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Liber Amoris, Or, The New Pygmalion cover

Liber Amoris, Or, The New Pygmalion

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About This Book

A narrator who has left home recounts a consuming, unreciprocated passion that overwhelms his thought and behavior. Through intimate conversations, candid confessions, and a series of letters and fragments, he chronicles the escalation of obsession, jealousy, repeated attempts at persuasion and reconciliation, and frequent self-justification. Tender idealization alternates with quarrels, humiliation, and despair as the account moves between dramatic scenes and epistolary reflection. The tone is confessional and fragmentary, mapping psychological decline, remorse, and a compulsion to record feeling, while intermittently reflecting on memory, the illusions of love, and the personal cost of intense attachment.

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The circumstances, an outline of which is given in these pages, happened a very short time ago to a native of North Britain, who left his own country early in life, in consequence of political animosities and an ill-advised connection in marriage. It was some years after that he formed the fatal attachment which is the subject of the following narrative. The whole was transcribed very carefully with his own hand, a little before he set out for the Continent in hopes of benefiting by a change of scene, but he died soon after in the Netherlands—it is supposed, of disappointment preying on a sickly frame and morbid state of mind. It was his wish that what had been his strongest feeling while living, should be preserved in this shape when he was no more.—It has been suggested to the friend, into whose hands the manuscript was entrusted, that many things (particularly in the Conversations in the First Part) either childish or redundant, might have been omitted; but a promise was given that not a word should be altered, and the pledge was held sacred. The names and circumstances are so far disguised, it is presumed, as to prevent any consequences resulting from the publication, farther than the amusement or sympathy of the reader.