"That picture of Fenelon belonged to Madame Guyon. He had it painted for her and sent it to her while she was in prison at Vincennes. The other I bought in Paris—I do not know its history."
The good priest had work to do, and let me know it very gently, thus: "You have come a long way, brother, the road was rough—I know you must be weary. Come, I'll show you to your room."
He lighted a candle and took me to a bedroom at the end of the hall. It was a little room, very clean, but devoid of all ornament, save a picture of the Madonna and her Babe, that hung over the head of the little iron bedstead. It was a painting—not very good. I think Father Francis painted it himself; the face of the Holy Mother was very human—divinely human—as motherhood should be.
Father Francis was right: the way had been rough and I was tired.
The treetops sang a cooing lullaby and the nightwinds sighed solemnly as they wandered through the hallway and open doors. It did not take me long to go to sleep. Later, the wind blew up fresh and cool. I was too sleepy to get up and hunt for more covering, and yet I was cold as I curled up in a knot and dreamed I was first mate with Peary on an expedition in search of the North Pole. And the last I remember was a vision of a gray-robed priest tiptoeing across the stone floor; of his throwing over me a heavy blanket and then hastily tiptoeing out again.
The matin-bells, or the birds, or both, awoke me early, but when I got downstairs I found my host had preceded me. His fine face looked fresh and strong, and yet I wondered when he had slept.
After breakfast, the old housekeeper hovered near.
"What is it, Margaret?" said the Father, gently.
"You haven't forgotten your engagement?" asked the woman, with just a quaver of anxiety.
"Oh no, Margaret"; then turning to me, "Come, you shall go with me—we will talk of Fenelon and Madame Guyon as we walk. It is eight miles and back, but you will not mind the distance. Oh, didn't I tell you where I'm going? You saw the old man at the church last night—it is his daughter—she is dying—dying of consumption. She has not been a good girl. She went away to Paris, three years ago, and her parents never heard from her. We tried to find her, but could not; and now she has come home of her own accord—come home to die. I baptized her twenty years ago—how fast the time has flown!"
The priest took a stout staff from the corner, and handing me its mate we started away. Down the white, dusty highway we went; out on the stony road where yesterday, as the darkness gathered, trudged an old man in wooden shoes and with a cordwood cudgel—at his heels a dog of Flanders.
HARRIET MARTINEAU
You better live your best and act your best and think
your best today; for today is the sure preparation for
tomorrow and all the other tomorrows that follow.
—Life's Uses
HARRIET MARTINEAU
I believe it was Thackeray who once expressed a regret that Harriet Martineau had not shown better judgment in choosing her parents.
She was born into one of those big families where there is not love enough to go 'round. The mother was a robustious woman with a termagant temper; she was what you call "practical." She arose each morning, like Solomon's ideal wife, while it was yet dark, and proceeded to set her house in order. She made the children go to bed when they were not sleepy and get up when they were. There was no beauty-sleep in that household, not even forty winks; and did any member prove recreant and require a douse of cold water, not only did he get the douse but he also heard quoted for a year and a day that remark concerning the sluggard, "A little sleep, a little slumber, a little folding of the hands to sleep: so shall thy poverty come as one that traveleth, and thy want as an armed man."
This big, bustling Amazon was never known to weep but once, and that was when Lord Nelson died. To show any emotion would have been to reveal a weakness, and a caress would have been proof positive of folly. Life was a stern business and this earth-journey a warfare. She cooked, she swept, she scrubbed, she sewed.
And although she withheld every loving word and kept back all demonstration of affection, yet her children were always well cared for: they were well clothed, they had plenty to eat, and a warm place to sleep. And in times of sickness this mother would send all others to rest, and herself would watch by the bedside until the shadows stole away and the sunrise came again. I wonder where you have lived all your life if you have never known a woman like that?
In the morning, as soon as the breakfast things were done and the men folks had gone to the cloth-factory, Mrs. Martineau would marshal her daughters in the sitting-room to sew. And there they sewed for four hours every forenoon for more than four years; and as they sewed some one would often read aloud to them, for Mrs. Martineau believed in education—education gotten on the wing.
Sewing-machines and knitting-machines have done more to emancipate women than all the preachers. Think of the days when every garment worn by men, women and children was made by the never-resting hands of women!
And as the girls in that thrifty Norwich household sewed and listened to the reader, they occasionally spoke in monotone of what was read—-all save Harriet: Harriet sewed. And the other girls thought Harriet very dull, and her mother was sure of it, and called her stupid, and sometimes shook her and railed at her, endeavoring to arouse her out of her lethargy.
Harriet has herself left on record somewhat of her feelings in those days. In her child-heart there was a great aching void. Her life was wrong—the lives about her were wrong—she did not know how, and could not then trace the subject far enough to tell why. She was a-hungered, she longed for tenderness, for affection and the close confidence that knows no repulse. She wanted them all to throw down their sewing for just five minutes, and sit in the silence with folded hands. She longed for her mother to hold her on her lap so, that she could pillow her head on her shoulder with her arms about her neck, and have a real good cry. Then all her troubles and pains would be gone.
But the slim little girl never voiced any of these foolish thoughts; she knew better. She choked back her tears and leaning over her sewing tried hard to be "good."
"She is so stupid that she never listens to what one reads to her," said her mother one day.
One of that family still lives. I saw him not long ago and talked with him face to face concerning some of the things here written—Doctor James Martineau, ninety-two years old.
The others are all dead now—all are gone. In the cemetery at Norwich is a plain, slate slab, "To the Memory of Elizabeth Martineau, Mother of Harriet Martineau." * * * And so she sleeps, remembered for what? As the mother of a stupid little girl who tried hard to be good, but didn't succeed very well, and who did not listen when they read aloud.
