LONDON'S HEART.

CHAPTER I.

IN WHICH MR. PODMORE DECLARES THAT HE IS NOT ACCOUNTABLE
FOR HIMSELF.

The scene opens in the locality of Soho--that labyrinth of narrow paths which always wears a depressed and melancholy air, as if it had just gone into mourning. If Soho ever had bright days in the shape of a sunny youth, it must have been very long ago. No trace of them remains; a settled sadness lies upon its queer narrow thoroughfares now and for evermore. The very voices of its residents are more subdued and resigned than other voices are in other places.

No locality in London contains so strange a variety of life's phases as may be found in Soho. And yet it is full of mystery, and its ways are dark and secret. Men and women may live there for years, and their antecedents and present modes of life shall be as little known as if they lived in the most remote corner of the earth. Soho is the molehill of the Great City. You may have a thousand pounds a year and spend it in Soho, and your neighbours not only shall not notice it, but shall be as utterly indifferent to you as if you lived on tenpence a day--as hundreds of poor fellows are doing at this present moment. Hard-working mechanics live there; weary-eyed needlewomen; libertines; ballet-girls, whose salary is twenty shillings a week, and who wear furs and false hair and diamond rings; and man-owls, who sleep by day and prey by night. On the doorstep of some of the houses in which these persons dwell, children in the afternoon play with marbles and broken pieces of crockery. Here is a group composed of half a dozen dirty-stockinged little girls, who look at you shyly as you pause before them, and put their fingers in their mouths and giggle surreptitiously. Speak to this one--a clear gray-eyed girl of some eight summers, with intelligent well-formed face and beautiful light hair. Question her, and bribe her with pence, and you may obtain from her the information that she lives in the next street, at the baker's, on the second-floor back; that mother and father live there, of course; that seven brothers and sisters live there, making a family party of ten in all; that they have only one room, in which mother cooks the meals, and in which they all sleep; and that sometimes Uncle Bob pays them a visit, and eats and sleeps with them for a few days. Wondrous is the inner life of Soho. It is the abode of much seediness and much suffering. Many a poor gentleman eats his bread-and-dripping there, and, if he can afford it, cooks his herring there, and thinks sadly of times, gone by, when his life had its days of sunshine. He looks forward yearningly to the time to come; but rich as is the harvest that grows in the fields of Hope, the chance of its ever being gathered is a dismal one indeed. The poor gentleman, ill-fed, ill-dressed, reads faded letters in his garret, kisses pictures there, and dreams hopefully of the future, which contains for him nothing but a grave.

In one of Soho's quiet streets--belonging to that peculiar family of streets which are invariably round the corner--is a tallow-chandler's shop, ambitiously designated by its proprietor, J. Gribble senior, as an oil and colour warehouse. This designation glares at you from over the blue shopfront in yellow letters--glares at you defiantly, as if it is aware beforehand that doubt of its assertion must necessarily rise in your mind. The window of the shop, in which the stock is displayed, is dusty and dirty, and everything behind it has a faded and second-hand appearance. In a corner of the window is a sheet of note-paper, on which is written--in feeble and uncertain letters--"Down with Cooperation!" There is an exception, however, to the generally dusty aspect of the window. In a centre pane, which is kept clean, is a square of blue cardboard, on which the following announcement is neatly written, in yellow round-hand:

The stock has not a very inviting appearance: comprising, for the most part, candles, mouse-traps, balls of twine, bars of yellow soap--so arranged as to be suggestive of prison-windows--and limbs and wings and dead bodies of flies. These latter seem to be the peculiar attribute of shop and parlour windows in Soho. One might almost be pardoned for the supposition that every discontented fly in London makes it a practice to go to Soho and die.

The shop has its public entrance for customers, and its private entrance for the residents of the house--so private indeed, so circumscribed and squeezed up, that scarcely one out of fifty passers-by would know that it was there; and that one, seeing it by merest chance, might well be lost in wonder at the perplexing idea of a stout man struggling through the narrow passage into which the mockery of a door must necessarily open. Three bell-handles display themselves on each side of the door to snare and entrap the uninitiated; a goggle-eyed knocker (with a face so hideous that babies have gone into convulsions at the sight of it) also adds to the entanglement of ideas. For, knowing that the house contains many inhabitants who have no connection with each other, and some of whom may indeed be at variance, the uninitiated brings confusion upon himself by ringing the wrong bell or knocking the wrong knock. A woman, who lodged somewhere in the vicinity of the coal-cellar, was often the occasion of much distress to the knockers and ringers. This woman, who always made her appearance fresh from the washing-tub, and who came up-stairs invariably wiping her wet arms upon her apron, was afflicted with the perpetual conviction that a ring or a knock, whether single, or double, or treble, was certainly intended for her; and as her temper was none of the sweetest, unpleasant scenes occurred. Many a box on the ears did youthful knockers and ringers receive from the damp hands of the disappointed woman, and many an angry mother would make her appearance in the passage a few minutes afterwards and exchange shrill civilities with the bad-tempered castigator. Sometimes these angry mothers would go almost into hysterics because the woman below declined to comply with such invitations as, "Come up, and I'll show yer!" or, "Come up, and I'll scratch yer eyes out for yer!" or, "What d'yer mean by slappin' my boy Billy about on the 'ead, which was weak from a babby? What d'yer mean by it, yer minx?--What d'yer mean?" (This last fortissimo.) "Come up, and I'll tear the 'air out of yer 'ead!" After which challenges and defiances the angry mothers, with very white faces, would issue into the street, and form the centres of little knots of female neighbours only too willing to discuss the matter and express their opinions. A facetious person, who had called several times at the house, and who was never able to solve the mystery of the bells, once hit upon what he conceived to be a happy idea. He gave a postman's knock; but the rush of eager feet from all parts of the house, and the glare of angry faces that met his smiling one when the door was opened, were sufficient warnings to him never to try it again; and he never did.

