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Leon, Burgos and Salamanca: a historical and descriptive account

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The volume combines illustrated architectural and archaeological descriptions with concise historical sketches of Leon, Burgos and Salamanca, guiding readers through cathedrals, monasteries, palaces and civic monuments. Emphasizing a visual panorama over technical minutiae, it highlights stylistic features, building history, and the municipal and ecclesiastical developments that shaped each city, while supplementing personal observation with earlier authorities. Arranged to complement an extensive set of illustrations, the account aims to serve amateurs of art and history as a descriptive souvenir and practical reference.

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Title: Leon, Burgos and Salamanca: a historical and descriptive account

Author: Albert Frederick Calvert

Release date: September 21, 2020 [eBook #63255]
Most recently updated: October 18, 2024

Language: English

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THE SPANISH SERIES

 
 

LEON, BURGOS

AND

SALAMANCA

 

THE SPANISH SERIES

EDITED BY ALBERT F. CALVERT

Goya
Toledo
Madrid
Seville
Murillo
Cordova
El Greco
Velazquez
The Prado
The Escorial
Royal Palaces of Spain
Granada and The Alhambra
Spanish Arms and Armour
Leon, Burgos, and Salamanca
Catalonia, Valencia, & Murcia
Valladolid, Oviedo, Segovia
Zamora, Avila, and Zaragoza

 

LEON,   BURGOS
AND SALAMANCA

A   HISTORICAL AND DESCRIPTIVE
ACCOUNT.   BY   ALBERT F.   CAL-
VERT,  WITH 462 ILLUSTRATIONS

LONDON: JOHN LANE, THE BODLEY HEAD
NEW YORK: JOHN LANE COMPANY MCMVIII

Edinburgh: T. and A. Constable, Printers to His Majesty



To

THE MARQUIS OF VIANA

The History of whose House

Is indissolubly connected

With the Grandest Traditions

of Spain

This Volume is Dedicated

With a Sincere Expression

Of the Author’s Esteem

PREFACE

In the plan of this book, as in the other volumes of the Series, the text has been made subordinate to and explanatory of the illustrations, which, I venture to hope, will be found to form a complete and useful panorama of the monumental glories of these grand old cities. I have not proposed to write a guide-book for the tourist, but rather to supply him with a souvenir, and to provide a manual for those interested in architecture and archæology. I have avoided technology as much as possible, as my appeal is not to the professional student, but to the amateur (in the true sense) of the arts. In order to supplement my own knowledge and revise the impressions derived from personal observation in the three towns, I have availed myself freely of the works of others who have laboured in the same field, and have been at much pains to consult all the writings I could find upon the subject. The lengthy list of authorities I have consulted need not be recited here, as they are duly acknowledged in the text.

As in the case of all the cities dealt with in this Series, I have prepared a brief historical sketch of Leon, Burgos, and Salamanca. Their early history is largely of a speculative and debatable character, and much of it has been learnedly discounted by modern writers. Let me explain at once, that while recounting incidents which may be suspected of merely traditional origin, I neither accept nor reject the criticism of these recent historians, and if I do not quote their conclusions, it is because they are often too conflicting to be embodied in so slight a work. I would also add, that a quotation is not to be taken as a blind acceptance of the accuracy of the dicta or as a recognition of the writer as an absolute authority.

In conclusion, I may explain that I have dealt more briefly with the architecture of these Gothic cities than with the Moorish monuments of Seville, Cordova, and Granada, my reason being that the general reader is more familiar with Gothic and Renaissance styles than with the rarer work of the Arabs.

To Mr. E. B. d’Auvergne I offer my grateful acknowledgment of the assistance he has rendered me in the compilation of the text, and my thanks are also due to Señor J. Lacoste and Messrs. Hauser y Menet for their permission to reproduce many of the photographs which appear in this volume.