It seems sometimes that there is no such thing as a New Year—it is only the old year come back. These folks about us—have they not lived before? Surely they are the same creatures that have peopled earth in the days agone; they are busy about the same things, they chase after the same trifles, they commit the same mistakes, and blunder as men have always blundered.
Only last week, a teacher in one of the primary schools of Chicago reported to her principal that a certain little boy in her room was so hopelessly dull and perverse that she despaired of teaching him anything. The child would sit with open mouth and look at her as she would talk to the class, and five minutes afterward he could not or would not repeat three words of what had been said. She had scolded him, made him stand on the floor, kept him in after school, and even whipped him—but all in vain. The principal looked into the case, scratched his head, stroked his whiskers, coughed, and decided that the public-school funds should not be wasted in trying to "teach imbeciles," and so reported to the parents. He advised them to send the boy to a Home for the Feeble-Minded, sending the message by an older brother. So the parents took the child to the Home and asked that he be admitted. The Matron took the little boy on her lap, talked to him, read to him, showed him pictures and said to the astonished parents, "This child has fully as much intelligence as any of your other children, perhaps more—but he is deaf!"
Harriet Martineau from her twelfth year was very deaf, and she was also devoid of the senses of taste and smell.
"Oh, these are terrible tribulations to befall a mortal!" we exclaim with uplifted hands. But on sober second thought I am not sure that I know what is a tribulation and what a blessing. I'm not positive that I would know a blessing should I see it coming up the street. For as I write it comes to me that the Great Big Black Things that have loomed against the horizon of my life, threatening to devour me, simply loomed and nothing more. They harmed me not. The things that have really made me miss my train have always been sweet, soft, pretty, pleasant things of which I was not in the, least afraid.
Mother Nature is kind, and if she deprives us of one thing she gives us another, and happiness seems to be meted out to each and all in equal portions. Harriet's afflictions caused her to turn her mind to other things than those which filled the hearts of girls of her own age. Society chatter held nothing for her, she could not hear it if she would; and she ate the food that agreed with her, not that which was merely pleasant to the taste. She began to live in a world of thought and ideas. The silence meant much.
"The first requisite is that man should be a good animal." I used to think that Herbert Spencer in voicing this aphorism struck twelve. But I am no longer enthusiastic about the remark. The senses of most dumb animals are far better developed than those of man. Hounds can trace footsteps over flat rocks, even though a shower has fallen in the interval; cats can see in the dark; rabbits hear sounds that men never hear; horses detect an impurity in water that a chemical analysis does not reveal, and homing pigeons would gain nothing by carrying a compass. And so I feel safe in saying that if any man were so good and perfect an animal that he had the hound's sense of smell, the cat's eyesight, the rabbit's sense of hearing, the horse's sense of taste, and the homing pigeon's "locality," he would not be one whit better prepared to appreciate Kipling's "Dipsy Chanty," and not a hair's breadth nearer a point where he could write a poem equal to it.
No college professor can see so far as a Sioux Indian, neither can he hear so well as a native African. There are rays of light that no unaided human eye can trace, and there are sounds subtler than human ear can detect. These five bodily faculties that we are pleased to call the senses were developed by savage man. He holds them in common with the brute. And now that man is becoming partly civilized he is in danger of losing them. Faculties not used are taken away. Dame Nature seems to consider that anything you do not utilize is not needed; and as she is averse to carrying dead freight she drops it out.
But man can think, and the more he thinks and the further he projects his thought, the less need he has for his physical senses. Homer's matchless vision was the rich possession of a blind man; Milton never saw Paradise until he was sightless, and Helen Keller knows a world of things that were neither told to her in lectures nor read from books. The far-reaching intellect often goes with a singularly imperfect body, and these things seem to point to the truth that the body is one thing and the soul another.
I make no argument for impoverished vitality, nor do I plead the cause of those who enjoy poor health. Yet how often do we find that the confessional of a family or a neighborhood is the bedside of one who sees the green fields only as did the Lady of Shalott, by holding a looking-glass so that it reflects the out-of-doors. Let me carry that simile one step further, and say that the mirror of the soul when kept free from fleck and stain, reveals the beauties of the universe. And I am not sure but that the soul, freed from the distractions of sense and the trammels of flesh, glides away to a height where things are observed for the first time in their true proportions.
"The soul knows all things," says Emerson, "and knowledge is only a remembering."
The Martineaus were Huguenots, a stern, sturdy stock that suffered exile rather than forego the right of free-thought and free speech. These are the people who are the salt of the earth. And yet as I read history I see that they are the people who have been hunted by dogs, and followed by armed men carrying fagots. The driving of the Huguenots from France came near bankrupting the land, and the flight of Jews and Huguenots into England helped largely to make that country the counting-house of the world. Take the Quakers, Puritans, Huguenots and other refugees from America and it is no longer the land of the free or the home of the brave.
Of the seven Presidents who presided over the deliberations of that first Continental Congress in Philadelphia, three were Huguenots: Henry Laurens, John Jay and Elias Boudinot, and in the seats there were Puritans not a few.
"By God, Sir, we can not afford to persecute the Quakers," said a certain American a long while ago. "Their religion may be wrong, but the people who cling to an idea are the only people we need. If we must persecute, let us persecute the complacent."
Harriet Martineau had all the restless independence of will that marked her ancestry. She set herself to acquire knowledge, and she did. When she was twenty she spoke three languages and could read in four. She knew history, astronomy, physical science, and it crowded her teacher in mathematics very hard to keep one lesson in advance of her. Besides, she could sew and cook and "keep house." Yet it was all gathered by labor and toil and lift. By taking thought she had added cubits to her stature.
