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Labor and the Angel

Chapter 12: WATKWENIES.[1]
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About This Book

A collection of lyrical and narrative poems that intertwine rural and natural imagery with meditations on work, love, and moral responsibility. Poems depict harvests, seasonal change, and small lives—often pairing intimate domestic scenes with broader social observation—while recurring angelic and spiritual motifs frame labor as both suffering and sacred duty. Several sequences offer seasonal songs and short dramatic narratives; others turn to elegiac or reflective moods, addressing poverty, endurance, consolation, and the consolatory powers of love and service. The tone ranges from vivid sensory description to moral and communal critique, united by plain diction and musical cadence.

WATKWENIES.[1]

Vengeance was once her nation’s lore and law:
When the tired sentry stooped above the rill,
Her long knife flashed, and hissed, and drank its fill;
Dimly below her dripping wrist she saw,
One wild hand, pale as death and weak as straw,
Clutch at the ripple in the pool; while shrill
Sprang through the dreaming hamlet on the hill,
The war-cry of the triumphant Iroquois.
Now clothed with many an ancient flap and fold,
And wrinkled like an apple kept till May,
She weighs the interest-money in her palm,
And, when the Agent calls her valiant name,
Hears, like the war-whoops of her perished day,
The lads playing snow-snake in the stinging cold.