A. F. C.

CONTENTS

CHAP.  PAGE
I.LEON1
II.BURGOS33
III.SALAMANCA96

 

 

ILLUSTRATIONS

LEON
SUBJECT PLATE
General View of Leon,1
View from the Cemetery,2
Cathedral: View from the North,3
Cathedral: General View,4
Leon Cathedral,5
Cathedral: Door of the Cross-Aisle (restored),6
Leon Cathedral,7
Lateral Façade of the Cathedral,8
Longitudinal Section of the Cathedral,9
Cathedral: Stained Glass Window of the Thirteenth Century,10
Cathedral: Stained Glass Window of the Fourteenth Century,11
Plan of the Cathedral,12
Cathedral: Central Gate of the Principal Porch,13
Cathedral: Right Gate of the Principal Porch,14
Cathedral: Detail of the Lower Part of the Principal Portico,15
Cathedral: Arch of the Central Portico,16
Cathedral: Arch of the Right Door,17
Cathedral: Left Gate of Principal Porch,18
Cathedral: Gate of the Coro,19
Cathedral: Door of the Chapel of St. Andrew,20
Cathedral: Painted Walls,21
Cathedral: Statue of Our Lady La Blanca in the Principal Porch,22
Cathedral: A Sepulchre,23
Cathedral: Sepulchre of Don Ordoño II.,24
Cathedral: Sepulchre of Martin, First Bishop of Leon,25
Cathedral: Detail of the Door of the Chapel of St. Andrew,26
Cathedral: The Cloisters. Our Lady Del Foro and the Offerings of the Kings,27
Cathedral: Spandril of Central Gate. The Last Judgment,28
Cathedral: Spandril of Central Gate. The Last Judgment,29
Cathedral: Detail of the Right Gate,30
Cathedral: Detail of the Gate of the Chapel of St. Andrés,31
Cathedral: Various Statues from the Cross Aisle,32
Cathedral: Detail of the Right-hand Portico,33
Cathedral: The Back of the Choir,34
Cathedral: The Choir Stalls,35
Cathedral: The Choir Stalls,36
Cathedral: Detail of the Choir,37
Cathedral: Choir Stalls. The Guardian Angel of Paradise, and the Archangel St. Michael,38
Cathedral: Choir Stalls. Noah, Adam and Eve,39
Cathedral: Choir Stalls. The Archangel Gabriel and Abraham,40
Cathedral: Choir Stalls. Isaac and Jacob,41
Cathedral: Choir Stalls. Esau,42
Cathedral: Choir Stalls. Samson,43
Cathedral: Choir Stalls. St. Mathias and St. Mark,44
Cathedral: Choir Stalls. St. Luke and St. Bartholomew,45
Cathedral: Choir Stalls. St. Andrew and St. Peter,46
Cathedral: Choir Stalls. Santiago Alfeo and St. Philip,47
Cathedral: Choir Stalls. St. John the Evangelist and Santiago,48
Cathedral: Choir Stalls. Saint Mary Magdalene and Santo Domingo,49
Cathedral: In the Choir. St. Nicodemus and Valour,50
Cathedral: Choir Stalls. St. Martha and St. Lucy,51
Cathedral: Choir Stalls. St. Francis and St. Catherine,52
Cathedral: Choir Stalls. St. Froylan and St. Nicholas,53
Cathedral: Choir Stalls. San Vitorino and San Martin,54
Cathedral: Choir Stalls. Santa Cristina and Santa Elena,55
Cathedral: Choir Stalls. San Gregorio and San Geronimo,56
Cathedral: Choir Stalls. San Silvestre and San Lupercio,57
Cathedral: Choir Stalls. San Lorenzo and San Vicente,58
Cathedral: Choir Stalls. San Celedonio and San Esteban,59
Cathedral: Choir Stalls. A Saint,60
Cathedral: Detail of the Choir Stalls,61
Cathedral: Detail of the Choir Stalls,62
Cathedral: Statue of the Virgin,63
Cathedral: Detail of the Cloisters,64
Cathedral: Bas-reliefs in the Cloisters,65
Façade of the Collegiate Church of San Isidoro,66
Gate of Pardon: Collegiate Church of San Isidoro,67
Collegiate Church of San Isidoro,68
Principal Gate of the Collegiate Church of San Isidoro,69
Panteon of the Kings in the Collegiate Church of San Isidoro,70
Spandril of Gate of Pardon: Collegiate Church of San Isidoro,71
Fresco of the Panteon of the Kings in the Collegiate Church of San Isidoro. End of Eleventh Century,72
Sections and Details of the Panteon of San Isidoro,73
Collegiate Church of San Isidoro: Painting on the Wall of the Panteon of the Kings,74
Collegiate Church of San Isidoro: Paintings on the Walls of the Panteon of the Kings,75
