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Lewie; Or, The Bended Twig

Chapter 6: IV. Cousin Betty.
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About This Book

A domestic narrative examines how indulgence and parental distraction shape a child’s temper and the wider family's suffering, opening with a gentle sister who endures unjust reprimand while a petted youngster wreaks havoc. The plot follows the child’s progression through home and school, exposing the moral and practical consequences of lax discipline and selfish indulgence. Interwoven episodes chronicle the struggles of a devoted governess, trials faced by other household members, an arrest and subsequent legal ordeal, and a mysterious sealed paper that alters several fates. The tale closes with reckonings and partial restorations and offers a pointed appeal to parents to combine firmness with love in childrearing.

IV.
Cousin Betty.

“Come, wilt thou see me ride!”—HENRY VIII.

Cousin Betty was a little bit of a woman, with a face as full of wrinkles as a frozen apple, and a pair of the busiest and most twinkling little black eyes you ever saw, a prominent and parrot like nose, with a chin formed on the very same pattern, only that it turned up instead of down, the two so very nearly meeting that the children said they had “to turn their faces sideways to kiss her.” She had some very unaccountable ways too, which no one understood, and which she never made any attempt to explain, perhaps because she did not understand them herself.

For instance, whenever meals were ready, and the family prepared to sit down, though cousin Betty might have been hovering round for an hour or two before, she was often missing at that very moment, and when a search was instituted she was sometimes found taking a stroll in the garret where she could have no possible business, and sometimes poking about in the darkest corner of the dark cellar, without the slightest conceivable object. If her thimble or spectacles were lost, she has often been known to go to the pantry and lift up every tumbler and wine-glass on the shelf, one after the other, and look under it as if she really expected to find the missing article there; and to take off the cover of vegetable dishes to look for her snuff-box, or open the door of the stove, if her work-bag, or knitting were missing, apparently with the confident expectation of finding them unharmed amidst the blazing fire.

Cousin Betty had a very uncomfortable fashion of dying too, every little while, which at first alarmed her friends so much that restoratives were speedily procured; but as she never failed to come to life again, they became, after a time, accustomed to the parting scene, so that there was great danger that when she really did take her departure, nobody would believe it.

“My dear,” said she one night to Effie, “I feel very unwell; very unwell, indeed; I think it’s more’n likely I shan’t last the night through. I wish you wouldn’t leave me alone this evening, and then if I’m suddenly taken worse, you know you can call the family. I should like to see them all before I go.”

Effie promised she would not leave her, and bringing her book, she seated herself by the stove in cousin Betty’s room. In about a hour she appeared in the parlor, her face purple with the effort to suppress the inclination to laugh, and said, “Oh, do all of you please to come to cousin Betty’s room a few moments.”

“What, is she dying?” they asked.

“Oh, no! but just come; very quietly; there’s a sight for you to see.”

Cousin Betty always tied a large handkerchief about her head when she went to bed, and on the night in question, the two ends of the handkerchief being tied in a knot stood up from her head like two enormous ears. She was bolstered up by pillows, as she declared she could not breathe in any other position, and at every breath she drew she opened and shut her mouth with a sudden jerk. Effie had looked up from her reading suddenly, and caught the reflection of cousin Betty’s profile, thrown by the light, greatly magnified upon the wall, and stuffing her handkerchief in her mouth to prevent a sudden explosion of laughter, by which cousin Betty might be awakened, she ran to call the family. No pen-sketch but an actual profile would give the slightest idea of the extraordinary and most ludicrous appearance of the image thus thrown upon the wall; with the enormous ears standing up, and the mouth and chin snapping together like the claws of a lobster. One by one they rushed from the room, till at length a smothered cacchination from one of the little ones awoke cousin Betty, who exclaimed:

“Who is sobbing there? My dear friends do not distress yourselves, I find myself considerably more comfortable.”

This “clapped the climax,” and the room was unavoidably deserted for a few minutes; but at length Effie found courage to return, and, by placing the light in another position, was enabled to keep watch for the remainder of the evening.