In the front room of the first floor of this house sits an old man, working in somewhat idle fashion on a few wooden castors or wheels. It is Saturday on a summer evening in June. The window is open; on the sill are two flower-pots. The room, which is a humble one, is very clean and tidy, and there are evidences of comfort, even of refinement about it, humble as it is. Some cheap graceful ornaments are on the mantelshelf: a pair of shells; a shepherd and a shepherdess, condemned by the exigencies of art to live apart from each other, notwithstanding their languishing looks; and, in the centre of the mantelshelf, a vase with two of yesterday's roses in it. These roses, as they are placed in the vase, touch the photograph of a young girl, which hangs in a frame above them. She is pretty and fresh-looking, and there is a smile upon her face which induces gladness in the beholder: as spring flowers and bright skies do. On either side of the portrait, hung on a higher level, is a picture of the same young girl, disguised. On the right-hand side of the mantelshelf she is dressed in a Spanish costume; on her shoulders is a black-lace shawl arranged with the most charming negligence; and as she looks at you from behind a fan, you catch just a glimpse of laughing eyes. On the left-hand side of the mantelshelf she is dressed in the costume of a century ago, in brocaded silk dress, and with black beauty-spots on her cheeks; she wears a white wig, and, in the act of curtseying, looks at you saucily and demurely, coquetting the while with a white handkerchief which she holds in her fingers. The stove is hidden by an ornament of paper flowers, the colours and arrangement of which are more artistic than the majority of those sold in the streets. There is one singular peculiarity about the furniture in the room: everything movable is on wheels. The chairs, the table, a footstool, the very ornaments on the mantelshelf--all on wheels made expressly for them. There is no carpet on the floor; but the chairs make no noise as they are moved, for the wheels (made of box or deal, according to requirement) are covered with leather. Even the flower-pots on the window-sill have wheels, and the old man is at present occupied in making wheels for a work-box, which it is not difficult to guess belongs to the young girl whose portrait hangs above the roses. He works noiselessly and slowly, and with great care. It is evident that he is engaged on a labour of love. He handles the wood as if it were sensitive; he looks at his handiwork fondly, and holds it up to the light and examines it with loving interest. Once he rises and stands before the mantelshelf, and gazes with a tender light in his eyes at the picture of the young girl. Then he returns to his tools, and resumes his work. A slight sound disturbs him, and he pauses in his work to listen. As he listens he raises his hand to his ear, and directs his eyes towards a screen, which makes, as it were, a second apartment of the cosiest corner of the room. Something that the old man loves lies behind this screen, which is so arranged that the pictures on the mantelshelf and the roses and the ornaments of paper flowers can be seen by the person lying there. A pale, thin, bent old man is he: not bent by age, but by constant stooping; with long hair--a fringe of it only round his head--nearly white, and with a thoughtful expression on his face that would well become a student; which this old man is not, in the ordinary acceptation of the term. Among the decorations on the mantelshelf is the smallest of clocks, in a case of wood, carved most likely by Swiss hands. As the old man sits and works, a click from the Swiss clock warns him that another hour is nearly gone. "Five minutes to nine," he whispers, and he steps softly towards the screen, and moves it so that, when he returns to his seat, he can see what it has before hidden from his sight. With the exception of the click, and presently of the striking of the hour in thin bell-notes, not a sound is heard in the room; for the old man has list slippers on his feet. The shifting of the screen has disclosed a single iron bedstead, on which lies a woman asleep. She is careworn and middle-aged; and when her features are composed, a likeness may be discerned in them to the picture of the girl on the mantelshelf. But at the present moment her lips wreathe distressfully, and an expression of pain rests upon her face.

So, in this quiet room, the sick woman sleeping and the old man working, the minutes pass swiftly, and the click of the little Swiss clock is heard again. Five minutes to ten. The old man, who has been growing restless, and who has several times gone to the bed to see if the woman is awake, grows more restless still as he hears the last click. "Alfred promised to be here by this time," he says, with an anxious look at the door as he lays his work aside. On a little table near the bed are two medicine bottles, one large and one small, which, with their labels tied nattily round their necks, look ridiculously like clergymen with their bands on. The old man takes one of these medicine bottles, and reads the directions: "Two tablespoonfuls to be given immediately she awakes, and after that, the same quantity every four hours."

"And she won't take it from any other hand than mine or Lily's," he muses. "If Alfred doesn't come home, and she doesn't wake, I must get somebody to go for Lily."

As he stands debating with himself what is best to be done, he hears a tap at the door. It heralds the appearance of a young woman, one of the lodgers in the upper part of the house. She has her hat and shawl on, and a basket is on her arm.

"Ah, Mrs. Podmore," he says abstractedly, "will you step inside?"

"No, thank you, Mr. Wheels," she answers; "I'm in a hurry. How's your daughter to-night?"

"Not so well, not so well," he says. "She's wandering a little, I think. The doctor was here in the afternoon, and I could tell by his face that he thought she was worse. And I have to give her her medicine directly she wakes."

"I'm sorry she's not well. We've all got our trials, Mr. Wheels! My sister's little boy's down with the fever too. I'm going to take a run round to see how he is."

"Not serious, I hope?"

"I don't know," replies Mrs. Podmore gravely; "he seems to me to be sinking--but we're all in God Almighty's hands. One thinks of one's own, Mr. Wheels, at such times. Thank God, our little one's upstairs, asleep, safe and well. But we feared we was going to lose her in the spring, and I never see a child struck down but I think of her."

"I often think of little Polly, too," says the old man sympathisingly, "and of how near she was to death. Do you remember how Lily grieved?"

"Remember it!" exclaims Mrs. Podmore, with grateful enthusiasm. "I shall remember it to my dying day. What I should have done without her I don't know. When Polly was a-laying there so quiet and solemn and white, and my heart was fit to break, Lily used to come and cheer me up. She was the only comfort I had, bless her kind heart and pretty face!"

"Yes, yes," cries the old man eagerly; "and how Polly took to her after that! and how fond she was of my girl! But who could help being that--who could help being that?"