Collegiate Church of San Isidoro: Chalice and Paten of Doña Urraca, and Cross,76
Collegiate Church of San Isidoro: Ivory Cross of King Fernando I. and Sancha his Wife,77
Collegiate Church of San Isidoro: Relics, containing St. Martin’s Hand, St. John Baptist’s Jaw, one of St. Isidoro’s Fingers, and some of the Virgin’s Hair,78
Collegiate Church of San Isidoro: Chalice and Crucifix in Filigree Gold,79
Collegiate Church of San Isidoro: Ivory Coffer,80
Collegiate Church of San Isidoro: Gothic Crucifix in Gold,81
San Miguel de Escalada: General View of the Convent,82
San Miguel de Escalada: Exterior of the Temple and Portico,83
San Miguel de Escalada: Interior of the Church,84
San Miguel de Escalada: Interior of the Church,85
San Miguel de Escalada: Southern Façade, Plan, and Details (Town Hall, Gradefes)86
San Miguel de Escalada: Longitudinal and Transverse Sections and Details. (Town Hall, Gradefes),87
Details of San Miguel de Escalada. (Town Hall, Gradefes),88
San Miguel de Escalada: A Capital in the Church,89
Our Lady Del Mercado,90
Our Lady Del Mercado: Barred Window in the Principal Façade,91
Church of San Pedro de Los Huertos,92
General View of the Convent of San Marcos,93
Principal Façade of the Convent of San Marcos,94
Detail of the Façade of the Convent of San Marcos,95
Entrance to the Convent of San Marcos,96
Detail of the Façade of the Convent of San Marcos,97
Detail of the Façade of the Convent of San Marcos,98
Detail of the Façade of the Convent of San Marcos,99
Detail of the Façade of the Convent of San Marcos,100
Detail of the Façade of the Convent of San Marcos,101
Sacristy in the Convent of San Marcos,102
Stalls in the Convent of San Marcos,103
Church of San Marcos: Detail of the Choir,104
Church of San Marcos: Detail of the Choir Stalls,105
Church of San Marcos: Detail of the Stalls,106
Church of San Marcos: Detail of the Choir Stalls,107
Church of San Marcos: Detail of the Choir,108
Provincial Museum of San Marcos: Tray, Crucifix, and Vase,109
Provincial Museum of San Marcos: Cross of Santiago de Peñalva,110
Provincial Museum of San Marcos: Christ in the Byzantine Style, and the Virgin in the Gothic Style,111
Provincial Museum of San Marcos: San Francisco,112
Don Ordoño II. presenting his Palace to the Virgin,113
Standard of Alfonso VII., Emperor, now belonging to the Illustrious Families of Leon,114
Tower of the Ponces,115
Las Casas Consistoriales,116
House of the Guzmanes,117
Bastions of the Ancient Walls,118
Calle de Santa Ana,119
Corner of the House of the Guzmanes,120
View of the Railway Station,121
General View of Astorga,122
Mountaineers of the Province,123
Ivory Casket of the Ninth Century, from San Isidoro at Leon, now in the National Archæological Museum,124
Two Statues in the Archæological Museum,125
BURGOS
View of Burgos,126
General View of Burgos,127
La Plaza Mayor,128
General View from the Castle,129
Mansion of the Cid,130
El Paseo del Espolon,131
View from the Provincial Museum,132
A View of Burgos,133
The Cathedral,134
Façade of the Cathedral,135
Cathedral: Puerta de la Pellegeria,136
Cathedral: View from the Cloisters,137
Cathedral: Upper Part of the Tower,138
Cathedral: The Constable’s Chapel,139
Cathedral: Principal Front,140
Cathedral: From the Cloisters Garden,141
Towers of the Cathedral,142
Cathedral: One of the Spires,143
Cathedral: Bosses—Detail, Spire Windows—Angle and Crocket of Spire,144
Cathedral: Interior of Spire—Doorway to Spire,145
Court of the Cathedral,146
General Plan of the Cathedral,147
Burgos Cathedral,148
Cathedral: View of the Principal Nave and High Altar,149
Burgos Cathedral,150
Cathedral: View of the Nave from the Gate of the Pellegeria,151
Cathedral: Back Part of the High Altar,152
