Labor and the Angel

Chapter 11: THE ONONDAGA MADONNA.

Open in WeRead

Explore more books like this:

About This Book

A collection of lyrical and narrative poems that intertwine rural and natural imagery with meditations on work, love, and moral responsibility. Poems depict harvests, seasonal change, and small lives—often pairing intimate domestic scenes with broader social observation—while recurring angelic and spiritual motifs frame labor as both suffering and sacred duty. Several sequences offer seasonal songs and short dramatic narratives; others turn to elegiac or reflective moods, addressing poverty, endurance, consolation, and the consolatory powers of love and service. The tone ranges from vivid sensory description to moral and communal critique, united by plain diction and musical cadence.

THE ONONDAGA MADONNA.

She stands full-throated and with careless pose,
This woman of a weird and waning race,
The tragic savage lurking in her face,
Where all her pagan passion burns and glows;
Her blood is mingled with her ancient foes,
And thrills with war and wildness in her veins;
Her rebel lips are dabbled with the stains
Of feuds and forays and her father’s woes.

And closer in the shawl about her breast,
The latest promise of her nation’s doom,
Paler than she her baby clings and lies,
The primal warrior gleaming from his eyes;
He sulks, and burdened with his infant gloom,
He draws his heavy brows and will not rest.