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The biography traces the composer's life from early prodigious childhood and European tours through his Salzburg and Paris years, detailing formative relationships with family and peers, struggles with patrons, and the development of his operatic style. It discusses major works including Idomeneo, The Marriage of Figaro, Don Giovanni, The Magic Flute, La clemenza di Tito, and the unfinished Requiem, situating compositions amid financial hardship, public acclaim, and personal attachments. Arranged chronologically, chapters link biographical episodes to musical output and consider how temperament, rivalry, and changing theatrical tastes influenced his creative choices.
[1] A capellmeister is the director of a choir or band.
[2] Mozart Museum.
My heart and thy sweet voice, dear,
Understand each other too well—too well.
[4] “I gladly leave the maiden who doesn’t care for me.”
[5] “This picture is charmingly beautiful.”
[6] “O how anxiously, O how fiery!”
[7] Ah, I loved and was so happy.
[8] When the tears of joy are flowing.
[9] A Freihaus is a house subject to a jurisdiction other than that in which it is situated.