Cathedral: Choir Stalls,153
Interior of the Cathedral,154
Details in the Cathedral,155
Details in the Cathedral,156
Details in the Cathedral,157
Details in the Cathedral,158
Details in the Cathedral,159
Details in the Cathedral,160
Cathedral: Exterior of the Constable’s Chapel,161
Cathedral: Interior View of the Constable’s Chapel,162
Cathedral: The Constable’s Chapel,163
Cathedral: Details of the Constable’s Chapel,164
Cathedral: Details of the Constable’s Chapel,165
Cathedral: The Constable’s Chapel from the Altar,166
Cathedral: Entrance to the Constable’s Chapel,167
Cathedral: Details of the Constable’s Chapel,168
Cathedral: Altar-piece on the Epistle Side of the Constable’s Chapel,169
Cathedral: Windows of Sacristy, the Constable’s Chapel,170
Cathedral: Doorway and Window in the Constable’s Chapel,171
Cathedral: Santa Ana, in the Altar-piece of the Constable’s Chapel,172
Cathedral: St. Margaret with the Monster at her Feet, in the Altar-piece of the Constable’s Chapel,173
Cathedral: Details of the Principal Chapel,174
Cathedral: Details of the Exterior of the Principal Chapel,175
Cathedral: Exterior of the Principal Chapel,176
Cathedral: Chapel of St. Anne,177
Cathedral: Details of the Altar-piece in the Chapel of St. Anne,178
Cathedral: Chapel of Santa Tecla,179
Cathedral: Staircase leading to Puerta Alta de la Coroneria,180
Cathedral: View of the Cloisters,181
Cathedral: Gate of the Old Sacristy in the Cloisters,182
Cathedral: The Cloister Gate, 183183
Cathedral: Puerta Del Sarmental,184
Cathedral: Gate of Pardon,185
Cathedral: A Doorway,186
Cathedral: A Doorway,187
Cathedral: Porch of the Pellegeria,188
Cathedral: Puerta Alta de la Coroneria,189
Cathedral: Puerta Alta de la Coroneria,190
Cathedral: The Famous Coffer of the Cid,191
Cathedral: Central Dome in the Cross-aisle,192
Cathedral: Processional Door in the Cloisters,193
Cathedral: Entrance to the Cloisters,194
Cathedral: Detail of the Door leading to the Gothic Cloisters,195
Cloisters of the Cathedral,196
The Lower Cloisters. Eleventh Century,197
Cathedral: The Cloisters,198
Cathedral: The Cloisters,199
Cathedral: The Cloisters,200
Cathedral: Detail of the Cloisters,201
Cathedral: Bas-relief in the Lower Cloisters. Eleventh Century,202
Cathedral: Bas-reliefs in the Lower Cloisters. Eleventh Century,203
Cathedral: Soffits of Cloister Arches and Ornaments from Doors,204
San Fernando and Doña Beatriz of Swabia in the Cathedral Cloisters,205
Cathedral: Longitudinal Section of the Cloisters. Eleventh Century,206
Cathedral: Details of the Sepulchre of Don Fernando Diez de Fuente-Pelayo,207
Niches with Tombs in the Cathedral Cloisters,208
Cathedral: Puerta Del Sarmental,209
Cathedral: Sepulchre of Don Fernando Diez de Fuente-Pelayo, Abbot of St. Martin,210
Details of Screens in the Cathedral,211
Cathedral: El Cristo de Los Huevos,212
Cathedral: Sepulchre of Archbishop Luis de Acuña,213
Cathedral: Sepulchre of the Founder of the Cathedral,214
Cathedral: Our Lady la Mayor, Statue of Silver,215
Cathedral: Processional Crucifix in Silver Gilt, the Work of Juan de Arfe in 1592,216
Cathedral: Gold Enamelled Vase with Cover and Antique Medallions, two Silver Gilt Goblets, and Jug,217
Cathedral: Double-handled Vessel with Cover, the Work of Dom. Urquiza de Madrid, in 1771,218
Cathedral: Statues of Saints and Ecclesiastics,219
Cathedral: Details of Balconies,220
Cathedral: Remains of Altar—Relievo from Portal. Eleventh Century,221
Cathedral: Compartment of Apsis,222
Cathedral: Part of the Open Gallery or Triforium,223
Cathedral: Details of the Choir Stalls,224
Altar-piece of the Church of San Nicolás,225
La Cartuja: General View of the Church,226
La Cartuja: Gate of the Church,227
La Cartuja: Sepulchre of the Infante Don Alonso,228
La Cartuja: Interior View of the Church,229