There were some very amusing stories told in the family of cousin Betty’s adventures, one of which I will relate here. She was at one time making one of her long visits at Mr. Wharton’s, when, getting out of yarn, and not being willing to remain long idle, she began to worry about some way to get over to the village. The horses were all out at work upon the farm, except Old Prancer, a superannuated old horse, who was never used except for Mrs. Wharton or the girls to drive; for, whatever claims “Prancer” may once have had to his name, it had been a misnomer for some years past, and no one suspected him of having a spark of spirit.

When Mr. Wharton came in to dinner, and cousin Betty consulted him as to the best means of getting over to the village, he told her that the best thing he could do for her would be to put the side-saddle on to Old Prancer, and let her ride over. To this cousin Betty consented, not without a slight trepidation, for she had never been much of a horse-woman, but still, as she had known Prancer for many years, and he had always borne the character of a staid, steady-going animal, she thought there could surely be no risk in trusting herself to him.

Soon after dinner, cousin Betty, with a very short and very scanty skirt, was mounted on the back of Old Prancer. She felt quite timid at first at finding herself upon so lofty an elevation, (for Prancer was an immense animal;) but when she found how steadily and sedately he went on, and that neither encouragement nor blows could induce him to break into a trot, she lost all her fears, and began to enjoy her ride saving that the pace was rather a slow one.

But just as cousin Betty began to ascend the hill leading into the village, the sound of martial music burst upon her ear, and she remembered hearing the children say that this was “general training day.” Cousin Betty did not know that Prancer had once belonged to a militia officer; and if she had, it would have made no difference, as all the fire of youth seemed to have died out with Prancer years ago. But early associations are strong; and as the “horse scenteth the battle afar off,” so did Prancer prick up his ears and quicken his pace at the spirit-stirring sounds of the fife and drum; and now he began to make an awkward attempt to dance sideways upon the points of his hoofs; and as he neared the brow of the hill, his excitement became more intense, and his curveting and prancing more animated. Cousin Betty was almost terrified to death. Throwing away her whip, and grasping the reins, she endeavored to stop him; but he only held in his head, and danced sideways up the street with more animation and spirit than ever. She thought of throwing herself off, but the immense height rendered such a feat utterly unsafe; she endeavored to rein the horse up to the side-walk; but now he had caught sight of the motley array of trainers, and of the gay horses and gayer uniforms of the officers, and, regardless alike of bit and rein, he started off at full speed, to join the long-forgotten but once familiar spectacle.

Cousin Betty had by this time dropped the reins, and was clinging with both arms to Old Prancer’s neck; and as he turned his face to the company, and backed gallantly down the street, the sight was too irresistibly ludicrous. Shouts and laughter, and expressions of encouragement to poor cousin Betty, were heard on all sides; till at length a militia officer, taking pity upon her helpless condition, led the unwilling Prancer to the tavern, and assisted her to alight. Here cousin Betty remained till sun-down, and all was quiet; and then, requesting the tavern-keeper to lead the horse out of town while she walked, she again, with much fear and trembling, mounted when beyond the precincts of the village.

Prancer, however, walked slowly home, with his head drooping, as if thoroughly mortified at the excesses into which he had been betrayed; and cousin Betty, when she once got safely home, declared that she’d go without yarn another time, if it was a whole year, before she would mount such a “treacherous animal as that ’ere.”

But, with all her oddities, cousin Betty was sometimes a very amusing companion. She had many stories of her youth stowed away in her memory, which, when wanted, could be found and brought to light much more readily than the articles she was so constantly missing now; and though these stories were not told in the purest English, they were none the less interesting to the children for that.

There came, early in February, some pleasant, mild days, which soon made a ruin of the boys’ palace of snow; and though cousin Betty had been in a dying state for an hour or two the night before, she was so far revived that morning, that she was easily persuaded by the children to go over with them to the farm-house, and tell them the story of their great-grandfather, and his capture by the Indians; which same, though a very interesting story to the children, might not be so to my readers; and after changing my mind about it several times, I have concluded to leave it out, as having nothing to do with the rest of my story.