"I had enough to do, what with looking after Jim and Polly," continues the homely woman. "What with keeping the place clean and sweet, and making the things the doctor ordered, and mending Jim's clothes, and getting his dinner and tea ready for him every morning before he went out; and what with him coming home dead-beat and worried with anxiety about Polly, I wonder how I ever got through with it. As for doctors, my blood curdles again when I see them looking so steady and cold at somebody that's a-dying before their very eyes. Our Polly had been abed nigh upon three weeks, when the doctor comes and looks at her and feels her pulse, and shakes his head. My eyes was never off his face for a second; and when I saw him shake his head, I turned so faint that I thought I should have dropped. He was going away without a word, when I stopped him in the passage. I tried to speak, but I couldn't, and I thought it was cruel of him to be so particular about buttoning his gloves, while I was in that state of agitation that I could hardly stand. 'Don't take on so, Mrs. Podmore,' he said; 'you've done your best, and that ought to be a consolation to you.' As if anything could have been a consolation to me! I asked him if he couldn't give me a bit of hope; but he shook his head again, and said, 'While there's life there's hope.' I knew what that meant, and I had to catch hold of the banisters to steady myself. Then I went and sat by Polly's bed, and began to cry. It seemed to me that she was gone from us already, and that home wasn't home any more. And I was frightened when I thought of Jim. His heart's bound up in Polly, you see, Mr. Wheels; they used to have quite a little play between them of a morning. She'd creep close to him in bed, and put her arms round his neck, and there they'd lay a-cuddling one another for half an hour before he had to get up. When he had had his breakfast and had kissed her a dozen times, and was out in the passage going to work, she'd call him back and make fun of him, and they'd laugh together that cheery like that it did my heart good to hear 'em. Sometimes she wouldn't call him, and he'd wait in the passage. She knew he was waiting, and she'd set up in bed, with a cunning little smile on her lips, and her head bent forward, and her pretty hand raised, listening. He knew what was going on inside that little head of hers, and he'd stamp his feet and pretend to go downstairs. Then she'd call out to him, 'Father, father!' and he'd say, 'Here I am, Pollypod!' and they'd have another romp together, until he said, 'Now I must be off, Pollypod!' and away he'd run, waking half the people in the house with his clatter. I was always easy in my mind about Jim when he went away like that. I thought of all this after the doctor gave Polly up, and I was frightened. Jim was very late that night, and Lily was with me when he came home. 'How's my little Pollypod?' he said; but he didn't wait for an answer--he saw it in my face. I thought he'd have gone mad; but we got him quieted after a bit, and Lily sat up with me that night watching. Well, it was a little past four o'clock in the morning, and Jim was asleep, and Lily and me was watching and fearing, watching and fearing! Ah! it's an anxious time that watching of a night, when you fear you're a-going to lose something that's dearer to you than life! The tick of the clock then isn't like the tick of the clock at any other time. It seems to bring a warning to you, like; it sounds so solemn, that it brings a creeping feeling on you, and you're almost too frightened to look over your shoulder. That night we could have heard a pin drop, everything was so quiet. Polly was so still that I put my face close to hers on the pillow to catch her breathing, and I was laying like that when she opened her eyes quite wide. It gave me a dreadful turn, for I didn't know what was going to happen. But she opened her eyes for good, thank God! 'Where's father?' she asked. I couldn't have heard her, she said it so soft, if my face hadn't been close to hers, and if my heart hadn't been in my ears. 'Where's father?' she asked. I motioned to Lily, and she woke Jim; and Polly moved her thin little hand towards him and smiled. She wanted to put her hand on his neck, but she was that weak she couldn't. So Jim, with the tears running down his face, but making believe to laugh as if they was having a game together, puts his face quite close to hers, and kisses her, and from that moment Polly mended; and father and her they romp together in the morning as they used to do, and pretend more than ever, I think."

Here Mrs. Podmore wipes her eyes, and asks the old man to forgive her for being such a gossip. "I've come to ask you, as you're going to stay in, to tell Jim, if he comes home before I'm back, that I won't be gone long."

"I'll tell him; and perhaps, Mrs. Podmore, you wouldn't mind my asking your husband if he would go to the music-hall, and bring Lily home. I can't leave my daughter, you see, and Alf's not here, and I don't like the idea of Lily walking through the streets by herself."

"Ask him and welcome," says Mrs. Podmore; "but, love your heart Mr. Wheels, Jim'll be that sleepy when he comes upstairs that I don't think he's to be trusted. He can hardly see hisself home when he's done work, he's that worked off his legs; and he's worse on Saturday than on any other night. How he manages to tumble through the streets is more than I can tell; it's a mercy he ain't run over. He always waits in the passage for me to come and help him up, and when he is up, he tumbles down dead beat. That's why I asked you to tell him about my being out, you being nearest the street-door. To be sure Jim is a little brighter sometimes than others, and he may be so to-night."

The old man clings to this hope, and nods to Mrs. Podmore, who hurries out of the house. Then the old man falls to counting the seconds until Mr. Podmore makes his appearance. He has not long to wait. In a short time he hears the street-door opened and slammed-to. "That's Mr. Podmore," says the old man, starting from his chair and listening anxiously; "I hope he's not too tired to go."

Mr. Podmore seems to be not only too tired to go, but too tired to come. When he has slammed the street-door, he leans against it, and dozes. He has no need to close his eyes, for they were closed when he opened the door. He remains in this position for a few moments, then shuffles along the passage. Coming to the stairs, he sits upon the lowest step, and yields to the soft-sleeping murmurs which are overpowering him. Rousing himself, he sets himself in motion again, and begins to ascend the stairs, dragging his feet wearily, and falls asleep again before he arrives at the landing. In this way he reaches the old man, who is waiting to speak to him, and who is already tormented by the fear that this is not one of Mr. Podmore's bright nights.

Mr. Podmore is followed by a dog--a rough, yellow Scotch terrier--every hair in whose body bristles with watchfulness. It is a small dog, viciously faithful, and as it waits patiently and intelligently upon its master's movements, observing every motion with its watchful grey eyes, it declares clearly, "Here am I, wide awake, and armed at all points. Touch him if you dare with any but a friendly hand! Address him at your peril in any but a friendly voice! I'm on guard, faithful and true, and I can distinguish friends from foes. I can smell them." No signs of impatience are visible in the dog's demeanour at Mr. Podmore's slow progress upstairs. It follows its master's footsteps with serious attention, watches while he dozes, pricks up its ears as he sets himself in motion again, and now stands on the landing before the old man with its nose close to its master's legs.

"Good-evening, Mr. Podmore," says the old man.

"Good-evening."

He blinks at the light which the old man holds in his hands, closes his eyes, and shows so decided a disposition to lean against nothing, that the old man has to save him from falling. This arouses him for a moment, and seeing the door open, he staggers into the room, and sinks into a chair. He is a well-made man, thirty years of age perhaps, and belongs unmistakably to the working classes--to one of the most perilously-worked of the working-classes. He carries a blue-cotton pocket-handkerchief containing an empty basin and plate which has held his dinner, and his hands and face are black with dirt. As he sits in the chair, having fallen rather heavily into it, the dog stretches itself under the seat, with its nose between its master's legs. You can see nothing of it but the tip of its nose and its two watchful grey eyes, steady and clear and humid, on the look-out for squalls.

"Where's my wife?" murmurs Mr. Podmore drowsily.

"She asked me to tell you," replies the old man, regarding Mr. Podmore doubtfully, "that she's gone to see her sister's child, who is ill. She'll be back soon."