La Cartuja : Sepulchre of the Infante Don Alonso,230
La Cartuja: Sepulchre of the Sovereigns John II. and Isabel of Portugal,231
La Cartuja: Sepulchre of the Sovereigns John II. and Isabel of Portugal,232
La Cartuja: Statue of San Bruno,233
La Cartuja: Details of the Sepulchre of the Sovereigns John II. and Isabel of Portugal,234
La Cartuja: Details of the Sepulchre of the Sovereigns John II. and Isabel of Portugal,235
La Cartuja: Details of the Sepulchre of the Sovereigns John II. and Isabel of Portugal,236
La Cartuja de Miraflores: Details of the Choir Stalls, and Stall of the Officiating Priest,237
La Cartuja de Miraflores: Stalls of the Lay Brothers,238
La Cartuja de Miraflores: A Side Door,239
La Cartuja de Miraflores: Detail of the Choir,240
La Cartuja de Miraflores: Choir Stalls,241
La Cartuja de Miraflores: Detail of the Choir Stalls,242
La Cartuja de Miraflores: The Prior’s Stall,243
La Cartuja: Detail of the Sepulchre of Don Juan II. and his wife,244
La Cartuja: Sepulchre of the Infante Don Alonso, brother of Isabel I.,245
La Cartuja: Tomb of the Infante,246
La Cartuja: Compartment of King’s Tomb,247
La Cartuja: Portions of Cornice, King’s Tomb,248
La Cartuja: Ornament from the Infante’s Tomb,249
La Cartuja: King’s Effigy—Infante’s Robe—Infante’s Prie-Dieu Cloth,250
La Cartuja: Panelled Wall—Alabaster Crown and Tassels,251
La Cartuja de Miraflores: A Sixteenth-Century Chimneypiece,252
Cathedral and La Cartuja: Effigies from Tombs,253
La Cartuja: Ceiling Ornaments—Cathedral: Details from the Constable’s Monument,254
Convent of Las Huelgas: View of the Temple,255
Convent of Las Huelgas: Façade of the Monastery,256
Convent of Las Huelgas: Patio de San Fernando,257
Convent of Las Huelgas: Entrance to the Church,258
Convent of Las Huelgas,259
Church of Las Huelgas,260
A Sepulchre in the Convent of Las Huelgas,261
Details of the Exterior of Santa Maria La Real commonly called de Las Huelgas,262
Cloisters and Sepulchre in the Convent of Las Huelgas,263
A Sepulchre in the Convent of Las Huelgas,264
A Sepulchre in the Convent of Las Huelgas,265
Sepulchres in the Choir of Santa Maria La Real de Las Huelgas,266
Convent of Las Huelgas: View of the Choir,267
Convent of Las Huelgas: The Cloisters,268
Convent of Las Huelgas: Cloisters of San Fernando,269
Convent of la Huelgas: Entrance to the Nave of St. John,270
Convent of la Huelgas: Door in the Chapel of San Salvador,271
Convent of la Huelgas: The Cloisters,272
Convent of la Huelgas: Flag taken by Alfonso VIII. at the Battle of Las Navas,273
Gate of the King’s Hospital,274
Façade of the Church of the Hospital of the King,275
Interior View of the Courtyard of the Hospital of the King,276
Cloisters in the Monastery of Santo Domingo de Silos,277
Monastery of Santo Domingo de Silas (Silos),278
Caskets and Chalice in the Monastery of Santo Domingo de Silos,279
Reliquary, Details, and Paten in the Monastery of Santo Domingo de Silos,280
Detail of an Altar: Monastery of Santo Domingo de Silos,281
The Arch of Fernan Gonzalez,282
Gate of the Hospital of St. John,283
Monastery of San Juan de Ortega: Sepulchre of the Founder,284
Gate of the House of the ‘Cordon,’285
House of the ‘Cordon,’286
Church of San Gil: Chapel of the Nativity,287
Altar-piece of the Buena Mañana in San Gil,288
Church of San Gil: Altar-piece of the Chapel of the Kings,289
Gate of the Church of San Lesmes,290
Altar-piece in San Lesmes,291
Porch of the Church of San Estéban,292
Entrance to the Parish Church of San Nicolás,293
Altar-piece in San Nicolás de Bari,294
Archway of Santa Maria, Sixteenth Century,295
Gate of Santa Maria,296
The Arco de Santa Maria,297
Provincial Museum: Arabesques of the Arco de Santa Maria,298
Exterior View and Detail of the Arch of Santa Maria,299
