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Les liaisons dangereuses, volume 1 (of 2) / or, Letters collected in a private society and published for the instruction of others cover

Les liaisons dangereuses, volume 1 (of 2) / or, Letters collected in a private society and published for the instruction of others

Chapter 22: LETTER THE FOURTEENTH CÉCILE VOLANGES TO SOPHIE CARNAY
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About This Book

The narrative is assembled from letters exchanged among members of an elite social circle, each voice disclosing private schemes and motives. Two seasoned manipulators orchestrate seductions and betrayals that draw in a devout woman, an inexperienced young woman, and a hopeful young musician, treating intimacy as a tool of influence. The correspondence lays bare hypocrisy, sexual politics, and the fragile value of reputation while shifting perspective between conspirators and victims. As secrets accumulate, the letters trace the widening harm of calculated deceit and leave readers with unresolved questions about responsibility and moral consequence.

LETTER THE FOURTEENTH
CÉCILE VOLANGES TO SOPHIE CARNAY

I did not write to you yesterday, my dear Sophie, but it was not pleasure which was the cause; of that I can assure you. Mamma was ill, and I did not leave her all day. In the evening, when I retired, I had no heart for anything at all, and I went to bed very quickly, to make sure that the day was done; never have I passed a longer. It is not that I do not love Mamma dearly; but I do not know what it was. I was to have gone to the Opera with Madame de Merteuil; the Chevalier Danceny was to have been there. You know well that they are the two persons whom I like best. When the hour arrived when I should have been there, my heart was sore in spite of me. I did not care for anything, and I cried, cried, without being able to stop myself. Happily Mamma had gone to bed, and could not see me. I am quite sure that the Chevalier Danceny will have been sorry too, but he will have been amused by the spectacle, and by everybody; that’s very different.

Luckily, Mamma is better to-day, and Madame de Merteuil is coming with somebody else and the Chevalier Danceny; but she always comes very late, Madame de Merteuil; and when one is so long all by one’s self, it is very tiresome. It is not yet eleven o’clock. It is true that I must play on my harp; and then my toilette will take me some time, for I want my hair to be done nicely to-day. I think Mother Perpétue is right and that one becomes a coquette as soon as one enters the world. I have never had such a desire to look pretty as during the last few days, and I find I am not as much so as I thought; and then, by the side of women who use rouge, one loses much. Madame de Merteuil, for instance; I can see that all the men think her prettier than me: that does not vex me much, because she is so fond of me; and then she assures me that the Chevalier Danceny thinks I am prettier than she. It is very nice of her to have told me that! She even seemed to be pleased at it. Well, that’s a thing I can’t understand! It’s because she likes me so much! And he!... Oh, that gives me so much pleasure! I think too that only to look at him is enough to make one prettier. I should look at him always, if I did not fear to meet his eyes: for every time that that happens to me, it puts me out of countenance, and seems as though it hurt me; but no matter!

Adieu, my dear friend: I am going to make my toilette. I love you as dearly as ever.

Paris, 14th August, 17**.