"All right," says Mr. Podmore, upon whose ears the old man's gentle voice falls so soothingly that the soft sleep-murmurs take more complete possession of him; he sways forward in his chair, and is on the point of falling to the ground on his face, when he recovers himself by a sudden convulsive movement.

"Hush!" says the old man, casting an apprehensive look towards the bed. "Don't make a noise."

"Never fear," murmurs Mr. Podmore. "I have enough--noise--every day--to last me--my life-time."

He does not say this all at once, but breaks off two or three times to doze. Seeing him in this condition, the old man relinquishes his intention of asking him to go for Lily; his great anxiety now is to get rid of the tired-out man. But Mr. Podmore, overpowered by exhaustion, and wooed by the quiet that prevails, is so desperately bent upon falling into a deep sleep, that the old man has much difficulty in arousing him.

"Come, come," he urges, "rouse yourself, Mr. Podmore. Don't you think you would be more comfortable in bed?"

"I'm comfortable--enough," says Mr. Podmore, leaning his head on the old man's breast; "if you'll--let me be. I'm dead--beat. Where's my--precious--little Pollypod?"

"Up-stairs. Waiting for you. I want to take you to her."

Mr. Podmore rises unresistingly, and they stagger up-stairs to his apartment on the third floor. The dog follows them. A candle is alight in the wash-bowl, and Pollypod is in bed, asleep. The dog, satisfied that a safe haven is reached, leaps upon the bed, and after licking Pollypod's face, curls itself at the foot of the bed, following its master's movements now with lazily-watchful eyes. Mr. Podmore clings to the old man, who assists him on to the bed, and determines to wait until the tired-out man is asleep. Mr. Podmore, nestling close to Pollypod, thinks it necessary to enter into an explanation before his senses entirely desert him, and he mingles his apologies with expressions of endearment towards his child.

"You see, Mr. Wheels," he murmurs, at intervals, "When a man's--a pointsman--(my little darling!)--and has to be at it--fourteen and sixteen and eighteen--hours a day--he ain't accountable--for hisself. The company says--he is--and the public says--he is; but I'm--a pointsman--and I know--better. (Don't I, Pollypod!) I've been on duty--now--since five o'clock--this morning--and I'm dead--beat. (Dead--beat, Pollypod!) What'd the public--say to that--if they knew it? I'm dead--beat--and I ain't accountable--for myself. (Am I, my pretty?) I wish the public--and the company--'d try it theirselves,--for a month. (To-morrow's Sunday, Pollypod, thanks be!) Last week--there was a--a accident--on our line--you saw it--in the papers. One woman--was killed--and others was--shook. The papers had articles on it--and the pointsman--who was dead--beat--was took in custody--and the coroner--said--said—"

But what the coroner said is not repeated on the present occasion, for Mr. Podmore falls into utter unconsciousness, and being undoubtedly as dead-beat as it is in the power of mortal to be, sleeps the deepest of deep sleeps. While the faithful dog, cozily coiled up on the bed, blinks and blinks at the candle, in a state of uncertainty as to whether a lurid star which gleams in the long dull wick is friend or foe.

CHAPTER II.

IN WHICH DRIBBLE JUNIOR DISCOURSES ON CO-OPERATION.

The old man, leaving Mr. Podmore in paradise, walked slowly down-stairs, and paused before a door on the second landing, on which was inscribed--again in yellow round-hand on a blue ground: "Umbrella and Parasol Hospital. Knock and enter." After a slight hesitation, he knocked and entered.

J. Gribble junior was hard at work mending ribs and bones, and speedily recovering frames on moderate terms. Mrs. J. Gribble junior was also hard at work on silk and gingham. The heir of the house of Gribble junior was asleep in a corner under an umbrella tent.

There could not have been fewer than a hundred umbrellas and parasols in the room, and there was not one of them which did not show signs of having seen a great deal of life--evidently much more than was good for it. Here was one reclining against the wall, surmounted by a great knob set upon one side of its head. It had a rakish and dissipated air, and seemed to declare that it had been out late at nights, in all sorts of company and all sorts of weather, and liked it; and that when the slits in its silk coat were mended, it intended to resume its dissolute life. Here was one, a sad-looking gingham, very faded and worn, telling by the plainest of signs the story of its poor life and that of its owner. In your fancy you could see the faded gingham, on its rickety frame, being borne along through wind and sleet; and if you peeped beneath the awning you would see a patient-looking woman, meanly dressed, and you would know, without being told in so many words, that the burden of life had withered all the roses that once bloomed on her cheek; for a dozen years since she could have been but a girl, and could not have been otherwise than pretty. Here was one, thin and sleek, with ivory handle, which said, "I am faded gentility." It needed no great stretch of the imagination to see the hand in its well-worn and much mended glove that had clasped that handle in the streets for many months. Here was one which proclaimed, "I have been dropsical from early youth, and there is no cure for me;" and indeed all Gribble junior's skill would not avail him if he endeavoured to get the bulge out of it. In addition to these and other types--almost as various as the types to be found in human beings--were naked umbrellas and parasols which had been stripped of their clothing. Here was one battered and bruised, with half-a-dozen ribs broken. Here was one which asserted proudly, "I am Paragon, and I glory to show myself!" Here was the dainty frame of a parasol standing like a shamefaced girl by the side of the frame of an old-man umbrella that had led a bad life.

"Ah, Mr. Wheels!" said Gribble junior. "I thought it was too late for a patient.--Mrs. J. G., a chair."

"Thank you, thank you, Mr. Gribble," replied the old man. "I'll not sit down, please. The little one well, Mrs. Gribble?"

Mrs. Gribble junior went to the umbrella tent, and softly raised it. But the face of the heir of the house of Gribble junior was hidden by a parasol, of which the child had made an inner tent, like the box-within-a-box Chinese puzzle, and which it held tightly in its hand.

"Quite well, thank you, Mr. Wheels," said the mother. "How is your daughter to-night?"

"I don't think she's improving. She wanders a good deal."

Gribble junior, who had been gazing with a satisfied air at the umbrella tent, nodded gently two or three times to express sympathy with the old man, who remarked, speaking of the child, "He takes to the business early, Mr. Gribble."