Provincial Museum: Sepulchre of Don Juan de Padilla in Fresdelval, Fifteenth Century,300
Provincial Museum: Sepulchre of Don Juan de Padilla,301
Interior View of the Provincial Museum,302
Provincial Museum: Front of an Altar in Enamelled Bronze, Eleventh Century,303
Provincial Museum: Visigothic Sepulchre of Sixth Century, found at Briviesca,304
Coffin of Briviesca: Preserved in the Provincial Museum,305
Provincial Museum: Roman Statue found in the Ruins of Salonica,306
Transverse Section and Details of the Church of San Juan (Baños),307
Church of Gamonal,308
Interior of the Church of Gamonal,309
Portal of the Church of the Villa de Sasamón,310
Tower of the Church of the Villa de Santa Maria Del Campo,311
Chapel of Our Lady of the Valley in the Rodilla Monastery, General View of the Exterior,312
Chapel of Our Lady of the Valley in the Rodilla Monastery, Porch—Interior,313
Monastery of Fresdelval: Portal,314
Monastery of Fresdelval: Hospice,315
Monastery of Fresdelval: Cloisters,316
Monastery of Fresdelval: Window in the Ruined Temple,317
Monastery of Fresdelval: Window in the Ruined Temple,318
Olmillos Castle,319
A Courtyard,320
Lerma: The Duke of Lerma’s Palace and the College,321
Lerma: The College,322
Lerma: Interior of the Collegiate Church,323
Lerma: Sepulchre of the Cardinal Duke of Lerma,324
Lerma: Details of the Sepulchre of the Cardinal Duke of Lerma,325
Lerma: The Magdalene. (Copy of a Picture by Leonardo Da Vinci),326
Lerma: Our Lady of the Silla. (Copy of a Picture by Raphael),327
Bridge of Horadada,328
SALAMANCA
Cathedral, from the East,329
General View from the School,330
General View of Salamanca,331
General View of Salamanca,332
A Portion of Salamanca,333
Roman Bridge over the Tormes,334
Bridge of Bejar,335
View of the Ancient Wall,336
Principal Nave of the Old Cathedral,337
Nave of Cross-aisle of the Old Cathedral,338
Sepulchres in the Old Cathedral,339
Longitudinal Section of the Old Cathedral,340
Sepulchres in the Old Cathedral,341
Sepulchres in the Cross-aisle, Old Cathedral,342
Sepulchre in the Cloisters of the Old Cathedral,343
Sepulchre in the Cloisters of the Old Cathedral,344
Sepulchre in the Cloisters of the Old Cathedral,345
Capitals of the Sepulchres in the Cloisters of the Old Cathedral,346
Capitals of the Sepulchres in the Cloisters of the Old Cathedral,347
Capitals of the Sepulchres in the Cloisters of the Old Cathedral,348
Capitals and Effigies in the Old Cathedral,349
Capitals in the Old Cathedral,350
The Old Cathedral,351
Details of the Outside and Plan of the Cupola of the Old Cathedral,352
The Cathedral,353
View of the Cathedral from the ‘Seminario,’354
Cathedral: East Façade,355
Tower of the Cathedral,356
Cathedral: The Tower del Gallo,357
Principal Façade of the Cathedral,358
Principal Nave in the Cathedral,359
Cathedral: View of the Cross-aisle,360
Cathedral: Entrance to the Chapel of the Bishop of Seville, Don Diego de Anaya,361
Cathedral: View of the Sacristy,362
Cathedral: Chapel in the Cloisters,363
Chapel of St. Barbara in the Cathedral Cloisters,364
Cathedral: Dome of the Tower of the ‘Gallo,’365
Cathedral: General View of the Puerta del Nacimiento,366
Cathedral: Gate of the Nativity,367
Cathedral: Gate of St. Clement,368
Cathedral: Gate of the ‘Ramos,’369
Cathedral: Gate of the Patio Chico,370
Cathedral: Right-hand Gate; or, Gate of the Bishop,371
Cathedral: The Beheading of St. John Baptist. (By Jac. Geronimo Espinosa),372
Cathedral: The Virgin holding the Dead Body of her Divine Son. (Pietá in wood, by Salvador Carmona),373
Cathedral: Wooden Crucifix with which the troops of the Cid were harangued. The Smaller Crucifix the Cid carried beneath his Armour,374
Cathedral: Chair and Table in the Chapter Hall,375
General View of the Church of Santo Domingo,376
