almost to die. But the cruel sorceress made her live.