"Took to it from a baby," said Gribble junior complacently. "He sucked in the umbrella and parasol business with his mother's milk, as a body might say. For the top of his cradle was made of two umbrellas, and when he opened his little eyes and looked up, the only roof he saw, until he could crawl, was a roof of silk and whalebone. Nothing like commencing young! That there young un's going to be a useful member of society. I made up my mind to that before Mrs. J. G. made up her mind to present him to me, as a body might say. He can use his left hand as well as his right. No rights and lefts for me. They shall both be rights. It's robbing a young un of half his chance in the world to train him up to a useless hand. You might almost make up your mind to train his left leg to limp. That's not the way to keep moving. I shouldn't wonder if, when the young un's a man, he invents a new umbrella to astonish the world and make our fortunes."

The old man smiled, and remarked that Gribble junior was at work late.

"Obliged to be. My motto, you know--keep moving. I always think," and Gribble junior sent a pleasant merry look in the direction of the old man, "that it's going to rain to-morrow, and that people'll want umbrellas."

"Very good of you, very considerate," murmured the old man.

"It wouldn't be so bad," continued Gribble junior, "if other people, whether they're professors of anatomy or not, would think the same way; if they'd think it was going to rain to-morrow, and if they'd prepare their umbrellas to-day--as a body might say."

"Surely, surely," said the old man, contriving by an effort to arrest his wandering thoughts. "And how's business, Mr. Gribble?"

"Never was so bad," replied Gribble junior cheerfully. "Father's experience'll carry him a good deal farther back than mine will, as you may guess, Mr. Wheels, and he says times never was so bad as they are now."

(It is remarkable, be where you will and at any period, here or in any other part of the world, now or twenty years since or twenty years to come, that "times never were so bad" as they are certain to be at the moment of inquiry.)

"What is the cause of the bad times?" asked the old man, who had not yet found the opportunity of introducing the object of his visit, and who knew that Gribble junior must always "have his say."

"Well, Mr. Wheels," said Gribble junior, hammering softly on a dislocated rib, "some will have it it's because the Queen don't come out more; but that's an old cry, and I don't believe in it. Though I think it would be better if the Queen came amongst us more than she does. It's queer how people will stick to old cries. Old cries are like old boots. You wear tight boots long enough, and they'll become easy and comfortable, and you don't like to throw 'em off. Father says it's the co-operative stores, and he's bitter on 'em accordingly. If father's got a sore place, it's co-operation. You should start him on the subject one night; he'd open your eyes for you. There isn't an article you can mention that co-operation hasn't laid hands on--except cats'-meat, perhaps. The co-operative men don't draw the line nowhere, except at cats'-meat. There isn't a thing that father sells that they haven't gone into: not that father's business is the only business that's put upon. They go into coffins, and that's going far enough, I'm sure--as a body might say. They take a penny off everything; tallow-dips, yellow soap and mottled. As for scented and brown windsor, father hasn't sold a cake for a month. And if things don't sell, they spoil. Dust won't be denied. Then soap withers. It's like us, Mr. Wheels; the bloom goes off, and we ain't worth as much a pound as we were once on a time. We don't weigh so much neither: the sap goes out. Flies make inroads. They're like co-operation; they touch everything. The very mouse-traps get blown. As for what ought to be inside of 'em--mice--I needn't tell you what a hole they make in profits. I pity the small grocers now that co-operation's got hold of things."

During the brief pause that followed, the old man listened for a sound from the sick-room. Mrs. Gribble observed his anxiety, and knowing her husband's weakness when he was on a favourite theme, rose and said,

"Do take a chair, Mr. Wheels. I'll go and sit in your room for a few minutes."

The old man gave her a grateful look as she went out, and sat down patiently. He had not, long to wait before Gribble junior resumed.

"When trade began to fall off, I painted that sign outside for father, and I think it did a little good, but not much. Trade soon fell back again, and co-operation kept moving. Then he wrote, 'Down with co-operation!' on a bit of writing-paper, and put it in the window, as if that'd stop it. I told father not to do it, but he wouldn't take my advice. What's the consequence? The paper's fly-blown, and co-operation keeps moving. Father says he doesn't know where it's going to stop, and what's going to be the end of it, and says that people ought to set their faces against it. But catch 'em doing it when they think they can get a penny off everything, and catch 'em doing it as long as the women's got the buying of things. When they get the chance of making the market penny, they're sure to try and make it into the market shilling That's the way of women, bless 'em!"

The old man nodded in satisfaction, for although Gribble junior's words might have sounded very like grumbling from another man's lips, they bore the most refreshing construction as they fell from his. He had one of the pleasantest faces that eyes ever looked upon, and his voice was as pleasant as his face. Everything about this small plump man was round and agreeable. He was one of that kind of men who go out walking with their wives on the day of rest, and who carry their babies in the streets, and enjoy it. Gribble junior was often seen in this position, and, as he walked along by the side of his wife, would occasionally hold up his son and heir to the gaze of the public, as much as to say, "Here he is; he can use his left hand as well as his right, and is going to keep moving. Here is the cleverest baby in the world: what do you think of him?" There is a great deal of character to be learnt by observing the manner in which fathers carry their babies in the streets, and notwithstanding that the custom is considered by the majority of people to be namby-pamby, it is often not an unpleasant sight to witness. One father carries his treasure carefully and proudly, and proclaims, "This is Ours, and we think all the world of it!" While another holds his burden loosely, and proclaims, "This is Ours, and I wish it was Yours!" See this last specimen of the British father slouching along, and his wife walking discontentedly a few steps behind him. He carries his baby in the most uncomfortable of positions, with its head hanging down. He is a miserable dissatisfied man. He does not look this way or that, but straight before him, surlily and wearily. He seems to say, "A nice kind of thing this is, after my hard week's work! I can't go out for my Sunday walk without dragging the brat along with me. What a fool I was to get married!" And though really the burden is as a feather's weight in the strong man's arms, his discontent makes it as weighty as so much lead. There isn't a bright bit of ribbon in the child's dress, and if you could see into the man's heart, you would learn that it would not be a very great grief to him if the child were to die quietly in his arms. You may depend upon it that the home of this man and woman is not a happy one, and that life is truly a burden to them. See this other and better specimen. Working-man father and working-woman mother, in precisely the same position of life as the discontented man. He carries the baby carefully and tenderly, and the mother walks briskly by his side. There are refreshing bits of colour about the woman's dress, and the baby's dress is, pretty and bright. Sometimes the man pauses, and his wife uncovers the baby's face, and they both look at it lovingly while she makes a fuss and pretence about setting something right with the baby's hood. He gazes about him cheerfully and seems to say, "This is one of my brightest bits of sunshine. I shouldn't enjoy my Sunday's walk without it. What a happy day for me was the day I got married!" And he thinks that soon--in twelve months, perhaps--his little treasure will be able to toddle along by his side, and throw bread to the ducks in the Park. And though the child is plump and heavy, love makes it light. Happy father! Happy home!

