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Last Poems: Translations from the Book of Indian Love cover

Last Poems: Translations from the Book of Indian Love

Chapter 16: Khristna and His Flute
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About This Book

The collection gathers lyrical poems rendered as translations or imitations of love songs and laments set in an exoticized eastern milieu, presenting intimate monologues that explore desire, jealousy, mourning, and the interplay of sensuality and spiritual yearning. Vivid sensory imagery—flowers, spices, night, ritual, dance, and seafaring—frames recurring motifs of loss, unrequited passion, and elegiac remembrance. Many pieces assume the voice of longing speakers, blending eroticism with melancholy and occasional bitterness, while others meditate on heroism, sacrifice, and the social rituals that shape intimate life. A mix of narrative lyric and descriptive pieces yields a unified mood of intense emotion and poetic exoticism.

Khristna and His Flute

(Translation by Moolchand)

Be still, my heart, and listen,
For sweet and yet acute
I hear the wistful music
Of Khristna and his flute.
Across the cool, blue evenings,
Throughout the burning days,
Persuasive and beguiling,
He plays and plays and plays.
Ah, none may hear such music
Resistant to its charms,
The household work grows weary,
And cold the husband’s arms.
I must arise and follow,
To seek, in vain pursuit,
The blueness and the distance,
The sweetness of that flute!
In linked and liquid sequence,
The plaintive notes dissolve
Divinely tender secrets
That none but he can solve.
Oh, Khristna, I am coming,
I can no more delay.
“My heart has flown to join thee,”
How can my footsteps stay?
Beloved, such thoughts have peril;
The wish is in my mind
That I had fired the jungle,
And left no leaf behind,—
Burnt all bamboos to ashes,
And made their music mute,—
To save thee from the magic
Of Khristna and his flute.