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Legends & Romances of Spain

Chapter 148: Conclusion
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About This Book

This study surveys Spanish medieval and popular romances, tracing their sources from the cantares de gesta and the Poema del Cid through the chivalric novels exemplified by Amadis de Gaul and its numerous sequels, Palmerin cycles, and Catalan material. It examines legendary strands such as Roderic and Moorish romances, collects and analyzes romanceros or ballads, and treats tales of magic, sorcery, and humorous romance. The author discusses the relative weight of historical events versus folklore, proposes a classification of ballads, and offers translations and summaries of important texts. The volume also includes illustrations and a bibliography to guide further study.

Conclusion

We have trodden the ways of Spanish story, sublime, mock-heroic, and humorous. Perhaps no chapter in the world’s literature is so rich in colour, or displays such a variety of mood and sentiment. Still the key-note is one of noble and dignified beauty, of chivalrous distinction, of exquisite propriety, courteous, immaculate, and unspotted by vulgarity or sordid meanness. The wine-cup of Spanish romance is filled with the heart’s blood of a nation august, knightly, imaginative, a people who have preferred ideals to gross realities, and the heights of national aristocracy to the deserts of false democracy. “Poor Spain!” How often does the Anglo-Saxon utter the phrase in complacent self-assurance? With the solace of such a treasure-house of poetic and romantic wealth as she possesses, Spain may well rest in assured hope of the return of the brave days in praise of which her trovadores struck the lyre and her poets sang in stately epic. Poor Spain! Nay, golden Spain—enchanted cavern, glowing with the spoil of song, the rainbow treasure of legend, and the gem-like radiance of immortal romance!

Her citizens, imperial spirits,

Rule the present from the past;

On all this world of men inherits

Their seal is set.