No such reflections as these passed through the mind of Gribble junior as he continued the enunciation of his sensible philosophy.

"My way is, to take things as they come, and to keep moving. You knock your head against things, and you're sure to rasp your skin. What's the use of fretting? You only chafe yourself, and nobody takes any notice. Make the best of things. That's what I tell father; but he doesn't agree with me. The consequence is, that he shows his weak hand, as a body might say. And that's not wise. If you have a weakness, keep it to yourself. Don't let the world see it. Father said to me one night last week when he was shutting up--(he'd only taken three and fourpence the whole day, and that's enough, I own, or isn't enough, perhaps I ought to say, to drive a shopkeeper wild)--that if he could catch hold of a co-operation manager, he'd pitch into him. I told him that if he did, he'd very likely get locked-up for it; and he said, 'Never mind, I shouldn't be the only martyr that's suffered in a good cause.' The fact is, Mr. Wheels, father belongs to the old school--he won't keep moving; and as all the world's on the move, he's left behind. I belong to the new school; and I run along with the tide as fast as I can. Mrs. J. G. belongs to the new school, and so does her brother. His name is Thompson. He's got a shop about half a mile from here. He advertises himself everywhere as Thompson the Great. He has thousands of bills circulated: 'The great Thompson! the unrivalled Thompson! Thompson the First! Come and see him to-night. No charge for admission. Where's Thompson? Who's Thompson?' That's his style. He has an illumination over his shop every night, with his portrait in the middle--although he's not a handsome man by any means. And what do you think his business is? He keeps a little paper-hanging shop. By-and-by he'll have a big paper-hanging shop. He keeps moving."

Here Gribble junior gave a finishing tap to the patient in hand, and whipped off his apron.

"I've done work for the night," he said.

At the same moment Mrs. Gribble entered, and whispered to the old man that the woman down-stairs was sleeping soundly.

"That's where it is," said the old man, with a disturbed look; "that's what I've come in for. She's got to have her medicine given to her directly she wakes, and she won't take it from any other hand than mine or Lily's; and it's now half-past ten o'clock, and I ought to be at the Hall to bring Lily home, although it'll be an hour yet before she's ready. Lily can't walk home by herself, especially on Saturday night, when there are so many roughs about and so much money spent in drink."

"Where's Alf?" asked Gribble junior.

"I don't know; he promised to be here at ten o'clock; but he hasn't come."

"Do you want Mrs. J. G. to sit with your girl down-stairs while you go and fetch Lily?"

"Didn't I tell you," said the old man fretfully, "that my daughter's got to have her medicine given her directly she wakes, and that she won't take it from anybody but me or Lily?"

"Well, then," asked Gribble junior, with great good-humour, "do you want me to go and fetch Lily?"

"Yes--yes--yes," with a jealous little sigh between each yes, as if the speaker were unwilling to give to another a task that he would fain perform himself. "I came in to ask you. I thought of Mr. Podmore at first; but he's dead-beat."

Gribble junior's coat was off before the old man was finished, and he was plunging his face in water.

"What makes Lily late to-night?" he called out in the midst of his plashing.

"They've changed the programme, and she's got a new song to sing; and her turn won't come on until past eleven o'clock. The manager's an artful man, and knows what an attraction Lily is; the people'll stop to the last to see her pretty face and hear her pretty voice. My Lily!" He uttered the last words softly to himself, in a tone of infinite tenderness. "Here are the tickets. This admits to the Hall; show it to the man at the door, and he'll let you in. Wait until Lily comes on; and when she has finished--which'll not be until they call her back two or three times--go out at once, and ask your way to the stage-door. This ticket'll admit you to the side of the stage. Tell Lily I couldn't come because mother's not awake, and that I've sent you to take care of her, and to bring her home."

"All right," said Gribble junior, twisting himself into his coat, delighted at the opportunity of getting free admission to a music-hall. "Get supper ready, Liz, by the time I come back. I'll bring Lily safe home, Mr. Wheels."

With a parting nod, the cheerful little man skipped down the stairs and into the street, and the old man went back to his room. The woman was still sleeping. He took up the work-box on which he had been working, and looked at it affectionately. "My Lily!" he murmured again, in the same tone of tenderness he had used before; and so sat musing, with that yearning of deep love which is almost painful in its intensity. Soon the Swiss clock struck eleven, and the old man laid the cloth for supper. There was the little cruet on wheels, and the breadbasket, and the salt-cellar; and each plate and dish had a wooden rim on the bottom, in which very small wheels were inserted. He took these and the remains of a small joint of roast beef from a cupboard on the landing; placed the vase with the roses in it in the centre of the table; went out for beer; and when he returned, arranged the supper-things again and again, until he was satisfied that everything was in the exact place to please his darling.

CHAPTER III.

INTRODUCES THE ROYAL WHITE ROSE MUSIC-HALL.

Gribble junior had the finest spirits of any man in London. Nothing jarred upon him. From the days of his infancy, when he used to munch his knuckles contentedly, to the present time, he was never known to be out of temper. He had never had a ten-pound note to call his own, and he was always blithe and happy. His father had been a struggling small tradesman all his life, taking just enough over his counter to keep body and soul together, as he expressed it; and therefore, although Gribble junior was his son, he could scarcely be called his heir. But the lucky junior came into a rare inheritance from his mother--the inheritance of a cheerful nature. Such a patrimony is worth more than great estates and much money.

He was in one of his happiest moods as, in accordance with his own maxim, he pushed along and kept moving towards the Royal White Rose Music-hall. It was not ten minutes' walk from his lodgings in Soho; but it might have been situated in another land, so great was the contrast between his quiet street and that in which the Royal White Rose asserted itself. The difference between the two localities was something similar to that between a poor peaceful woman treading life's path humbly and unassumingly, and a flaunting shameless madam, painted and bedizened, with everything glaring and everything false about her. The narrow pathway that led to the Royal White Rose was almost blocked up by the busy crowd of men and women and boys and girls with which it was filled. The living stream moved, it is true; but the waters were unhealthful and turbid, and ran sluggishly. In one part of the thoroughfare it was dark, and the shops were closed; in another--that portion which was in immediate contiguity to the Royal White Rose--every shop was open and driving a busy trade. Hansom cabs, with senile men and painted women in them, were rattling along; man-rakes and boy-rakes--from the twelve-year-old smoking his penny cigar with his hands in his pockets, to the fifty-year-old with his hat on one side and his black whiskers and dandy cane--sauntered idly this way and that, and often stopped to exchange light words and looks with the girl-rakes and women-rakes, who out-vied them in numbers and boldness. Unrestrained license prevailed in this saturnalia. Laughing indecency, painted misery, and flagrant violations of all that is modest and good, unblushingly proclaimed themselves in the very eye of the law. The corruption was open. There was no attempt at disguise in this legalised Mart of Shame, through which, as it forms an important lung of the City, many good men and women must necessarily walk. How innately pure must be that rose of modesty that can escape defilement, when brought into contact with it!