But at twenty, a great light suddenly shone around her. Love came and revealed the wonders of Earth and Heaven. She had ever been of a religious nature, but now her religion was vitalized and spiritualized. Deity was no longer a Being who dwelt at a great distance among the stars, but the Divine Life was hers. It flowed through her, nourished her and gave her strength.
Renan suggests that one reason why religion remains on such a material plane for many is because they have never known a great and vitalizing love—a love where intellect, spirit and sex find their perfect mate. Love is the great enlightener. And in my own mind I am fully persuaded that comparatively few mortals ever experience this rebirth that a great love gives. We grope our way through life. Nature's first thought is for reproduction of the species; she has so overloaded physical passion that men and women marry when the blood is warm and intellect callow. Girls marry for life the first man that offers, and forever put behind them the possibilities of a love that would enable them to lift up their eyes to the hills from whence cometh their help. Very, very seldom do the years that bring a calmer pulse reveal a mating of mind and spirit.
When love came to Harriet, she began to write, her first book being a little volume called "Devotional Exercises." These daily musings on Divine things and these sweetly limpid prayers were all written out first for herself and her lover. But it came to her that what was a help to them might be a help to others. A publisher was found, and the little work had a large sale and found appreciative readers for many years.
Today, out under the trees, I read this first book written by Miss Martineau. How gently sweet and perfect are these prayers asking for a clean heart and a right spirit! And yet at this time Harriet Martineau had gotten well beyond the idea that God was a great, big man who could be beseeched and moved to alter His plans because some creature on the planet Earth asked it. Her religion was pure Theism, with no confounding dogmas about who was to be saved and who damned. The state of infants who died unbaptized and of the heathen who passed away without ever having heard of Jesus did not trouble her at all. She already accepted the truth of necessity, believing that every act of life was the result of a cause. We do what we do, and are what we are, on account of impulses given us by previous training, previous acts or conditions under which we live and have lived.
If then, everything in this world happens because something else happened a thousand years ago or yesterday, and the result could not possibly be different from what it is, why besiege Heaven with prayers?
The answer is simple. Prayer is an emotional exercise; an endeavor to bring the will into a state of harmony with the Divine Will; a rest and a composure that gives strength by putting us in position to partake of the strength of the Universal. The man who prays today is as a result stronger tomorrow, and thus is prayer answered. By right thinking does the race grow. An act is only a crystallized thought; and this young girl's little book was designed as a help to right thinking. The things it taught are so simple that no man need go to a theological seminary to learn them: the Silence will tell him all if he will but listen and incline his heart. Love had indeed made Harriet's spirit free. And to no woman can love mean so much as to one who is aware that she is physically deficient. Homely women are apt to make the better wives, and in all my earth-pilgrimage I never saw a more devoted love—a diviner tenderness—than that which exists between a man of my acquaintance, sound in every sense and splendid in physique, and his wife, who has been blind from her birth. For weeks after I first met this couple there rang in my ears that expression of Victor Hugo's, "To be blind and to be loved—what happier fate!"
But Harriet's lover was poor in purse and his family was likewise poor, and the thrifty Martineaus vigorously opposed the mating. In fact, Harriet's mother hooted at it and spoke of it with scorn; and Harriet answered not back, but hid her love away in her heart—biding the time when her lover should make for himself a name and a place, and have money withal to command the respect of even mill-owners.
So the days passed, and the months went by, and three years counted themselves with the eternity that lies behind. Harriet's lover had indeed proved himself worthy. He had worked his way through college, had been graduated at the Divinity School, and his high reputation for character and his ability as a speaker won for him at once a position to which many older than he aspired. He became the pastor of the Unitarian Church at Manchester—and this was no small matter!
Now Norwich, where the Martineaus lived, is a long way from Manchester, where Harriet's lover preached, or it was then, in stagecoach times. It cost money, too, to send letters.
And there was quite an interval once when Harriet sent several letters, and anxiously looked for one; but none arrived.
Then word came that the brilliant young preacher was ill; he wished to see his betrothed. She started to go to him, but her parents opposed such an unprecedented thing. She hesitated, deferred her visit—intending soon to go at all hazards—hoping all the while to hear better news.
Word came that Harriet's lover was dead. Soon after this the Martineau mills, through various foolish speculations, got into a bad way. Harriet's father found himself with more debts than he could pay; his endeavors to buffet the storm broke his health—he gave up hope, languished and died.
Mrs. Martineau and the family were thus suddenly deprived of all means of support. The boys were sent to work in the mills, and the two older girls, having five sound senses each, found places where they could do housework and put money in their purses. Harriet Martineau stayed at home and kept house. She also studied, read and wrote a little—there was no other way!
Six years passed, and the name of Harriet Martineau was recognized as a power in the land. Her "Illustrations of Political Economy" had sold well up into the hundred thousands. The little stories were read by old and young, rich and poor, learned and unlearned. Sir Robert Peel had written Harriet a personal letter of encouragement; Lord Brougham had paid for and given away a thousand copies of the booklets; Richard Cobden had publicly endorsed them; Coleridge had courted the author; Florence Nightingale had sung her praises, and the Czar of Russia had ordered that "all the books of Harriet Martineau's found in Russia shall be destroyed." Besides, she had incurred the wrath of King Philippe of France, who after first lavishly praising her and ordering the "Illustrations" translated into French, to be used in the public schools, suddenly discovered a hot chapter entitled, "The Error Called the Divine Right of Kings," and although Philippe was only a "citizen-king" he made haste to recall his kind words.
And I wish here to remark in parentheses that the author who has not made warm friends and then lost them in an hour by writing things that did not agree with the preconceived idea of these friends, has either not written well or not been read. Every preacher who preaches ably has two doors to his church—one where the people come in and another through which he preaches them out. And I do not see how any man, even though he be divine, could expect or hope to have as many as twelve disciples and hold them for three years without being doubted, denied and betrayed. If you have thoughts, and honestly speak your mind, Golgotha for you is not far away.
