About This Book
The collection gathers lyrical poems rendered as translations or imitations of love songs and laments set in an exoticized eastern milieu, presenting intimate monologues that explore desire, jealousy, mourning, and the interplay of sensuality and spiritual yearning. Vivid sensory imagery—flowers, spices, night, ritual, dance, and seafaring—frames recurring motifs of loss, unrequited passion, and elegiac remembrance. Many pieces assume the voice of longing speakers, blending eroticism with melancholy and occasional bitterness, while others meditate on heroism, sacrifice, and the social rituals that shape intimate life. A mix of narrative lyric and descriptive pieces yields a unified mood of intense emotion and poetic exoticism.
His back is bent and his lips are blue,
Shivering out in the wet:
“Here’s a florin, my man, for you,
Go and get drunk and forget!”
Right in the midst of a Christian land,
Rotted with wealth and ease,
Broken and draggled they let him stand
Till his feet on the pavement freeze.
God leaves His poor in His vicars’ care,
For He hears the church-bells ring,
His ears are buzzing with constant prayer
And the hymns His people sing.
Can His pity picture the anguish here,
Can He see, through a London fog,
The man who has worked “nigh seventy year”
To die the death of a dog?
No one heeds him, the crowds pass on.
Why does he want to live?
“Take this florin, and get you gone,
Go and get drunk,—and forgive!”