The Royal White Rose Music-hall was situated almost in the centre of the Mart of Shame, and Gribble junior paused for a moment at the entrance of the Hall, which was blazing with light. Dozens of pompous and fascinating announcements, in the largest letters and in the most brilliant of coloured inks, lined both sides of the passage which led to the pay-place. Upon these announcements Gribble junior gazed admiringly. The Great This will appear. The Great That was engaged. The Inimitable Noodle, who had been patronised by Royalty, would sing his choicest songs. The Flashiest Man in London to-night. The Pretty Lily at half-past eleven. The Incomparable Lackbrain (the Pet of the Drawing-room) would sing "Fie, for Shame!" and "The Only Way to enjoy Life." And so on and so on.

Gribble junior made his way into the Hall, which was crowded to excess with flash men and women, with working people of both sexes, and with boys and girls sucking in bad and foolish lessons eagerly. The Incomparable Lackbrain was on the stage, singing "Fie, for Shame!" to the intense delight of his hearers. He was a tall lank man, with a painfully vacuous countenance, and "Fie, for Shame!" was the recital of the doings of a young man and a young woman who had met on a penny steamboat, and whose vulgar words and allusions continually elicited from one or the other the exclamation, most enjoyably uttered, "Fie, for Shame!" The title of the song was the refrain of the chorus, in which the audience were invited to join by the singer. Amazing were the zest and vigour with which they complied with the invitation; the men and women laughed and winked at one another, and cried, "Fie, for Shame! Fie, for Shame!" and when the Incomparable disappeared, after many an ungainly slouch, they clapped their hands and shouted for him to return. The Chairman struck twice upon his bell, and the well-known signal provoked another burst of applause. In the interval between the songs, Gribble junior observed and admired; for it would be useless to deny that the honest fellow enjoyed the scene immensely. His ticket admitted him to the stalls, where the Chairman, with a dyed moustache and a large nose, sat upon his throne, the cynosure of a thousand admiring eyes. Gribble junior managed to squeeze himself into a seat near this potentate, who was looked upon with awe by the youthful portion of the audience, and whose chief duty appeared to consist in smoking unlimited cigars and drinking unlimited brandies and whiskies hot at the expense of certain favoured frequenters of the Hall. In the programme, which Gribble junior had purchased for a penny, was a portrait of the Chairman, in which his large nose was considerably toned down, as a body might say (to use one of Gribble junior's favourite phrases), and his moustache presented a noble and imposing appearance. A biography of the distinguished man was also given, in which he was credited with many rare qualities, and from which you would infer that his career was one of spotless virtue; but had you been aware of the true facts of the case, you would have regarded the biography with considerable doubt. Gribble junior read also in the programme an advertisement of an eminent music-seller in the West, who had published those justly popular and refined favourite songs, "Fie, for Shame!" and "The Only Way to enjoy Life!" with a portrait of the composer on the title-page. As he was reading this, the band struck up a well-known air, and the Incomparable Lackbrain appeared in an outrageous costume to instruct the audience in "The Only Way to enjoy Life." According to his laying down of the law, the only time to enjoy life was after midnight; the only place, in the streets; and the only method, to drink champagne and brandy hot until you reeled home to your bed at three o'clock in the morning in a state of intoxication. The Incomparable illustrated the last phase. He set his hat at the back of his head, pulled his hair over his eyes, untied his cravat and let it hang loose, hitched his coat off one shoulder, buttoned his waistcoat awry, and pulled one leg of his trousers nearly up to his knees. In this condition he reeled about the stage, and drivelled and laughed like an imbecile; and, having thus distinguished himself, retired, after an egregiously stupid speech, in which he returned ungrammatical thanks to his admirers for their appreciation of his efforts. Then another singer appeared, who sang only one song; for as this was the last night of his engagement, it was the Chairman's policy to show by his indifference that the popularity of the Royal White Rose Music-hall would not be diminished by the retirement of this performer. Consequently he did not lead the applause by rapping on the table with his little hammer, and did not give the usual signal on the bell for the singer's reappearance. But he did rap very loudly before he rose to announce, with great pleasure, the fascinating Lily; and when he sat down he led the applause smartly and vigorously. Gribble junior was not the only one who joined in the applause with spirit. Nearly every person in the Hall lent a hand, and great clapping came from a private box at the corner of the stage, towards which many a curious and envious gaze had been directed during the night. There was a little table in that box, on which were a champagne-bottle and glasses, and two gentlemen were there, one sitting and the other standing. The one who was standing was the well-known manager and proprietor of the Royal White Rose Music-hall, and every now and then he leant from the box and surveyed his patrons, some of whom nudged each other, and pointed him out as the great manager who had risen from nothing. About an hour ago a bottle of champagne had been sent down from the box to the bottle-nosed Chairman, who had filled his own and one or two other glasses, and, before he drank, had looked towards the donor with a half-respectful, half familiar glance. These small circumstances had rendered the box an object of interest to the audience.

A working-man said to his wife, "There's a swell up in that box; he's drinking champagne, and treating the manager."

"What's champagne like, Bill?" the wife asked.

"Don't know; never tasted it," was the gruff rejoinder.

"It must be dreadfully nice," said the wife, with a woman's longing for things.

These paradoxical phrases are not confined to working-women; ladies in polite society are in the habit of giving utterance to such unmeaning combinations of words that we may expect presently to hear certain matters spoken of as sweetly murderous or delightfully disgusting.

The gentleman in the box, then, who sat with his back to the audience, applauded energetically when the fascinating Lily was announced, and the manager, as in duty bound, applauded also, but more graciously than the other.

"You've only seen her once," observed the manager.

"Only once," replied the gentleman. "I strolled in last night to kill half an hour, and was surprised to see such a little beauty come on the stage. How long has she been out?"

"Nearly eight months. There's nothing very striking about her, but she's pretty and simple and innocent—"

"Pretty--and simple and innocent!" interrupted the gentleman, with a light laugh.