Harriet Martineau was essentially an agitator. She entered into life in its fullest sense, and no phase of existence escaped her keen and penetrating investigation. From writing books giving minute directions to housemaids, to lengthy advice to prime ministers, her work never lagged. She was widely read, beloved, respected, feared and well hated.
When her political-economy tales were selling their best, the Government sent her word that on application she could have a pension of two hundred pounds a year for life. A pension of this kind comes nominally as a reward for excellent work or heroic service. But a pension may mean something else: it often implies that the receiver shall not offend nor affront the one that bestows it. Could we trace the true inner history of pensions granted by monarchies, we would find that they are usually diplomatic moves.
Harriet made no response to the generous offer of a lifelong maintenance from the State, but continued to work away after her own methods. Yet the offer of a pension did her good in one way: it suggested the wisdom of setting aside a sum that would support her when her earning powers were diminished. From her two books written concerning her trip to America she received the sum of seven thousand five hundred dollars. With this she purchased an insurance policy in the form of a deferred annuity, providing that from her fiftieth year to her death she should receive the annual sum of five hundred dollars. Nowhere in all the realm of Grub Street do we find a man who set such an example of cool wisdom for this crippled woman. At this time she was supporting her mother, who had become blind, and also a brother, who was a slave to drink.
Twenty-five years after the first offer of pension, the Government renewed the proposition. But Harriet said that her needs were few and her wants simple; that she had enough anyway, and besides, she could not consent to the policy of pensioning one class of persons for well-doing and forgetting all the toilers who have worked just as conscientiously, but along lowly lines; if she ever did need aid, she would do as other old women were obliged to do, that is, apply to the parish.
Miss Martineau wrote for the "Daily London News" alone, sixteen hundred forty-two editorials. She also wrote more than two hundred magazine articles, and published upwards of fifty books. Her work was not classic, for it was written for the times. That her influence for good on the thought of the times was wide and far-reaching, all thoughtful men agree. And he who influences the thought of his times influences all the times that follow. He has made his impress on eternity.
Opinions may differ as to what constitutes Harriet Martineau's best work, but my view is that her translation and condensation of Auguste Comte's six volumes into two will live when all her other work is forgotten. Comte's own writings were filled with many repetitions and rhetorical flounderings. He was more of a philosopher than a writer. He had an idea too big for him to express, but he expressed at it right bravely. Miss Martineau, trained writer and thinker, did not translate verbally: she caught the idea, and translated the thought rather than the language. And so it has come about that her work has been literally translated back into French and is accepted as a textbook of Positivism, while the original books of the philosopher are merely collected by museums and bibliophiles as curiosities.
Comte taught that man passes through three distinct mental stages in his development: First, man attributes all phenomena to a "Personal God," and to this God he servilely prays. Second, he believes in a "Supreme Essence," a "Universal Principle" or a "First Cause," and seeks to discover its hiding-place. Third, he ceases to hunt out the unknowable, and is content to live and work for a positive present good, fully believing that what is best today can not fail to bring the best results tomorrow.
Harriet had long considered that one reason for the very slow advancement of civilization was that men had ever busied themselves with supernatural concerns; and in fearsome endeavors to make themselves secure for another world had neglected this. Man had tried to make peace with the skies instead of peace with his neighbor. She also thought she saw clearly that right living was one thing, and a belief in theological dogma another. That these things sometimes go together, she of course admitted, but a belief in a "vicarious atonement" and a "miraculous conception" she did not believe made a man a gentler husband, a better neighbor or a more patriotic citizen. Man does what he does because he thinks at the moment it is the best thing to do. And if you could make men believe that peace, truth, honesty and industry were the best standards to adopt—bringing the best results—all men would adopt them.
There are no such things as reward and punishment, as these terms are ordinarily used: there are only good results and bad results. We sow, and reap what we have sown.
Miss Martineau had long believed these things, but Comte proved them—proved them in six ponderous tomes—and she set herself the task to simplify his philosophy.
There is one point of attraction that Comte's thought had for Harriet Martineau that I have never seen mentioned in print—that is, his mental attitude on the value of love in a well-ordered life.
In the springtime of his manhood, Auguste Comte, sensitive, confiding, generous, loved a beautiful girl. She did not share his intellectual ambitions, his divine aspiration: she was only a beautiful animal. Man proposes, but is not always accepted. She married another, and Comte was disconsolate—for a day.
He pondered the subject, read the lives of various great men, talked with monks and sundry friars gray, and after five years wrote out at length the reasons why a man, in order to accomplish a far-reaching and splendid work, must live the life of a celibate. "To achieve," said Comte, "you must be married to your work."
Comte lived for some time content in this philosophy, constantly strengthening it and buttressing it against attack; for we believe a thing first and skirmish for our proof afterward. But when past forty, and his hair was turning to silver, and crow's-feet were showing themselves in his fine face, and when there was a halt in his step and his laughter had died away into a weary smile, he met a woman whose nature was as finely sensitive and as silkenly strong as his own. She had intellect, aspiration, power. She was gentle, and a womanly woman withal; his best mood was matched by hers, she sympathized with his highest ideal.
They loved and they married.
The crow's-feet disappeared from Comte's face, the halt in his step was gone, the laugh returned, and people said that the silver in his hair was becoming.
Shortly after, Comte set himself to work overhauling all the foolish things he had said about the necessity of celibacy. He declared that a man without his mate only stumbled his way through life. There was the male man and the female man, and only by working together could these two souls hope to progress. It requires two to generate thought. Comte felt sure that he was writing the final word. He avowed that there was no more to say. He declared that should his wife go hence the fountains of his soul would dry up, his mind would famish, and the light of his life would go out in darkness.
