43
AMBROSE finds it difficult to decide from the recital that Lychnis gave him what was her dominant mood during the following days. There was an element she did not dwell on, but it was important—an element of incredulity, perhaps, at finding her grief supportable. We see her flitting about the woods, driven, in company with the leaves; the wind was her own bewilderment. Mostly she went with her eyes on the ground. Sometimes, no doubt, she would stamp her foot in anger for the pleasant days Yuan had ruined, and wring her hands out of helplessness. But it seems there were also days of which she tells little—days when she surprisingly lost her trouble in adoration of their splendid heedlessness. That heedlessness was a character of the universe with which she now discovered in herself a surprising affinity.
Of one critical day she told nothing at all until long after, and for some time Ambrose left blank pages in the diary. But one day he was able to fill them in.
All was turning brown in the woods. Not a green leaf of summer. Nothing but early twilight falling over the mountain hut, and sad autumn rain. Yet, oddly, she did not feel a commensurate gloom. The clouds drove across the sky, now lowering and resentful, now swift and angry, now melting in vapour of tears, now piling onward high and contemptuous. But her spirit did not answer these changes; it remained calm; it derived a satisfaction from the magnificence of the moving cloudscape; it exulted, even, in the deep and steady passion of the waterfall pouring from the wooded shoulder of a mountain, in the vast tranquillity of the high crags that floated above seas of rain. She stood in the shelter of an overhung rock—a tiny, green-robed figure in the majesty of the mountains—and examined her state of mind. Where was her grief? Washed away on the rain that swept in gusts over the distant Lake. Where was the bundle of moods that made up her troublesome self? Blown away on the winds that tore through the pines, shattered and obliterated like the leaves of summer. Had she any regret for her loneliness? She was incredulous to find that she desired no companion, that she had need of no human being. Had she any fear of the solitude of the mountains? She looked round at the wizard shapes of pine-tree and rock to see if she could frighten herself, and there was nothing in her mind but a strange, sweet, and growing exultation. All alone under the huge overhung crag she laughed her tiny insect laugh—and checked herself, for surely it was absurd that she felt no grief. But there it was, a sensation as if waves out of heaven had flowed into the body that her self, Lychnis, had vacated. Such a thing was preposterous, she decided; and pursued her way homeward, resolvedly denying the almost intolerable pleasure that invaded her. She walked with the heavy gait of one who suffers.
Then, fronting her, in a thicket by a glade, she perceived the merry, blanched face of Wang Li, peeping among brown leaves that fluttered and danced on his aged bald head. A wild fawn nuzzled in his hand. He called her, and she approached him with the demure gait of one who is sorrow-stricken, but underneath this dissembling her heart beat like a bird’s, for she seemed to be standing within the play of forces that flowed from him. Out of the corner of her eye she stole a glance at the smiling, scant-bearded visage. He was unguessably old, yet younger than the flowers that had been in the glade that April. He was full of a frightening, unhuman wisdom; on his face there played the wrinkles of a vast laughter. And unmistakably she found in herself something corresponding.
“So Yuan has abandoned you,” he said, “and you do not know where to find some relief from your temporary sorrow.”
She caught his eye. There were lightnings in it before which her dissembling vanished like silk on hot coals. She broke into peal after peal of laughter, and Wang beat his old head in an ecstasy of merriment. The fawn cropped the grass in complete indifference.
But swiftly she became grave again. “I do not understand myself,” she told him.
“It is simple enough.”
“All the same, I don’t understand why, when I was so dearly in love with Yuan....”
“In love with your left knee!”
“What do you mean then? Was I not in love?” She reflected, almost prepared, now, to believe it. “It is true, there was always a hesitation. But I can explain that.”
He doubled up with laughter.
“I really can. There was a difference of flesh between us. He was a foreigner, you see.”
The echoes of his laughter drifted to the mountains.
She was a little mortified. “It is insulting of you not to believe me. I only know that I shall never love any man again.” Now the deep pleasures of the summer came back to her heart, giving it a twist.
The fountains of Wang’s mirth were too much for him. His bleached and shrunken old body could hardly contain the elemental upwelling. The universe itself laughed at her in his old eyes as it had rained in Yuan’s. “Let us walk,” he gasped; “let us go home.” He wiped tears from his cheeks. Then once more the beauty of it overwhelmed him. “She can never love again!” He held his sides.
“Well,” she expostulated, “there is nobody. I could not love my father or my old friend Ambrose. The rest bore me. I do not want love. I have this queer new pleasure in me instead.”
They scrambled down the valleys, he subject to recurrent fits of amusement. She could not withstand him, and at last allowed herself to regard Yuan’s seriousness and her own bewilderment as a joke. “What has come to me?” she asked the old Sage.
“Death,” he answered.
Was this true? She felt as one who recognizes that a tide is about to seize and drown her.
“If not dead, you are dying,” he continued. “Did not Yuan give you the mystic peach that shrivels the soul and leaves a house for another inhabitant?”
“But you said I am to love,” she protested, displaying an agitation that came uppermost in spite of herself, an agitation that did not really seem to belong to her. “How can I love when I am dead and have no desire?”
“Cannot the immortal take pleasure in love—in compelling lips, in hands that awaken, in...?” In so-and-so and in so-and-so. The old man made her blush with his account of the delights of the senses.
“But you,” she interpolated—“you are a Sage ... you are above desire....”
“A Sage is not necessarily a drivelling idiot,” he replied. “I am very old. It is more than a hundred years since I was interested in what may interest a younger man, and the immortal in-dweller has other objects with me. But there was a time.... The unnameable, when he takes the place of the self, has no objection whatever to making use of the furniture. But he is master of desire.”
“But why did I not stay with Yuan and meditate with him for ever?”
“Because you are a woman and have more sense. Oh, the seriousness of these young men! He will get over it, as I did. But he has done his duty.”
“But why did he give me the peach?” She had so many questions to ask.
“The immediate occasion was your firmness of heart in following the strange beckonings of the imagination. In consequence you have lost your soul and gained the no-soul. This is immortality. Regard yourself as one of the lucky ones of the world, for infinity now lives in you. Joy and sorrow will be lost in transcending experience. None can withstand the silent and invisible force that possesses you, and nobody can take it away. Accept what has happened to you, young woman. Regard yourself as being dead to the world, and at the same time, when your lover kisses that coral mouth, bite his lip with your little teeth.”
They had come to the shore of the Lake, and he took her back to the island in his boat. She gave herself to the tide of immortality that was flowing into her throat, choking the life in her. She had become very serious now, but suddenly he looked up and said: “What fools we are to speak what cannot be spoken, imagining that what we say corresponds with reality!” His ironical laughter rang out over the Lake.