"Yes, I'm hanged if she isn't!" exclaimed Storks energetically.

"And been in the Royal White Rose Music-hall, or any other music-hall, rose or dandelion, for eight months?" interrupted the gentleman again, in the same light manner.

Manager Storks looked displeased. "You've got the common notion," he said; "because a girl's a ballet-girl or a singer, she can't be honest, I suppose! You don't know so much about them as I do, that's clear."

It came into the gentleman's mind to answer, "I don't suppose I do; I didn't marry a ballet-girl." But as Manager Storks did marry a ballet-girl, who was a good and industrious wife, and as he was at present master of the situation, the gentleman wisely held his tongue. Storks proceeded:

"I could show dozens of ballet-girls who'd reckon you up in no time, and who'd snap their fingers at your—"

"There, there!" cried the gentleman, putting his fingers in his ears. "Stop it, there's a good fellow. I don't want a lecture upon the virtues of ballet-girls. I only meant that it's against the order of things for a pretty girl to be in a music-hall for eight months, and to be as simple and innocent as you make out Lily to be. She may be as goody-goody as a missionary's daughter, for all I care."

But although he expressed himself in this indifferent manner, he was not at all indifferent when Lily came on the stage.

"By Jove!" he exclaimed, under his breath, "she is a little beauty!" And he clapped his hands, and threw a handsome bouquet to her.

As Lily stooped and picked up the flowers, the applause was redoubled. She stood before the motley assembly with the flowers in her hand, and her sweet innocent face beamed like a star amidst the atmosphere of smoke and heat. Truly, what had been enacted previously within the Royal White Rose Music-hall gave the lie to the title; but here was a rose, a pure white rose, which justified it. She was dressed in white silk, and had white flowers in her hair. She recognised Gribble junior, and gave him a little smile, which filled him with delight and made him look round with pride. The gentleman in the box saw the smile, and the individual at whom it was directed.

"Does she know that cad down there?" he asked of Manager Storks curiously. He would have given something for such a smile, but Lily did not raise her eyes to the box.

"Seems like it," was the reply.

"He looks like a potman. Hush! What a sweet voice she has!"

The sweetest of voices--pure and fresh, sounding strangely indeed in such a place. There was not one in the Hall to whom her simple song and almost childlike manner did not afford pleasure. "How pretty she is! How young! Is that hair all her own? She paints o' course. What a stunnin' little foot she's got! Let's 'ave 'er in agin. Ah, she'll soon get spoilt! Lackbrain's awfully sweet on her, I heerd. So is that gent in the box." Suchlike comments were made freely in the Hall, as were also a few others of a different nature. Said one painted young woman in pink silk to another in blue, "She's the very image of my sister Bess as she was twelve years ago. I've got a picture of her at home." And another, a faded woman--you could see she was that, notwithstanding all her finery--sighed and said to her companion, "That was mother's favourite song. Many's the time she's sung it to me." And the memory of the days when she led a better life acted upon her parched heart for a few moments like drops of dew. But the softening influence soon died away in the glare and the smoke and the bad surroundings.

The noise in the Hall was at its highest as Gribble junior pushed his way through the pleasure-and-pain seekers. Being directed by the attendant, he soon found himself on the stage. It was dark and almost quiet. The last song had been sung, and the last strains of music had died away; the curtain was drawn up, and the waiters were collecting the glasses and assisting to the door two or three "jolly dogs," who were unable to assist themselves.

Gribble junior surveyed these proceedings with considerable interest. It was the first time in his life that he had ever been behind the scenes, and he was surprised to find the place dirty and shabby and unattractive. Although the Hall was closed, and no more business was supposed to be done, there were a dozen persons at least drinking at a bar in a corner. The Incomparable Lackbrain, the Inimitable Noodle, and the Flashiest Man in London, were there, laughing and drinking with the manager and the gentleman who had occupied the private box. He was a fair man, in the prime of life, and had just ordered a fresh bottle of champagne. As he raised his glass to his lips, he glanced towards the stage, and saw the shadow of Gribble junior, who was advancing towards Lily.

"Oh, Mr. Gribble," she said, "how strange to see you here! Where's grandpapa?"

"He sent me for you, Lily," answered Gribble junior, "and told me to tell you that he couldn't come for you himself, because your mother wasn't awake, and he had to give her her medicine."

"You must wait a little while," said Lily, with something of disappointment in her voice, "as I have to fold my dresses. I always put everything in order Saturday night. I sha'n't be long."

And she tripped away, leaving Gribble junior looking after her admiringly, and thinking what a bright little creature she was.

"Who's that fellow?" asked the gentleman at the bar of the manager.

Manager Storks did not reply; but, being jealous of strangers, and probably having the fear of detectives in his mind, walked on to the stage, followed by his friends. When Gribble junior explained that he had come to fetch Lily home at the request of her grandfather, Manager Storks grumbled, and told him to tell the old man to come himself for Lily for the future.

"I can't have all sorts of strangers knocking about my stage," he said.

Gribble junior received the rebuke humbly; he was fully sensible of the privilege he was enjoying in being allowed to linger, if only for a few minutes, behind the scenes. Some of the singers and performers had followed Manager Storks, and they stood about in little groups, talking--not in the most refined language, it must be confessed. The luxury of adjectives was by far too freely indulged in. Gribble junior did not think so; he positively glowed with delight. Was he not almost rubbing elbows with the Inimitable Noodle and the Flashiest Man in London, whose dress and walk hundreds of boys in London were imitating! As for Lackbrain the Vacuous, his dull common face was regarded with reverence by Gribble junior. In such enchanting company the minutes flew away until Lily appeared, with the bouquet and a little bundle in her hand. Gribble junior was advancing toward her when he was pushed aside by the gentleman of the private box.

"A friend of mine is anxious for an introduction, Miss Lily," said Manager Storks.

The friend of the manager, who was introduced as Mr. Sheldrake, raised his hat, and Lily bowed and cast just a look at him; he murmured his pleasure at being introduced to such a charming lily--"the fairest flower in the entire Royal White Rose bouquet," he said gallantly. Ready of speech and smooth of manner was Mr. Sheldrake as he addressed Lily. He was not satisfied with Lily's bow, but held out his hand, on the little finger of which was a plain band of gold, in which a valuable diamond was set. Every respect was paid to the young girl, who replied with smiles and simple words to the civilities of speech with which she was greeted by one and another. Lackbrain the Vacuous offered to see her home.