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Le seduzioni - Le vergini folli cover

Le seduzioni - Le vergini folli

Chapter 12: la guarigione
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About This Book

The collection gathers lyrical sequences and sonnets in a confessional voice that probes modern female identity, desire, and social performance. One extended autobiographical sequence composed of many thirteen-line terzine reads like a novel without plot, tracing appetite, flirtation, indifference, and the exhilaration of urban fashion and nightlife; other poems, including more compact sonnets, record earlier romantic suffering and youthful passions. The speaker juxtaposes classical female archetypes with a contemporary Parisian model to explore ambivalence toward love, liberty, and reputation, using vivid sensory detail, psychological introspection, and recurring images of gaze, costume, jealousy, and theatricalized seduction.

la guarigione

Ma alle porte del ciel spiò il domani

madonna Primavera, vïolette

sciolte recando nelle cave mani.

E colei che soffriva si godette

un poco di quel riso mattinale

che vestiva di fior tutte le vette.

E un'erba o un fiore buono pel suo male,

mossa a pietà, la bella maliarda

forse le insinuò sotto il guanciale.

Come un'inferma in cui vita riarda

a poco a poco, io errai quasi leggiera

per gli orti rosa, quasi già gagliarda

cantando: — Grazie, monna Primavera!