The gods were envious of such love as this.
Comte's mate passed away.
He was stricken dumb; the calamity was too great for speech or tears.
But five years after, he got down his books and went over his manuscripts and again revised his philosophy of what constitutes the true condition for the highest and purest thought. To have known a great and exalted love and have it fade from your grasp and flee as shadow, living only in memory, is the highest good, he wrote. A great sorrow at one stroke purchases a redemption from all petty troubles; it sinks all trivial annoyances into nothingness, and grants the man lifelong freedom from all petty, corroding cares. His feelings have been sounded to their depths—the plummet has touched bottom. Fate has done her worst: she has brought him face to face with the Supreme Calamity, and thereafter there is nothing that can inspire terror.
The memory of a great love can never die from out the heart. It affords a ballast 'gainst all the storms that blow. And although it lends an unutterable sadness, it imparts an unspeakable peace.
A great love, even when fully possessed, affords no complete gratification. There is an essence in it that eludes all ownership. Its highest use seems to be a purifying impulse for nobler endeavor. It says at the last, "Arise, and get thee hence, for this is not thy rest."
Where there is this haunting memory of a great love lost there is always forgiveness, charity, and a sympathy that makes the man brother to all who endure and suffer. The individual himself is nothing; he has nothing to hope for, nothing to gain, nothing to win, nothing to lose; for the first time and the last he has a selflessness that is wide as the world, and wherein there is no room for the recollection of a wrong. In this memory of a great love, there is a nourishing source of strength by which the possessor lives and works; he is in communication with elemental conditions.
Harriet Martineau was a lifelong widow of the heart. That first great passion of her early womanhood, the love that was lost, remained with her all the days of her life: springing fresh every morning, her last thought as she closed her eyes at night. Other loves came to her, attachments varying in nature and degree, but in this supreme love all was fused and absorbed. In this love, you get the secret of power.
A great love is a pain, yet it is a benison and a benediction. If we carry any possession from this world to another it is the memory of a great love. For even in the last hour, when the coldness of death shall creep into the stiffening limbs, and the brain shall be stunned and the thoughts stifled, there shall come to the tongue a name, a name not mentioned aloud for years—there shall come a name; and as the last flickering rays of life flare up to go out on earth forever, the tongue will speak this name that was long, long ago burned into the soul by the passion of a love that fadeth not away.
CHARLOTTE BRONTE
I was not surprised, when I went down into the hall,
to see that a brilliant June morning had succeeded to the
tempest of the night, and to feel through the open glass
door the breathing of a fresh and fragrant breeze.
Nature must be gladsome when I was so happy. A
beggar woman and her little boy, pale, ragged objects
both, were coming up the walk, and I ran down and
gave them all the money I happened to have in my
purse—some three or four shillings: good or bad they
must partake of my jubilee. The rooks cawed and
blither birds sung, but nothing was so merry or so
musical as my own rejoicing heart.
—Jane Eyre
CHARLOTTE BRONTE
Rumor has it that there be Americans who are never happy unless passing for Englishmen. And I think I have discovered a like anomaly on the part of the sons of Ireland—a wish to pass for Frenchmen. On Continental hotel-registers the good, honest name of O'Brian often turns queer somersaults, and more than once in "The States" does the kingly prefix of O evolve itself into Van or De, which perhaps is quite proper, seeing they all mean the same thing. One cause of this tendency may lie in the fact that Saint Patrick was a native of France; although Saint Patrick may or may not have been chosen patron saint on account of his nationality. But the patron saint of Ireland being a Frenchman, what more natural, and therefore what more proper, than that the whole Emerald Isle should slant toward the people who love art and rabbit-stew! Anyway, from the proud patronymic of Patricius to plain Pat is quite a drop, and my heart is with Paddy in his efforts to get back.
When Patrick Prunty of County Down, Ireland, shook off the shackles of environment, and the mud of the peat-bog, and went across to England, presenting himself at the gates of Saint John's College, Cambridge, asking for admittance, I am glad he handed in his name as Mr. P. Bronte, accent on the last syllable.
There is a gentle myth abroad that preachers are "called," while other men adopt a profession or get a job, but no Protestant Episcopal clergyman I have ever known, and I have known many, ever made any such claim. They take up the profession because it supplies honors and a "living." Then they can do good, too, and all men want to do good. So they hie them to a divinity school and are taught the mysteries of theological tierce and thrust; and interviewing a clerical tailor they are ready to accept the honors and partake of the living. After a careful study of the life of Patrick Bronte I can not find that his ambition extended beyond the desirable things I have named—that is to say, inclusively, honors and a living.
He was tall, athletic, dark, and surely a fellow of force and ambition to set his back on the old and boldly rap for admittance at the gates of Cambridge. He was a pretty good student, too, although a bit quarrelsome and sometimes mischievous—throwing his force into quite unnecessary ways, as Irishmen are apt to do. He fell in love, of course, and has not an Irishman in love been likened to Vesuvius in state of eruption? We know of at least one charming girl who refused to marry him, because he declined, unlike Othello, to tell the story of his life. And it was assumed that any man who would not tell who "his folks" were, was a rogue and a varlet and a vagrom at heart. And all the while Monsieur Bronte had nothing worse to conceal than that he was from County Down and his name Prunty. He wouldn't give in and tell the story of his life to slow music, and so the girl wept and then stormed, and finally Bronte stormed and went away, and the girl and her parents were sure that the Frenchman was a murderer escaping justice. Fortunate, aye, thrice fortunate is it for the world that neither Bronte nor the girl wavered even in the estimation of a hair.
