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Liber Amoris, Or, The New Pygmalion cover

Liber Amoris, Or, The New Pygmalion

Chapter 12: TO THE SAME
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About This Book

A narrator who has left home recounts a consuming, unreciprocated passion that overwhelms his thought and behavior. Through intimate conversations, candid confessions, and a series of letters and fragments, he chronicles the escalation of obsession, jealousy, repeated attempts at persuasion and reconciliation, and frequent self-justification. Tender idealization alternates with quarrels, humiliation, and despair as the account moves between dramatic scenes and epistolary reflection. The tone is confessional and fragmentary, mapping psychological decline, remorse, and a compulsion to record feeling, while intermittently reflecting on memory, the illusions of love, and the personal cost of intense attachment.

TO THE SAME

March, 1822.

—You will be glad to learn I have done my work—a volume in less than a month. This is one reason why I am better than when I came, and another is, I have had two letters from Sarah. I am pleased I have got through this job, as I was afraid I might lose reputation by it (which I can little afford to lose)—and besides, I am more anxious to do well now, as I wish you to hear me well spoken of. I walk out of an afternoon, and hear the birds sing as I told you, and think, if I had you hanging on my arm, and that for life, how happy I should be—happier than I ever hoped to be, or had any conception of till I knew you. “But that can never be”—I hear you answer in a soft, low murmur. Well, let me dream of it sometimes—I am not happy too often, except when that favourite note, the harbinger of spring, recalling the hopes of my youth, whispers thy name and peace together in my ear. I was reading something about Mr. Macready to-day, and this put me in mind of that delicious night, when I went with your mother and you to see Romeo and Juliet. Can I forget it for a moment—your sweet modest looks, your infinite propriety of behaviour, all your sweet winning ways—your hesitating about taking my arm as we came out till your mother did—your laughing about nearly losing your cloak—your stepping into the coach without my being able to make the slightest discovery—and oh! my sitting down beside you there, you whom I had loved so long, so well, and your assuring me I had not lessened your pleasure at the play by being with you, and giving me your dear hand to press in mine! I thought I was in heaven—that slender exquisitely-turned form contained my all of heaven upon earth; and as I folded you—yes, you, my own best Sarah, to my bosom, there was, as you say, A TIE BETWEEN US—you did seem to me, for those few short moments, to be mine in all truth and honour and sacredness—Oh! that we could be always so—Do not mock me, for I am a very child in love. I ought to beg pardon for behaving so ill afterwards, but I hope THE LITTLE IMAGE made it up between us, &c.

[To this letter I have received no answer, not a line. The rolling years of eternity will never fill up that blank. Where shall I be? What am I? Or where have I been?]