Detail of the Façade of Santo Domingo,377
Façade of the Church of Santo Domingo,378
Detail of the Façade of Santo Domingo,379
Cloisters of Santo Domingo,380
Interior of the Church of Santo Domingo,381
Arches in the Choir of the Church of Santo Domingo,382
Interior View of the Sacristy of Santo Domingo,383
Door of the Conference Hall of Santo Domingo,384
General view of the Cloisters of Santo Domingo,385
Cloisters of Santo Domingo,386
Fresco in the Church of Santo Domingo, by Palomino,387
Door of the church of St. Martin,388
Gate of the Church of St. Martin,389
Door of the Church of San Justo,390
Church of the Augustines: The Conception of the Virgin, by Ribera,391
Gate of the Church of San Benito,392
Parish Church of the Holy Spirit,393
Portal of the Parish Church of the Holy Spirit,394
Church of the Third Order of St. Francis,395
View of the Seminary from the Irlandeses,396
View of the Seminary,397
Chapter Hall in the Seminary,398
The Seminary: Abraham offering Melchisedech Bread and Wine,399
The Seminary: The Queen of Sheba visiting Solomon, by Rubens,400
The Seminary: Christ scourged. Statue in wood by Salvador Carmona,401
General View of the University,402
Façade of the University,403
Upper Part of the Façade of the University,404
Lower Part of the Façade of the University,405
University: Medallion representing the Catholic Sovereigns over the Principal Entrance,406
Façade of the University,407
Library in the University,408
University: Altar of the Chapel,409
Gallery in the University,410
Portico of the University,411
Details of the Porch of the University,412
Details of the Porch of the University,413
Door of the Library of the University,414
Court of the College of the Irlandeses,415
Façade of the College of the Irlandeses,416
Porch of the College of the Irlandeses,417
Portico of the Chapel of the College of the Irlandeses,418
Court of the College of the Irlandeses,419
Details of the Court of the Archbishop’s College, now of the Irlandeses,420
Gate of the Santa Maria de las Dueñas,421
Provincial Museum: Model in wood for an Altar for the Cathedral, by Manuel Rodriguez,422
Provincial Museum: Arm-chair of Fr. Antonio de Sotomayor,423
Provincial Museum: St. Michael overcoming Satan. Silver Statue. The work of John de Arfe,424
Cloisters in the Ruins of the School of the Vega,425
Capitals in the College of the Vega,426
Statue of Our Lady of the Vega,427
The House of Salinas,428
Courtyard of the House of Salinas (Upper Part),429
Detail of the Courtyard of the House of Salinas,430
General View of the College of Calatrava,431
Staircase in the College of Calatrava,432
Tower of the ‘Clavero,’433
General View of the School,434
Façade of the School,435
Interior Gate of the School,436
Entrance to the School,437
Porch of the Archivos of the School,438
Courtyard of the School,439
Back of the School,440
Courtyard of the School,441
Principal Façade of the House of the Shells,442
Grated Window of the House of the Shells,443
Triple Grated Window of the House of the Shells,444
Balcony and Triple Grated Window of the House of the Shells,445
Doorway in the House of the Shells,446
Courtyard in the House of the Shells,447
House of Monterey,448
Tower of the House of Monterey,449
House of Monterey,450
La Plaza Mayor,451
The Town Hall,452
Patio de la Gobernación,453
Ancient College, now the House of the Provincial Deputation,454
River Gate through which Hannibal entered,455
House of Doña Maria the Brave,456
Avenue of the Campo of San Francisco,457
Statue of Fr. Luis de Leon,458
The Pacification of the Factions of Salamanca. A Relief by Don Aniceto Marinas,459
Market, Province of Salamanca: ‘A Bad Bargain,’ by J. Aranjo,460
Peasants’ Dance, by D. Fierros,461
Charro, or Peasant of the Province,462