Bronte got through school and came out with tuppence worth of honors. When thirty, we find him established as curate at the shabby little town of Hartshead, in Yorkshire. Little Miss Branwell, from Penzance, came up there on a visit to her uncle, and the Reverend Mr. Bronte at once fell violently in love with her dainty form and gentle ways. I say "violently," for that's the kind of man Bronte was. Darwin says, "The faculty of amativeness is not aroused except by the unfamiliar." Girls who go away visiting, wearing their best bib and tucker, find lovers without fail. One-third of all marriages in the United States occur in just this way: the bib and tucker being sprung on the young man as a surprise, dazzles and hypnotizes him into an avowal and an engagement.
And so they were married—were the Reverend Patrick Bronte and Miss Maria Branwell. He was big, bold and dictatorial; she was little, shy and sensitive. The babies came—one in less than a year, then a year apart. The dainty little woman had her troubles, we are sure of that. Her voice comes to us only as a plaintive echo. When she asked to have the bread passed, she always apologized. Once her aunt sent her a present of a pretty silk dress, for country clergymen's wives do not have many luxuries—don't you know that?—and Patrick Bronte cut the dress into strips before her eyes and then threw the pieces, and the little slippers to match, into the fireplace, to teach his wife humility. He used to practise with a pistol and shoot in the house to steady the lady's nerves, and occasionally he got plain drunk. A man like Bronte in a little town with a tired little wife, and with inferior people, is a despot. He busies himself with trifles, looks after foolish details, and the neighbors let him have his own way and his wife has to, and the result is that he becomes convinced in his own mind that he is the people and that wisdom will die with him.
And yet Bronte wrote some pretty good poetry, and had faculties that rightly developed might have made him an excellent man. He should have gone down to London (or up, because it is south) and there come into competition with men as strong as himself. Fate should have seized him by the hair and bumped his head against stone walls and cuffed him thoroughly, and kicked him into line, teaching him humility, then out of the scrimmage we might have gotten a really superior product.
Mrs. Bronte became a confirmed invalid. A man can not always badger a woman; God is good—she dies. Little Maria Branwell had been married eight years; when she passed out she left six children, "all of a size," a neighbor woman has written. Over her grave is a tablet erected by her husband informing the wayfarer that "she has gone to meet her Savior." At the bottom is this warning to all women: "Be ye also ready; for in such an hour as ye think not the Son of Man cometh."
Five of these motherless children were girls and one a boy.
As you stand there in that stone church at Haworth reading the inscription above Maria Branwell's grave, you can also read the death record of the babes she left. The mother died on September Fifteenth, Eighteen Hundred Twenty-one; her oldest daughter, Maria, on May Sixth, Eighteen Hundred Twenty-five; Elizabeth, June Fifteenth, Eighteen Hundred Twenty-five; Patrick Branwell, on September Twenty-fourth, Eighteen Hundred Forty-eight; Emily, December Nineteenth, Eighteen Hundred Forty-eight; Anne, May Twenty-eighth, Eighteen Hundred Forty-nine; and Charlotte, on March Thirty-first, Eighteen Hundred Fifty-five. Those whom the gods love die young: the Reverend Patrick Bronte lived to be eighty-five years old.
I got out of the train at Keighley, which you must pronounce "Keethley," and leaving my valise with the station-master started on foot for Haworth, four miles away.
Keighley is a manufacturing town where various old mansions have been turned into factories, and new factories have sprung up, square, spick-span, trimmed-stone buildings, with fire-escapes and red tanks on top.
One of these old mansions I saw had a fine copper roof that shone in the sun like a monster Lake Superior agate. It stands a bit back from the road, and on one great gatepost is a brass plate reading "Cardigan Hall," and on the other a sign, "No Admittance—Apply at the Office." So I applied at the office, which is evidently the ancient lodge, and asked if Mr. Cardigan was in. Four clerks perched on high stools, crouching over big ledgers, dropped their pens and turning on their spiral seats looked at me with staring eyes, and with mouths wide open. I repeated the question and one of the quartette, a wheezy little old man in spectacles and with whiskers on his neck, clambered down from his elevated position and ambled over near, walking around me, eying me curiously.
"Go wan wi' yer wurruk, ye idlers!" he suddenly commanded the others. And then he explained to me that Mr. Cardigan was not in, neither was Mr. Jackson. In fact, Mr. Cardigan had not been in for a hundred years—being dead. But if I wanted to look at goods I could be accommodated with bargains fully five per cent below Lunnon market. The little old man was in such serious earnest that I felt it would be a sin to continue a joke. I explained that I was only a tourist in search of the picturesque, and thereby did I drop ten points in the old man's estimation. But this did I learn, that Lord Cardigan has won deathless fame by attaching his name to a knit jacket, just as the name Jaeger will go clattering down the corridors of time attached to a "combination suit."
This splendid old mansion was once the ancestral home of a branch of the noble family of Cardigan. But things got somewhat shuffled, through too many hot suppers up to London (being south), and stacks of reds and stacks of blues were drawn in towards the dealer, and so the old mansion fell under the hammer of the auctioneer. What an all-powerful thing is an auctioneer's hammer! And now from the great parlors, and the library, and the "hall," and the guest-chambers echo the rattle of spinning-jennies and the dull booming of whirling pulleys. And above the song of whirring wheels came the songs of girls at their work—voices that alone might have been harsh and discordant, but blending with the monotone of the factory's roar were really melodious.
"We cawn't keep the nasty things from singin'," said the old man apologetically.
"Why should you?" I asked.
"Huh, mon! but they sing sacred songs, and chaunts, and a' that, and say all together from twenty rooms, a hundred times a day, 'Aws ut wuz in th' beginnin,' uz now awn ever shawl be, worl' wi'out end, Aamen.' It's not right. I've told Mr. Jackson. Listen now, didn't I tell ye?"
"Then you are a Churchman?"
And the old man wiped his glasses and told me that he was a Churchman, although an unworthy one, and had been for fifty-four years, come Michaelmas. Yes, he had always lived here, was born only across the beck away—his father was gamekeeper for Lord Cardigan, and afterwards agent. He had been to Haworth many times, although not for ten years. He knew the Reverend Patrick Bronte well, for the Incumbent from Haworth used to preach at Keighley once a year, and sometimes twice. Bronte was a fine man, with a splendid voice for intoning, and very strict about keeping out all heresies and such. He had a lot of trouble, had Bronte: his wife died and left him with eight or ten children, all smart, but rather wild. They gave him a lot of bother, especially the boy. One of the girls married Mr. Bronte's curate, Mr. Nicholls, a very decent kind of man who comes to Keighley once a year, and always comes to the factory to ask how things are going.
Yes, Mr. Nicholls' first wife died years and years ago. She used to write things—novels; but no one should read novels; novels are stories that are not so—things that never happened; they tell of folks that never was.
Having no argument to present in way of rebuttal, I shook hands with the old man and started away. He walked with me to the road to put me on the right way to Haworth.
Looking back as I reached the corner, I saw four "clarks" watching me intently from the office windows, and above the roar and jangle of machinery was borne on the summer breeze the sound of sacred song—shrill feminine voices:
"Aws ut wuz in th' beginnin', uz now awn ever shawl be, worl' wi'out end—Aamen!"
As one moves out of Keighley the country becomes stony; the trees are left behind, and there rises on all sides billow on billow of purple heather. The way is rough as the Pilgrim's Progress road to Paradise. These hillside moors are filled with springs that high up form rills, then brooks, then cascades or "becks," and along the Haworth road, wherever one of these hurrying, scurrying, dancing becks crosses the highway, there is a factory devoted to keeping alive the name of Cardigan. Next to the factory is a "pub.," and publics and factories checker themselves all along the route. Mixed in with these are long rows of tenement-houses well built of stone, with slate roofs, but with a grimy air of desolation about them that surely drives their occupants to drink. To have a home a man must build it himself. Forty houses in a row, all alike, are not homes at all.
I believe an observant man once wrote of the hand being subdued to what it works in. The man who wrote that surely never tramped along the Haworth road as the bell rang for twelve o'clock. From out the factories poured a motley mob of men, women and children, not only with hands dyed, but with clothing, faces and heads as well. Girls with bright-green hair, and lemon-colored faces, leered and jeered at me as they hastened pellmell with hats askew, and stockings down, and dragging shawls, for home or public-house. Red and maroon children ran, and bright-scarlet men smoked stolidly, taking their time with genuine grim Yorkshire sullen sourness.
"How far is it to Haworth?" I asked one such specimen.
"Ef ye pay th' siller for a double pot a' 'arf and 'arf. Hi might tell ye"; and he jerked his thumb over his shoulder toward a ginshop near by.
"Very well," said I; "I'll buy you a double pot of 'arf and 'arf, this time."
The man seemed a bit surprised, but no smile came over his spattered rainbow face as he led the way into the drink-shop. The place was crowded with men and women scrambling for penny sandwiches and drinks fermented and spirituous. Some of these women had babies at their breasts, the babies being brought by appointment by older children who stayed at home while the mothers worked. And as the mothers gulped their Triple XXX, and swallowed hunks of black bread, the little innocents dined. The mothers were rather kindly disposed, though, and occasionally allowed the youngsters to take sips out of their foaming glasses, or at least to drain them. Suddenly a woman with purple hair spied me and called in falsetto:
"Ah, Sawndy McClure has caught a gen'l'mon. Why didn't I see 'im fust an' 'arve 'im fer a pet?"
There was a guffaw at my expense and 'arf and 'arf as well, for all the party, or else quarrel. As it was, my stout stick probably saved me from the "personal touch." I stayed until the factory-bells rang, and out my new-found friends scurried for fear of being the fatal five minutes late and getting locked out. Some of them shook my hand as they went, and others pounded me on the back for luck, and several of the girls got my tag and shouted, "You're it!"
I used to think that Yorkshire folks were hopelessly dull and sublimely stupid, quarrelsome withal and pigheaded to the thirty-second degree; but I have partially come to the conclusion that their glum ways often conceal a peculiar kind of grim humor, and beneath the tough husk is considerable good nature.
The absence of large trees makes it possible to see the village of Haworth several miles away. It seems to cling to the stony hillside as if it feared being blown into space. There is a hurrying, rushing rill here, too, that turns a little woolen-mill. Then there is a "Black Bull" tavern, with a stable-yard at the side and rows of houses on the one street, all very straight up and down. One misses the climbing roses of the ideal merry England, and the soft turf and spreading yews and the flowering hedgerows where throstles and linnets play hide-and-seek the livelong day. It is all cold gray stone, lichen-covered, and the houses do not invite you to enter, and the gardens bid no welcome, and only the great purple wastes of moorland greet you as a friend and brother.
Outside the Black Bull sits a solitary hostler, who feels it would be a weakness to show any good humor. So he bottles his curiosity and scowls from under red, bushy eyebrows.
Turning off the main street is a narrow road leading to the church—square and gray and cold. Next to it is the parsonage, built of the same material, and beyond is the crowded city of the dead.
I plied the knocker at the parsonage door and asked for the rector. He was away at Kendal to attend a funeral, but his wife was at home—a pleasant, matronly woman of near sixty, with smooth, white hair. She came to the door knitting furiously, but from her regulation smile I saw that visitors were not uncommon.
"You want to see the home of the Brontes? That's right, come right in. This was the study of the Reverend Patrick Bronte, Incumbent of this Parish for fifty years."
She sang her little song and knitted and shifted the needles and measured the foot, for the stocking was nearly done. It was a blue stocking (although she wasn't) with a white toe; and all the time she led me from room to room telling me about the Brontes—how there were the father, mother and six children. They all came together. The mother died shortly, and then two of the little girls died. That left three girls and Branwell the boy. He was petted and made too much of by his father and everybody. He was the one that always was going to do great things. He made the girls wait on him and cuffed them if they didn't, and if they did, and all the time told of the things he was going to do. But he never did them, for he spent most of his time at the taverns. After a while he died—died of the tremens.
The three Bronte girls, Emily, Charlotte and Annie, wrote a novel apiece, and never showed them to their father or to any one. They called 'emselves Currer, Ellis and Acton Bell, and their novels were the greatest ever written—they wrote them 'emselves with no man to help. Their father was awful mad about it, but when the money began to come in he felt better. Emily died when she was twenty-seven. She was the brightest of them all; then Annie died, and only Charlotte and the old man were left. Charlotte married her father's curate, but old Mr. Bronte wouldn't go to the wedding: he went to the Black Bull instead. Miss Wooler gave the bride away—some one had to give her away, you know. The bride was thirty-eight. She died in less them a year, and old Mr. Bronte and Charlotte's husband lived here alone together.
This was Charlotte's room; this is the desk where she wrote "Jane Eyre"—leastwise they say it is. This is the chair she sat in, and under that framed glass are several sheets of her manuscript. The writing is almost too small to read; and so fine and yet so perfect and neat! She was a wonderful tidy body, very small and delicate and gentle, yet with a good deal of her father's energy.
Here are letters she wrote: you can look at them if you choose. This footstool she made and covered herself. It is filled with heather-blossoms—just as she left it. Those books were hers, too—many of them given to her by great authors. See, there is Thackeray's name written by himself, and a letter from him pasted inside the front cover. He was a big man they say, but he wrote very small, and Charlotte wrote just like him, only better, and now there are hundreds of folks write like 'em both. Then here's a book with Miss Martineau's name, and another from Robert Browning—do you know who he was?
Yes, the church is always open. Go in and stay as long as you choose; at the door is a poorbox and if you wish to put something in you can do so—a sixpence most visitors put in, or a shilling if you insist upon it. You know we are not a rich parish—the wool all goes to Manchester now, and the factory-hands are on half-pay and times are scarce. You will come again some time, come when the heather is in bloom, won't you? That's right. Oh, stay! the boxwood there in the garden was planted by Charlotte's own hands—perhaps you would like a sprig of it—there, I thought you would!
All who write concerning the Brontes dwell on the sadness and the tragedy of their lives. They picture Charlotte's earth-journey as one devoid of happiness, lacking all that sweetens and makes for satisfaction. They forget that she wrote "Jane Eyre," and that no person utterly miserable ever did a great work; and I assume that they know not of the wild, splendid, intoxicating joy that follows a performance well done. To be sure, "Jane Eyre" is a tragedy, but the author of a tragedy must be greater than the plot—greater than his puppets. He is their creator, and his life runs through and pervades theirs, just as the life of our Creator flows through us. In Him we live and move and have our being. And I submit that the writer of a tragedy is not cast down or undone at the time he pictures his heroic situations and conjures forth his strutting spirits. When the play ends and the curtain falls on the fifth act, there is still one man alive, and that is the author. He may be gorged with crime and surfeited with blood, but there is a surging exultation in his veins as he views the ruin that his brain has wrought.
Charlotte loved the great stretch of purple moors, hill on hill fading away into eternal mist. And the wild winds that sighed and moaned at casements or raged in sullen wrath, tugging at the roof, were her friends. She loved them all, and thought of them as visiting spirits. They were her properties, and no writer who ever lived has made such splendid use of winds and storm-clouds and driving rain as did Charlotte Bronte. People who point to the chasing, angry clouds and the swish of dripping rosebushes blown against the cottage-windows as proof of Charlotte Bronte's chronic depression know not the eager joy of a storm walk. And I am sure they never did as one I know did last night: saddle a horse at ten o'clock and gallop away into the darkness; splash, splash in the sighing, moaning, bellowing, driving November rain. There's joy for you! ye who toast your feet on the fender and cultivate sick headache around the base-burner—there's a life that ye never guess!
But Charlotte knew the clouds by night and the swift-sailing moon that gave just one peep out and disappeared. She knew the rifts where the stars shone through, and out alone in the breeze that blew away her cares she lifted her voice in thankfulness for the joy of mixing with the elements, and that her spirit was one with the boisterous winds of heaven.
People who live in beautiful, quiet valleys, where roses bloom all the year through, are not necessarily happy.
Southern California—the Garden of Eden of the world—evolves just as many cases per capita of melancholia as bleak, barren Maine. Wild, rocky, forbidding Scotland has produced more genius to the acre than beautiful England: and I have found that sailor Jack, facing the North Atlantic winter storms, year after year, is a deal jollier companion than the Florida cracker whose chief adversary is the mosquito.
Charlotte Bronte wrote three great books: "Jane Eyre," "Shirley" and "Villette." From the lonely, bleak parsonage on that stony hillside she sent forth her swaying filament of thought and lassoed the world. She lived to know that she had won. Money came to her, all she needed, honors, friends and lavish praise. She was the foremost woman author of her day. Her name was on every tongue. She had met the world in fair fight; without patrons, paid advocates, or influential friends she made her way to the very front. Her genius was acknowledged. She accomplished all that she set out to do and more—far more. The great, the learned, the titled, the proud—all those who reverence the tender heart and far-reaching mind—acknowledged her as queen.
So why prate of her sorrows! Did she not work them up into art? Why weep over her troubles when these were the weapons with which she won? Why sit in sackcloth on account of her early death, when it is appointed unto all men once to die, and with her the grave was swallowed up in victory?